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[Assorted flowers] [graphic] / L.A.B.
Album page containing a drawing of a bunch of assorted flowers., Title supplied by cataloguer.

"Forget me not!" [graphic] / M.F.
Album page containing a drawing of a stem of forget-me-not and a poem about remembrance., Title from manuscript verse., Probably by Margaretta or Mary Forten, daughters of Philadelphia African American entrepreneur and activist James Forten, who were members of the interracial Pennsylvania Female Anti-Slavery Society.

"I love a flower!" [graphic] / S.M. Douglass.
Album page containing a drawing of a wild pink rose and eight lines of allegorical verse about the beauty of flowers., Title from manuscript verse., Douglass, an artist and prominent Quaker member of the Philadelphia African American elite community, was best known as an educator and anti-slavery activist.

"Long long be thy heart with your memory fill'd..." [graphic] / Margaretta
Album page containing a drawing of a vase of flowers and a poem about remembrance., Title from manuscript verse., Forten, a member of the interracial Pennsylvania Female Anti-Slavery Society, was the daughter of Philadelphia African American entrepreneur and activist James Forten.

No marvel woman should love flowers... [graphic] / Selected by S.M. Douglass.
Album page containing a drawing of red and blue flowers and six lines of allegorical verse about unappreciated beauty., Title from manuscript verse., Douglass, an artist and prominent Quaker member of the Philadelphia African American elite community, was best known as an educator and anti-slavery activist.

Original & selected poetry &c. [graphic] / Amy Matilda Cassey.
Friendship album of Amy Matilda Cassey, a middle-class African American woman active in the anti-slavery movement and African American cultural community, containing contributions dating from 1833 until 1856. Contains original and transcribed poems, prose, and essays on topics including slavery, womanhood, religion, friendship, female refinement, death, and love. Also contains drawings, watercolors, and gouaches of flowers and a New York residential street scene. Contributors, many women of the African American elite community, are prestigious reformers and abolitionists active in the anti-slavery, intelligentsia, and cultural community of the antebellum North including Philadelphia, New York, Boston, and Baltimore., Contains the following contributions: entry by African American abolitionist Frederick Douglass, dated Philadelphia 1850, about his "coarse" contribution in an album of "refined" entries; an original sonnet, "Fallen Bird," and essay, "The Abolition Cause," by anti-slavery activist, author, and editor, William Lloyd Garrison, dated Philadelphia 1833; floral watercolors and calligraphed poems by Philadelphia Quaker activist, educator, and artist Sarah Mapps Douglass; essay, "Moral Reform," dated Philadelphia 1834, by Harrisburg businessman and activist William Whipper; calligraphed version of Washington Irving's poem, "The Wife," by New York African American engraver Patrick Henry Reason dated New York 1839; poem about "Friendship" dated 1837 by anti-slavery activist and gentleman, Robert Purvis; prose on faith penned in 1853 by women right's activist and abolitionist Lucy Stone; floral watercolors, poems and prose on friendship, womanhood, abolition, and remembrance by Philadelphia Female Anti-Slavery Society associates Margaretta Forten, Mary Forten, Sarah Forten Purvis, Rebecca Buffum, Susan C. Wright, and Hannah L. Stickney; memorials to his deceased wife and daughter by Baltimore African Methodist Episcopal Bishop Daniel Alexander Payne written in 1849; and an essay by abolitionist Reverend Isiah George DeGrasse dated Bridgewater 1836. Additional contributions by Baltimore gentlewoman and anti-slavery activist Emily Willson; anti-slavery activist Ann Warren Weston; Philadelphia barber and activist John Chew; abolitionist James Miller M'Kim; University of Glasgow trained activist James McCune Smith; Boston reformer Wendell Phillips; C.L.R., possibly Charles L. Reason, abolitionist and brother of engraver Patrick Henry Reason; A.W.H., possibly Quaker abolitionist Anna W. Hopper, and E.G., possibly Quaker abolitionist Elizabeth Garrigues., Also includes sketches and a poem by Lydia A. Bowser and unattributed watercolors and sketches possibly by Amy Matilda Cassey., Embossed and gilt morocco binding with blue moiré silk doublures., LCP AR (Annual Report) 1998, p. 25-35., Cassey, an abolitionist, temperance and civil rights activist and founding member of the interracial Philadelphia Female Anti-Slavery Society and the African American literary and science society, Gilbert Lyceum, was the daughter of New York black community leader, Reverend Peter Williams. She was the wife of Philadelphia businessman and civil rights activist Joseph Cassey, and later married Boston anti-slavery lecturer Charles Lenox Remond.

[Residential New York street] [graphic].
Album page containing a drawing of a residential New York Street scene with a traveller on horseback conversing with a man near a house., Title supplied by cataloguer., Possibly by Amy Matilda Cassey.

[Rose with open scroll] [graphic].
Album page containing an incomplete drawing of a spray of red rose behind a blank open scroll., Title supplied by cataloguer., Possibly by Amy Matilda Cassey.

"A token of love from me, to thee" [graphic] / S.M. Douglass.
Album page containing a drawing of a black butterfly on a twig with flowers., Title from manuscript note., Douglass, an artist and prominent Quaker member of the Philadelphia African American elite community, was best known as an educator and anti-slavery activist.

[Vase of flowers] [graphic].
Album page containing a drawing of a vase of flowers., Title supplied by cataloguer., Possibly by Amy Matilda Cassey.

The Wife. By Washington Irving. [graphic] / P.H.R.
Album page containing an ornately calligraphed transcription of the Irving poem about the wife as a helpmate to her husband., Reason, an African American New York engraver, was one of the only successful blacks engravers during the 1830s and 1840s.