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[Elizabeth Lea, 1797-1877]
Bust-length hand tinted portrait of Elizabeth Lea facing very slightly left. Her white hair is styled with wide curls on either side of her face. Her lace cap is untied and the ends are resting on her shoulders., Pad: Dark burgundy velvet. No design., Mat: Ornamented oval., Case: Full plate size leather with a diamond geometric design in the center. Same design on the back., Biographical notes about and tintype of Lea (P.2006.32.8) in mourning envelope included in case. The Wenderoth, Taylor and Brown Fine Art Studio was at 912-914 Chestnut St. 1864-1866., Gift of Charles Lea Hudson, Ann L. Salmon, and Mathew C. Hudson.

[Elizabeth Lea Jaudon Bakewell, aged 42.]
Hand colored pale pink on cheeks., Cased photographs retrospective conversion project., Pad: Ivory silk. Stamped on pad: Suddards & Fennemore 820 Arch St. Philada., Mat: Oval., Case: Oval dark purple velvet., See also 8326.F.21. See Lea Family research file., Gift of Mrs. A. Douglas Oliver, August 22, 1977.

[Elizabeth Lea Jaudon Bakewell, aged 42.]
Hand colored pale pink on cheeks., Cased photographs retrospective conversion project., Pad: Ivory silk. Manuscript note: January 1870. Aged 42., Mat: Oval., Case: Oval dark purple velvet., See also 8326.F.22. See Lea Family research file., Gift of Mrs. A. Douglas Oliver, August 22, 1977.

[Elizabeth Lea Jaudon (later Bakewell) as a young woman.]
Seated portrait. She wears a dark dress with a lace collar, white gloves and a brooch at her throat., Cased photographs retrospective conversion project., Pad: Faded red silk. No design. In ink: Sept. 1846., Mat: Octagonal., Case: Leather. Geometric design with intertwined rectangles. No design on verso., See Lea Family Research File., Gift of Mrs. A. Douglas Oliver, August 22, 1977.

Elizabeth Swift Nixon
Seated portrait of the photographer's sister resting her right elbow on a column. Her right hand is touching her cheek., Cased photographs retrospective conversion project., Pad: Faded red velvet embossed : H. B. Swift, No. 312 Market Street., Mat: Nonpareil., Case: Leather. Mixed flower design in a modified oval. Geometric design on verso., Accompanied by manuscript note: Great aunt Elizabeth Swift Nixon, wife of Rev. Henry Nixon & sister of H.B. Swift. Elizabeth Swift married Henry Nixon in 1852., See Henry B. Swift research file.

[Elsie Todd]
Portrait of an elderly Todd in Quaker dress. She wears eye glasses and a high white bonnet., Cased photographs retrospective conversion project., Pad: Very dark faded purple velvet., Mat: Paper. Ornamented octagonal., Case: Leather. Within a double oval is one large open flower surrounded by scrolls. No design on verso. Manuscript note inside case reads: Elsie Todd ask Cousin Lydia., Reproduced in "The Ties That Bind: Daguerreotypes and the Roberts and Thompson Families" by Sarah Weatherwax in The Daguerreian Annual 1999 (Pittsburgh, Pa.: The Daguerreian Society, 1999) p. 212. See also the Board Report for January 20, 1998.

[E.O. Craven as a child, holding a basket of flowers.]
Cased photographs retrospective conversion project., Pad: Red velvet, embossed "Ennis Gallery 106 Chestnut St. Philadelphia.", Mat: Double elliptical., Case: Leather. One rose and one bud in a nonpareil-like border. Geometric design on verso.

Frances Anne Carey (Mrs. Isaac Lea), 1799-1874
Bust-length portrait of Frances Anne Carey, her face framed in a large lace cap tied under her chin. She has a slight smile on her face, and is looking straight ahead., Pad: Dark burgundy velvet. No design., Mat: Oval. Stamped on mat: M. A. Root, Phila., Case: Leather. No design., Gift of Charles Lea Hudson, Ann L. Salmon, and Mathew C. Hudson.

