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"The coon" wedding march
Scene showing a young African American girl in a white dress leading the procession of the young African American couple and their attendents. The bride, holds fake flowers and wears a calico shirt, white skirt, and thick cloth veil. Small picture prints and placards written in black dialect adorn the walls., Inscribed on negative: 16974., Copyright by William H. Rau., Stamped on mount: Philadelphia, St. Louis, and Liverpool, Eng. American and Foreign Views., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Cooper & Conard trade cards]
Series of illustrated trade cards depicting children performing a variety of activities, including posing for portraits in fancy clothing and decorative fans with pets; sifting flour while dressed in oversized chef's clothing with a celluloid collar as a chef's hat; and jumping rope and playing leapfrog. Also depicts a landscape view of Valley Green Bridge (built 1832, enlarged 1915) spanning Wissahickon Creek in Fairmount Park and two women, one in full dress and glaring at the other scantily-clad woman, walking on the sidewalk on a windy day., Title supplied by cataloger., Printers and photographers include Frederick Gutekunst and Thomas Sinclair., Two prints [1975.F.209 and 1975.F.214] contain the imprint, "Sinclair's 1st prize series," and are copyrighted 1881 by Geo. M. Hayes., One print [P.9798.5] includes advertising text and a list of available dry goods printed on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Cooper's Point, on the Delaware, New Jersey.
Views showing tracts of land near the Delaware River in Camden, New Jersey originally established as a ferry port by William Cooper circa 1689. Includes a marsh, the river bank, and a docked ship near piles of lumber. Also shows men posed on and in front of the ship., Attributed to John Moran., Yellow paper mounts with square corners., Title from labels pasted on mounts., Originally part of a McAllister scrapbook of views of New Jersey., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Corinthian Hall, east, Masonic Temple, Philadelphia, Pa., U.S.A.
Interior view of the unfinished, Greek Corinthian-style Grand Lodge Room in Philadelphia's Masonic Hall, looking toward the east wall. Includes rows of benches and large chandeliers hanging down from the high ceiling. Designed by James H. Windrim, Philadelphia's Masonic Hall, located at Broad and Filbert Streets, was dedicated in 1873, but the Grand Lodge Room was not completed until 1903., Title printed on mount., Photographer's imprint printed on verso., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
Corliss engine. Mach Hall
View of the condensing engine, originally patented by George Corliss in 1849, used to power the exhibition. The engine is propped on a platform. Also prominently shows the display of New York saw manufacturer E. M. Boynton in the background. George Pullman purchased the engine in 1880. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Corn Exchange, Union Avenue, the Great Central Fair, Philadelphia, 1864]
Unmounted stereograph shows a display sponsored by the "Corn Exchange". Includes a portrait of George Washington, drums, and patriotic bunting. The Great Central or Sanitary Fair held June 7-28, 1864 on Logan Circle was one of several national fairs that displayed art, craft, and historical exhibits to benefit the U.S. Sanitary Commission, a soldier relief organization., Title from manuscript note on mount., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Corn-time. / Past-time.
Illustrations entitled "Corn-time" on rectos depict a man sitting outside on a fence cutting a loaf of bread with a knife., Illustrations entitled "Past-time" on versos depict the back of an elderly winged figure of Death walking away from the viewer under the word "limbo". He holds a scythe in his right hand and an hourglass in his left hand., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Corner [Eighth] and Chestnut Street looking west.
View showing the north side of the 800 block of Chestnut Street. Businesses include: John Stone & Sons, silk merchants (805 Chestnut) and the Girard House (823-835 Chestnut), built 1851-1852 after the designs of John McArthur, Jr. Also includes partial view of Wilson & Marter, watch and jewelery store, (802 Chestnut) on the south side of the block. Awnings adorn the buildings. Several pedestrians crowd the sidewalk and horse-drawn carriages travel the street., Title from manuscript note on mount., Pale yellow mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Cornish & Co., new manufactory. High grade organs & pianos, Washington, New Jersey, U.S.A.
Pictorial envelope containing a bird's eye view showing the organ and piano manufactory complex. View includes street and pedestrian traffic, including two trains and several railcars. Also shows surrounding buildings. Cornish & Co. was established circa 1880 and operated until circa 1922., Title from printed return address., Addressed in manuscript to: Post Master [stamped] Birchrunville, Chester Co., Penn., Contains cancelled one-cent stamp printed in blue ink and depicting Benjamin Franklin in profile., Numeric calculations in pencil on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Costume guerriers Japonais.
