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Portrait photograph album of Mary McPhilomy
Photographs predominantly depict the acquaintances and relatives of the McPhilomy family of Philadelphia, including men, women, and children. Most are bust-length portraits, with a number of full-length portraits, including a couple in bathing wear, children in sailor suits, and women fashionably attired and holding fans and purses. Many of the women and girls wear jewelry. Also includes images of a priest, a nun, a display of religious floral decorations; a sepulchral monument; a religious allegorical scene; a reproduction of a framed testimonial with portrait photograph vignettes; and a photo-collage portrait showing a man driving a horse-drawn wagon., Sitters include Mary, John and Frank McPhilomy; Rev. Mother Louis Gonzaga of the Sisters of Notre Dame (Boston); members of the Logue family, including Charles Logue; David Mulcahy (died March 31, 1876); Al. Schaff; members of the Bradford family, including John Bradford; John Keenan; members of the Sacriste family, including Mr. and Mrs. Sacriste and Hortense Sacriste White., Chromolithographed title page: The Photographic Album. Philadelphia. J.B. Lippincott & Co., [ca. 1875]., Embossed leather binding with gold stamping., Spine embossed and stamped: Photographs., Inscribed: To Miss Mamie McPhilomy with compliments of the season, Dec 25 1875. D.P.M. E.S.C., Various photographers, including A. P. Beecher of Wilmington, De.; L. S. Griffin of Jersey City, N.J. and B. Frank Saylor & Co. of Lancaster, Pa. and Philadelphia photographers, including George W. Evans, Gilbert & Bacon, and O. B. De Morat., Several sitters identified by inscriptions on mount or album page. Some misidentified due to the relocation and removal of photographs., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Binding in poor condition. Album housed in phase box.

Scrapbook
Scrapbook compiled by Philadelphia socialite Minnie Campbell Wilson (neé Harris) containing primarily place, greeting, holiday and calling cards predominantly issued in the United Kingdom and the Northeast United States. Majority of the cards are printed and or chromolithographs, with a small number illustrated with drawings by hand. Many cards also contain ornate border details, embossing, and adornments, including ribbons, fringe, lace, a wishbone, and overlays. Contents also include die-cuts of fans, horse shoes, a spoon, a flamingo, one-quarter moon, a woman's leg, and a bird as a cover for a H. O. Neill & Co. illustrated hat catalog. Cards often depict sentimental and genre imagery including cupids, butterflies, flowers, vases and baskets; religious, historical and Asian-themed scenes, figures and/or decor; seasonal landscape views; women, children, and costumed figures; animals, including birds, chicks, dogs, and cats; and fruit. Other imagery includes two witches flying on brooms holding a "Merry Christmas and Happy New Year" banner; London printer William Dickes series of women in native costume from Switzerland, Russia, and Norway; a holiday card that opens to a sledding scene of children holding letters spelling "Merry Christmas"; and a Valentine Day card showing a letter slot filled with valentines. Scrapbook also contains watercolors and drawings, trade cards, programs, menus, invitations, ribbons, photographs, etchings, newspaper clippings, including an announcement of the wedding of Adelaide Watson, and a post card from "cousin Will." Trade cards advertise businesses, including J. E. Caldwell & Co., Stephen F. Whitman & Son, P. Fleischner & Co., Sharpless & Sons, F. T. Howell & Co., A. Ripka & Bro., J. H. Way & Bro., and Automatic Signal Telegraph Co. containing four scenes showing a robbery and fire and police and fire department., Watercolors and drawings depict a woman attired in early 19th-century garb in a pumpkin patch, marinescapes, and an anthropomorphic frog. Photographs include a half stereograph showing a croquet match in front of a resort hotel and a photograph of Fifth and Walnut streets (Philadelphia) “taken by Chris in "88." Etchings include a portrait of an elderly man and one signed F. A. Stokes showing a man at a table. Other ephemera includes a hand-made tablet with a cover containing a watercolor depicting birds; a cloth padded bird figurine; a metamorphic playbill for the play "French Flats" at Union Square Theatre; a typewritten engagement announcement composed as a poem; a Christmas Hymnal booklet; handwritten word games, including 'Progressive Conversation"; a Pennsylvania Railroad "Old Point Comfort" tour schedule; and a train schedule scrap annotated with a doodle and inscribed text., Black binding, stamped on cover: Scrapbook., Label pasted on verso of cover: Patent Back Scrap Book. Pat. March 28, 1876., Inscribed on front free end paper: Minnie Campbell Harris Philadelphia. January 12, 1887., Provenance and date of majority of contents indentified by brief inscriptions. Provenances include Nannie (i.e., Mary Jaudon) Harris, Lucy and Susan Jaudon, Mai Philler, Carrie (i.e., Caroline) Biddle, and Helen Morton., Printers include Philadelphia firms Craig, Finley & Co., Dreka, Rowley & Chew, and Sunshine Pub. Co.; Boston firm L. Prang & Co.; and British and Irish firms William Dickes, Marcus Ward & Co., and Eyre & Spottiswoode., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box., Gift of Elizabeth McClean., Inventory available at repository., Mary Campbell Harris (known as Minnie), daughter of U.S. Naval Commander Thomas Cadwalder Harris (1826-1875) and Mary Louisa Bainbridge Jaudon (1835-1914), was born in New York on December 27, 1862. Descended from Commodore William Bainbridge and Thomas Harris, the first surgeon-general of the United States Navy, Harris and her family resided in Philadelphia by 1866. In 1893, she married John L. Wilson (b. 1850), later treasurer of Coal Land Corporation and the couple resided in the Rittenhouse Square neighborhood. Harris was active in the Sedgely Club and often attended and held card parties, teas, and luncheons noted in the local press. Harris spent her later years residing in Bryn Mawr where she died circa 1948.