[Full-length portrait of an unidentified older woman seated in a wheelchair] [graphic].
Full-length, forward facing portrait of an unidentified older white woman, seated in a wheelchair positioned at a slight angle. Sitter has gray hair parted in the center and is attired in a dark-colored lace cap with lappets and a dark-colored, long-sleeved dress with a white collar. Her cheeks are tinted pink. She holds a book, with the spine towards the viewer, in her right hand on her lap. Her left arm is propped on the armrest. A small pouch-like bag hangs from the corner of the back of the wheelchair visible in the left of the image. The chair back is covered with a patterned cloth., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitter., Pink tinting on cheeks., Pad: Red velvet with a leaf in the center and decorative scroll border., Mat: Nonpareil., Case: Leather. Decorative geometric and leaf pattern in the center with leaves in the corners. Same design on verso.

[Full-length portrait of an unidentified, seated boy] [graphic].
Full-length, forward facing portrait of an unidentified, young, white boy seated on a chair. Sitter has short hair parted and combed to the left. He is attired in a three-quarter length, checked shirt with gold buttons down the center, pants, white socks, and lace-up boots. He sits on a wooden chair and holds a book in both hands on his lap. Gilt is applied to the pictorial detail of the book. His cheeks are tinted pink. In the right background is a side table covered with a dark-colored tablecloth., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitter., Pink tinting on cheeks., Gilt on sitter’s buttons and book., Pad: Red velvet with a spray of flowers in the center surrounded by a border of decorative scrolls., Mat: Oval., Case: Leather. Spray of flowers in an oval surrounded by leaves. Same design on verso.

[Full-length portrait of an unidentified, seated girl] [graphic].
Full-length, forward facing portrait of an unidentified, young, white girl seated on a chair. Sitter has dark hair parted in the middle with a curl on her forehead. She is attired in an off-the shoulder, boat neckline, short-sleeved dress with decorative swirls around the collar and cuffs, a necklace, white stockings, and black Mary Jane shoes. She sits on a child-sized, wooden chair with her left arm on the armrest and curled right hand, slightly clenched, resting on her lap. Her lips and cheeks are tinted pink., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitter., Pink tinting on lips and cheeks., Pad: Red velvet with a diamond-shaped, decorative scroll in the center., Mat: Nonpareil., Case: Leather. The design of the case is called the Oval, Diamond and Circle and is plate 198 in American miniature case art by Floyd and Marion Rinhart (Cranbury, New Jersey: A. S. Barnes and Co., Inc., 1969.) Uncommon., Gift of Robert DeMento, 2012.

[George B. Wood, 1797-1879]
Bust length portrait of Wood wearing a high white collar and a large black scarf ending in a big bow around his neck., Cased photographs retrospective conversion project., Pad: Purple velvet. No design., Mat: Octagonal., Case: Leather. A small circle is within a larger circle, both surrounded by a wavy design. A piece of blue leather not original to the case and without a design on verso., See Anne Ayer Verplanck, Facing Philadelphia: Social Functions of Silhouettes, Miniatures, and Daguerreotypes, 1760-1860, (Ph.D. diss., College of William and Mary, 1996), section of Chapter IV, Wood Family Daguerreotypes, pp. 221-233. See research folder for biographical information about the Wood Family.

George English, grandfather of Annie E. Powell & great-great grandfather of Edgar W. Powell, Jr.
Seated, waist-length portrait of a middle-aged man resting one arm on a table. His body faces right, but his head is turned to look directly at the camera. He wears a jacket, vest, high-necked shirt, and checked trousers. In Philadelphia city directories in the early 1850s, the sitter, George English, was listed as a bricklayer., Cased photographs retrospective conversion project., Pad: Dark red velvet. Eagle in the center. Embossed: T. H. Newcomer, 316 N. Second St. Phila., Mat: Double elliptical., Case: Leather. One rose and several other flowers within a modified square border. No design on verso., Title from accompanying manuscript note.

