Pages

Elevated railroad at 69th Street station postcards.
Depicts the elevated railroad bed and tracks near 69th Street Station, showing residences in the background., The Philadelphia Rapid Transit Company (PRT) built the Market Street subway - elevated from 15th Street to 69th Street in 1907. Construction expanding the line eastward to Delaware Avenue finished in 1908, but the elevated section connecting Frankford to the Center City line was not completed until 1922., Sheet number: 158A04., Divided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Elevated railroad bed postcards.
Depicts the railroad bed along the Market Street elevated railroad near an unidentified station., The Philadelphia Rapid Transit Company (PRT) built the Market Street subway - elevated from 15th Street to 69th Street in 1907. Construction expanding the line eastward to Delaware Avenue finished in 1908, but the elevated section connecting Frankford to the Center City line was not completed until 1922., Sheet number: 158A03., Divided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Elevated railroad, Fortieth Street Station, Philadelphia, Pa.
Depicts two trains traveling through the Fortieth Street elevated station., The Philadelphia Rapid Transit Company (PRT) built the Market Street subway - elevated from 15th Street to 69th Street in 1907. Construction expanding the line eastward to Delaware Avenue finished in 1908, but the elevated section connecting Frankford to the Center City line was not completed until 1922., Sheet number: 158A08., Divided back. Text on verso., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Elevated railroad from 32nd Street, West Philadelphia postcards.
Depicts the elevated tracks of the Market Street subway near 32nd Street looking east toward City Hall at night., The Philadelphia Rapid Transit Company (PRT) built the Market Street subway - elevated from 15th Street to 69th Street in 1907. Construction expanding the line eastward to Delaware Avenue finished in 1908, but the elevated section connecting Frankford to the Center City line was not completed until 1922., Sheet number: 158A05., Divided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Elevated railway, 42nd Street.
View looking west from the railway station over 42nd Street showing the elevated railroad tracks constructed past the Grand Central Depot (built 1871, remodeled 1913) visible in the far right background. The railway, established in 1868, was extended to the depot in 1878. The tracks pass several buildings and businesses including the Grand Union Hotel and Restaurant; a wallpaper manufactory; and Murtaugh's dumbwaiter manufactory., Yellow mount with rounded corners., Title printed on mount., Gift of Saul Koltnow., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Elevated railway, Centennial Grounds.
View showing the monorail, also known as the "Safety Elevated Railway," consisting of a steam locomotive and passenger car straddling a beam elevated above the ground. Male passengers stand on the outside of the car while others inside the car poke their heads out of the windows. Designed by General Roy Stone, the monorail transported spectators between Horticultural Hall and Agricultural Hall over Belmont Ravine. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Manuscript note on verso: Laura C. Bumpus., White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Eleventh St. Opera House Philada. [graphic] / Bartlett & Smith, photographers.
View from Girard Street (i.e., Ludlow Street) looking east at the front facade of the theater at the southeast corner of Eleventh and Marble Streets (i.e., Ludlow Street). The front facade of St. Stephen's Protestant Episcopal Church (19 South Tenth Street) is partially visible in the left background and the corner dwelling at the southwest corner of Eleventh and Girard Streets is visible in the foreground. A horse stands unhitched on the side of the road. The opera house opened as "The Lyceum" by H.S. Cartee in 1854 in the building constructed for the First Reformed Presbyterian Church in 1818 and altered to a theater ca. 1854. Cotton & Dixey succeeded Cartee after one season and called the theater the "Eleventh Street Opera House." Ownership changed again the following season in 1856 to Samuel S. Sanford, who renamed it the "New American Opera House" and remained for several years until the theater was leased to Carncross & Dixey, who managed it at the time of this photograph. Theater building demolished ca. 1911., Title from pencil inscription note on mount., Photographer's imprint from embossed stamp on recto., Originally part of a McAllister scrapbook., Retrospective conversion record: original entry, edited., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Elfreth's Alley, looking west towards Second Street. Philadelphia, Pa.
