Scrapbook of dated textual and illustrated newspaper clippings describing the history, society, built environment, and political climate of Philadelphia, ca. 1830-ca. 1860.

Advertisement placards [graphic].
Advertisements employing sentimental genre scenes to promote New York proprietors of "Spaldings Prepared Glue" and "Phalon & Son's Cocin for the Hair." Glue advertisement shows a mother using "Spaldings" to make a repair. She sits at a table and brushes the glue on the leg of an overturned stool as her children surround her, including a small girl holding a horse figure and an older girl holding a toddler. Scene also includes drapes, a framed painting on the wall, and a broken bowl next to the glue bottle. Hair oil advertisement shows a lady's maid applying oil to her mistress's long, dark hair in a boudoir. The lady sits at a vanity, while her children play with a hairbrush at her feet near their toys. Advertisement also shows a glass enclosed vase of flowers on a table below a framed portrait of a mustached man., Date from Poulson inscriptions., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Chestnut Street Theatre]. North East corner of Sixth and Chestnut Streets, Philadelphia. [graphic] / Drawn and engraved on wood, by D.C. Baxter, (successor to Wm. B. Gihon,)
View of the second building of the theater, built 1820-1822 after the designs of William Strickland, Pedestrians walk on the sidewalk and read playbills on display. Also shows partial views of neighboring buildings, including Hart’s Building owned by prominent Jewish publisher and philanthropist, Abraham Hart, erected 1848 (537-539 Chestnut). A gas light with a shade illustrated with a dancer adorns the Melodeon (611-613 Chestnut) and signage advertising D. C. Baxter, engraver on wood, is partially visible on Hart’s Building. Theater razed 1856., Forms part of Poulson scrapbooks, Illustrations of Philadelphia, volume 4., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Collections from fugitive sources only, illustrative of the antiquities, progress & c. of the city Philadelphia [graphic] / Vincit qui se vincit. Collected by Chas. A. Poulson.
Scrapbook containing newspaper clippings and prints, predominantly dated between 1850 and 1855, pertaining to the history and built environment, and social, cultural, and economic climate of Philadelphia. Subject matter mainly relates to improvements to the cityscape, transportation, businesses and industry; historical articles (some illustrated) about the evolution of the city, including notices of destruction of former landmarks; daily, yearly, and seasonal accounts about the weather; and reports (and prices lists) for mortality, election returns, real estate sales, city permits, taxables, debt, stock, trade, exports, and cattle, domestic, and produce markets. Articles about city improvements (some illustrated) describe new construction of churches, storefronts and factories, residences, and places of amusement, on major Center City streets and outerlying neighborhoods, including Arch Street, North Second Street, Market Street, Chestnut Street, Belmont district, Bush Hill, Germantown, Moyamensing, North Philadelphia, Penn District, the Seventh Ward, Southwark, West Philadelphia, and the “vicinity of the Navy Yard.”, Properties referenced include the American Sunday School Union (1100 block Chestnut); Bulletin Building (Third Street below Chestnut); New Presbyterian and Tabernacle Baptist churches; Major Eastwick’s estate at Bartram’s Gardens, Newlin’s Brewery (100 block N. Second), the Farquhar Building (opp. Merchant’s Exchange); Girard Buildings (Chestnut and Third); Matthew T. Miller & Co. (Third and Chestnut); New Masonic Temple (713-721 Chestnut); Stoddart & Co. (278-282 N. Second); M. Thomas & Sons (100 block S. Fourth); Cornelius, Baker & Co. (800 block Cherry Street); Caleb, Cope & Co. (429 Market); the Concert Hall; City Museum; Pennsylvania Academy of the Fine Arts; Philadelphia Gas Works; Farmer & Mechanics Bank; Howell Evans, printing establishment (130 S. Fourth); New Iron Building (600 Arch); Xavier Bazin, perfumer (Seventh and Chestnut); T.W. Evans & Co., mantle and silk store (214-216 Chestnut); and the New Assembly Building (Tenth and Chestnut)., Also contains columns from the series “Benevolent Institutions of Philadelphia” (1849); “Churches and their Pastors” (1849); “Philadelphia in Olden times” (1853); “Reminiscences” (Sunday Dispatch, 1853); “The Progress of Philadelphia”; local historian Thompson Westcott’s “Street Scenes: Philadelphia in 1798, 1799 and 1800” (Sunday Dispatch, 1853); and "Revolutionary Relics" (1854). Topics of historical pieces include Cathedral Cemetery; several churches, including Assumption, Swedes, Tabernacle Baptist and Associate Presbyterian; Videll’s Alley; Market and Chestnut streets; Centre Square; the Pennsylvania Hospitals, including for the Insane in West Philadelphia; Naval Asylum; Commissioner’s Hall, Spring Garden; Robert Morris Mansion; the "libraries of Philadelphia," including the Library Company; and the city police, Quakers and Odd Fellows., Other articles report about the consolidation of the city (including a satiric piece criticizing the grand consolidation ball); Girard College; Philadelphia medical schools, including the Female Medical College of Pennsylvania; auctions conducted by M. Thomas & Sons and James A. Freeman; meteorological reviews, reports and bizarre weather lore, including the 1850 freshet on the Schuylkill; the gas industry in the city; various city water works, including Fairmount and Schuylkill; the number and improvements to omnibuses and their lines and other modes of transportation, including steam boats, ferries, and railroads; improvements to Camden; islands in the Delaware, including Windmill Island. Additional subject matter includes temporary housing of the Post Office in the Jayne Building on Dock Street; “haunts of vice and misery,” including raffling , i.e., gambling, and dance houses; the cleaning of streets through ordinances and sweeping machines; daguerreotypist M. A. Root as the first bidder of the auction of Jenny Lind Tickets in 1850; critical and satirical articles about the newest style of men’s striped pants, the 1855 city directory, the implementation of police hats, and artificial stone fronts on houses; an 1853 benefit at the Parisian Hippodrome; and a black book at the mayor’s office for the reception of “complaints of citizens.”, Scrapbook also contains wood engravings (several from newspaper and periodicals), engravings, cameo stamps, and lithographs. Graphics include predominantly advertisements and cameo stamps. Images show the various locations of the Charles Oakford hat manufactory, including his first shop on Lombard and the mulit-tenanted building on the 700 block of Chestnut; F.C. Kropff, chemical warehouse and laboratory (380 N. Sixth); Keen & Co., manufacturers of ranges and furnaces (Broad & Sansom); J. Smith Harris, merchant tailors (61 S. Fourth); Samuel Hart & Co., manufacturers of playing cards, mother o' pearl goods, and traveling bottles (236 S. Thirteenth); Thomas J. Dickson, brush manufacturer (66 S. Second); W.H. Maurice, blank book and stationery establishment (123 Chestnut); M. Thomas & Sons, auctioneers (67-69 S. Fourth); storefront and factory for Howell & Brothers, paper hangings; the storefront and Callowhill Street manufactory of Daniel Bohler & Co., essence of coffee; Horstmann’s Manufactory (Fifth and Cherry); James Moore’s Porter & Ale brewery (700 block S. Thirteenth); Inquirer Office Building (Third and Carter); interior view of George J. Henkels City Cabinet Warerooms (173 Chestnut); the New Hat Company’s Store (201 Chestnut); John H. Weaver & Co., grocers and tea dealers (Second and Pine); Homeopathic Medical College; J.W. McCurdy & Son, ladies boots and shoes (111 Chestnut); Pratt & Reath, watches & Jewelry (80 Market;) and "View of N.A. College of Health" (Fifth and Race)., Also includes views of benevolent and educational institutions and historical buildings; clipped vignettes showing “Parlors Stoves 1854,” "Newly invented chimney top ventilator," “Fashionable bonnet,” “Melodeons” (with descriptions and prices), spectacles, shoes dated 1832, a “Prize pianoforte,” and a “Washing Machine 1854”; and clipped images of street laborers, including a boy selling lozenges, a “pandy woman” holding a baby to her chest, a female “rag picker,” a girl selling fruit, an organ grinder, “itinerant news boy,” wood collector, and a street advertiser holding a picketed sign promoting "designer and engraver [David] "Scattergood." Latter annotated “a common method of advertising through the streets.”, Several of the clippings annotated by Poulson with dates and manuscript notes., Cut out designed as a monument-like edifice with ornamental pictorial details pasted on title page. Cut out frames title written in ink. Also includes vignette pen and ink sketch showing a beaver., Note by Poulson on verso of front free endpaper: "The dates affixed to the articles in this book, all generally, those of the newspapers from which they have been cut. CAP", Artists, engravers, and lithographers include J. H. Brightly, J. Cone, George T. Devereux, [ ] Farmelee, Alfred Hoffy, Francis Kearny, David Scattergood, R. Telfer, Wagner & McGuigan, and J. L. White., "Index to set in back part of vol. XI.", Volume 7 includes separate index to volume. Index detached and housed with original of volume., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
George J. Henkels. City cabinet warerooms, 173 Chesnut [sic] Street, Phila. [graphic].
