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[Advertising specimens]
Series of advertising specimens, including trade cards, book marks, and a proof of an invitation. Prints depict a girl character in allegorical scenes representing the seasons; views of South Ferry Hotel (Kaighn Point, N.J) and a standard scale at use at a farm; medals; coats of arms; and pharmaceutical apparatus. Businesses represented include Peter Bazzanti & Son, manufactory of Florentine Mosaics; Fairbanks' Standard Scale; Hawkins Brothers, army, navy, & police contractors and post office & railway contractors; and W.B. Horner, druggist & apothecary., Title supplied by cataloger., Various printers, including S. C. Boreum and Major & Knapp., Varous publishers, including Philadelphia Inquirer., Print P.9399.449 inscribed on verso: Od [sic] Fellow Hall, Sixth St. Below Race. Race., Originally part of Specimens Album [P.9349]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

[Checks, bank notes, billheads, and receipts specimens]
Series of checks, bank notes, billheads, and receipts, containing allegorical and patriotic vignettes and ornate pictorial details. Vignettes depict allegorical female figures, including Liberty, Hope, Justice, and Bounty; animals, including the American eagle, a dog protecting a safe, and bucks; and patriotic figures, including George Washington, Thomas Jefferson, and Ulysses Grant. Other vignettes depict a view of a traveling locomotive; the seal of Pennsylvania; and views of harvested produce and grains. Businesses represented include A. Exton & Co., cracker manufacturers; Heywood, Kilburn & Co., chair and cottage furniture dealers; West Branch National Bank; Perry County Bank; Reed & Schell, bankers; First National Bank of Sunbury; and Jefferson Savings Institute., Title supplied by cataloger., Several of series printed in color ink, including blue, green, tan, and violet., Print P.9399.390 inscribed to John Mayer for $23.00 three months after date [illegible]. 24 Feb. H five. Feb 23rd., Various printers, including Ehrgott & Fobriger; Lehman & Bolton; Theodore Leonhardt; Wm. F. Murphy's Sons (& Sons); and Paul & Lindsay., Originally part of Specimen Album [P.9349]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

[Collection of portraits]
Bound volume of portraits primarily delineated by Max Rosenthal showing prominent Philadelphians, and historical and military figures, including members of the Continental Congress, clergyman, legislators, government officials, physicians, military officers, artists, and authors. Contains full-length, half-length, bust-length, and profile portraits, with some containing backgrounds and props. Also includes the front page of a September 1885 edition of "Paper and Press" containing a portrait and biography of Philadelphia publisher Henry Carey Baird and an article about printed blanks., Sitters include Daniel Agnew; William Allen; Richard Bache; Phineas Bond; Thomas Cadwalader; Stephen Decatur; William Ellery, Elizabeth Graeme Fergusson; Miers Fisher; Nicholas Gilman; Ann Diggs Graeme; Thomas Graeme; Joseph Hemphill; Thomas Hopkinson; Jare Ingersoll (1722-1801); Jared Ingersoll (1749-1822); Joel Jones; Moses and Samson Levy; Brockholst Livingston; James Mease; Rev. Henry Morton; William Plumstead; Samuel Powell; Charles B.J.F. de Saint-Memin; Edward Shippen; Edward, James, Matthew, and William Tilghman;George Walton, George M. and Thomas I. Wharton; William Whipple; and Jasper Yeates., Title from stamp on spine., Manuscript index of sitters (1-100) date stamped September 11, 1883 pasted in front of volume., Majority of lithographs signed: MR., Some prints include facsimile signature of sitter., Some sitters identified by manuscript notes., Two of the engravings after daguerreotypes by McClees & Germon., Engravers, lithographers, and printers include Max and L. N. Rosenthal, John Sartain, Henry S. Wagner, and Robert Whitechurch., Max Rosenthal was a skilled lithographer, mezzotint engraver, and painter who delineated the majority of the chromolithographs for the firm he operated with his brothers Louis N., Morris (i.e., Maurice), and Simon Rosenthal in Philadelphia from 1851 to circa 1872. Rosenthal continued to work as an artist and lithographer until 1910., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Index of sitters available at repository.

