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Eskay's food nourishes
Complementary testimonial trade cards, probably originally attached as one item, containing portraits of babies who consumed Eskay's Food manufactured by Smith, Kline & French. First card shows a rosy-cheeked, plump baby, attired in a white gown, and seated on a chair. Advertising text below the image reads "'We put baby on a prominent artificial food which constipated him and reduced his weight that we had to abandon it. At two months old he was a mere skeleton. We commenced the use of Eskay's food and you can see that he is the picture of health.' Mrs. G. J. Gesemyer, Phila., Pa." Second card shows "Jasper Ewing Brady 3d - a typical Eskay's Food baby - son of Capt. J. E. Brady, U.S.A.," rosy-cheeked and attired in a white gown with pink ribbon adornments at his collar. Testimonial text below image reads " 'During November, 1898, he was in Santiago de Cuba and Eskay's food was the means of preserving his life. We have used it continuously since." Third card shows a rosy-cheeked, plump baby, attired only in a diaper, and propped up. Promotional text below image reads " 'You can see by this picture how well Eskay's food has agreed with our boy. He has taken this Food since his birth and we have never had any trouble of any kind. He has always been perfectly healthy.' Mrs. H. S. Davison, Phila., Pa.", Printed on versos: several lines of advertising text promoting the deliciousness and nutritiousness of Eskay's, its cost, as well as testimonials from adult consumers of Eskay's., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Espiritu santo. Triple extract. The most delicate, fragrant and lasting perfume of the age. Tisseau, distillateur-parfumeur, Philadelphia. Bookmark.
Illustrated bookmark and trade card depicting a white flower on a branch with white buds and large green leaves. Includes ornate scroll work and filigree around the text., List entitled "The Principal Heathen Gods and Goddesses" printed on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Estate of C.H. Rogers.
Shows the east of Chestnut Hill mansion and gateway to the estate of Tradesmen's Bank president Charles H. Rogers at Old York Road and the corner of Thorp's Lane (near Olney Road)., Attributed to John Moran., Cream paper mounts with square corners., Title from labels pasted on mounts., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Estes & Lauriat trade cards]
Series of illustrated trade cards for Boston publisher Estes & Lauriat promoting illustrated childrens' books "Zig Zags Journeys in Classic Lands," "The Knockabout Club in the Woods," and "Zig Zags Journeys in Europe" depicting vignettes including Grecian ruins, scenes of camp life and the outdoors, and travellers and European townscapes., Advertising text for "The Knockabout Club in the Woods" and a list of the famous "Zig-Zag Books" by Hezekiah Butterworth printed on versos., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Estey organs. E.M. Bruce & Co., 18 North Seventh St., Philadelphia.
Illustrated trade card depicting a dog with a ball under its paw. E.M. Bruce & Co. relocated from 1308 Walnut Street to 18 North Seventh Street in Philadelphia in 1879., Manuscript note on verso: Samuel Gray, age -- 73 yrs., 2 mos., 12 days., Advertising text printed on verso: If you think of purchasing an organ, be sure to send for a catalogue and price list of the "Estey" first. These instruments are thoroughly reliable, have a world-wide reputation, and the prices are as low as any first-class organ can be made. E.M. Bruce & Co., 18 N. Seventh Street, Philadelphia.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William Helfand., Digitized.
The esthetic drive. 122 North Eighth Street, near Arch, common sense shoemaker, Sylvan Dalsimer, manager.
Illustrated trade card depicting a couple riding in a cart drawn by a goat. Includes a dog running along side the goat, a peacock blocking the goat's path in the foreground, and a carousel in the distant background., Copyright 1882, Graf Bros., Advertising text printed on verso: For your common sense shoes go to the common sense shoemaker. 122 North Eighth St., near Arch. For your children's shoes, go to the common sense shoemaker., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized., Graf Brothers, the lithograph firm operated by German brothers Julius F. (b. 1846) and Charles L. Graf (1849-1900) in Philadelphia 1873-1970s, produced advertisements, trade cards, labels and maps.
Ethnology Building.
Trade card issued for the world's fair held in Buffalo, N.Y., May 1-November 2, 1901 depicting the Ethnology Building built after the designs of George Cary. Shows fair visitors entering the classical-style building adorned with Renaissance decorative treatment, which housed ethnographic and archaeological exhibits of the Niagara area. Lewis Gibb and John Bucher formed Bucher & Gibbs in 1870., Copyrighted by the Pan-American Exposition Co., Illustrated advertisement for "The Butcher & Gibbs Plow Co., Canton, Ohio. U.S.A." printed on verso. Illustration depicts a scene between a Butcher & Gibbs agent, with a plow, and a farmer declaring "The Imperial is the Best Plow in the World" surrounded by vignettes depicting a disc harrow, spring tooth harrow, spike tooth harrow, and one horse cultivator., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Michael Zinman.