[George Henry Lea, 1853-1915]
Portrait of Lea as a young man, hair parted neatly on one side, looking quite serious., Cased photographs retrospective conversion project., Pad: Royal blue velvet. No design., Mat: Ornamented oval., Case: Oval thermoplastic. Spray of mixed flowers and leaves, with one prominent rose. Same design on verso. This design is called Bunch of Flowers and is #2-109 in Nineteenth Century Photographic Cases and Wall Frames by Paul K. Berg (Huntington Beach, Ca. : Huntington Valley Press, 1995.)., See Lea Family Research File., Gift of Mrs. A. Douglas Oliver, August 22, 1977.

[George Henry Lea as a very young boy]
Copy photograph of Richardson ambrotype portrait of Lea (see 8326.F.10). Portrait is reversed with edges of the original mat visible in the image., Cased photographs retrospective conversion project., Mat: Ornamented oval., Case: Uncased., See Lea Family research file., Gift of Mrs. A. Douglas Oliver, August 22, 1977.

[George Henry Lea as a very young boy]
Bust length portrait of a bare shouldered Lea. Hand colored pink on cheeks., Cased photographs retrospective conversion project., Pad: Red velvet. Geometric design in center, scrolls all around., Mat: Oval. Stamped: Ambrotype by V. L. Richardson., Case: Leather. Geometric design. Modified octagon surrounding a four sided figure. Scrolls all around. Same design on verso., See Lea Family research file., Gift of Mrs. A. Douglas Oliver, August 22, 1977.

[George M. Conarroe, 1831-1896.]
Portrait of Conarroe with small mustache and small goatee. Hair curling on the side., Cased photographs retrospective conversion project., Pad: Dark purple velvet. No design., Mat: Oval. Photographer's imprint stamped on mat: Ambrotype by Gutekunst & Bro., 164 Arch St. Patented July 4 & 11 54., Case: Leather. Geometric design. Two concentric scalloped ovals. Same design on verso., See Conarroe Family research file., Gift of Hugh P. Brinton, January 3, 1977.

[George Thompson, 1794-1876]
Cased photographs retrospective conversion project., Pad: Red velvet with a small spray of flowers in the center and swirls all around. Note on pad reads George Thompson, brother of my grandfather, James B. Thompson - John T. Morris., Mat: Ornamented oval., Case: Leather. A bouquet of mixed flowers in a modified octagonal border, with scroll work all around. Same design on verso., See the article The Ties That Bind: Daguerreotypes and the Roberts and Thompson Families by Sarah Weatherwax in The Daguerreian Annual 1999 (Pittsburgh, Pa.: The Daguerreian Society, 1999) pgs. 210-221 for information about the Roberts and Thompson Families. See also the Board Report for January 20, 1998.

[George Washington Conarroe, 1803-1882 or 4]
Portrait depicting Conarroe in profile., Cased photographs retrospective conversion project., Pad: Red velvet. Large spray of flowers in the center. Geometric border all around., Mat: Double elliptical., Case: Leather. Spray of flowers within a modified nonpareil border. No design on verso., See Conarroe Family research file. See also Anne Ayer Verplanck, Facing Philadelphia: Social Functions of Silhouettes, Miniatures, and Daguerreotypes, 1760-1860, (Ph.D. diss., College of William and Mary, 1996), fig. 38., Gift of Hugh P. Brinton, January 3, 1977.

[George Washington Conarroe, 1803-1882 or 4]
Portrait of a mature Conarroe looking slightly to his left. He has frown marks on his forehead., Cased photographs retrospective conversion project., Pad: Red velvet. Photographer's embossed imprint in the center is torn and illegible. Geometric border all around., Mat: Oval. Photographer's imprint embossed on pad: Richards 179 Chestnut St. Philada., Case: Leather. Large spray of flowers within an octagonal border. No design on verso., Conarroe was a Philadelphia portrait and genre painter. See Conarroe Family research file., Gift of Hugh P. Brinton, January 3, 1977.