[Job printing specimens for certificates, bank notes, receipts, labels, and billheads]
Series of specimens (some proofs) depicting masonic, military, allegorical, and patriotic imagery, transportation views, women, agriculture, buildings, animals, and machinery. Includes views of locomotives traveling railroad tracks; sailing and steam boats; mines and mine workers; distilleries and refineries; farmers, farm hands, and farm animals; female allegorical figures of liberty, justice, and bounty; and sailors, blacksmiths, and steam factory workers. Imagery also depicts Native Americans; peasants; sheep herding; the American eagle; masonic emblems; historical and patriotic figures, including George Washington and Benjamin Franklin; storefronts, factories, and government buildings, including A. Exton cracker bakery (Trenton, N.J.) and Phoenix Iron Foundry (Wilmington, Del.); military camp and solider; deers, dogs, and children with animals; state and corporate seals, including Pennsylvania; and a city block on fire and an erupted volcano., Title supplied by cataloger., Various printers, including Ehrgott & Fobriger, Klauprech & Menzel, Stein & Jones, and Jacob Weiss., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

[Label specimens]
Series of labels, primarily textile (wool, silk, mohair), containing allegorical, patriotic, and nationalistic vignettes and pictorial details. Vignettes and details depict Vice Admiral Cuthbert Collingwood, coats of arms, the female allegorical figure of Columbia, and a view of a flock of sheep among a grove of trees. Brands represented include Bradford Make, Collingwood Brand, Favorite Ottoman Reversible, Lady Washington, and Royal Shawl., Title supplied by cataloger., Print P.9399.285 stamped on recto: Wm. S. Skinner. David M. Test., Originally part of Specimens Album [P.9349]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

[Miscellaneous specimens from specimen album loose prints collection]
Contains specimens of ornate borders; an amateurly-colored view of Cincinnati pasted on verso of proof periodical illustration depicting butterflies; uncut pages of a gas pipe fittings trade catalog depicting tees, crosses, elbows, bends, and sockets; an entrance notice for Bryant & Stratton Business College illustrated with a calligraphic image of a bird, likely by J. E. Soulé; a printed lease and 1877 electoral broadside; sheet music cover "Charming Waltz"; advertising print for the "Walnut Street House"; and a flower print., Title supplied by cataloger., Various printers, including Ehrgott & Fobriger., Originally part of Specimens Album [P.9349]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., J. Emory Soulé worked as a calligrapher at Bryant & Straton Commercial College by 1870 and became the school's principal within the decade.

Photograph album of Philadelphia and vicinity
Photograph album compiled by Philadelphia photographer Robert Newell containing views by the photographer and his peers, including F. De. B. Richards. Images depict major city landmarks and views of Fairmount Park, including benevolent, educational and financial institutions, historic sites, residences, churches and meetinghouses, bridges, and hotels and taverns. Sites documented include Broad Street (Civil War) Hospital; Foster Home (Twenty-Fourth and Poplar); Germantown Academy; the former bookstore and printing office of William Young (200-204 Chestnut); Landing Avenue during alterations (East bank of Schuylkill); Pennsylvania Academy of the Fine Arts (old and new); Carpenters Hall; Independence Hall; Academy of Music; Merchants' Exchange; Girard, Farmers', Mechanics', Pennsylvania, and Fourth National banks; Bartram's, Keene, and Rittenhouse mansions; Woodford residence (Fairmount Park); Washington's residence (Germantown); Womrath property, "where the first 4th of July" was celebrated" (4216 Frankford); Oldest house in Lansdown" (West Fairmount Park); Old Farm house (Broad and Oxford); St. Judes Episcopal church; Fairmount Water Works, and boat houses and ice houses along the Schuylkill; Cedar Hill, Laurel Hill and Woodlands cemeteries; Columbia, Old Callowhill Street, Girard Avenue, and New York Connecting Railroad bridges; Continental, Valley Green, Maple Spring, Markley's and Cole's hotels; and "Punch Bowl" (2100 Broad), "Abbey" (Hunting Park and Wissahickon Aves), Old Buck? (Lancaster Pike) and Old Grey's Ferry taverns., Images also include neighboring and tenant businesses, including Charles Oakford & Sons, hats, Continental Hotel (29a), John C. Clark & Sons, stationers and printers, L. S. Boyer & Co., coal, and a "Shaving and Hair Cutting Emporium," on 228-232 South Third (29b), and a real estate office, 524 Arch (45b); street vendors (74b); and broadsides displayed on buildings and walls (49b & 79b). Several of the Fairmount views also show visitors, patrons to refreshment saloons, and park guards. Scrapbook also contains a small number of photographic reproductions of engravings, including one of Masonic Hall (700 block Chestnut) and images reproduced in R. Newell & Son's "Old Landmark" series (1876), including Old Swede's Church, Friends Almshouse, and Robert Morris Hotel., Title supplied by cataloger., Some of the contents identified by inscriptions on album pages. Inscriptions annotated and corrected in different hand., Texts from R. Newell & Son's "Old Landmark" series tipped in between album pages., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Images from album reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006)., Album reformatted for conservation. Housed in two phase boxes, including binding and index., Robert Newell, the prominent Philadelphia commercial photographer operated a studio from circa 1855 to 1900. His firm, which originally specialized in portraiture, later focused on "Artistic Business and Landscape Photographs" and was reorganized as R. Newell & Son circa 1872. In 1876, the studio (Robert and Henry Newell) issued a series of six viewbooks under the title "Old Landmarks & Relics of Philadelphia." Newell also produced series of stereographs during the 1860s depicting commercial streets, the volunteer fire companies, and views of Fairmount Park and local cemeteries, as well as invented acid proof photographic ware in the 1870s.