Advertisement showing an interior view of the showroom of the furniture store of premier cabinetmaker George J. Henkels. Three well-dressed couples peruse and sit on the several pieces of furniture on display. Furniture includes tables, armchairs, sofas, and breakfronts. Also shows, in the background, curtained entryways to other areas liined with furniture. Henkels, Philadelphia's premier cabinetmaker in quality and production, operated his business from 173, i.e. 509 Chestnut Street from 1850 to 1857., Date from Poulson inscription., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
H. Sebald, designer and engraver on wood. 523 Wood street, below Sixth, North Side, Phila. [graphic] : H. Sebald's designing & engraving establishment, and manufactory of tinted envelopes. Designing and engraving in all its various branches, such as portr
Shield-shaped advertisement for Philadelphia designer and engraver Hugo Sebald containing a vignette allegorical illustration. Illustration shows two draped female figures with canvases and a palette seated among barrels, an anchor, and a sculpted bust. Sea and cityscape is visible in the background. Sebald was a noted designer of Fraktur and authored a drawing lesson book in 1875 titled Zeichen-Schule (i.e., Drawing School)., Date from Poulson inscription., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Hand in Hand Fire Company, first grand citizens dress ball [graphic] : To be given Friday March 26th 1847, at the upper saloon of the Museum Building in honor of the celebration of the anniversary of the Fire Association
Invitation containing vignette scenes and pictorial and ornate border details. Vignettes scenes depict the figure of liberty with the American eagle and shield; a sailor and farmer in conversation, and couples dancing in a ballroom. Details include a hand pump fire engine; clasped hands; and filigree. Hand-in-Hand Fire Company, one of the city’s first volunteer fire companies, was organized on March 1, 1741 or 1742., Date from Poulson inscription., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., POSP 280
Hope Hose & Steam Fire Engine Co. no. 2 [graphic].
View of the fire engine built by Reaney, Neafie & Co. in 1858 for the hose and engine company founded on August 17, 1805 by male residents living near Second and Pine streets. Plates reading "Hope" and "Reaney, Neafie & Co. Builders" adorn the unhitched engine on which a volunteer firefighter attired in his uniform sits., Date from Poulson inscription., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Familton & Chemin, the partnership between Philadelphia printers J. B. Familton and Louis F. Chemin (b. 1840) was active from the 1850s until the start of the Civil War. Chemin was known as a pioneer in the use of color inks in printing.
Illustrated Philadelphia. Vincit qui se vincit. Vol. IV. [graphic] / Collected from fugitive sources only by Chas. A. Poulson.
Scrapbook containing clippings, prints, and ephemera predominately dated 1855 pertaining to the built environment, and social, cultural, economic, and political climate of Philadelphia. Contents include illustrated newspaper, periodical, and guidebook clippings describing prominent city landmarks, including cemeteries, benevolent institutions, and churches; columns reporting about city improvements; reports, lists, and statistics about mortality rates, market prices, and sheriff and real estate sales; and editorial and public interest stories related to local politics and mores, prominent trades, social events, municipal services, and city demographics. Subjects include the new Masonic Hall (history of the local organization, dedication ceremony, and description of building); the history and demolition of the second building of the Chestnut Street Theatre; the centennial anniversary of the Pennsylvania Hospital; the state of local trades, including Jules Hauel & Co.’s perfumery, the soda water business, "plaster images," lithography (P. S. Duval, p. 24), preserves and pickling (Jacob L. Wendall), milkmen, shipbuilding, manufacture of cassimeres, and over-worked and underpaid needle woman; municipal issues, including the mayor’s veto of councilmen wearing police badges, the reforms to street names and numbering, extended hours at the public squares, and the report of the Grand Inquest of 1850, including prison reform recommendations., Several articles describe new construction, predominantly churches, and improvements to the city infrastructure, particularly on Chestnut Street. Subjects include Fourth Baptist Church, First Reformed Dutch Church, First Baptist Church, Christ Church Germantown, New Moravian Church, and St. Jude’s Church;the opening of part of Delaware Avenue; the Market Street tunnel (1844); the extension of West Chester Railroad to Media; Reading Railroad Bridge; inauguration of the Wagner Free Institute; Germantown; the new offices of the Board of Surveys; the fancy and perfumery store of T. H. Peters & Co. (700 block Chestnut) and saddlery of Lacey and Phillips (700 Lodge Street); the opening of Belmont Avenue; the 1850 building season; and preservation of trees in areas of construction in West Philadelphia. Subjects addressed through editorials include the decrepit state of the Merchant’s Exchange (annotated "as written by G. G. Foster for the "Sunday Mercury"); the chimes of the Christ Church bell; the ca. 1765 cartoon “The Election, A Medley…” (p. 15); the horse market at Bush Hill; Chestnut Street and Custom House vendors; the omnibus system; a G.G. Foster article about “daylight ruffians" and their haunts; and "Negro Minstrelsy and Jakeyism." Other articles satirize "Philadelphia Customs" like cleanliness; advertise baby shows organized by P.T. Barnum and colleagues; and provide commentaries about the sale of the late Edward D. Ingraham’s library and estate; Phoebe Ann Rush’s mansion; Governor Pollock’s visit to the "colored High School in Lombard Street"; tariffs established by hotel keepers (1855); the extent of foot traffic at Third and Chestnut Street in one hour; the demographics of South Street; and stocking the Delaware with salmon., Ephemera includes seven lottery tickets, issued between 1796 and 1833, and playbills for Chestnut Street Theater and Deutches (i.e., German) National Theater. Lotteries represent the Union Canal of Pennsylvania, Washington Canal, Connecticut, Maryland, New York and Delaware. Scrapbook also includes detailed manuscript notes about "Morris’ Palace"; the Farmers & Mechanics Bank; Chestnut Street Theatre signage; "List of American Theatres"; "St. Peter’s church steeple and bells"; and "The German Theatre.", Graphic materials, predominately views and illustrations of landmarks, and advertisements, include wood engravings, engravings, and cameo stamps. Views and illustrations include images of Fairmount Water Works; "The Coal Wharves at Richmond, near Philadelphia"; Masonic Hall; Philadelphia Bank; "Front View of the American Sunday School Union Buildings, 146 Chesnut St., Philadelphia"; St. Mark's Church; the Philadelphia Library (i.e., Library Company); and the Orphan Asylum. Advertisements depict “A View of the Laboratory and Residence of Dr. Schenck, S.E. corner of Coates