Interior view of the Japanese display, including samurai armor, at the Exposition Universelle in Paris. Shows a mannequin attired in Japanese samurai armor, carrying a bow, and mounted on a horse. In the left is another mannequin attired in samurai armor stands and holding a spear. A sign reading "Couvernement Du Taichiou De Satsousma" rests at the foot of the display. In the right is a norimono, a Japanese palanquin or litter. Nets hang down from the ceiling. In the left background is a partial view of more objects, including another mannequin. The Exposition, held April 1-November 3, 1867, celebrated the technological and economic progress of the Second French Empire, as well as originated the classification system followed by proceeding international exhibitions. It was the first time Japan exhibited in a national pavilion at a world’s fair., Title printed on mount., Date inferred from content., Blindstamped on mount: Concession Unique., Yellow mount with rounded corners., Photographer's imprint printed on verso: M. Leon & J. Levy Ferrier, Sucrs. de Ferrier pere et fils et Soulier, 113, Boulevard de Sebastopol, 113 Paris. Vues sterescoptique sur verre de L'Exposition Universelle de 1867 ainsi que de tour les Pays, Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Cotton field.
Depicts African American women and children picking and collecting cotton in the field. In the center, an African American woman, attired in a short-sleeved dress, stands facing left with a bag slung over her shoulder. In the left, a child looks at the viewer, and an African American woman, attired in a dress with the sleeves rolled to the elbows and an apron, holds cotton in her hands in front of a large basket filled with cotton. In the right, a young girl holds a large basket filled with cotton on her head. Two more women and a child look at the viewer. In the background is a house and trees., Contains paper label on verso printed by Jas. L. Gow, including photographer's imprint and advertisement: A large stock of Views of Negro Groups, Cabins, Teams, Cotton Fields, and Plants, etc. kept constantly on hand. Also, Florida, Georgia, and South Carolina Views., Yellow mount with rounded corners., Advertised in The Philadelphia photographer, March 1875, p. 96., Purchase 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., James A. Palmer (1825-1896) was an Irish American photographer who produced thousands of stereographs about life in Aiken, South Carolina and Georgia, specializing in photographs of the African American community.
Cotton field.
Depicts African American men, women, and children picking and collecting cotton in the field. In the center, an African American man, attired in a long-sleeved shirt that is open at the chest, holds a handful of cotton that he puts in a bag strapped across his chest as he looks at the viewer. In front of him is a basket full of cotton. In the left, an African American woman, attired in a head kerchief, a plaid, long-sleeved dress, and a dark-colored apron, stands and looks at the viewer. To the left, two people are bent over at the waist picking cotton. Two children and two women stand in the field and look at the viewer. In the background is a house and trees., Yellow mount with rounded corners., Contains paper label on verso printed by Jas. L. Gow, including photographer's imprint and advertisement: A large Stock of Views of Negro Groups, Cabins, Teams, Cotton Fields, and Plants, etc. kept constantly on hand. Also, Florida, Georgia, and South Carolina Views., Advertised in The Philadelphia photographer, March 1875, p. 96. [LCP Per P 81]., Purchase 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., James A. Palmer (1825-1896) was an Irish American photographer who produced thousands of stereographs about life in Aiken, South Carolina and Georgia, specializing in photographs of the African American community.
Cotton mills, Schuylkill River, Manayunk.
View showing the mills of Joseph Ripka erected in 1831, 1835, and 1853 between Main Street and the Schuylkill River in Manayunk. Ripka's mills, one of the largest U.S. textile manufacturers during the 1840s and 1850s, went bankrupt during the Civil War with the loss of the essential patronage of the Southern states. General Robert Patterson purchased and reopened the mills following the war. Includes the Flat Rock Turnpike Bridge, a covered bridge near the mills., Title from manuscript note on verso., Unmounted half of stereoview., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Cotton mills, Schuylkill River, Manayunk.
View showing the mills of Joseph Ripka erected in 1831, 1835, and 1853 between Main Street and the Schuylkill River in Manayunk. Ripka's mills, one of the largest U.S. textile manufacturers during the 1840s and 1850s, went bankrupt during the Civil War with the loss of the essential patronage of the Southern states. General Robert Patterson purchased and reopened the mills following the war. Includes the Flat Rock Turnpike Bridge, a covered bridge near the mills., Title from manuscript note on verso., Unmounted half of stereoview., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Cotton plantation scene.