The eureka poisoned fly-plate will kill every fly in the house.
Trade card promoting Eureka Fly Plate Co. and depicting an African American man, portrayed in racist caricature, observing the fly plate kill a swarm of flies. The man, attired in a white collared shirt, a red jacket, and blue pants, stands holding a broom, which he uses to sweep dead flies from the table in the left. On the table is the fly plate that fills with flies. Above the table is a window., Title from item., Gift of Emily Phillips, 1883., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
The Evangelical Home for the Aged of the Evangelical Church, Roosevelt Boulevard above Pennypack Circle, Philada, Pa.
Exterior view of retirement community building constructed 1930-1931., Founded as German Home for the Aged in 1888, became Evangelical Home for the Aged in 1924. Building in image constructed in 1930-31. Became known as the Evangelical Manor in 1962., Sheet number: 138B06., Divided back., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Evangelical Lutheran Tabor Church, Roosevelt Boulevard & Mascher Street, Philadelphia, Pa.]
Exterior view., Divided back. Post marked 1931., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Evans printer. The fast cardpress, Philadelphia, cor. Fourth and Library Sts.
Illustrated trade card depicting a patriotic column surmounted by an eagle and adorned by American flags and an American shield. Includes a partial view of a train in the background. Evans, the self-promoted first "fast card press in the city" operated his firm at Fourth and Library Streets until 1880. In 1860, his press executed the advertisements for the Philadelphia City Directory., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Evening Bulletin postcards.
Contains exterior views of the office building of the Philadelphia newspaper, the Evening Bulletin, built 1906-1908 after designs by Edgar Viguers Seeler., Sheet number: 40A02B, Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The Exchange.
Exterior view of the exchange building built between 1832 and 1833 after the designs of William Strickland at the intersection of Dock, Third, and Walnut streets. Lettering for stockbrokers "Bowen and Fox" adorns the facade. Includes partial views of adjacent streets and buildings, including Girard National Bank (formerly Bank of the United States) at 120 South Third Street, H.G. Leisenring's Printing House at 237 Dock Street, and Schmidt & Leslie Watch Case Makers at 216 Walnut Street. A trolley passes the exchange., Cream mount with square corners., Title from manuscript note on verso., Photographer's label pasted on verso advertising: "Views in Philadelphia, Public Buildings, Streets, Interiors, &c., Manuscript note on mount: Exchange., Duplicate of (6)1322.F.137a., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Exchange, Phila. Pa.
Exterior view of the exchange building built between 1832 and 1833 after the designs of William Strickland at the intersection of Dock, Third, and Walnut streets (143 South Third). A man reading a newspaper sits in the window of the exchange. Lettering advertising resident stock brokers Bowen and Fox adorns the facade. Also includes partial views of surrounding businesses, including the Sunday Times newspaper office (136 South Third), which occupied the site from 1863 until 1882., Yellow mount with rounded corners., Negative annotated with title., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Exchange, Philadelphia.
Exterior view of the exchange building built between 1832 and 1833 after the designs of William Strickland at the intersection of Dock, Third, and Walnut streets. Lettering for stockbrokers "Bowen and Fox" adorns the facade. Includes partial views of adjacent streets and buildings, including Girard National Bank (formerly Bank of the United States) at 120 South Third Street, H.G. Leisenring's Printing House at 237 Dock Street, and Schmidt and Leslie Watch Case Makers at 216 Walnut Street. A trolley passes the exchange., Yellow mount, trimmed., Title printed on mount., Name of photographer from duplicate stereograph (8353.F.30)., Series title from duplicate stereograph (8353.F.30)., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The Exchange, Philadelphia.
Street scene showing the intersection of Dock and Third streets including a partial view of the semi-circular portico of the exchange. The building, built between 1832 and 1833 after the designs of Philadelphia architect William Strickland, contains lettering for stockbrokers "Brown and Fox." Trolleys and pedestrians traverse Dock Street. H.G. Leisenring's Printing House at 237 Dock Street and Girard National Bank (formerly Bank of the United States) at 120 South Third Street stand in the background., Light yellow mount with square corners., Title from manuscript note on verso., Attributed to John Moran., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Explorations West of the 100th Meridian. Expedition of 1871, Lieut. Geo. M. Wheeler, Com'dg.