View of cobblestone street flanked by small rowhouses looking west toward Second Street. Shows a little girl halfway down the street on the sidewalk near a group of pigeons. Also includes signs for "Coach House Restaurant" and "Olde Alley ... Poor Richard" in the distant background., Title, photographer and date from manuscript note on verso., Manuscript note on verso: Bladen's Court extends north at arrow right. Lightfoot's daughter on pavement left by pigeons., Gray curved mount with rounded corners., Named after Jeremiah Elfreth, the blacksmith that owned a large number of the properties on Elfreth's Alley between Front and Second Streets. Oldest preserved residential street in Philadelphia consisting of brick Trinity houses built early to mid eighteenth century., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
Elks' building, Philadelphia.
Depicts the Elks' lodge built in 1904 after designs by F. G. Caldwell. Known as Elks Lodge #2., Sheet number: 27A05A, Message on recto and verso., Divided back. Post marked 1907., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Elks Convention, 1907.
View of spectators, mostly men and children, standing on the sidewalk under an awning of a building covered in patriotic bunting for the "Elks Greatest Parade" during the 21st Annual Benevolent Protective Order of Elks Convention held in Philadelphia in 1907., Title from manuscript note on verso., Photographer's imprint printed on recto., Buff curved mount with rounded corners., Retrospective conversion record: original entry, edited., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Elks Convention 1907 postcards.
Contains commemorative postcards for the Elks Convention, the 21st annual reunion of the Benevolent and Protective Order of Elks (B.P.O.E.) held in Philadelphia in 1907. Includes views of Strawbridge and Clothier decorated with pennants, the Court of Honor on Broad Street looking north toward City Hall tower and a procession of Atlantic City roller chairs., Majority of postcards issued by William H. Rau, Philadelphia., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Elks Convention 1907 postcards.
Contains commemorative postcards and advertisements for the Elks Convention, the 21st annual reunion of the Benevolent and Protective Order of Elks (B.P.O.E.) held in Philadelphia in 1907. Depicts elk on every postcard; City Hall tower; William Penn; clocks striking eleven o'clock in the evening; the Court of Honor showing City Hall in the distance; the Quien Sabe Club of El Paso, Texas marching in the procession and an unidentified street view showing buildings and street posts ornamented with pennants. Also includes views of specific buildings like Carpenter's Hall; Horticultural Hall; Independence Hall; City Hall; the Liberty Bell; Wanamaker's store; Strawbridge and Clothier; Lit Brothers store; the North American building and the Ladies' Reception headquarters., Contains 22 postcards printed in color and 15 printed in black and white., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Elk's Convention, Phila. July 15-21, 1907. "Dutch Disturbers," Kansas City display.
View showing a float, a horse-drawn decorated wagon, carrying a band along Broad Street in a procession for the Elks Convention, the 21st annual reunion of the Benevolent and Protective Order of Elks (B.P.O.E.), held in Philadelphia in 1907. A man sitting in the front holds a sign reading, "Kelly's original Dutch Disturbers, Kansas City". Signs on the side of the wagon include, "A Dam-Humbug and P.T. Nopaws consolidated air ship shows," "Winter Quarters, no. 26, B.P.O. Elks, Kansas City, Mo.," and "Greatest aggregation between earth and ski". The Court of Honor and parade spectators are visible in the background. Patriotic bunting covers buildings flanking Broad Street., Title printed on mount., Publisher's imprint stamped on mount., Distributor's imprint and logo stamped on mount., Gray curved mount with rounded corners., C.H. Graves published under the imprint "Universal Photo Art Co." between 1896 and 1904., See Darrah, The World of Stereographs, p. 52., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
Elliott's fine millinery. 54 N. Eighth Street, Philadelphia. Entrance also, wholesale dep't, 808 Arch Street.