George Washington Roberts, son of Algernon & Tacy Roberts. 1802-1857.
Portrait of Roberts, son of Algernon and Tacy Roberts. He has a half smile on his face, and is resting his right arm on a table., Cased photographs retrospective conversion project., Pad: Red silk with a large leaf design in the center. Manuscript note pasted to pad reads: George W. Roberts, 1802-1857., Mat: Octagonal., Case: Leather. Scrolls stamped in gold on all four sides of cover. No design on verso., Accompanying manuscript note reads: George Washington Roberts, son of Algernon & Tacy Roberts. 1802-1857., Reproduced in "The Ties That Bind: Daguerreotypes and the Roberts and Thompson Families" by Sarah Weatherwax in The Daguerreian Annual 1999 (Pittsburgh, Pa.: The Daguerreian Society, 1999) p. 219. See also the Board Report for January 20, 1998.

Gilbert C. Pryor about 1856.
Waist-length portrait of Philadelphia merchant, Gilbert Pryor, facing slightly to the right. He wears a jacket, high-collared shirt, and wide necktie. At the time of this portrait, Pryor worked on North Front Street. He had lived in Philadelphia for over twenty years pursuing work as varied as tailor, clerk, and accountant. Pryor does not appear in Philadelphia city directories after 1855., Cased photographs retrospective conversion project., Pad: Faded red velvet; Urn of leaves in center. scroll work all around. Embossed: Root, 140 Chestnut St., Philada., Mat: Oval., Case: Leather. Spray of flowers with one rose in center within a double elliptical border. Geometric design on verso. Accompanied by manuscript note: Gilbert C. Pryor about 1856.

[Gilbert Livingston Bishop as a young man.]
Cased photographs retrospective conversion project., Pad: Purple velvet with a geometric design., Mat: Ornamented oval., Case: Oval thermoplastic. Geometric design. This design is #3-438 in Nineteenth Century Photographic Cases and Wall Frames by Paul K. Berg (Huntington Beach, Ca. 92647: Huntington Valley Press, 1995.) It is designated as scarce. Same design on verso., Accompanied by typed note: Gilbert Livingston Bishop, 1845-1926., Gift of Hugh P. Brinton, January 3, 1977.

Grandma Sailer.
Possibly Elizabeth Carson Sailer. Wearing a full skirted checked dress, Grandma Sailer is sitting primly with her right arm resting on a table and her left arm in her lap., Cased photographs retrospective conversion project., Pad: Dark purple velvet with fancy border. Embossed in center Reimer 617 N. 2nd St., Philada., Mat: Ornamented oval., Case: Leather. Three concentric circles with geometric border. Same design on verso. Accompanied by manuscript note: Grandma Sailer., See Hormann collection folder.

Grandma Toppan.
Portrait of elderly woman looking slightly to her right. She is wearing a white lace cap tied under her chin., Cased photographs retrospective conversion project., Pad: Purple silk - design obliterated., Mat: Oval. Photographer's imprint stamped on mat: R. Cornelius, Philada., Case: Leather Cornelius case. Overall pattern of tiny flowers. Same design on verso.

Grandmother Abigail D. Dreer.
Wife of Philadelphia antiquarian Ferdinand Julius Dreer. Image depicts Dreer, hair parted severely in the middle, looking slightly to her right. She is wearing a long sleeved black taffeta dress. Her left arm is resting on a table. Hand colored vase of flowers sits on the table. Hand colored pale pink on cheeks., Cased photographs retrospective conversion project., Pad: Gold colored velvet. Spray of flowers in center, geometric border. Embossed: W. & F. Langenheim Philada., Mat: Oval., Case: Leather. Spray of mixed flowers and leaves within an octagonal border. No design on verso. Label with manuscript note pasted on recto: Grandmother Abigail D. Dreer, See Research file for additional information about Abigail Dreer.

[Group portrait of three seated women and two seated men]
Pad: Red velvet. Quatrefoil design in center surrounded by scrolls., Mat: Ornamented double elliptical., Case: Leather. Design is called The Cross Patee, Variation and is plate 53 in American Miniature Case Art by Floyd and Marion Rinhart (Cranbury, New Jersey: A.S. Barnes and Co., Inc., 1969.) Produced in quantity ca. 1862. Same design on verso., Paper label behind plate: S. J. E. H. I.

