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Our national bird as it appeared when handed to James Buchanan. March. 4. 1857 [graphic] : The identical bird as it appeared A.D. 1861. / "I was murdered i' the Capitol." Shakespeare.
Entered ... 1861 by Thomas W. Strong ... New York., Not in Reilly., [Signed M.A.] Woolf., Retrospective conversion record: original entry, with corrections., Digitized by Alexander Street Press for Images of the American Civil War.
The peninsular campaign [graphic]
Civil War cartoon referencing George B. McClellan's failed 1862 peninsular campaign to criticize his cautious military performance as commander-in-chief of the U.S. Army and his relationship with financier August Belmont and lawyer Samuel M.L. Barlow, New York Democratic Party leaders with Southern ties. Shows McClellan holding a shovel and sitting backwards on a mule that displays a flag marked "Strategy" on its tails and that Belmont and Barlow desperately try to move past human bones and away from Richmond. He advises the men to "coax" the animal because he does not believe in force and to keep his mule's head to the rear or his plans for "conquering the Rebellion will never be developed." Belmont, with several hats layered on his head and Barlow, a paper printed "Harrisons Landing July 7, 1862" in his pocket, "hold fast" and discuss Belmont's European ties and a letter written by Barlow on McClellan's behalf for the president that will be signed and sent following the general's "change of base.", Originally part of a McAllister scrapbook of materials related to George McClellan and Abraham Lincoln., Digitized by Alexander Street Press for Images of the American Civil War.
Platforms Illustrated [graphic] : [Two scenes:] Baltimore, Chicago.
Retrospective conversion record: original entry., Digitized by Alexander Street Press for Images of the American Civil War.
The Political "Siamese" Twins [graphic] : The Offspring Of Chicago Miscegenation.
Entered ... 1864, by Currier & Ives ... N.Y., Retrospective conversion record: original entry., Digitized by Alexander Street Press for Images of the American Civil War.
Running the "Machine" [graphic].
Entered ... 1864, by Currier & Ives ... N.Y., Retrospective conversion record: original entry., Digitized by Alexander Street Press for Images of the American Civil War.
The "Secession Movement" [graphic].
Entered ... 1861, by Currier & Ives ... New York., Retrospective conversion record: original entry., Digitized by Alexander Street Press for Images of the American Civil War.
Shadows of the times. [graphic] /. P. Kramer del.
Series of three Civil War satires containing captioned vignettes utilizing shadow figures to cynically depict the threat of a European intervention; the prowess of the military; and the exploitation of war news. Plate 1 contains two scenes foreshadowing possible British, French, and Prussian invasions. Shows Queen Victoria, on the shore of Britain, accompanied by demons and restraining the British lion while she threatens Columbia, "I will sink your ships and burn your factories they are a perfect nuisance." Columbia, atop a globe flanked by warships, holding an American flag and shield, and with a man at her feet thumbing his nose at Britain, replies, "You don't say so!! Very glad to see you." Second scene shows Emperor Napoleon III, and probably, Prussian commander Otto Von Bismarck conversing in a parlor in front of framed paintings of Napoleon I in exile and Frederick the Great commanding his army. Bismark points to the Napoleon painting and comments "General. St. Helena is not forgotten." Plate 2 includes "Good Bye to the Lager" showing male civilians and a soldier at a saloon; the disorganized and distracted "Jeff. Davis' Body Guard"; soldiers chasing, bayoneting; and roasting pigs for "Pig duty in the Sacred Soil"; and "Rather moist" showing a military caravan crossing a river. Plate 3 includes "Somerset Polka (Quick Step)" depicting the death and chaos of a military battle; newsboys hawking the "Evening Bulletin. Capture of Fort Pulsing" to a crowd of eager pedestrians; a soldier, "One of the Chivalry in excitement," stretching from a nap; overweight and doddering soldiers "Going to play the Yankee Doodle down South"; an officer in a huff demanding "Why didn't you call when you saw me coming?" to a lieutenant who responds, "Senty. Beg pardon Sir, I thought you was an animal."; and infantrymen threatening a cow "Surrender or you are a dead Man.", Plate numbers printed upper right corner., Originally part of McAllister scrapbooks of Civil War materials and Civil War caricatures and photographs., Digitized by Alexander Street Press for Images of the American Civil War.
Shadows of the times. [graphic] /. P. Kramer del.
Series of three Civil War satires containing captioned vignettes utilizing shadow figures to cynically depict the threat of a European intervention; the prowess of the military; and the exploitation of war news. Plate 1 contains two scenes foreshadowing possible British, French, and Prussian invasions. Shows Queen Victoria, on the shore of Britain, accompanied by demons and restraining the British lion while she threatens Columbia, "I will sink your ships and burn your factories they are a perfect nuisance." Columbia, atop a globe flanked by warships, holding an American flag and shield, and with a man at her feet thumbing his nose at Britain, replies, "You don't say so!! Very glad to see you." Second scene shows Emperor Napoleon III, and probably, Prussian commander Otto Von Bismarck conversing in a parlor in front of framed paintings of Napoleon I in exile and Frederick the Great commanding his army. Bismark points to the Napoleon painting and comments "General. St. Helena is not forgotten." Plate 2 includes "Good Bye to the Lager" showing male civilians and a soldier at a saloon; the disorganized and distracted "Jeff. Davis' Body Guard"; soldiers chasing, bayoneting; and roasting pigs for "Pig duty in the Sacred Soil"; and "Rather moist" showing a military caravan crossing a river. Plate 3 includes "Somerset Polka (Quick Step)" depicting the death and chaos of a military battle; newsboys hawking the "Evening Bulletin. Capture of Fort Pulsing" to a crowd of eager pedestrians; a soldier, "One of the Chivalry in excitement," stretching from a nap; overweight and doddering soldiers "Going to play the Yankee Doodle down South"; an officer in a huff demanding "Why didn't you call when you saw me coming?" to a lieutenant who responds, "Senty. Beg pardon Sir, I thought you was an animal."; and infantrymen threatening a cow "Surrender or you are a dead Man.", Plate numbers printed upper right corner., Originally part of McAllister scrapbooks of Civil War materials and Civil War caricatures and photographs., Digitized by Alexander Street Press for Images of the American Civil War.