Illustrated trade card depicting an artist with a painting palette showing a well-dressed man his profile portrait., For duplicate image, see trade card - Walker [1975.F.925], Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Emblem
Cigar box label showing an American eagle in flight and clutching a spear in the light of dawn. The dome of the U.S. Capitol is visible in the background., Letters of title depicted as feathers., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Emerson, Smith & Co., L'td., saw manufacturers. Beaver Falls, Beaver County, Penn'a.
Pictorial envelope containing a trademarked vignette showing the "Damascus Temper" sword. The Emerson firm, established in 1830 by James E. Emerson, was renamed Emerson, Smith & Co. in 1877. The company was reorganized as a limited partnership in 1884., Date printed on recto., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Emmanuel P.E. Church, Holmesburg, Philadelphia.
Interior view of sanctuary. Church built in 1858 after designs by Samuel Sloan., Undivided back., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Engine Co. #9, Germantown.
Exterior view of side of Germantown fire station facing Carpenter's Lane, showing three fire fighters sitting on a bench., Sheet number: 100B03., Real photo. Divided back. Post marked 1913., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Engine house at Delaware Water Works]
View showing the engine house at the Delaware Water Works, formerly the Kensington Water Works, at the foot of Wood Street (i.e., Susquehanna Avenue) near the Delaware River. The waterworks, completed in 1852, provided water for the district of Kensington. Also shows laborers working on a raised platform near piles of wood planks in front of the building., Title supplied by cataloguer., Manuscript note on accompanying label: Philadelphia Water Works. "Engine House." Delaware Works. H.P.M. Birkinbine Chief Engr., Buff mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Engine house, Belmont Works.
View showing the engine house with smokestack at the Belmont Water Works at West River and Montgomery drives. The pumping station, designed by Frederick Graff in the late 1860s, supplied water to the 24th Ward Reservoir at George's Hill in Fairmount Park. The station was abandoned in 1895. Also shows men by the engine house entrance and in a window of the building., Title from manuscript note on verso., Manuscript note on verso: Designed by Fredk. Graff Chief Engr. W. Dept. Sep 1870., Publisher's imprint printed on mount., Yellow mount with rounded corners., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Engravings]
Scrapbook containing primarily engraved gift book and periodical illustrations issued between circa 1832 and 1868 from American and British publications, including "Columbian Lady’s and Gentlemen’s Magazine"; "Godey's Lady's Book"; "Ladies Companion"; "New Mirror"; and "Sartain's Magazine." Illustrations, several engraved by A. L. Dick, predominantly depict sentimental, romantic, religious, genre and allegorical views and often include children and animals. Titles include "The Draught Players"; "The Lovers"; "The Philosopher & His Kite" (showing Benjamin Franklin); "They sold Joseph to the Ishmeelites [sic] for twenty pieces of silver; "Lake See Hoo and Temple of the Thundering Winds from the Vale of Tombs"; "Schuylkill Water Works"; "Luther on Christmas Eve"; "Farmers Nooning," including an African American man farm hand (after 1843 W. S. Mount painting); "Cup-tossing" (reading of tea leaves); "The Opera Box"; and "The Village School." Portrait prints, including an image of Jenny Lind, and a few architectural design prints also encompass the illustrations., Also contains chromolithographs and the illustrated title page from Henry Harbaugh's "Birds of the Bible" (1854) and many tinted lithographs printed by Ackerman from "Reports of Explorations and surveys,...for a railroad from the Mississippi River to the Pacific Ocean (1855-1861); several photographic reproductions of original paintings showing genre views, landscapes, and marinescapes, including the work of J. S. Fenimore; George C. Lambdin; Edward and Thomas Moran, W. T. Richards, Samuel Sartain, Christian Schussele, N. H. Trotter, and S. B. Waugh; and photographs of a paddle boat near the Fairmount Water Works and views of the Wissahickon. Some pages also include embossed and color vignettes of birds, flower vases, and flowers. Other lithographs and chromolithographs depict sentimental and religious views, including a baby "hatching" from a flower and the T. Sinclair religious tableauxes "Pontius Pilatus" and "Manoah’s Sacrifice"., Probably compiled by Mrs. H. Godley., Title from stamp on the leather spine., Inserts: Envelope inscribed "Mrs. H. Godley, 1725 Vine St." and engraved portraits of "Robert Moffat" and "Girl in a Florentine Costume of A.D. 1500." "Girl" print includes amateur pencil alterations., Various artists, engravers, lithographers, and printers including Ackerman; W. Allan; T. Allom; W. H. Bartlett; W. Bennett; J. Burnet; J. G. Chapman; A. L. Dick; T. Doney; Durand & Co.; J. B. Forrest; A. W. Graham; Charles Heath; J. R. Herbert; J. B. Longacre; W. S. Mount; J. Neale; E. T. Parris; Nicolas Poussin: Rawdon, Wright, Hatch & Smillie; Rice & Buttre; H. S. Sadd; John Sartain; Eliza Sharp; Thomas Sinclair; and Benjamin Franklin Waitt., Various publishers, including American Sunday-School Union; Henry F. Annears; L.A. Godey; and Hurst, Chance & Co., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Description revised 2021., Access points revised 2021., Purchase 1986.