[Group portrait with Captain William Wallace Rogers, 3rd Pennsylvania Cavalry, at military encampment in unidentified location] [graphic].
Group portrait of Captain William Wallace Rogers, 3rd Pennsylvania Cavalry, and seven individuals, including white military officers, a white boy, and an African American man posed in front of tents at an unidentified military encampment. In the center, Rogers, wearing a mustache and attired in a Union uniform and hat, stands with his right hand on his hip and his left hand on the back of a chair. Two Union officers sit in the left, one holding a sword. In the right, a bearded man sits, attired in shirtsleeves and with a pipe in his mouth and another man sits attired in uniform. To the right of Rogers, a man, attired in uniform, stands holding a flag on a pole. In the right, a boy, possibly a messenger or scout, attired in cap, shirtsleeves, and pants, stands with his left leg crossed over his right. In front of the men, an African American man, probably a camp laborer/servant and possibly an enslaved freedom seeker, lies on the ground on his side, propped up on his left elbow, and looks at the viewer. He wears shirtsleeves and pants. The tops of trees are visible in the background. William Wallace Rogers (1832-1890) served in the 3rd Pennsylvania Cavalry during the Civil War and served in Virginia, Maryland, and Pennsylvania, including the Battle of Gettysburg, where he was wounded in July 1863. He was promoted to the rank of Lieutenant Colonel in 1865 and retired from service in 1889., Title supplied by cataloger from information provided by donor, descendent of William Wallace Rogers., Date inferred from content and information provided by donor., Pad: Red velvet with a decorative scroll in the center surrounded by an ornamental border with flowers and leaves., Mat: Nonpareil., Case: Leather. Geometric design of a scroll in the center surrounded by vases of flowers and leaves. Same design on verso., Gift of John J. Nesbitt III, 2016.

[Gutekunst and Haldt family cased photograph collection] [graphic].
Collection of cased photographs of sitters related to cabinet maker Frederick Gutekunst, his son and photographer Frederick Gutekunst, and his son-in-law and photographer Jacob Haldt. Majority of the sitters (men, women, and children) are unidentified. Identified sitters include Frederick L. Gutekunst, and Katherine (Katie) Gutekunst, son and daughter of photographer Gutekunst, photographer Jacob Haldt, and Tomas Hernandes, “the friend who was with Mr. Peale since he came to Pto [ Puerto] Rico until the last moment.” Includes bust, half, three-quarter, and full-length portraits with sitters mostly posed seated. Many of the women sitters wear long-sleeved dresses with collars. Some images also include a scenic backdrop (P.2020.12.13) or depict props, including side tables and a book on which an unidentified girl leans as she sits on a table (P.2020.12.11). Also includes a daguerreotype depicting a woman holding a baby inscribed “Isaac, Mary Jane & Charles Burr” on verso of the plate., Title supplied by cataloger., Date inferred from photographic medium and age and attire of sitters., Photographers include Frederick Gutekunst, Gutekunst & Bro., and Lemuel H. Purnell., Various-shaped mats, including oval, elliptical, double elliptical, square, and quarterfoil., Various colored pads, including red, purple, black, green, and maroon velvet, some with embossing. Embossings include photographer’s imprints and/or imagery. Imagery includes floral and ornament designs and scroll work., Leather and thermoplastic cases. Case designs vary, and include floral, ornament, emblem, geometric, and scroll designs. Designs also include a double-sided bookcase format as well as Seated woman holding child and pets, plate 30 and Berry motif, plate 99 in American miniature case art by Floyd and Marion Rinhart (Cranbury, New Jersey: A.S. Barnes and Co., Inc., 1969)., P.2020.12.2-3 and P.2020.12.6-9 contains daguerrean's imprint on pad., Several of the images contain weeping glass deterioration, tarnished plates, or other damage., Basic inventory of collection available at repository.