and Marshall Streets…”; Charles Ellis & Co., wholesale druggists (56 Chestnut); Beck & Co., perfumery (205 Arch, i.e., 500 block); "Messrs. Glenn & Co.’s Store, 180 Chestnut Street" (i.e., 700 block); Dr. McClintock’s Family Medicines (Ninth and Filbert); Blanchard & Co., wallpaper and upholstery (227 Chestnut, i.e., 700 block); James, Kent, Santee & Co., wholesale dry goods (147 N. Third, i.e., 200 block); M. Walker & Son, wire railing manufactory (Sixth and Market); Fritz, Williams & Henry, leather (29 N. Third); S. A. Harrison, warming and ventilating warehouse (Walnut near Sixth); "Northeast corner of Third and Chestnut Streets" (includes Moran & Sickels, printers); “Anthy. Finley’s Bookstore, corner of Chesnut and Fourth Streets”; Joseph Maples, sculptor and marble cutter (Arch near Broad); F. H. Smith, pocket book and port monaie manufacturer (Fourth and Chestnut); Fowler, Wells & Co., phrenologists (231 Arch, i.e., 600 block); Lippincott’s clothing warehouse (400 block Market); W. P. & G. W. Hacker, china, glass, queensware (60 N. Second); Henry Duhring & Co., hosiery and yarns (22 N. Fourth); and Lindsay & Blakiston, publishers., Cameo stamps advertise Jones’ Exchange Hotel (77 Dock); W. & E. H. Hawkins, flour & feed mills (Ninth above Poplar); and William Gorman boys clothing establishment (Ninth and Market). Majority of the advertisements include street and pedestrian traffic. Graphics also include prints from William Birch's and C.G. Child's "Views of Philadelphia" series; vignettes depicting an "ice water" fountain, trunks by T.W. Matson, "chamber furniture," a woman using opera glasses, a spit, an arm chair, the exterior of the “Book & Stationary, No. 104 South Third Street,” “Statue of William Penn,”and ladies bonnets; and illustrations of “the fashion of ladies costume of 1853 – not exaggerated!” including shawls and overcoats and military and fireman’s caps “worn in 1854”., Majority of contents annotated with a date or explicative manuscript notes by Poulson., Cut outs pasted on title page. Imagery includes allegorical female figures representing art and writing, a pedestal, and a gilted memorial vignette., Verso of title page contains Poulson inscription: “The dates of the articles herein, are those of the newspapers &c from which they were cut. Cutout of vignette of roman garbed woman holding a mirror frames the inscription., "Index to set in back part of vol. XI.", Insert opposite p. 40: Lettersheet inscribed with explicative text about “picture representing the building at N.E. corner of Third and Chestnut street." Insert opposite p. 44: 2 lettersheets inscribed with explicative text about contents (Wetherill Family and Finley's Bookstore) on p. 44. One signed by Thompson Westcott and dated 1858. Insert opposite p. 88: Lettersheet dated 1855 and inscribed with explicative text about the Philadelphia Bank received by Poulson from “Mr. Robins the present Prest. Of Philadelphia Bank”, Scraps with manuscript notes about the estates "Solitude" and "Landsdown House" tipped in before p. 80., Artists, engravers, and printers include Beller; Joseph H. Brightly; J. H. Byram; Edward Clarkson; W. Croome; George Devereux; W. E. Gihon; Gilbert & Gihon; A. Kollner; Jacob Maas; H. L. Stephens; William Strickland; H. Tanner; and R. Telfer., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Illustrations of Philadelphia [graphic] / Vincit qui se vincit. Collected by Chas. A. Poulson.
Scrapbook containing newspaper clippings, prints, and manuscript notes, predominantly dated between 1856 and 1860, pertaining to the built environment, and social, cultural, economic, and political climate of Philadelphia. Subject matter includes the Sunday Dispatch newspaper column series “Indian Names”; reports on municipal services, including the fire department; population, trade, and crime statistics; mortality rates; real estate sales; descriptions of new building construction, including the Continental Hotel, Jayne Building (1856), new Bank of Pennsylvania (1856), churches, and storefronts on Arch, Market and Chestnut streets and in various wards, including the Twenty-Fourth and Fifteen, and near Rittenhouse Square; commentaries about city businesses and industries, including Harvey & Ford, turners in ivory and bone, Lacey & Phillips, saddler, markets, flour mills, sawing machines, omnibuses, joiner, and envelope and paper bag machinery, and the publishing trade. Other articles discuss fashion trends; the Schuylkill Rangers gang; “Street Nomenclature”; the early histories of Philadelphia, Germantown, Roxborough and Manayunk; benevolent and educational institutions and societies, including the Alms House, Philadelphia Orphan Society and the City Institute; food ways and manufacturing; the growth of Philadelphia; and a “Fistic”, i.e., fighting exhibition at Franklin Hall (1860). Also contains classifieds dated 1786; vignette wood engravings showing top hats, a stove, a plane, and a city fire plug; and satirical articles and illustrations, including African American characters, about the “Fine Arts”, i.e., street trades, fashion, the 1857 mayoral election, and improper use of a heating stove titled "A Picture of the Season.” Majority of graphics are wood and intaglio engravings, predominately advertisements showing storefronts., Graphics depict the Custom House; the Northern Home for Friendless Children; Mills B. Espy, pickels and fruits (109 S. Third.); the exteriors and interiors of Samuel Simes, store and family medicine laboratory (S.W. cor. Chestnut and Twelfth) and Wm. D. Rogers, coach manufactory (Sixth & Master); Loxley House (307 S. Second St.); Church of the Epiphany and Residence of Mr. Godey; Henry A. Bower (“N.E. cor. 6th and Green Sts.”); United States Hotel; Farmer’s and Mechanic’s Bank; Franklin Swimming Bath (68 N. Twelfth); Charles Ellis & Co., wholesale druggists (65 Chestnut.); Jones & Co., clothing store (200 Market); Baker & Williams, ranges & warm air furnaces (406 Market); "Schuylkill River, below Norristown, Pennsylvania"; Philadelphia Steam Marble Works (1700 block Chestnut); Continental Hotel; Consolidation Bank (331 N. Third St.); Union Saw & Tool Manufactory. Johnson & Conway, Office and Wareroom (Fourth & Cherry); and the Bulletin Building., Majority of contents annotated with a date by Poulson., Title page illustrated with a ca. 1856 lithographer's advertisement issued by Wagner & McGuigan. Depicts an allegorical, patriotic scene with the figure of Columbia, attired in a toga, American flag, and laurel wreath, and with a broken shackle under her foot as she stands on a pedestal., Verso of title page contains Poulson inscription: "The dates of the articles herein, are those of the Newspapers &c from they are cut." Inscription framed with cut out designed with ornamental pictorial details., Artists, engravers, printers, and publishers include D. C. Baxter, George T. Devereux, David Scattergood, and Joseph M. Wilson., "Index to set in back part of vol. XI.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Loxley House engraving (p. 14) accompanied by extensive manuscript note by Poulson.
Illustrations of Philadelphia [graphic] / Vincit qui se vincit. Collected by Chas. A. Poulson.