[Scrapbook of ephemera]
Scrapbook containing tickets, invitations, textile and perfume labels, tokens, and trade cards, primarily issued in Philadelphia. Contents include images of buildings, genre scenes, and allegorical figures. Many of the items also include ornate borders. Materials document University of Pennsylvania medical department courses; a picnic at Mr. John F. Parke’s Grove (1853); Pennsylvania Horticultural Society events, including admittance for a "Lady to the Stated Meetings", bazaars, and Christmas Eve party; the Baltimore Assemblies; admittance to the Great Central Fair (1864) and Hillebrand & Lewis Gymnastic Institute; Mr. & Mrs. John A. McAllister Wooden Wedding (1861-1866); and a shooting match at glass balls at Union Hotel (1881). Scrapbook also contains advertising souvenirs from the Centennial Exhibition (1876); trade cards for Pennsylvania and Atlantic coast businesses; a calling card for Joseph E. Francis annotated with ink sketched figures; landscape views with a fishing scene, and a locomotive; receipts issued for pew rent to St. Paul’s Church, membership to the Athenaeum, and fines owed to the Library Company (1848); and an illustrated check for the Hibernian Society, billhead for T. Sharpless & Sons, and advertisement for [Edwin S.] Johnston’s New Self Locking Clock Spring Shade Roller., Other Philadelphia businesses represented include S.A. Hagner, saddle harness and trunk manufactory; John Dorff, silver plater and gilder; Sheble, Smith & Co., successors to R.L. Barnes, map publishers and mounters; Godey’s Lady’s Book Publishing Company; Geo. J. Burns, printer; Smith & Co. Globe Bazaar auction house; Johnson & Smith, type founders (formerly Binney & Ronaldson); and John H. Brown & Co., dry goods. Non-Philadelphia businesses include Cataract House (Niagara Falls); Globe Hotel (New York); Wilmington Boarding School for Girls (Samuel Hilles); Ash’s Patent Five Slit United States Government Pen; E. Kenny, architect (Brooklyn); Works of P. & F. Corbin (New Britain, Ct.); T. H. Pollock, organ builder and David B. Prosser, saddles and harness (Richmond); M'Neal & Siegert, jeweler; and Gray & Bail, furniture., Red cloth binding, stamped in gilt on cover: Photographs., Some tickets signed by Joseph Leidy, University of Pennsylvania., Some contents inscribed with name of recipient or holder. Recipients and holders include W. J. (John) Holmes; James J. Magee, possibly James Magee, President of Westmoreland Coal Co. who previously worked at Binney & Ronaldson; John Matthews; T. J. Nichols & lady; [H.?]J. Sharpless; and J. C. Stewart., Engravers and printers include Brown (Ledger Building), J. H. Camp, Illman & Sons, Geddes, M. & V. Harrison, J. Lea, W. Eaves, Major & Knapp, and Van Slyck & Co., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box.

[Specimens album loose prints collection]
[Specimens album loose prints collection]
Collection of loose prints from a specimen album probably compiled by a printer once associated with the Philadelphia lithographic firm Stein and Jones. Contains chromolithographic art supplements and advertising specimens; proof sheets; checks, bank notes billheads, and receipts; trade cards and labels; vignette specimens; proof sheets; and illustrations. Businesses and trades represented include banks, manufacturers, and the textile industry. Collection also includes a proof of a trade catalog for gas pipe fittings; job work, including an 1877 broadside for an "Assessor's Registry of Voters" of a Philadelphia ward; an advertising print for the Walnut Street House (Cincinnati, Oh.); and a sheet music cover containing a landscape view., Title supplied by cataloger., Various printers, including Simeon Boerum; Ehrgott, Fobriger & Co.; Geo. S. Harris & Sons; J. Ottmann; and Wm. F. Murphy Sons., Originally part of Specimens Album [P.9349]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.