Engravings by William Humphrys
Scrapbook of print specimens and proofs engraved by Philadelphia and London engraver William Humphrys. Contents include postage stamp proofs, book and periodical illustrations, tile pages, portrait prints, advertisements, and cut outs of banknote and certificate vignettes. Majority of graphics depict allegorical imagery or illustrations of genre, religious, sentimental, and literary scenes, some from the plays of Shakespeare. Illustrations include scenes of courtship; female friendship; children with animals; a ghoulish-looking woman with a torch; a European man smoking a hookah; Jesus Christ; Adam & Eve; and imagery from Edmund Spencer's "Faery Queen", John Milton's "Palemon's Story," and John Gay's "Thursday: or The Spell." Allegorical works depict the figures of Columbia, Minerva, Mercury, Neptune, Bounty, Agriculture, Commerce, Justice, Hope, and Apollo, as well as scenes with the American eagle; caducei for the "Liverpool Apothecaries Company"; citizens fighting a fire; cherubs charting a globe; Native Americans; a family; sailing ships; and symbols of farming, trade, and industry. Vignettes also show a portrait of Benjamin Franklin; Pocahontas saving John Smith; and a female warrior slaying a man of royalty captioned "Sic Semper Tyranus.", Portrait prints, some probably from the British periodical "Fraser's Magazine for Town and Country," depict Israel Putnam; George Washington; Gustavus Adolphus; Mrs. Sloman, of Covent Garden Theatre in the Character of Baltimore; Thomas Carlyle; William Dunlop; Letitia Elizabeth Landon; D. M. Moir; and Henry Purcell. Scrapbook also contains an 1844 banknote specimen of "La Provincia de Buenos Aires" illustrated with vignettes of ostriches; ca. 1845 postage stamp proof depicting Queen Victoria after the Chalon portrait; a full-length portait of an unidentified man, possibly Humphrys; and an advertisement for the Philadelphia artist Joshua Shaw showing a man leading his horse down a bucolic path, as well as engravings after his work of a landscape and an advertisement for Cohen's Lottery Exchange Office, Baltimore., Title from stamp on spine., Morocco binding., Various American and British artists, including W. Chatfield, John Opie, Joshua Shaw, Robert Smirke, C. R. Leslie, Charles L. Eastlake, W. E. West, George Smithard, Carlo Dola, A.E. Chalon, J. Wood, J. Stephanoff, Pastorini, Alfred Croquis (i.e., Daniel Maclise), A. F. Tireggi, John James Barralet, J. Banks, J. M. Wright, Thomas Stothard, P. Williams, Camille Roqueplan, and R. Westall., Various American and British printers and publishers, including H. S. Singleton, J. P. Davis, and James Fraser., Manuscript letter by Humphry completed January 10, 1865 to Anna Holloway pasted on opening page to scrapbook. Letter details his ill health, which in spite of, he still appreciates "the brightness of the sun, the greeness of the earth, and the beauty of extreme nature.", Some scrapbook pages contain manuscript notes identifying the genre of the specimen., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Lib. Company. Annual report, 1967, p. 55., William Humphrys (1795-1865), born in Dublin, immigrated to the United States early in his life and studied engraving under George Murray in Philadelphia. He worked as an engraver in the city circa 1815-1823 producing book illustrations, advertisements, and banknote and certificate vignettes. He also served as secretary for the Association of American Artists. Relocating to England, he produced similar work before returning to the United States in 1843. In 1845, he moved to Dublin to engrave "The Reading Magdalene" for the Royal Irish Art Union before returning to England where he worked as an engraver for the firm Perkin, Bacon, and Co. During this employ, he was noted for his re-engraving of the head of Queen Victoria for the 1 d postage stamp. Humphrys retired from engraving in his later years and worked as an accountant for the printing firm Novello & Co. He died at the Novellos' Genoa villa on January 21, 1865.