Series of titled views from Wheeler's United States surveys of the West include, "Grand Cañon, from opposite Diamond Creek," "Middle of Black Cañon," "The Start, Camp Mohave, A.T.," "Mohave Indians; Panambona and Mitiwara," "Camp Big Horn, Black Cañon," "Mohaves Caught Napping," and "Grand Cañon, above Grotto Spring." Images depict mostly landscape views of large rock formations flanking the Colorado River. Views also include Mohave people and men leaving Camp Mohave in boats., Photographer's imprint printed on mount., Manuscript note on versos: Bessie & Smith, Media., Yellow curved mounts with rounded corners., See William Bell's series [66651.D.1-7] of Colorado River and Geological Series for similar views of Wheeler's survey. Bell replaced O'Sullivan in 1872., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Timothy O'Sullivan accompanied George M. Wheeler on his survey of the territories west of the 100th meridian in 1871, 1873 and 1875.
Explorations West of the 100th Meridian. Expedition of 1872, Lieut. Geo. M. Wheeler, Com'dg.
Series of titled views from Wheeler's United States surveys of the West include, "The bath, Kanab Wash," "Lava Cone, Devil's Hole, Arizona," "Grand Canon; mouth of Kanab Wash," "Chocolate Mesa, Rocker Creek, Arizona," and "The Bear, Colorado Plateau." Views of the mouth and bath at Kanab Wash, Lava Cone, Devil's Hole, Arizona, and Chocolate Mesa, Rocker Creek, Arizona. Images depict a nude man standing near the creek, probably after bathing; men camping near the creek in a canyon; the photographer knealing down and setting up his shot and two men standing and sitting on large rocks near the mouth of the creek. Photographs also include rock formations, canyons, plateaus, and other geological features along Kanab Creek, a tributary of the Grand Canyon, which flows south toward the Colorado River in Arizona., Five are from the Colorado River Series and two from the Geological Series., Photographer's imprint printed on mount., Manuscript note on versos: Bessie & Smith, Media., Yellow curved mounts with rounded corners., See Timothy O'Sullivan's series [66652.D.1-7] of the Colorado River Series for similar views of Wheeler's survey. O'Sullivan accompanied Wheeler in 1871, 1873, and 1875., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., William Bell, Philadelphia commercial photographer and father-in-law of photographer William Rau, worked in Philadelphia 1848-1910. He served as the chief photographer for the U.S. Army Medical Museum in 1865 and replaced Timothy O'Sullivan on George M. Wheeler's survey of the territories west of the 100th meridian in 1872.
Extracting teeth.
Comic genre scene showing a man being restrained in a dentist's chair by a boy who holds a scarf around the man's neck. The dentist, attired in a silk robe and pileus, pulls out the patient's teeth with an abnormally large instrument. A sign reading, "S.B. Smith, dentist," hangs on the wall., Title printed on mount below image., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See complementary stereograph "Is That tooth Mine?" [stereo - unid. - Genre (P.2009.13.4)]., Gift of William Helfand.
F. Defoney's oyster saloon, No. 545 North Third Street, Philadelphia. Fried oysters a specialty.
Series of illustrated trade cards depicting birds, nests, butterflies, and flowers., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
F. Graff's monument, Fairmount, Phila.
Shows the monument dedicated to Fairmount Water Works engineer Frederick Graff commissioned by the city and installed June 1, 1848 in the garden near the Fairmount Dam. Monument contains a bust of Graff sculpted by Hugh Cannon, Gothic trim, an inscribed dedication, and is surrounded by an ironwork fence., Photographer's imprint stamped on mount., Title printed on mount., Buff paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in Kenneth Finkel's Nineteenth-century photography in Philadelphia (New York: Dover Publications, Inc. in cooperation with The Library Company of Philadelphia, 1980), entry #142., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
F. Graff's monument, Fairmount, Phila.
Shows the monument dedicated to Fairmount Water Works engineer Frederick Graff commissioned by the city and installed June 1, 1848 in the garden near the Fairmount Dam. Monument contains a bust of Graff sculpted by Hugh Cannon, Gothic trim, an inscribed dedication, and is surrounded by an ironwork fence., Photographer's imprint stamped on mount., Title printed on mount., Buff paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in Kenneth Finkel's Nineteenth-century photography in Philadelphia (New York: Dover Publications, Inc. in cooperation with The Library Company of Philadelphia, 1980), entry #142., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