[Proofs from specimen album loose prints collection]
Contains proofs, primarily of advertising vignettes, depicting views of factories and storefronts predominantly in Ohio. Businesses depicted include manufacturers of saddlery hardware, "burial cases," sewing machines, and glass; dealers of liquor, dairy supplies, wallpaper and painter supplies; and engravers, printers, and lithographers. Vignettes often include street and pedestrian traffic. Prints also show portraits of men, women, and children; genre and satiric scenes, including the character "Uncle Remus" designed for trade cards; pictorial and border details designed for certificates, labels, and billheads; machinery and transportation vehicles; trademarks and seals; and a rocking chair. Series also contains a reward of merit designed as a stock certificate and an uncut sheet of six illustrations titled in German. Illustrations primarily depict historical and religious scenes, including the conversion of Saint Eustace., Title supplied by cataloger., Various printers, including H.J. Toudy & Co. and W.J. Morgan & Co., Originally part of Specimens Album [P.9349]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

[Scrapbook of ephemera]
Scrapbook containing tickets, invitations, textile and perfume labels, tokens, and trade cards, primarily issued in Philadelphia. Contents include images of buildings, genre scenes, and allegorical figures. Many of the items also include ornate borders. Materials document University of Pennsylvania medical department courses; a picnic at Mr. John F. Parke’s Grove (1853); Pennsylvania Horticultural Society events, including admittance for a "Lady to the Stated Meetings", bazaars, and Christmas Eve party; the Baltimore Assemblies; admittance to the Great Central Fair (1864) and Hillebrand & Lewis Gymnastic Institute; Mr. & Mrs. John A. McAllister Wooden Wedding (1861-1866); and a shooting match at glass balls at Union Hotel (1881). Scrapbook also contains advertising souvenirs from the Centennial Exhibition (1876); trade cards for Pennsylvania and Atlantic coast businesses; a calling card for Joseph E. Francis annotated with ink sketched figures; landscape views with a fishing scene, and a locomotive; receipts issued for pew rent to St. Paul’s Church, membership to the Athenaeum, and fines owed to the Library Company (1848); and an illustrated check for the Hibernian Society, billhead for T. Sharpless & Sons, and advertisement for [Edwin S.] Johnston’s New Self Locking Clock Spring Shade Roller., Other Philadelphia businesses represented include S.A. Hagner, saddle harness and trunk manufactory; John Dorff, silver plater and gilder; Sheble, Smith & Co., successors to R.L. Barnes, map publishers and mounters; Godey’s Lady’s Book Publishing Company; Geo. J. Burns, printer; Smith & Co. Globe Bazaar auction house; Johnson & Smith, type founders (formerly Binney & Ronaldson); and John H. Brown & Co., dry goods. Non-Philadelphia businesses include Cataract House (Niagara Falls); Globe Hotel (New York); Wilmington Boarding School for Girls (Samuel Hilles); Ash’s Patent Five Slit United States Government Pen; E. Kenny, architect (Brooklyn); Works of P. & F. Corbin (New Britain, Ct.); T. H. Pollock, organ builder and David B. Prosser, saddles and harness (Richmond); M'Neal & Siegert, jeweler; and Gray & Bail, furniture., Red cloth binding, stamped in gilt on cover: Photographs., Some tickets signed by Joseph Leidy, University of Pennsylvania., Some contents inscribed with name of recipient or holder. Recipients and holders include W. J. (John) Holmes; James J. Magee, possibly James Magee, President of Westmoreland Coal Co. who previously worked at Binney & Ronaldson; John Matthews; T. J. Nichols & lady; [H.?]J. Sharpless; and J. C. Stewart., Engravers and printers include Brown (Ledger Building), J. H. Camp, Illman & Sons, Geddes, M. & V. Harrison, J. Lea, W. Eaves, Major & Knapp, and Van Slyck & Co., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box.