Scrapbook containing newspaper clippings and graphics dated between 1858 and 1859 pertaining to the built environment, and social, cultural, economic, and political climate of Philadelphia. Subject matter includes overviews of Central High School, the schism between Orthodox and Hicksite Quakers, and the construction of the Continental Hotel; descriptions of Maelzel's Chess Automoton; reports of sold, new, forthcoming, and razed buildings, particularly on Arch, Chestnut, Walnut, and North Third streets; the development of Fairmount Park; police station and fire hose company demonstrations and events; reports on the state of local trades and manufacturing, including wool, buttons, and straw goods; descriptions of fancy balls of local clubs and organizations, including the Sons of Malta; passed city ordinances, including the forbiddance of market wagons standing on Market Street; church events and pew sales; estate, building, and personal library sales by noted auction house M. Thomas & Sons; public displays of art, including Thomas Sully's "Illustrations of Robinson Crusoe" at the Earle's Galleries; theatre engagements, particularly at Walnut Street Theatre; weather conditions and their effects on the citizenry; and local anecdotes, including scams. Also contains real estate, stock, and cattle market price lists; classified, commencement, benevolent institution, and "Balls and Parties" listings; an illustrated sheet music advertisement for "Philadelphia Passenger Rail Road Polka by Goldsmith"; a public notice against coal ashes thrown on side walks; Poulson's invitations to club meetings (Wistar Party and Franklin Lodge); and periodical illustrations, advertisements, and prints showing businesses, schools, household furnishings and implements, and social satires, predominately about women's fashion., Graphic materials include engravings, lithographs, trade cards and cameo stamps depicting A. Wiltberger, druggist (233 N. Second); Charles Adams, dry goods (Arch & Eighth); D. G. Wilson and J. G. Childs & Co., Philadelphia Plantation & Road Wagon Works (2612 N. Second); Edwin Greble, dealer in foreign and domestic marble (1700 block Chestnut Street); E. P. Moyer & Bros., harness and trunk makers; Gans Leberman & Co. (16 N. Third), wholesale clothing emporium; George Doll & Co., importers of fancy goods (14 N. Sixth); Jones, White & McCurdy Dental College (700 block Arch); Lightfoot, Shoemaker & Co., hats (415 Arch); Mount Vernon Hotel (117-119 N. Second); North, Chase & North, stoves, heaters and ranges (Second anf Mifflin); [Samuel] Simes, chemist (Twelfth and Chestnut); Schaffer & Roberts, fancy goods and notions (429 Market); Watson & Cox, wire manufactory (46 N. Front); Wm. A. Drown & Co., umbrella manufactory (246 Market); Wm. Colbert, Safety Envelope Manufactory (123 S. Fourth); William Warnock, dry goods (39 N. 8th St.); the Hope Hose & Steam Fire Engine Co. No. 2 of Philadelphia; "H. Sebald, Designer & Engraver on Wood"; Maas & Vogdes, fancy printers; [William] McRea, stationer, card engraver & printer; "Phalon’s Cocin or Cocoa-nut Oil"; and "Spalding’s liquid glue." Prints also depict vignette images of cooking ranges, stoves, a piano, and a window awning, and cartoons satirizing ladies crinolines and the political "Salt River.", Majority of contents annotated with a date by Poulson., Title page illustrated with a lithograph and wood engraving. Lithograph is a ca. 1856 lithographer's advertisement issued by Wagner & McGuigan after the work of lithographer Maurice Traubel and artist William Croome. Depicts an allegorical, patriotic scene with the figure of Columbia, attired in a toga, American flag, and laurel wreath, and with a broken shackle under her foot as she stands on a pedestal. Wood engraving shows "Independence Hall.", Verso of title page contains Poulson inscription: "The "Articles" in the book are taken from fugitive sources only; and the dates affixed to each are those of the newspapers &c from which they were procurred." Cut out designed with ornamental pictorial details frames inscription., "Index to set in back part of vol. XI.", Artists, engravers, printers, and publishers include J. H. Byram; George G. Evans; Familton & Chemin; F. Pilliner; David Scattergood; Robert Telfer; [Wellington?] Williams; and Van Ingen & Snyder., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Illustrations of Philadelphia [graphic] / Vincit qui se vincit. Collected by Chas. A. Poulson.
Scrapbook containing newspaper clippings, prints, drawings and manuscript notes, predominantly dated to the 1850s, pertaining to the history, the built environment, and social climate of Philadelphia. Subject matter includes clippings about Federalists, Leiper Railroad, beer brewing, historic private houses, and Patrick Lyon from the newspaper column series "Reminiscences of Philadelphia" (Christian Observer, 1856), "Philadelphia Peculiarities" (Philadelphia Sunday Mercury, 1856), and "Recollections from the Past" (authored by Poulson) and "To Readers and Anxious Inquirers" (Sunday Dispatch, 1856); articles about the early history of Germantown and Independence Hall, the origin of April Fools, a “Venerable document,” i.e., a 1747 indenture between the Library Company and librarian Robert Greenway, and the 1859 cholera epidemic at the Arch Street Prison; and newspaper advertisements for the Zoological Institute (48 S. Fifth St.), Page's Patent Safety Cab, and Colonel Chaffin, “The Celebrated Dwarf, at the Masonic Hall" (1845). Also contains an editorial about the poor quality of the Philadelphia Directory for 1865; a song sheet "Social Quoit Club" by Charles Alexander inscribed with a note about its provenance by Poulson on the verso; Poulson manuscripts about notable houses, including the Butler Mansion (Chestnut & Eighth Sts.), William Waln House (Chestnut & Seventh Sts.), and James Fisher mansion (Chestnut & Ninth Sts.); and prints, watercolors, and sketches, several created and signed by Poulson, predominantly showing Philadelphia residences, landmarks, and city and landscapes., Graphic materials include a Charles Magnus print after the Trumbull painting, "Declaration of Independence, July 4, 1776"; the captioned George Gilbert illustration "A View of the Grand Civic Arch... in Honor of Lafayette" (1824); a Le Met miniature portrait of Timothy Palmer; a James McClees photograph of the engraving "The Hour of Sunset, on the Fourth of July 1776" and Poulson watercolor and sketches (often with extensive manuscript captions) showing "Episcopal Academy," "A House on the North side of Chestnut Street, next to that on the N.E. corner of Eighth Street, lately occupied by Danl. W. Coxe, Esq. who deceased there June 3, 1852" (1857), "Sketch of the river Schuylkill at Fairmount. The wooden floating bridge and tavern &c by C. A. P. under the tuition of Jemmy Cox, the drawing master," "Jonathan Leedom’s Iron Store, no. 211 S. Front St. or now no. 343," "Sketch of the Emlen or [Benendye?] house Chestnut St. opposite the State house and next to Jacob Ridgway’s house on the east" (1858); and advertising vignettes and cameo stamps for businesses, including a segar store (Mulberry St.), G. S. Appleton, bookseller, publisher & importer of foreign books (148, i.e, 600 block Chestnut St.), W. C. Allen, broom & variety store, and a multi-manned press of “The Saturday Evening Post.” Other images include satiric women's fashion vignettes and a cut out caricature of an African American man advertising Sanford's Opera House., Majority of contents annotated with a date by Poulson., Title page illustrated with a ca. 1856 lithographer's advertisement issued by Wagner & McGuigan. Depicts an allegorical, patriotic scene with the figure of Columbia, attired in a toga, American flag, and laurel wreath, and with a broken shackle under her foot as she stands on a pedestal., Verso of title page contains Poulson inscription: "The "Articles" in the book are taken from fugitive sources only; and the dates affixed to each are those of the newspapers &c from which they were procured.", Back free end paper contains Poulson inscription: "The dates of the articles herein, are those of the Newspapers &c from they are cut.", "Index to set in back part of vol. XI.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Illustrations of Philadelphia, from fugitive sources only. [graphic] / Vincit qui se vincit. Collected by Chas. A. Poulson.