View of African American men agricultural workers picking cotton. In the foreground, an African American boy, attired in a green hat, a blue shirt, and blue pants, stands in front of a large pile of cotton with cotton in his left hand. In the left is a basket full of cotton. In the right, a young white girl, attired in a pink dress, sits next to the pile of cotton with her right hand shielded over her eyes. In the background, African American men work in the field picking cotton., Title from item., Date inferred from attire of clothes and photographic medium., Purchase 1998., Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Coughlin & Eldredge, book store, Binghamton, N. Y. 60. 60. 60.
Illustrated trade card depicting a cherub seated on and shaded by large leaves. Includes wheat and butterflies., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
County bridge, Valley Green.
View of the stone arch bridge spanning Wissahickon Creek leading to Springfield Avenue. Built in 1832 and rebuilt in 1915. Also referred to as the Springfield Avenue Bridge., Title from photographer's label pasted on verso., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1869.
The Court of Honor during the Elks' greatest parade, Philadelphia, July 18, 1907.
View of the "Elks Greatest Parade" on South Broad Street during the 21st Annual Benevolent Protective Order of Elks Convention held in Philadelphia in 1907. Depicts a float, a horse-drawn wagon carrying a large stuffed elk and passengers, and several costumed parade participants from various Elk Lodges throughout the country. Participants include a group dressed as minstrels in bowler hats and duster jackets and members attired all in white holding umbrellas. Spectators line the street. The south side of City Hall is visible in the distance., Title from item., Berry, Kelley & Chadwick was an early 20th century prolific publisher and retailer of stereoviews with locations in Philadelphia, Chicago, Dallas, and Atlanta., Purchase 1978., RVCDC, Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Cover and preface from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Second to Tenth Streets]
Includes ornamented typeface and and a decorative border comprised of filigree and ornaments., Cover printed in gilt., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Folder 1.
C.R. Woodward, 305 South 13th Street, Philadelphia.
Illustrated trade card depicting a male figure attired in a tattered smock and strappy sandals holding a staff in his left hand and a piece of fruit extended in his right hand., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Cramp's Shipyard postcards.
Depicts Cramp's Shipyard from the Delaware River, with small boats and docked ships. Cramp's built warships for the Navy and yachts for wealthy clients beginning circa 1830., Postcards issued mainly by the Philadelphia Post Card Company and the Souvenir Post Card Company of New York., Contains 14 postcards printed in color and 7 printed in black and white., Also known as William Cramp & Sons Ship & Engine Building Company Shipyard., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Crawford's statue of Washington, Capitol Square, Richmond, Va.
Views showing the equestrian statue sculpted by Thomas Crawford erected in the western portion of the square in 1858. Shows the sculpture on an elaborate stone pedestal and base designed by architect Robert Mills and adorned by bronze figures of prominent Virginians. Views also show neighboring buildings and posed pedestrians, including elegantly attired ladies with parasols and a gentleman with a cane., Titles from accompanying labels., Pale yellow paper mounts with square corners., Photographer's imprint stamped on mount., Originally part of a McAllister scrapbook of views of Virginia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creditor of Johnsing & Skinner--"I'll hab a hundred and fifty cents on de dollar, or I'll lick de hul firm."
Racist trade card promoting the druggist J. Harley Compton and depicting a caricature of an older African American man reading a notice on a country grocery store. Shows the man with a white beard and attired in a yellow brimmed hat, a long-sleeved red shirt, yellow pants with patches and held up by suspenders, and black shoes. He bends forward to read the sign on the boarded up, dilapidated store. It states in the vernacular that the Johnsing & Skinner Grocery is out of business and that, “Dem as owes de firm, will settle wid me--dey de firm owes will settle wid Skinner. G.W. Johnsing." The African American man is labeled as a creditor who says in the vernacular, “I’ll hab a hundred and fifty cents on de dollar, or I’ll lick de hul firm.” Another sign on the building states, "10 miles to de post ofice (sic)." In the right, the man’s donkey is tied to an orange post behind him. In the background, fenced in fields and trees are visible. William Carroll purchased J. Harley Compton’s drugstore in New Egypt, New Jersey in 1895., Title from item., Text printed on recto: Johnsing & Skinner Grocery. Notis—De firm of Johnsing & Skinner am resolved. Dem as owes de firm, will settle wid me—dey de firm owes will settle wid Skinner. G.W. Johnsing. Creditor of Johnsing & Skinner—“I’ll hab a hundred and fifty cents on de dollar, or I’ll lick de hul firm.”, Advertising text printed on verso promotes items manufactured by J. Harley Compton, including Compton's concentrated flavoring extracts, liquid rennet, camphor ice with glycerine, cholera and dysentery drops, and Compton's tooth powder. Dated Oct. 9th, 1883., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William Helfand., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
"Creme" oat meal toilet soap.