Enterprise Congress-World's Fair.
Trade card issued during the Columbian Exposition of 1893 advertising Enterprise Mf'g Co. of Pa. "Enterprise Meat Choppers." Contains an allegorical scene, including the patriotic figure of Uncle Sam and figures representing different nationalities. In the center, Uncle Sam turns the handle of an Enterprise meat chopper chopping meat attached to a table under which two pigs stand. A Scotsman attired in tartan kilt watches the chopper. Other international figures, including an Irishman, Englishman, and Japanese man surround the table. Lady Liberty and the American Eagle stand next to Uncle Sam. Also includes partially visible exposition buildings in the background. The exposition held in Chicago May 1-October 30, 1898 celebrated the 400th anniversary of Christopher Columbus's arrival in the New World in 1492. Enterprise Manufacturing Co. of Pa. was established in 1866., Several lines of advertising text printed on verso. Text promotes the excellence of the "Enterprise Meat Choppers" in not tearing or grinding, but chopping the meat so devoid of "strings, sinew, fibers or gristle"; foods able to be chopped, including sausage meat, peppers, corn for fritters, coconut, and "Beef Tea for invalids"; the design of the plates; and prices of different models ranging from $2.00 to $15.00, including No. 42, a "Pork only" chops 5 lb. per minute., Printed on verso: For Sale by the Hardware Trade. Send for Catalogue. The Enterprise M'f'g Co. of Pa., Third & Dauphin Sts., Philadelphia, U.S.A., Typeface on verso varies between prints., Vignette illustration on verso. Depicts an "Enterprise" meat chopper clamped to a table. Ground meat falls onto a plate., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Michael Zinman.
[Enterprise Manufacturing Company of Pennsylvania trade cards]
Series of illustrated trade cards depicting three sad irons in a wooden box; a caricature of Abraham Lincoln holding a document in his left hand as he uses his right to operate an Enterprise faucet to fill up a container with molasses; and an exterior view of the Forestry Building on the grounds of Jackson Park, Chicago, Illinois for the 1893 world fair to celebrate the 400th anniversary of the voyage of Columbus to the New World. The following text separates the caricature of Lincoln from the view of the Forestry building: "I found, when a grocer's boy," Honest Abe said "Prosperity's line, if you'd cross it, give always good measure, save labor and use the self measuring, Enterprise faucet.", One print [P.9577.13] copyrighted 1893 by Donaldson Brothers, lith. N.Y., Printers and engravers include Maryland Lith. Co. (Baltimore) and Donaldson Brothers (New York)., Includes advertising text for Enterprise's "sad iron outfit" and "measuring faucet" printed on versos. Enterprise's "sad iron outfit" sold by C.Y. Schelly & Bro., Allentown, Pa., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., One print [P.9162] gift of George Allen., Digitized.
The Enterprise Mfg Co. of Pa. Philadelphia, Pa. U.S.A. Enterprise bone, shell, and corn mills.