[Half-length length portrait of two young white men] [graphic] / Van Loan Gallery, 159 Chesnut St., Philada.
Half-length portrait of two young white men seated and facing the viewer. In the left, the man has rosy cheeks and long, upswept dark colored hair and is attired in a white collared shirt, a bowtie, a waistcoat with a watch chain that has a cross, a jacket, and pants. He rests his lightly close-fisted right hand on his knee while his left arm is draped behind the other man. In the right, the man has rosy cheeks and long, brush-backed, dark colored hair and is attired in a white collared shirt, a bowtie, a waistcoat with a watch chain, a jacket, and pants. He rests his slightly curled hands on his lap., Title supplied by cataloger., Date inferred from photographic medium, attire of the sitter, and address of photographer and dates of operation., Pink tinting on cheeks., Pad: Red velvet embossed with photographer’s imprint “Van Loan Gallery, 159 Chesnut St., Philada” in the center and within an ornamental frame composed of filigree scrolls., Mat: Double elliptical., Case: Leather. The design of the case is called the Bird and the Grape Vine and is plate 89 in American Miniature Case Art by Floyd and Marion Rinhart (Cranbury, New Jersey: A. S. Barnes and Co., Inc., 1969.) Produced in quantity. Geometric Celtic design on verso., Contains weeping glass deterioration., Edges of daguerreotype plate are tarnished., Gift of Jane Hastings, 2011., Samuel Van Loan operated from 159 Chestnut Street, Philadelphia between 1852 to 1853.

[Half-length portrait of an unidentified man] [graphic].
Half-length, forward facing portrait of an unidentified white man, posed slightly toward the left. Sitter has dark hair combed to the right and wears a chinbeard. He is attired in a white collared shirt and a dark-colored bowtie and jacket., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitter., Gift of Michael Zinman, 2016., Pad: Red velvet with a decorative scroll in the center., Mat: Oval., Case: Case is shaped like a book with gilt edges and a spine labeled “Memorial.” Papier-mache, black lacquer with a spray of flowers made of mother of pearl inlay. Verso is black lacquer., Edges of daguerreotype plate are tarnished.

[Half-length portrait of an unidentified man] [graphic].
Half-length portrait of an unidentified white man, slightly facing right. Sitter has dark-colored hair, combed and parted to the left, and is attired in a white shirt with a turned-up collar, a broad, black bowtie, and a black jacket. His cheeks are tinted pink., Title supplied by cataloger., Date inferred from photographic medium, attire of the sitter, and dates of operation of the photographer., Pink tinting on cheeks., Gift of Michael Gibson, 2017., Mat: Oval. Stamped: McClees & Germon. Phila., James E. McLees (1821-1887) and Washington Lafayette Germon (1822-1877) operated as partners from 1846 to 1855 in Philadelphia.

[Half-length portrait of an unidentified man] [graphic].
Half-length, forward facing portrait of an unidentified white man. Sitter wears a mustache and goatee and has dark-colored hair, combed and parted to the left. He is attired in a white shirt with a turned-up collar, a broad bowtie with polka dots, a patterned waistcoat, and a black jacket with a velvet collar and a pocket kerchief., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitter., Gift of Michael Gibson, 2017., Mat: Double elliptical.

[Half-length portrait of an unidentified man] [graphic] / Willard, No. 1628 Market St.
Half-length, forward facing portrait of a white man. Sitter has dark hair, parted to the right, and pink tinting on his lips and cheeks. He is attired in a white shirt, a bowtie, a waistcoat, and a jacket. His slightly curled right hand rests on his leg. His left arm and hand rest on a side table in the right., Title supplied by the cataloger., Date inferred from dates of operation of photographer at address in photographer’s imprint., Pink tinting on lips and cheeks., Gift of David Doret., Pad: Brown velvet embossed with photographer’s imprint “Willard, No. 1628 Market St.” in the center., Mat: Oval., Case: Leather. Mother of pearl inlay in a geometric design in the center. Some pieces of inlay lacking. No design on verso., Oliver H. Willard operated from No. 1628 Market Street, Philadelphia between 1858 and 1860.