Trade card promoting soap manufacturer J.D. Larkin & Co. and depicting a racist caricature of an anthropomorphized chimpanzee as a man hunter. He stands in front of a section of tall grass and holds a clutch of birds in his left hand and a rifle under his right arm. He is attired in a hunting cap, red jacket, tan pants, and black high boots. Leather straps are criss-crossed over his chest. J.D. Larkin & Co. was founded in 1875. By 1881 the soap company included over 100 factory workers and sustained specialized departments for advertising and shipping, as well as solicited to door-to-door private residences in addition to shopkeepers. Trade cards with the company logo were included with each box of soap. By 1885 the firm only directly sold their products to residential customers and was known for their premiums. The company was sold in 1941 and continued as a mail-order business until 1962., Title from item., Date from copyright statement: Copyright, Clay & Richmond, Buffalo, N.Y., 1881., Printed in upper right corner on recto: J, D, L, & C. monogram (ie. J.D. Larkin & Co.) surmounting "Buffalo, N.Y.", Series no. printed on recto: II., Advertising text printed on verso promotes "Creme" toilet soap sold by A.E. Snow, dealer in drugs, medicines, etc. in Plainfield, Vt. Also promotes "six different designs" of cards by the People's Mfg. Co., Buffalo, N.Y., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[Crescentville - last of winter]
Shows a boy in a pasture in front of possibly a mill. Also shows the bridge near the dam breast at Crescentville in the distant background., Cream mount with square corners., Title and photographer from duplicate in Moran album. [P.9265], Originally part of a McAllister scrapbook of Pennsylvania views & political miscellany., Accompanied by label misidentifying view., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The Cresheim Arms postcards.
Depicts the Cresheim Arms Hotel in Mount Airy showing the front facade from Allen's Lane and the entrance drive, and interior views of the Dunedin entrance, the Whitehall entrance and the sun parlor., Sheet numbers: 100B01B and 100B02., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Cressman's Pharmacy, N.E. cor. York & Fairhill Streets, Philadelphia. Deutsche Apotheke.
Series of illustrated trade cards depicting children's heads poking through torn paper or canvas., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
[Croft, Wilbur & Co. trade cards]
Series of illustrated trade cards promoting confectioners Croft, Wilbur & Co. and depicting children performing a variety of activities, including two white girls playing tug-of-war over a wrapped piece of candy; and boys and girls eating sweets, including a white boy eating a candy stick while holding his dog on a leash. Also shows flowers; a courting white boy and girl couple sitting on a log; two white boy clowns dancing, playing a drum, and strutting a homemade pitchfork; and a man in Colonial attire popping out of a large cracker or bon-bon and dumping candy to white woman who catches it in her skirt. Racist card depicting an African American boy, portrayed in caricature, and a white girl on a candy stick seesaw. In the left, shows the white girl attired in a large, white bonnet; a yellow dress with red polka dots; a blue and white checked smock; orange stockings; and brown shoes, sitting on a red and white striped candy stick. In the right, the barefooted African American boy, attired in an orange shirt and gray pants, sits on the other side of the candy see saw. The fulcrum is a piece of chocolate. Founded in Philadelphia in 1865 by Samuel Croft and Henry Oscar Wilbur, Croft, Wilbur & Co. divided into H.O. Wilbur & Sons and Croft and Allen in 1884., Title supplied by cataloger., Four prints printed by E. Ketterlinus & Co., Includes two prints [1975.F.120 and 1974.F.141] with advertising text printed on versos., Gift of Emily Phillips, 1883., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Croquet.
View showing a white woman standing with a croquet mallet on a lawn in front of a residence obscured by trees. An African American woman, possibly a nanny, sits nearby on a bench with three white children sitting at her feet on the lawn., Title and date from manuscript note on verso., Yellow mount with square corners., Purchase 1995., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Croquet.
View showing a white woman standing with a croquet mallet on a lawn in front of a residence obscured by trees. An African American woman, possibly a nanny, sits nearby on a bench with three white children sitting at her feet on the lawn., Title and date from manuscript note on verso., Yellow mount with square corners., Purchase 1995., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Croston Nurseries, bought of J. G. Dannaker & Son, nurseryman, King-of-Prussia, Montgomery Co. Pa.