Trade card distributed by hardware store proprietor W. G. Oestmann (5322 Germantown Avenue) containing views of "No. 650" (wall mounted) and "No. 750" (upright) grinding mills. Oestmann relocated to 5322 Germantown Avenue in 1895., Advertising text printed on verso: The Best General Mill You Can Buy. Enterprise Bone Shell and Corn Mills. Capacity, 1 1/4 bushels of corn per hour. Especially adapted for grinding Dry Bones, Shells, Corn, Roots, Bark, Grain, Chicken Feed, Salt, etc. These Mills will not grind "Green Bones." No. 650, $7.50. No. 750, $7.50. When desired we furnish these Mills with 12 x 3 in single ($4.50) or double ($9.00) Pulleys for power, Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Entrance lodge to Egglesfield.
View showing the guard house at Eaglesfield from under a brick arch. The estate was near the Girard Avenue Bridge in West Fairmount Park. Two men stand and sit on the small porch of the guard house adorned with lattice details. The country estate, Eaglesfield, possessed by numerous property owners, including Robert Egglesfield Griffith, Ann and James Greenleaf, and Richard Rundle, declined to obscurity following the completion of the new Fairmount dam in 1822, the mid-century construction of the Girard Avenue Railroad Bridge, and the development of Fairmount Park in the 1860s. The house was razed around 1869., Title from manuscript note on verso., Photographer's imprint in red text on mount., Manuscript note on verso: Mrs. Wm. B. Higgins, Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
[Entrance lodge to Egglesfield, near Girard Avenue Bridge, West Fairmount Park, Philadelphia]
View showing the guard house and "Equestrian" archway at Eaglesfield from under a brick arch. The estate was near the Girard Avenue Bridge in West Fairmount Park. Men, women and children stand and sit on the lawn in front of the guard house adorned with lattice details. The country estate, Eaglesfield, possessed by numerous property owners, including Robert Egglesfield Griffith, Ann and James Greenleaf, and Richard Rundle, declined to obscurity following the completion of the new Fairmount dam in 1822, the mid-century construction of the Girard Avenue Railroad Bridge, and the development of Fairmount Park in the 1860s. The house was razed around 1869., Title supplied by cataloger., Yellow printed label pasted on verso contains explicative paragraph of text describing Fairmount Park., Printed on mount: American Views., Buff mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
Entrance to Fairmount Park.
View of stone fountain at base of entrance stairs leading up to a road on the grounds of Lemon Hill. Men stand in a line behind the fountain looking toward the camera. A man descends the stairs and moves away from a horse-drawn coach parked at the top of the stairs in the background., Title from photographer's label pasted on verso., Yellow curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1869.
[Entrance to Lansdowne Drive, Philadelphia]
View showing a section of the old Girard Avenue Bridge spanning Landsdowne (i.e., Lansdowne) Drive in West Fairmount Park. The bridge, built over the Schuylkill River in 1855 and razed circa 1871, is adorned with a sign labeled, "Entrance to Landsdowne Drive." Also shows a man standing near an arch of the bridge., Attributed to Robert Newell., Title supplied by cataloguer., Printed on mount: No. 4., Publisher's imprint printed on verso., Pink mount with rounded corners., Retrospective conversion record: original entry, edited., Gift of Jane Carson James., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Entrance to Laurel Hill Cemetery, Phila.
Shows the gatehouse composed of a Roman arch and colonnade built 1836 after the designs of cemetery architect John Notman at 3820-3822 Ridge Avenue. View includes three children standing in the gatehouse and the "Old Mortality" monument in the background., Photographer's imprint from embossed stamp on mount., Buff paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Entrance to Laurel Hill Cemetery, Phila.
Shows the gatehouse composed of a Roman arch and colonnade built 1836 after the designs of cemetery architect John Notman at 3820-3822 Ridge Avenue. View includes three children standing in the gatehouse and the "Old Mortality" monument in the background., Photographer's imprint from embossed stamp on mount., Buff paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Entrance to Monument Cemetery.