Scrapbook containing clippings, prints, and ephemera dated between 1778 and 1864 pertaining to the built environment, and social and cultural climate of Philadelphia. Illustrated newspaper and periodical clippings (several from The Casket) describing prominent city landmarks during the 1820s to 1840s forms the majority of the content. Subjects include St. Stephens Church (Poulson's annotation states image includes the rear of President’s House on Ninth Street in background); Pagoda near Philadelphia; Gray's Ferry; the Philadelphia Library (i.e., Library Company of Philadelphia); "Statue of Wm. Penn, at the South Front of the Pennsylvania Hospital"; "New Street Cleaning Machine"; and "Rail Shooting on the Delaware.", Scrapbook also contains newspaper articles, advertisements, and prices lists. Subjects include historical anecdotes about Market Street in 1729, the Library Company of Philadelphia, Walnut Street Theatre, Letitia Court, Dock Street, Superstitions of ‘Ye Olden Times,’ and American “firsts”; improvements and alterations to city architecture, including Walnut Street Theatre and the State House; Infant Schools; the April 25, 1846 Eclipse of the Sun; an 1828 transparency illustrated with a caricature of Andrew Jackson; the dissolution of the circulation of “small notes” (1828); the Labyrinth Garden of Thomas Smith at Arch above Broad; Pennsylvania Museum and Menagerie (Market Street); commemoration of the Landing of William Penn; steamboat and stage coach schedules (1828); shift in social classes in Philadelphia society (1842); the 1837 court case against Commodore Perry sloop Capt. Blankman; and the Mauch Chunk Railway. Ephemera includes a facsimile of the original circular "Proposal for the Printing of a large Bible, by William Bradford" held by Nathan Kite. Many of the articles are accompanied by commentaries or are partially transcribed by Poulson. Scrapbook also includes detailed manuscript notes about Hamilton Mansion and the Old Court House., Graphic materials, predominately advertisements and views of prominent landmarks, include wood engravings, engravings, lithographs, and an albumen print. Views include images of "T.W. Dyott’s Apoth’y and Patent Medicine Store N.E. cor. Vine and Second Street"; "Gray’s Ferry on the Schuylkill (a Relic of the Olden Time)"; "Green Hill, The Seat of Samuel Meredith Esq. near Philadelphia"; Birmingham Meeting House "from a Daguerreotype by Mess. Langenheim"; and Cornelius & Baker manufactories on Cherry Street and Columbia Avenue. Advertisements depict N. Lloyd & Son (Seventh and Cherry) elegant coal grates; John Duross Black Horse Alley Old and Extensive Printing Establishment (showing a printing press); M.B. Dyott, manufacturer of Gas Fixtures and Lamps; Bennett’s Tower Hall Clothing Bazaar; Moore, Henzey & Co., hardware; and Wright, Smith & Co., china, glass, queensware. Graphics also include an 1828 vignette showing a carriage and captioned "High Fashion"; "The Stage Coach in 1816"; an 1857 caricature of a Quaker couple; and material added in the 20th century, including a 1905 photo-engraving of the "House and Counting House of Stephen Girard.", Majority of contents annotated with a date and explicative manuscript notes by Poulson., Title page illustrated with a ca. 1856 lithographer's advertisement issued for Wagner & McGuigan. Depicts an allegorical, patriotic scene with the figure of Columbia, attired in a toga, American flag, and laurel wreath, and with a broken shackle under her foot as she stands on a pedestal., Verso of front free end paper contains Poulson inscription: “The Dates of the articles herein, are those of the newspapers &c from which they were cut. Cut out designed with floral details frames the inscription., "Index to set in back part of vol. XI.", Artists, engravers, and printers include John Boyd; William Breton; Jacob Hoffman; George Gilbert; John Hill; Kennedy & Lucas; E. Rogers; Frederick Pilliner, Samuel Sartain; M. Schmitz; James W. Steel; and George Worley., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Several pages have been removed., Small number of original photographs by McClees removed to the Print Department.
Illustrations of Philadelphia. Vol. IX. [graphic] / Vincit qui se vincit. Collected by Chas. A. Poulson.
Scrapbook containing newspaper clippings, prints, and ephemera predominately dated 1857 and pertaining to the built environment, and social, cultural, and economic climate of Philadelphia. Majority of the contents are articles about city businesses and industries; public interest stories; editorials relating to public concerns and social mores; reports, lists, and statistics; and caricatures and cartoons. Several articles concern the new house numbering system; the chartering of Fairmount and Sedgeley parks; the Academy of Music (New Opera House), including the inaugural ball and first opera season; the temporary relocation of the Post Office; progress of Camden; volunteer fire companies, including the debate over the oldest instituted, new fire houses, and parades; fires on the 300 and 600 blocks of Chestnut (i.e., Peterson/Goodyear building and Melodion); transportation, including omnibus lines and the Camden and Atlantic, and Philadelphia and Baltimore Central railroads; and the new coinage of cents issued from the mint. Also contains numerous columns about building dedications, laying of cornerstones, and improvements and new construction to the city’s infrastructure, including Drown’s Umbrella Manufactory (86 Market); the silver plated ware establishment of John O. Mead (Ninth and Chestnut); the Butler house lot (800 block Chestnut); the hall of the "Colored Masons"; the Spring Garden district and Northwestern section of the city (Twelfth, Thirteenth, and Fifteenth wards); the Pennsylvania Bank building; First Welsh Presbyterian Church (1500 Lombard); the Penn Widow’s Asylum; Washington building (000 block S. Third); and the restaurant of John Campbell (500 block Chestnut)., Other articles describe the Library Company’s receipt of the ca. 1720 Peter Cooper painting of Philadelphia; culture, politics, and economy of the year 1856; local medical schools and hospitals, including Penn Medical University, Jefferson Medical College, Philadelphia small-pox hospital, and Eclectic Medical College; local industries and trades, including Wood & Perot's ornamental iron work establishment, Newell & Knight barrel making machinery and the oyster trade; and Moyamensing Prison. Anecdotal columns and editorials provide commentaries about Philadelphia Insurance companies; Aprils Fools Day; servants; tramps; the city’s “noisy spot” of Third and Chestnut; the lore of stage coaches; popular catch phrases, including those from the theater; the Molly Maquires; the public expense of public lamps and paupers; the importance of newspapers, including as a more perfect venue for advertising than storefront signage; the poor use of the language in classified advertisements; storefront and tavern signages (p.41-42); and the cricket mania. Also contains historical pieces about the University of Pennsylvania; Independence Square; Chew’s Mansion; Zion Lutheran Church; and the Chinese Museum; reports, lists and statistics detailing the crime and mortality rate, sales of stocks and real estate; the retail, cattle and produce markets, meteorology and weather, telegraph use for the year, the comparative health of manufacturing cities, and architectural improvements in progress; a column about how the 1785 city directories represented the population of the city from the series "Philadelphia As It Was"; and an illustrated article about shawls., Graphics, predominately caricatures and cartoons, include lithographs, engravings, and wood engravings. Majority of cartoons satirize the hoop skirt, including the Clara and Charles series. Other cartoons satirize German beer culture, patent medicine, P.T. Barnum, and the social mores of the upper classes. Caricatures, often racist, depict African Americans while at work, including a sweeper, cook, and painter. Prints also include advertisements, vignettes, and views. Advertisements depict the Union hotel (300 block Arch); Thornley & Chism, importers, jobbers and retailers of fancy & staple dry goods (N.E. cor. Spring Garden and Eighth); Lincoln, Wood & Nichols, manufacturers and importers of straw goods; and Fairbank’s patent platform scales. Vignettes depict a knife cleaning apparatus, Olmstead stove, and a piano. Views show a genre scene titled by Poulson "An ‘omnibus’ sleigh and a 'rung' "; the Academy of Music; Jefferson Medical college, Presbyterian Church; Central Presbyterian Church; and "The Performing Elephants" at the National Circus accompanied by the classified for the performance. Scrapbook also contains ephemera, including the "Deaf and Dumb Alphabet" chart inscribed "In use at Phila Institution 1857 as per report Jany 1858" ; a "Premium medal, Franklin Institute"; and two elaborately illustrated tickets to the Pennsylvania Horticultural Society., Majority of contents annotated by Poulson with dates and explicative manuscript notes., Title page trimmed and illustrated with a ca. 1856 lithographer's advertisement issued by Wagner & McGuigan after the work of lithographer Maurice Traubel and artist William Croome. Depicts an allegorical, patriotic scene with the figure of Columbia, attired in a toga, American flag, and laurel wreath, and with a broken shackle under her foot as she stands on a pedestal., Chart "Length of Squares East and West" pasted on verso of title page., Label inscribed "The "Articles" in the book are taken from fugitive sources only; and the dates affixed to each are those of the newspapers &c from which they were procured CAP" pasted on verso of front free end paper., "Index to set in back part of vol. XI.", Insert: “Report of the President of the Girard College to the committee on Instruction September 3, 1850, Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Illustrations of Philadelphia. Vol. X. [graphic] / Vincit qui se vincit. Collected by Chas. A. Poulson.