Billhead containing a vignette showing a bushel basket of produce on a patch of grass., Completed in manuscript to Mrs. Anna Marris on November 10, 1876 for 6 apple trees @ 25: $1.50., Printed below image: [Pointed finger] Terms Cash. All claims for damages or deficiencies must be made within ten days after delivery. We guarantee all stock to be in good condition when delivered, after which no responsibility will be assumed by us except only when insured. All stock planted and insured to be paid for on the job being completed., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
[Crowd outside the Evening Telegraph Building]
View from the street showing the backs of men and women standing on the sidewalk looking toward the Evening Telegraph building., Title supplied by cataloger., Gray mount with rounded corners., The Public Ledger Company purchased The Evening Telegraph in 1918., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
[Crowd outside the Evening Telegraph office, Betz Building, South Broad Street, Philadelphia]
View looking east from Broad Street showing a crowd gathered on the sidewalk in front of the Evening Telegraph office in the Betz Building (i.e., Lincoln Building) built 1891-1892 after designs by William H. Decker on South Broad Street. Includes a partial view of a car travelling north on Broad Street and a woman walking west toward the photographer. The spectators read hand-written notes on the chalkboard in front of the offices., Title supplied by cataloger., Gray mount with rounded corners., The Public Ledger Company purchased The Evening Telegraph in 1918., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
[Crowd outside the Public Ledger Building, 600-606 Chestnut Street, Philadelphia]
View looking east from Chestnut Street showing a large crowd gathered on the sidewalk spilling over into the street in front of the Public Ledger Building (600-606 Chestnut Street, built 1866-1867 after designs by John McArthur, Jr.). Includes partial views of Congress Hall (1787-1789) and Independence Hall in the background and the Benjamin Franklin statue on the corner of the building. The spectators read hand-written notes on paper pasted to the first floor windows of the offices., Title supplied by cataloger., Gray mount with rounded corners., The Public Ledger Company purchased The Evening Telegraph in 1918., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
Crystal Palace. Industry of All Nations Exhibition. New York City, 1853
Illustrated envelope containing a reproduction of the view of the world's fair building delineated by Jocelyn and published by New York printer Charles Magnus. View also shows street traffic, including individuals greeting each other, a boy running, and a horse-drawn carriage. The building located between Fifth and Sixth avenues on 42nd Street was designed by Johan Bernhard Georg Carstensen and Charles Gildemeister., Return address printed in upper right corner: Raymond Marsh, 210 Sedgwick Drive, Syracuse, N.Y. Marsh was a scholar of Charles Magnus who wrote "Some Characteristics of Charles Magnus and his Products (1826-1900)," The American Philatelist (September 1949)., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Michael Zinman.
Cumberland Island, Georgia
Views showing rocks with hieroglyphics on the the barrier island off the Southern end of Georgia used as a fishing and hunting ground by Native Americans before the 16th century., Title from label accompanying 5739.F.54d., Yellow paper mounts with rounded corners., Originally part of a McAllister scrapbook of American views., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Cumberland, Pa., from Shriver's Hill.
Townscape view depicting a man reclining on the grassy slope in the forergound and the rooftop of buildings in the Pennsylvania town below. Tree-covered mountains are visible in the distance., Title printed on mount., Series number also on negative., Photographer's imprint printed on mount., Orange mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Soule maintained photographic studios on Washington Street in Boston, Massachusetts ca. 1861 to 1882 before relocating to Seattle, Washington.
[Cumberland Street east of 26th Street.]
Depicts row homes along the south side of Cumberland Street, east of 26th Street., Numbered 2631 on recto., Sheet number: 156B02., Real photo. Divided back. Post marked 1909., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Curiosities]
Genre scene shows a room full of relics with items hanging on the wall in the background and scattered religious iconography, including a bible, on the floor. A man (a little person) sits on a desk smoking a pipe. A woman sits on the floor to his left., Title supplied by cataloger., Distributor's printed blue label pasted on verso., Buff mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Curiosity
Promotional stereograph depicting a maid servant attending to her young mistress. The servant combs her mistress's hair and glances at a private letter that her lady reads., Yellow mount with rounded corners., Title from manuscript note on mount., Contains advertisements for six "Philadelphia Leading Business Houses" located on Eleventh and Second streets printed on verso. Includes: Isaac Dixson & Son, watches; E. Paul, furniture warerooms and manufactory; P. Kayser, ladies' French boot and shoe maker; R. Ross Baird, men's fine furnishing goods; John M. Salin, hat and cap store; and D. Jarrett Walton, manufacturer and dealer in looking glasses, portraits and picture frames., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., U.S. Stereo. View Advertising Company was managed by Ed Trust.

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