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- Album page with pre-printed lithographic border containing a drawing and unattributed poem about the first steamboat on the Missouri from the 1838 edition of "The Token and Atlantic Souvenir." Drawing after Joseph Andrew's engraving of the work by painter John Gadsby Chapman depicts two Native Americans on a rock, one seated, looking forlorn, and the other standing with arms raised in anguish, watching a steamboat in the distance. Poem, "The Indian's Farewell to the Missouri, on seeing the First Steamboat on its Waters," addresses the power of the white man and the steamboat as a harbinger of his usurpation of Native American territories., LCP exhibit catalogue: African American Miscellany p. 45., Douglass, an African American artist and early photographer, was an active member of the Philadelphia anti-slavery and civil rights movement.
- Album page with border containing a drawing depicting a bunch of flowers and an unattributed four-line sentimental poem about friendship and rememberance., Title from manuscript verse., Probably by Ada Howell Hinton, daughter of Frederick Augustus Hinton, barber, perfumer, abolitionist and prominent member of the Philadelphia African American elite community.
- Album belonging to Martina Dickerson, a young middle-class African American Philadelphian, probably created as a pedagogical instrument to promote cultivated expression, with twenty-two contributions dating from 1840 until around 1846. Contains original and transcribed poems, prose, and essays on topics including love, friendship, sympathy, courage, and female refinement. Also includes drawings, primarily of flowers. Identified contributors are mainly black elite intelligentsia active in the African American anti-slavery and cultural community of mid-nineteenth century Philadelphia., Contains the following contributions: calligraphed title page by abolitionist James Forten, Jr.; prose on "Literature," "The Album," and "The Year" by entrepeneur and abolitionist James Forten, Sr. or his son, James, Jr.; prose entitled "Perserverance" by tailor, abolitionist, and civil rights activist John C. Bowers; prose, sketches, and watercolors by Quaker abolitionist, educator, and artist, Sarah Mapps Douglass; watercolor and transcribed poem, "The First Steamboat on the Missouri," by Sarah's brother, artist, community activist, and abolitionist, Robert Douglass; essay entitled "Sympathy" by William Douglass, pastor and historian of the St. Thomas Episcopal Church in Philadelphia; transcription from Wordsworth's "Excursion" by educator and anti-slavery activist Charles L. Reason; gouache of a bunch of flowers by A.H.H., probably Ada Howell Hinton, an African American gentlewoman; and prose, poems, and gouache by Mary M. MacFarland, V.E. Macarty, Y.J. Grice, Rebecca F. Peterson, H.D. Shorter, C.D.R., and J.F.V., Embossed and gilt morocco binding., Lithograph title page, "Flowers," containing flower illustration hand-colored with gouache and watercolor., Blank album published in London by Wm. & Hy. Rock., LCP AR (Annual Report) 1993, p. 17-25., Dickerson, a pupil of African American educator Sarah Mapps Douglass, was the daughter of African American activists, Martin and Adelia Dickerson, and step-father Samuel Van Brackle.