F. Keeler, daguerreotype and stereoscope rooms, No. 276 Market Street, above Eighth, S. side, Philadelphia.
Illustrated trade card depicting the seated female figure of Liberty leaning against a large American shield. Includes in the background a pole topped by a liberty cap, the sails of a ship, and a steamboat on a body of water., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
F. Pulaski & Co., 1026 Chestnut St.
Series of illustrated trade cards promoting F. Pulaski & Co., a fancy goods store at 1026 Chestnut Street in Philadelphia. Illustrations depict a white woman pulling on her red stockings as her pet cat rubs his head against her foot and the same woman attired in a brown coat, a pink hat, blue stockings and white shoes, leaving her home with her cat trailing her. Also includes two related scenes showing a white woman standing with her head lowered before her surprised white husband with black soot on her face and clothing. In the subsequent scene, the husband is fighting with a Black man. In the right, the white man's brown cap flies off his head and white flour is dispersed through the air. In the left, the Black man's brown, brimmed hat falls to the ground as he grabs his hands around the white man's head with his right leg lifted up. F. Pulaski & Co., initially a partnership between Frank Pulaski and M.L. Kline when these trade cards were created, later specialized in pictures and picture frames., Title from item., Text in French printed on recto [1975.F.714]: "En voyant sa femme changée de couleur, Pétrin qui a mauvais caractère, devine tout de suite que Charabia lui a fait une niche. Il a son plan.", Text in French printed on recto [1975.F.718]: "Comme ils se sont promis de faire suer: Charabia, de la farine à chon ami Pétrin, et Pétrin du charbon a Charabia, ils se tiennent parole.", Gift of Emily Phillips, 1883., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Factories of Brainerd & Armstrong Co.
Contains views of the dye house, spinning and twisting mill, and weaving and spooling mill of Brainerd & Armstrong Co., Number 2697 on recto., Text on verso., Sheet number: 40A02A, Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Factory of the Meter Co. Phila.
View of the American Meter Company at Arch and Twenty-Second streets. Includes a group of children seated on a patch of grass in front of the manufactory. Philadelphia served as the chief seat of gas-making machinery in the United States during the mid nineteenth century., Title from manuscript note on verso., Attributed to John Moran., Pale yellow mount with square corners., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Fair Mount from promenade
View looking east from a promenade near the basin at the Fairmount Water Works showing Reservoir Hill. Shows the observatory tower distribution arch, built in 1860; the Italianate standpipe, built in 1852 after the designs of Frederick Graff, Jr.; and the promenades on the hill. The waterworks, originally constructed between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, were altered and expanded after the designs of Philadelphia engineers, Henry P.M. Birkinbine and Frederick Graff, Jr., until 1872., Attributed to Robert Newell., Buff mount with rounded corners., Title from manuscript note on mount., Inscribed in negative: 124., Retrospective conversion record: original entry, edited., Gift of Jane Carson James., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Fairbanks' standard scales. Buy only the genuine.
Trade card depicting a scene on a farm. A farmer, sits on a rock, and watches as an agent weighs a horse-drawn cart loaded with hay with a "Fairbanks Standard Scale." In the background, another Fairbanks' agent weighs cows on a platform scale in a pen. View also shows hay stacks in the distance. Fairbanks' Scales was established in 1830., "Principal Warehouses," including in Philadelphia listed on verso., Originally part of Specimens Album [P.9349]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Fairbanks' standard scales. Buy only the genuine. [graphic].
Trade card depicting a scene on a farm. A farmer, sits on a rock, and watches as an agent weighs a horse-drawn cart loaded with hay with a "Fairbanks Standard Scale." In the background, another Fairbanks' agent weighs cows on a platform scale in a pen. View also shows hay stacks in the distance. Fairbanks' Scales was established in 1830., "Principal Warehouses," including in Philadelphia listed on verso., Originally part of Specimens Album [P.9349]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Fairmount. [graphic].
Puzzle showing a Reading Railroad Co. train with passengers in the foreground and the Fairmount Waterworks and Wire Suspension Bridge from the west bank of the Schuylkill River in Philadelphia in the background. Includes spectators surrounding a hot air balloon behind the train and rowers and a steamboat on the Schuylkill River. The waterworks, originally built between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, were altered and expanded after the designs of Philadelphia engineers Henry P.M. Birkinbine and Frederick Graff, Jr. The Wire Bridge of Fairmount, the first suspension bridge in the United States, was built over the Schuylkill River from 1841-1842 after the designs of engineer Charles Ellet, Jr. and was removed in 1874., One of four puzzles housed in clamshell box., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Fairmount and vicinity.