[Half-length portrait of an unidentified, seated woman] [graphic].
Half-length, forward facing portrait of an unidentified white woman seated on a chair. Sitter has long, dark hair, parted in the middle, and looped behind her ears. She is attired in a dark-colored, short-sleeved, silk dress with buttons down the bodice and a white lace collar, and black lace, fingerless gloves. A broach adorns her collar. She rests her right forearm on a table covered in a patterned cloth. The sitter’s left hand is slightly clenched and rests on her lap. Her lips and cheeks are tinted pink., Title supplied by cataloger., Date inferred from photographic medium, attire of the sitter, and dates of operation of the photographer., Pink tinting on lips and cheeks., Attributed to McClees & Germon., Pad: Red velvet. No design., Mat: Double elliptical., Case: Leather., Contains weeping glass deterioration., Edges of daguerreotype plate are tarnished., Gift of Jane Hastings, 2011., James E. McLees (1821-1887) and Washington Lafayette Germon (1822-1877) operated as partners from 1846 to 1855 in Philadelphia.

[Half-length portrait of an unidentified woman, seated] [graphic].
Half-length, forward facing portrait of an unidentified white woman. Sitter has long, dark hair, parted in the middle, and looped behind her ears. She is attired in a dark-colored, long-sleeved dress with buttons down the bodice and a white collar, and black lace, fingerless gloves. A broach adorns her collar. Her lips and cheeks are tinted pink. She is seated and holds a book labeled, Message and Documents 1857-8 Part 1 (i.e., Congressional documents), on her lap with her right hand. She crosses her left arm over her right and rests her left hand on her right wrist., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitter., Pink tinting on lips and cheeks., Cased image accompanied by a lock of hair and four feathers from an Amazon parrot., Gift of Ivan Jurin, 2022., Pad: Red velvet with flowers within a decorative scroll border., Mat: Nonpareil., Case: Leather. Decorative geometric and scroll pattern in the center with leaves in the corners. Same design on verso.

Hannah Davis Wood, b. 1809
Wood is sitting primly, hands folded in her lap. She is wearing a high necked dress with a triangular collar., Cased photographs retrospective conversion project., Pad: Purple velvet. A floral spray in blue is in the center., Mat: Oval. Stamped on mat: M. P. Simons, Philada., Case: Leather. Stamped in gold in center with a bird surrounded by leaves. Gold stamping in leaf pattern along all four edges. Same design on verso without central stamp of bird., See Anne Ayer Verplanck, Facing Philadelphia: Social Functions of Silhouettes, Miniatures, and Daguerreotypes, 1760-1860, (Ph.D. diss., College of William and Mary, 1996), section of Chapter IV, Wood Family Daguerreotypes, pp. 221-233. See research folder for biographical information about the Wood Family.

[Hannah T. White and baby]
Cased photographs retrospective conversion project., Mat: Oval., Case: Leather. Lacking cover. Within an oval is an interlocking geometric design.

Helen Vaughan Cope
Hand-painted portrait of young, lovely Helen Vaughan Cope facing very slightly left. Her hair is pulled high on her head, then flowing down her neck. She is wearing a V-necked gown trimmed in blue with a lace collar. She is wearing a pearl necklace with a pendant, and a diamond earing., Pad: Dark burgundy velvet., Mat: Oval., Case: Oval; Light brown leather. No design., Gift of Charles Lea Hudson, Ann L. Salmon, and Mathew C. Hudson.

Henry Charles Lea, 1825-1909
Facing very slightly right is young, handsome Henry Charles Lea. His long hair, parted on the side, frames his face. Pale hand-colored pink on his cheeks., Pad: Burgundy velvet, No design., Mat: Oval., Case: Leather. The design is three concentric circles. A cross is in the smallest circle., Included in the case is a lock of Henry Charles Lea's hair., Gift of Charles Lea Hudson, Ann L. Salmon, and Mathew C. Hudson.

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