[Scrapbook of original and printed art works]
Scrapbook containing predominantly original amateur art work, including watercolors, pencil works, and crayon drawings. Also contains engraved illustrations, photographic reproductions of paintings and sculptures, and lithographs. Subjects of the imagery include landscapes and marinescapes; scenes of rural life; portraiture of animals (birds, elephant, pig) and people; figure studies; allegorical figures; the work of Horatio Stone and Hortense Hazard; costume plates from "La France de nos jours" (1860); and religious and sentimental (courtship) scenes. Printed and inscribed titles include The Lion in Love; Masque d'Omphale; Polixene; Pâtre De Se. Saveur; Costumes Des Maconnaises; Costumes Des Bressannes; Une Bacchante; The Risen Redeemer; The Holy Family; The Trusty Servant; The Widow (painted by Smith's cousin J. L. Fisher); Blackbird and Thrush in Covert; Ceres; "The Highland soldier bidding adieu to his love"; "Pig-Pig-Pig"; La Maitress du Titian; and Japan Rose. Scrapbook also includes a crayon rubbing of the monumental brass on the tomb of Sir John Ratcliffe and Dame Alice at Crathwaite Church (Keswick, Cumberland); a series of French etchings satirizing the military; a photograph of the "Arsenal at Vienna"; and a trade card for the Interlaken Grand Hotel Victoria., Title supplied by cataloger., Few items removed., Many items contain corresponding inscriptions (often illegible) by the artist or inscriptions on verso by Smith explicating provenance., Various artists and engravers including P. Planat, H. Richter, W. Froden, Maurice, H. Moses, Hanlon, and G. Fairman., Various printers and publishers including George Baxter, Ducarme, Langlume, Auguste Bry, LeBlond & Co., Leighton Bros., Destouches, and Smith, Elder, & Co., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

[Specimens album]
Scrapbook of print specimens and proofs probably compiled by a printer associated with the Philadelphia lithographic firm Stein & Jones. Contains book and periodical plates and illustrations; sheet music covers; proof prints; collecting cards; trade cards (several glossed); bank notes, checks, billheads, and receipts; certificates; advertising calendars; and chromolithographed labels and scraps. Majority of contents include several plates from Thomas Allom's "China: In a Series of Views,..." (London, 1860), Albert Barnes's "Scenes and Incidents in the Life of the Apostle Paul" (Philadelphia, 1869), John Fleetwood's "The life of Our Blessed Lord and Saviour Jesus Christ" (Philadelphia, 1871) and Daniel March's "Our Father's House , or The Unwritten Word" ((Philadelphia, 1871); illustrations and plates depicting genre, religious, sentimental, historical, natural history, scientific, and scenic views from children and gift books, and periodicals, including "Leila in England" and "Leila at Home" (Philadelphia: Porter & Coates, 1875-1880), "Peterson's Magazine" (plates engraved by Illman Brothers), "Ladies Companion," "Graham's Magazine," "Odd Fellow's Casket," "Transactions and Proceedings of American Entomological Society" and "Annals Lyceum of Natural History"; and several works printed by Stein & Jones and Cincinnati lithographers Klauprech & Menzel and Ehrgott & Fobriger, including trade cards, labels, tickets, invitations, certificates, receipts, checks, bank notes, sheet music covers, advertisements, and book illustrations., Bank notes, receipts, checks, and certificates document primarily Philadelphia and New York bank, coal, oil, steel, and real estate businesses, including Bank of Fashion, Belmont Petroleum Refinery, and Union College Bank. Trade cards, tickets, invitations, and labels represent primarily Philadelphia, Pittsburgh, New York, Cincinatti and Chicago businesses and organizations, including printers and art supply dealers; perfume, patent medicine, wine, dry goods, and clothing dealers; doctors and dentists; bankers and brokers; and manufacturers. The materials contain patriotic, agricultural, and transportation vignettes, views of buildings, anaglyptography (i.e., medal engraving), allegorical figures, and Centennial Exhibition (1876) imagery. Sheet music covers, predominantly printed by Ehrgott & Fobriger, depict mainly genre and Civil War scenes, portraiture, including images of entertainers, and advertisements such as "Sewing Machine Polka." Work by the Cincinatti lithographers also include several book illustrations depicting Ohio and Cincinnati asylums, institutes, seminaries, and landmarks, as well as uncut sheets of views of cemetery monuments for "The Cincinnati Cemetery of Spring Grove..." (Cincinnati, 1862). Several of the ephemera also printed by Grattan & Co., Theodore Leonhardt, and Wm. F. Murphy & Sons., Scrapbook also contains 1860s Berlin wool work patterns ("Peterson’s Ladies National Magazine"); ornate border print specimens, some with cut-out overlays; proofs and final states of textile, fruit, liquor, druggist labels, and tobacco labels printed predominantly by Stern, Jonas & Co. and Steng & Paxson and depicting romantic, patriotic, and mystical themes, including "I Am Free" logo illustrated with an African American man ; European prints, including plates from Bernard-Romain Julien "Cours Elementaire," and issued by German publisher A.H. Payne (some hand-colored); ca. 1855 Bowen & Co. plates of birds from "United States Pacific Rail Road Expedition and Survey"; color printed and numbered proof lithographs depicting Mo-Hon-Go; Shar- I-Tar-Ish; Se-Quo-Yah after plates in McKenney & Hall's "History of the Indian Tribes of North America"; Philadelphia Sketch Club signage; portraits of Catholic bishops, celebrity and political figures, and lithographers Rudolph Stein and Alfred Jones; mechanical views printed by William Boell; job printing specimen vignettes depicting masonic, military, allegorical, and patriotic imagery, transportation views, women, entertainers, agriculture, buildings, animals, and machinery; collecting cards showing George and Martha Washington, Civil War generals, celebrities, including Lydia Thompson and Euphrosyne Parepa-Rosasea, wild life, Biblical animals, fashion, and satiric scenes; and chromolithographic scrap portraits of women., Stamped on spine: Specimens., Various artists, engravers, lithographers, and printers including Ackerman; John Alexander; Thomas Allom; William Boell; John T. Bowen,; Bowen & Co.; Byram & Slack; C. E. Wemple & Co.; Donaldson Brothers ; G. Dow; Ehrgott & Fobriger; Dominque Fabronius; Grattan & Co.; The Hatch Lith. Co.; Otto Knirsch; L. H. Bradford & Co.; Klauprech & Menzel; Theodore Leonhardt; London Printing and Publishing Company; McLaughlin Bros.; Antoine [Maurin?]; A.H. Payne; Prang & Co.; Rawdon, Wright & Hatch; William H. Rease; Sarony & Major; John Sartain; Samuel Sartain; R. Trembley; J. Shobe; Steng & Paxson; Stern, Jonas & Co.; A. B. Walter; and Wm. F. Murphy & Sons., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Index of general subjects illustrated available at repository., Several items found loose in album removed and housed separately., Gift of Margaret Robinson.