South Carolina's "Ultimatum" [graphic].
Entered ... 1860 by Currier & Ives ..., Retrospective conversion record: original entry., Digitized by Alexander Street Press for Images of the American Civil War.
A Thrilling Incident During Voting [graphic] : 18th Ward, Philadelphia, Oct. 11 / An Old man ...
Harley Del. [signed on stone; Joseph S. Harley]., Retrospective conversion record: original entry., Digitized by Alexander Street Press for Images of the American Civil War.
The True Issue, Or, "Thats Whats The Matter" [graphic].
Entered ... 1864, by Currier & Ives ... N.Y., Retrospective conversion record: original entry., Digitized by Alexander Street Press for Images of the American Civil War.
Uncle Sam's Menagerie [graphic].
Entered ... June 7, 1865 by G. Querner ... D.C., Retrospective conversion record: original entry., Digitized by Alexander Street Press for Images of the American Civil War.
Union and Liberty [graphic] / H. Whateley; [T. Sinclair's Lith. Phila.]
Sheet music cover including a figure of Liberty surrounded by an ornamental border containing an eagle. Liberty depicted attired in a liberty cap, holding a shield and American flag adorned with a laurel wreath, and flanked by an eagle, lyre, globe, and artist's palette., Probable publication information supplied by Reilly., Originally part of a McAllister scrapbook of Civil War miscellany., Trimmed and altered., Digitized by Alexander Street Press for Images of the American Civil War.
The War Candidate On A Peace Platform [graphic].
Not in Reilly., Retrospective conversion record: original entry., Digitized by Alexander Street Press for Images of the American Civil War.
Why dont you take it? [graphic] / Friz del.
Cartoon promoting the existence of a Union stronghold to defend against a Confederate seizure of Washington, D.C. Depicts General Winfield Scott as the bulldog, "Old General U.S.," protecting the cut of meat, "Washington Prime Beef," from the snarling, retreating greyhound "Jeff" (Confederate President Jefferson Davis). Davis, wearing a Confederate flag and broad-brimmed hat, slinks back to his side where a bale of cotton and animal skull lie, a coiled snake hisses, and a palmetto tree stands. Scott sits guard in front of several money bags, a cannon, American flag, and barrels of beans, beef, and "Mess Pork.", Copyrighted by F.T.B. [Frank T. Beard?], Name of artist supplied by Weitenkampf., One of four variant designs that was also used on Civil War patriotic envelopes., Retrospective conversion record: original entry, edited., Originally part of a McAllister Civil War scrapbook of Sumter and Anderson, Scott, Brownlow., Digitized by Alexander Street Press for Images of the American Civil War.
Why don't you take it? [graphic].
Cartoon promoting the existence of a Union stronghold to defend against a Confederate seizure of Washington, D.C. Depicts General Winfield Scott as the bulldog, "Old General U.S.," protecting the cut of meat, "Washington Prime Beef," from the snarling, retreating greyhound "Jeff" (Confederate President Jefferson Davis). Davis, wearing a Confederate flag and broad-brimmed hat, slinks back to his side where a bale of cotton lies and a palmetto tree stands. Scott sits guard in front of several money bags, a cannon, and barrels of corn, flour, and "Mess Beef.", Per Weitenkampf, one of four variant designs after original by cartoonist Frank T. Beard that was also used on Civil War patriotic envelopes., Contains manuscript note lower right corner: Ballard Vale 1861., Contains manuscript note on verso: VA Ballard Vale May 1861., Retrospective conversion record: original entry, edited., Digitized by Alexander Street Press for Images of the American Civil War.
Yankee volunteers marching into Dixie. "Yankee Doodle keep it up, Yankee Doodle Dandy." [graphic] / J.H. Bufford's Lith, Boston.
Shows a Union officer, sword raised in the air, leading a troop of men attired as the Yankee character Brother Jonathan. Civilians and officers on horseback watch as the "troop" passes. Also shows the Potomac River and Washington skyline, including the Capitol, in the background., Copyrighted by C.F. Morse., Retrospective conversion record: original entry, edited., Probably originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Ye Conference [graphic].
Title from below: Thank You, Jeff. Not Amy., Entered ... 1861 ... Ohio., Retrospective conversion record: original entry., Digitized by Alexander Street Press for Images of the American Civil War.
Young England [graphic] : O, shameful England! Greedy puffed with pride, a friend in sore distress, thy false heart hath denied.
Cartoon critical of Great Britain's lack of support of the Union depicting the country as a greedy, pompous, and disingenuous child. Depicts a smiling, well-dressed, plump lad partaking of a lavish table of food in front of an emaciated, begging dog on an outside patio near the ocean. In the background, an American ship sails near the shore and displays a banner labeled, "Coal?" On the shore, near a row of cannons and a pile of coal, soldiers display a British flag labeled "No!", Date of publication supplied by Weitenkampf., Publisher's imprint stamped below title., Retrospective conversion record: original entry, edited., Digitized by Alexander Street Press for Images of the American Civil War.

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