Scrapbook containing newspaper clippings and prints predominately dated 1858 and pertaining to the built environment, and social, cultural, economic, and political climate of Philadelphia. Majority of the contents are articles about city businesses, industries, and municipal services; public interest stories; editorials relating to public concerns and social mores; and reports, lists, and statistics. Subjects include the operation of the fire department, including the introduction and trials of steam fire engines, the discontinuation of fire bells, and the yearly report of the “Fire Detective”; the City Passenger Railroad, including its commencement, progress and improvements to the city, and the auction of former omnibus horses at Herkness’s Auction House; balls, parades, lectures, and other forms of entertainment, including the questionable protocols of the minor theatres, horse racing in Chestnut Hill, and the opera season at the Academy of Music; fashion, including histories of the red petticoat and crinolines, hoop skirts, and satires about style and cost; the prison system, including Eastern State Penitentiary and corruption; the Great Comet and Blizzard of 1858; the removal of the market sheds and increasing the value of properties on Market Street; the inauguration of the Schuylkill Navy; and the economic state of shad fishing and fisheries, the oyster trade, dairy owners, ice dealers, paper manufacturers, and dentists., Several articles also report about city construction, improvements, and renovations. Sites referenced include businesses on downtown Chestnut Street and in South and North Philadelphia (Bailey & Co., silverware; Levy & Cox, retail dry goods store; Caldwell & Co., jewelry; the Butler House Hotel; John McClure, stationery store; John Fuss, lager beer); Church of the Incarnation, and Pine Street Presbyterian and Tabernacle Methodist Episcopal churches; Hunting Park; and the new market house (Sixteenth and Market). Editorials address the institution of a city ordinance against public smoking; the daily inhabitants of the State House Square and Custom House steps; the plight and nuisances of city street beggars, fortune tellers, gamblers, and organ grinders; and the heavy use of opium by Americans. Additional articles discuss Christmas, including retail store windows adorned for the holiday; events and activities of local organizations, including the Washington Monument Association, American Systematic Beneficence Society, American Veterinary Association, and the Newsboys’ Aid Society; auctions by M. Thomas & Sons, including the Howard Tilden estate, the wine cellar of the late Joseph Gratz, and oil paintings sold below market value; the closing of the Jones Hotel; proposal by city commissioner James M. Leidy for the creation of ward maps to aid city development; histories of the 12 1/2 Society and Hurst Mansion; the exercise mania; lost and found advertisements; the “fogyism” and “favoritisim” of the Franklin Institution mechanical exhibitions; and views of historic landmarks and the Hope Hose Company by photographers James McClees (p. 57) and Walter Dinsmore (p. 102)., Reports, lists and statistics detail mortality and crime rates; the domestic, flour, produce, hay, cattle, and pork markets; the weather for the week, season, and year; real estate and stock sales; churches in the city; taxes; the public schools; fire companies; current town topics; and “Local” and “Noteworthy” events, fires, and railroad and steamboat accidents for the year. Also contains the “Annual Message of the Mayor” reporting on the state of the city and classifieds for patent medicines and entertainments, including fortune tellers, the National Circus, and balls and parties attended, according to Poulson, by “firemen, apprentices boys, new boys, gamblers and fancymen" who are the " ‘efficient beaus’ " of the factory girls, milliners, shop girls etc."… on the occasions.” Ephemera includes a “Ticket of Admission to ‘Franklin Hall’ " for the Heenan & Jones Sparring Exhibition., Scrapbook also contains graphics including an albumen print, engravings, wood engravings, trade cards and cameo stamps. Comic and advertising vignettes, caricatures, and advertisements predominate as genres. Comic vignettes include many satirizing the fashion of large hoop skirts. Other vignettes satirize the new police uniform, gentlemen’s collars, the Irish, and African Americans ("Baker-street beauties"). Non-satiric vignettes show predominately home furnishings and wares, including silver utensils and serving ware, boxes for papers and deeds, a wire dish cover, coffee pots and kettles, pudding moulds, perforated nursery lamps, serving platter, and a double oven cooking stove. Caricatures (some hand-colored) depict burglars (annotated by Poulson as “ ‘fair hits’ at…the inconsiderable folly of the ‘compassionate’”); "The City Inspector," i.e., a street rag picker; the crude manner of men “on the balconies in front of the ‘gentleman saloons’”; a ‘Schuylkill Ranger’ and “chocker’ gang member; “A Juvenile Party” annotated as "A fair hit at precosity [sic]"; Kris Kringle; and comparisons of country and city doctors, store-keepers, and belles., Advertisements include views of " 'Sharpless’ new store on the N.W. cor. of Chestnut and Eighth Street (Butler property)' "; Crystal Building, F.H. Smith, forte monnaie, pocket book, & dressing case manufacturer (Fourth and Chestnut); Barnes cough syrup establishment (333 Chestnut); Giovanni & Oliver, wholesale fruit store (248 Market); Bailey & Co., British sterling silver ware (819 Chestnut); Perry & Erety, booksellers, binders & stationers (Fourth and Race); Warnick & Leibrandt, Philadelphia Stove Works & Hollow-Ware Foundry (First Wharf above Noble Street); Girard House ( 800 block Chestnut); Henry O.B. Banks, paint and glass store (400 block Callowhill) French, Richards & Co., wholesale, drug, paint & glass warehouse (1000 block Market); M’Daniels & Fort, saddlery, hardware & coach trimmings (101 N. Third); Wright, Hunter & Co., plumbers and gas fitters (900 Walnut); Moore’s Porter & Ale Brewery (1300 block Fitzwater); Anspach, Jacoby & Co., dry goods (Third and Cherry); J. Thornley’s India Rubber Emporium (311 Chestnut); John C. Keller, stove manufacturer (Ridge Avenue and Willow Street); St. Lawrence Hotel (1000 block Chestnut); Merchant’s Hotel (000 block N. Fourth Street); Mansion House (1000 Market); and Weymer & Brothers, dealers in warm air furnaces, stoves, and ranges & c. (1000 block Coates). Graphics also depict a photographic reproduction of a daguerreotype of the moon, a hand-colored illustration showing lady’s "Winter Fashions," and an illustration of "Lalla Rookh, The Tight Rope Elephant" annotated “exhibited at ‘Dan Rice’s great show’ … 29th of March 1858.” Many of the advertisements include street and pedestrian traffic and merchandise displays., Majority of contents annotated by Poulson with dates and manuscript notes, particularly social commentaries., Title page illustrated with a ca. 1856 lithographer's advertisement issued by Wagner & McGuigan after the work of lithographer Maurice Traubel and artist William Croome. Depicts an allegorical, patriotic scene with the figure of Columbia, attired in a toga, American flag, and laurel wreath, and with a broken shackle under her foot as she stands on a pedestal., Front free end paper contains Poulson inscription: "The "Articles" in the book are taken from fugitive sources only; and the dates affixed to each are those of the newspapers &c from which they were procured CAP." Inscription framed with cut out containing filigree and an eagle. Clipped vignette of a pointed finger also pasted on page., "Index to set in back part of vol. XI.", Artists, engravers, printers, and publishers include Calvert & McClaine, Robert Crump, M’laughlin Bros, J.B. Neagle, E. Rogers, J. Spitall, and J.W. Steel., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Interior view of Rogers Smith Shop. Corner of Sixth & Master streets. [graphic] / J.H. Byram.