[Specimens album loose prints collection]
[Specimens album loose prints collection]
Collection of loose prints from a specimen album probably compiled by a printer once associated with the Philadelphia lithographic firm Stein and Jones. Contains chromolithographic art supplements and advertising specimens; proof sheets; checks, bank notes billheads, and receipts; trade cards and labels; vignette specimens; proof sheets; and illustrations. Businesses and trades represented include banks, manufacturers, and the textile industry. Collection also includes a proof of a trade catalog for gas pipe fittings; job work, including an 1877 broadside for an "Assessor's Registry of Voters" of a Philadelphia ward; an advertising print for the Walnut Street House (Cincinnati, Oh.); and a sheet music cover containing a landscape view., Title supplied by cataloger., Various printers, including Simeon Boerum; Ehrgott, Fobriger & Co.; Geo. S. Harris & Sons; J. Ottmann; and Wm. F. Murphy Sons., Originally part of Specimens Album [P.9349]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

[Textile labels advertising Ginghams, and Balmoral skirts]
Series of illustrated textile labels for Fulton and Clyde Ginghams, and Raleigh's, J. P. Buggy, and Fairbrook Mills balmoral skirts. Illustrations depict Robert Fulton seated in front of a view of a steamboat on the water; a Scottish hunter attired in a kilt and accompanied by a dog; a fashionably-attired couple seated in a pavilion; individual women in winter attire lifting their overskirt to expose their Balmoral skirt; and a couple ice skating., Title supplied by cataloger., One of prints [P.9349.187d] copyrighted in 1866 by Arthur Keegan, Printers include Theodore Leonhardt and Stein & Jones., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See P.9349.153l for proof of P.9349.187g., Leonhardt relocated his establishment to 114 South Third Street in 1868.

[Trade cards for Ehrgott, Fobriger & Co.]
Series of illustrated trade cards for the Cincinnati lithographers, engravers, and printers. Imagery includes an allegorical female figure seated near objects symbolic of the arts and sciences, including a paint palette, compass, globe, and books and scenes of a farmer at his plow, a traveling locomotive, and sailing vessels on the ocean. Other pictorial details include ornate frames surrounding advertising text. Frames contain scrolls and bunches of grapes. The premier firm established in 1856 operated as Ehrgott, Fobriger & Co. between 1860 and 1869., Title supplied by cataloger., Color lithographs printed in either blue, green, or violet ink., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.