Exterior view looking southwest at the cemetery's Gothic gatehouse, chapel and steeple on the west side of North Broad Street at Berks Street. Includes two pedestrians standing on the sidewalk in front of the cemetery's entrance, and a milkman's coach parked in the street in the left foreground. Designed by Philadelphia artist and engraver John Sartain, the building also served as an office and superitendent's house before it was demolished to open Berks Street between Broad and Sixteenth Streets in 1904. Cemetery was established in 1838 by Dr. John Elkinton., Title on negative., Manuscript note on verso: Phila., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Entrance to Mount Vernon Cemetery, Philadelphia.
Shows the cemetery gateway built 1856-1858 after the designs of John Notman at 3301 West Lehigh Avenue., Title from label pasted on mount., Attributed to John Moran., Originally part of a McAllister scrapbook of views of Philadelphia., Retrospective conversion record: original entry, edited., Contains one stereographic print mounted on yellow paper mount with square corners and two half stereographic prints., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Entrance to Mt. Vernon Cemetery, Phila., Pa.
View of the cemetery gateway built 1856-1858 after the designs of John Notman at 3301 West Lehigh Avenue. A man stands on the dirt path in the foreground., Title on negative., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of F.J. Dallet.
[Entrance to Printers' Cemetery at Woodlands Cemetery, 3900 Woodland Avenue, Philadelphia]
Side-view showing a man standing in front of the Gothic Revival-style gate to the Printers' Cemetery. Woodlands Cemetery was chartered in 1840 on the former estate of botanist William Hamilton at 3900 Woodland Avenue in West Philadelphia., Title supplied by cataloguer., Yellow paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Entrance to Printers' Cemetery at Woodlands Cemetery, 3900 Woodland Avenue, Philadelphia]
Shows a man standing in front of the Gothic Revival-style gate to the Printers' Cemetery. Woodlands Cemetery was chartered in 1840 on the former estate of botanist William Hamilton at 3900 Woodland Avenue in West Philadelphia., Title supplied by cataloguer., Yellow mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Entrance to the drive
View showing a section of the old Girard Avenue Bridge spanning Landsdowne ( i.e., Lansdowne) Drive in West Fairmount Park. The bridge, built over the Schuylkill River in 1855 and razed circa 1871, is adorned with a sign labeled, "Entrance to Landsdowne Drive." Shows three men, including a park guard, standing under and near the bridge arches., Photographer's imprint printed on mount., Title from manuscript note on verso., Yellow mount with rounded corners., Stamped on verso: E.C. Hopper., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Entrance walkway], Fairmount Park, Philadelphia.
Faded copy stereograph depicting an entrance path with an ornate iron railing leading down to the Fairmount Waterworks complex at the Callowhill Street or Spring Garden Street entrance. Possibly looking north at the piers of the Spring Garden Street bridge., Title on negative., Yellow curved mount with rounded corners and black line border., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
E.R. Smiley, pharmacist, N.W. cor. 12th & Jefferson, Philadelphia.
Series of illustrated trade cards depicting birds perched on flower stems., Advertising text printed on versos: Perfumery, fancy toilet articles and ladies' requisites., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
E.S. Sullivan's Black Diamond Combination is coming in their new version of Uncle Tom's Cabin.
Illustrated stock trade card advertising the production of Uncle Tom's Cabin and depicting a white man and woman fishing near an old mill and waterfall. In the right, the man, attired in a hat, a white collared shirt, a blue jacket, brown pants, and black boots, stands on a rock and casts his fishing line. The woman, attired in a brimmed hat, a long-sleeved, blue dress, and black shoes, stands and holds her fishing pole. Behind them is a mill with a water wheel., Title from item., Date based on content., Promotional text printed on verso for Uncle Tom's Cabin includes cast of characters and seat prices., Gift of David Doret, 2011., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.

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