Vignette view clipped from an advertisement showing the interior of the coach and carriage factory on the 800 block of North Sixth Street. Shows several smiths at work stations divided by brick partitions with forges lining the wall. The workers use anvils, hammers, and bellows. Also shows a foreman and well-dressed gentleman conversing in the corner, wagon wheels mounted on a wall, and carriage frames in different stages of completion on the floor., Date from Poulson inscription on companion print showing the exterior of the smith shop titled, partially in manuscript,"Wm. D. Rogers Coach and light Carriage Factory.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Leary & Co.'s cheap book store, no. 138 North Second Street, ten doors below New Street, Philadelphia. [graphic] : Where are kept constantly on hand, and for sale, over 100,000 volumes of new, old, and scarce books in every department of literature, whole
Advertisement showing the exterior of the four-story bookstore of W.A. Leary & Co. on the 200 block of North Second Street. Signage, including a model of a book, adorns the facade. Patrons stand in the doorway and read books retrieved from the several shelves inside, and display tables and boxes on the sidewalk. Also shows laborers loading a wagon, an approaching couple, and a partial view of the neighboring "Camel Tavern." A sign post stands in front of the wooden building across from a man seated on a bench. Image also contains border details. Leary operated from the site ca. 1841-ca. 1857, including the publication of works as Leary & Getz., Forms part of Poulson scrapbooks, Illustrations of Philadelphia, volume 4., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Louis Phillipe's second place of residence in Phila. [graphic] : After residing at the house of one of the partners of the firm of Cunningham & Nesbitt, in Front bel. Walnut St., two or three weeks he boarded in the above pictured house; on the arrival of
Shows the former residence of Reverend William Marshall who hosted the exiled King of France at 322 Spruce Street. Philippe lived at the residence 1796-1797., Title and photographer's imprint from Poulson inscription on mount of (3)2526.F.95., Date inscribed on (3)2526.F.95., Manuscript notes by Poulson on mount: (See page 11); (See opposite page)., One of the images originally part of a McAllister scrapbook of views of Philadelphia. Contains marked out manuscript note on recto: House 322 Spruce Street Philadelphia. And west side of Scots Presbyterian Church Philadelphia., One of the images originally part of a series of eleven scrapbooks compiled by Philadelphia antiquarian Charles A. Poulson in the late 1850s entitled "Illustrations of Philadelphia" volume 3, page 95. The scrapbooks contained approximately 120 photographs by Philadelphia painter and pioneer photographer Richards of 18th-century public, commercial, and residential buildings in the city of Philadelphia commissioned by Poulson to document the vanishing architectural landscape., Retrospective conversion record: original entry, edited., Reproduced in Kenneth Finkel's and Susan Oyama's Philadelphia then and now (New York: Dover Publications, Inc. in cooperation with The Library Company of Philadelphia, 1988), p. 8.
Samuel Simes, operative & dispensing chemist. Store and family medicine laboratory. N.W. corner Chestnut & Twelfth sts. [graphic] / J. Mucklow [sic].
Advertisement containing two vignette views of the interior and exterior of the drugstore built 1851-1853 at 1201-1205 Chestnut Street. and manufactory. Interior view shows a couple being assisted by a clerk at the counter. Shelves with cubbies line the walls. Also shows a large glass dome by the counter. Exterior view shows pedestrians approaching a multi-storied building adorned with a flag. Vignettes connected by pictorial details of two pieces of chemistry equipment, including burners, tubing, and a stove., Date from Poulson inscription., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Scraps illustrative of the history of Phil[adelphia]. Vol. 5. [graphic] / by C. A. Poulson.
Scrapbook containing predominantly clipped illustrations, prints and ephemera dated 1855-1856 and pertaining to the built environment, and social and cultural climate of Philadelphia. Contents include several wood engravings, engravings, cameo stamps, and lithographs depicting prominent city landmarks, businesses, cityscapes, and caricatures and cartoons. Many of the graphics are advertisements and vignettes, or illustrate published articles. Advertisements depict F. Roussel Perfumery (114 Chestnut); W. J. Horstmann, trimmings (223 Chestnut); E. Mathieu, clarified cider and vinegar (14 Lombard); Stoddart’s Dry Good Store (278 N. Second); a Segars and tobacco store (93 S. Sixth, i.e., 300 block); Bennett’s Tower Hall (184 Market, i.e., 600 block); C. B. Rogers & Co. Agricultural Works and Bone Mill; P.F. Cunningham Catholic Book Store (104 S. Third); "Palmer’s Patent Leg, as exhibited at the World’s Exhibition, London, 1851"; J. H. Rohrman, Japan Ware Manufactory (96 Cherry); Carpenter’s Schuylkill & Eastern Ice Depot (Franklin & Willow); Mills B. Espy, preserved fruits (109 S. Third); J. Thornley’s India-Rubber Emporium and Magnetic Telegraph Offices (101 Chestnut, i.e., 300 block); Thomas & Sons auction house and E. H. Butler & Co., publishers (67 S. Fourth, i.e., 200 block); The State Savings Fund (83 Dock); Leary’s Cheap Book Store (158 N. Second, i.e., 200 block); John Baird Marble Mason (Ridge Avenue); Farmers & Mechanics Fire Marine & Life insurance Co. (200 block Walnut) Frederick Brown Building (Chestnut and Fifth); Fritz, Williams, & Hendry, leather (29 N. Third); Henry Tilge & Co., importers & dealers in hatters goods (140 N. Third); F.A. Hoyt & Brother, boys clothiers (1000 block Chestnut); Masonic Hall and adjacent properties, including Horstmann and Washington House (700 block Chestnut); Thornley & Chism, dry goods (700 block Spring Garden); and North, Chase & North, iron founders (Second and Mifflin)., Other graphics show "Chapel and Principal Entrance. To the Monument Cemetry [sic] Phila."; Institution for the Blind; First Presbyterian Church; a building at "Pine & William St. West Phila."; an 1837 view of the American Sunday School Union annotated "Chestnut Street next E. of Jones Hotel; and the houses eastward to S.E. cor. of Sixth & Chestnut Street – Durand’s apothecary shop"; Stand Pipe for the West Philadelphia Water Works; "City Ferry Boat"; and a view of the entrance to Mount Moriah Cemetery, and map, including the cemetery; and genre engravings "The Farm-House Pets" and The Roadside Inn " by J.H. Byram annotated "specimen of the art of engraving on wood in Philadelphia 1855." Vignettes depict "A Merchant of Philadelphia in the year 1745"; housewares, including a sieve, bath tub, ranges and furnaces, and drapery; a "“Know Thyself” phrenological head annotated “Fowler, Wells & Co."; a "J.B. Smith, New Street File Works" file; and an annotated 1832 view of C. & N. Jones Stockings (200 block Chestnut) [p. 28 and 31]. Caricatures and cartoons satirize an African American women peddler "Hot Corn Biddy"; spiritualism; fashion; the medical profession; and street musicians., Scrapbook also contains several lithographs from the 1830 edition of "Watson's Annals," ephemera, and newspaper clippings. Watson plates include Stone Prison at Philadelphia 1728, Carpenter’s Mansion, London Coffee House, and High Street & Market Shambles. Most are accompanied by detailed manuscript notes by Poulson. Ephemera includes a chart of "Length of Squares East and West"; hand-colored, illustrated lithographed invitation for the "Hand in Hand Fire Company, First Grand Citizens Dress Ball" (1847); illustrated invitation to Islington Park showing Islington Park (1848); seals of the Agricultural Society of Philadelphia, Pennsylvania Railroad Company, All Saints Church, Moyamensing; a “Ship news” cut from "Poulson’s American Daily Advertiser" (1822) annotated “designed at my request by my friend John Lewis Krimmel, the now celebrated painter; and engraved on brass by Mason, So. Fourth St."; "The Old State House Bell" souvenir poem; architectural drawing "N.W. Corner 2d & Chestnut St. extending W on Chest. St. torn down abt. 1832" (includes R. Jones, engraver; I. Davis confectionary; [C. & N. Jones] Stocking Store); and a partial circular advertising De Grath’s “Electric Oil” Depot, No. 39 South Eighth Street (1859)., Newspaper clippings include illustrated advertisements and articles; editorials; anecdotal and current event pieces; and columns reporting about city improvements and public interest stories. Illustrated pieces detail Lafayette Vauxhall Garden; a "Bird’s Eye View of the City of Philadelphia"; Central High School; the Society of the Cincinnati; the major 1856 fire at Sixth and Market streets; "The Trained Elephants ‘Victoria’ and ‘Albert’ " at the National Circus; "Gentlemen’s Short Boots"; and the new hall of the Athenaeum. Anecdotal and current event articles include commentaries about the closing of Blood’s Despatch Post in flavor of the Post Office (1861); the new traveling coach built by W. D. Rogers for entertainer Dan Rice; the influx of envelopes due to the change in the Post Office law (1841); a new cooling apparatus installed in Walnut Street Theatre (1855); the 1855 State Poultry Exhibition; and the planting of oysters in Back Creek below the city. Editorials discuss the Philadelphia Book Trade (1855); Academy of Natural Sciences; deterrents for pedestrians on Chestnut Street, including extension of shopfronts into the sidewalk and side show hawkers; ladies fancy work fads, including scrap furniture and poticho mania (1856); and the mansions of George Washington and George Willing., Other columns report about West Philadelphia; the 1856 fires at Bingham Mansion and the Artisan’s Building (100 block Chestnut); government buildings, including the Custom House, Commissioners Hall and United States Mint; city trades, including lager beer; city improvements, including the modification of street names, removal of the market sheds on Market Street, the laying of the cornerstone of the Church of Evangelists, the forthcoming erection of the new hospital for Christ Church; and new establishments, including Granville Stokes “picton stone” store (209 Chestnut). Clippings also include lists, reports, and tables about the cattle market; real estate sales; taxables (1841); crime statistics; the fire department companies; and building improvements. Scrapbook also contains explicative manuscript notes by Poulson (some tipped in or inscribed on lettersheets). Topics include Carpenter’s Mansion, Pennsylvania Hospital, and the State House. Some notes explicate accompanying graphics., Majority of contents annotated with a date. Several annotated with a detailed manuscript note by Poulson., Chromolithograph “Philadelphia” containing vignettes of portrait of Benjamin Franklin and the seal of the city and annotated by Poulson pasted on p. 4. Print inscribed: "Vincit qui se vincit. Vol. V. Collected from fugitive sources only, By C. A. Poulson.", "Index to set in back part of vol. XI.", Several photographs by F. De. B. Richards and James McClees, including views of Independence Hall, La Pierre House, and Central High School, removed to the Print Department., Original watercolors by Poulson, including view of Walnut Grove removed to Print Department., Various artists, engravers, and printers include William Avery; C. G. Childs; Edward Clarkson; S. H. Gimber; Alexander Lawson; C. A. Lesueur; J. H. Byram; King & Baird; R. Major; W. Mason; Charles F. Noble; Frederick Pilliner; John Sartain; Charles Spiegle; J. W. Steele; William Stott; William Strickland; R. Telfer; Cornelius Tiebout; and Charles Cushing Wright., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Scraps illustrative of the History of Philadelphia. Vol. VI [graphic] / by C. A. Poulson.
Scrapbook containing predominantly newspaper clippings dated 1845-1849 that pertain to the built environment, history, and political, social, and cultural climate of Philadelphia. Contents include editorials; anecdotal, current event, and sensational news articles; and columns reporting about local interest stories, government and politics, and city development and entertainments. Several pages of the scrapbook are dedicated to newspaper coverage of the 1848 court cases of the "Trial of Pratt, Pence, and McGowan for conspiracy to pass Stolen Money" and the Pierce Butler and Fanny Kemble divorce. Daily, monthly, and yearly weather reports for the months and years 1840, 1845, 1847, 1848, 1849 also form several pages of content. Several articles also describe local disasters, including the destruction of the Schuylkill Water Works reservoir (1848); the ice accident on the Schuylkill (January 1849); and major fires near Water Street Wharf (1839), at the Presbyterian Board of Education on the 800 block of Chestnut (1849), at the public school on Catherine Street (1849), and at the City Gas Works (1848)., Several articles report about city improvements, including the enlargement of Fairmount; the growth of the city as a whole and development of neighborhoods (Bridesburg, Spring Garden district, and Germantown, including the residence of artist C.G. Childs); new establishments on Chestnut and Market streets, including confectioner J. W. Parkinson (900 block Chestnut) as well as shops on the 700 block and 400 blocks, respectively; and the dedication and completion of new churches (Church of the Assumption, Logan Square Presbyterian, and St. Mark’s Church)., Anecdotal and local affairs pieces report about the city's municipal services and policies, social mores, and entertainments. Subjects include the city's purchase of Penn’s Treaty Ground for public use; the extension of gas lines to Moyamensing; the 1846 Triennial Parade of Firemen in commemoration of the First Volunteer Company of the City; a relief mission to famine-stricken Scotland (1846); omnibus etiquette, the demographics of Third and Chestnut streets; the gang Moyamensing "Killers"; the men’s fashion trend of winter shawls (1853); the Christmas holiday season; the Chinese collection at the Chinese Museum; performances at Walnut Street Theater; and the Tom Hyer and Yankee Sullivan Prize Fight of 1849., Other articles discuss politics and government, particularly the activities of the local Whig party, including elections and party meetings; the Mexican American War, including casualties and the "Illumination of April 16, 1847" in honor of General Taylor and Scott’s achievements; education, including Girard College and the semi-annual examination of Central High School; and local trades, including iron, lithography (P.S Duval, p. 34), dry goods; bankers and the 1846 and 1848 reports of the Philadelphia Board of Trade; and the management of the city's dog population in 1848 (p.52-3). Editorials discuss the 1848 cholera epidemic, including brandy as "cholera medicine"; a sociological "View of Chestnut Street" (1845); Philadelphia architecture; and the city's commercial superiority over New York, including the book trade. Scrapbook also contains price lists; "'poetry' cut from obituary notices in the 'Public Ledger' "; columns from the series “Philadelphia Sights from a Steeple. Written for the North American”; “Benevolent Institutions” (1849); and “Letters from Philadelphia. From the Boston Atlas (1838) and a small number of graphics. Series topics include Philadelphia Institution for the Instruction of the Blind, the Orphan’s Asylum the public squares and schools, Chestnut Street Stores, the book trade, and museums and galleries. Graphics include the illustrated article "Philadelphia As It Is" depicting a caricature of an omnibus driver and vignettes showing the Fairmount Water Works, the Farquhar Building, Blue Anchor Tavern, and "Kriss Kingle's [sic] Head Quarters" (advertisement for Parksinson's confectionary)., Several of the contents annotated with a date., Wood engraved periodical illustration "The Hall of Independence, as Arranged for the Reception of the Remains of the Late Hon. John Quincy Adams." pasted on front free end paper. Print includes amateur hand-colored details. Cut out printed “Philadelphia” pasted below the print., "Index to set in back part of vol. XI.", Photographic reproduction of Faden’s "Plan of the City and Environs" (1747) removed., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Williams anti-dyspeptic elixir. Prepared by Dr. James Williams, no. 4 South Seventh Street, 3 doors below Market St. Philadelphia. [graphic].
Advertisement containing a vignette view captioned "Sine Labore Nihil" and ornate side border details. View shows a druggist working in his laboratory surrounded by equipment, including distilleries, a mortar and pestle, and mason jars. Border details depict floral and bird imagery, including a nest. Williams first produced the elixir in the late 1830s, then discontinued production until the late 1840s, Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Poor condition from transference., See Philadelphia Inquirer, November 7, 1849 for a testimonial advertisement for the elixir.