View showing a dilapidated building, possibly a residence for mill workers, on a hillside. A large lot of overturned ground is visible in the foreground and laundry dries on a clothesline., Photographer's imprint and title printed on mount., Green mount with rounded corners., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Fairmount and vicinity.
View showing a circular fountain at the base of a hill in Fairmount Park. Fountain contains five spouts, including one with ornamentation, spraying water into the air. The hill is adorned with a walkway and pavilion., Photographer's imprint and title printed on mount., Green mount with rounded corners., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Fairmount Dam.
View looking north from the canal locks on the west bank of the river showing the Fairmount dam adjacent to the Fairmount Water Works and landmarks on the east bank of the river, including the pavilion on the pier of the mound dam (built 1835), a paddle steamboat docked at the boat landing, and a floating boathouse., Title on negative., Publisher's imprint printed on mount., Orange curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Sandra Markham.
Fairmount dam
View looking northwest from Reservoir Hill at the Fairmount Water Works showing Fairmount dam on the Schuylkill River. View includes a section of the waterworks' plaza, including the peristyle temple on the altered old mill house (reconstructed 1867-1872) and the pavilion on the pier of the mound dam. Also shows a barge and boathouses in the upper right corner of the image. The Fairmount Waterworks, originally constructed between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, were altered and expanded after the designs of Philadelphia engineers Henry P.M. Birkinbine and Frederick Graff, Jr., until 1872., Yellow mount with rounded corners., Publisher's imprint printed on mount., Title from label on negative., Manuscript note on verso: Fairmount Waterworks Pha., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Fairmount Falls.
View looking west at the dam or falls on the Schuylkill River north of the Water Works. In the foreground, one man stands, hands on his hips, looking toward the camera, as another bends down on one knee and observes the water below. Includes a partial view of the elevated pavilion or gazebo and the buildings on the west bank of the Schuylkill River in the background., Title from photographer's label pasted on verso., Manuscript note on verso: Seely, Yellow curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1869.
Fairmount from Lemon Hill, Phila. Park.
View looking south from a path at Lemon Hill in East Fairmount Park. Depicts a group of women and children standing together at the edge of a slope leading down to the Schuylkill River. View also includes the Fairmount Water Works and the decorative distribution arch (built 1860) and standpipe (built 1852) on Reservoir Hill. Originally constructed between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, the waterworks were altered and expanded after the designs of Philadelphia engineers, Henry P.M. Birkinbine and Frederick Graff, Jr., until 1872., Title from manuscript note on verso., Attributed to Robert Newell., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of David Doret.
Fairmount from Lemon Hill south
View looking south from a path at Lemon Hill in East Fairmount Park. Depicts a group of women and children near a couple of men standing opposite a signpost on the path at the estate. View also includes the Fairmount Water Works on the Schuylkill River in the far left background. Originally constructed between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, the waterworks were altered and expanded after the designs of Philadelphia engineers, Henry P.M. Birkinbine and Frederick Graff, Jr., until 1872., Reissue of circa 1872 view entitled "Fairmount from Lemon Hill, Southeast" by R. Newell & Son of Philadelphia., Title from manuscript note on mount., Pink mount with rounded corners., Printed on mount: No. 7., Inscribed in negative: 53., Duplicate of P.9260.70., Retrospective conversion record: original entry, edited., Gift of Jane Carson James., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Fairmount, from Lemon Hill, southeast.
View looking south from a path at Lemon Hill in East Fairmount Park. Depicts a group of women and children near a couple of men standing opposite a signpost on the path at the estate. View also includes the Fairmount Water Works on the Schuylkill River in the far left background. Originally constructed between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, the waterworks were altered and expanded after the designs of Philadelphia engineers, Henry P.M. Birkinbine and Frederick Graff, Jr., until 1872., Buff mount with rounded corners., Contains label pasted on verso listing over fifty views of Fairmount Park issued by the publisher., Retrospective conversion record: original entry, edited., Duplicate of P.9299.77., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Fairmount from the locks. [graphic].
View looking from above the Schuylkill Canal lock showing the Fairmount Water Works. Shows the old engine house; old mill house; new mill house (completed 1862); the standpipe, distribution arch, and pavilion on Reservoir Hill; and a man standing on the rocks forming the lock. The waterworks, originally built between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, were altered and expanded after the designs of Philadelphia engineers Henry P. M. Birkinbine and Frederick Graff, Jr. until 1872., Title from accompanying label., Yellow paper mount with square corners., Originally part of a McAllister scrapbook of views of Philadelphia., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Fairmount from the park.
View from above the waterworks looking northwest across the Schuylkill River including a partial view of the old and new mill houses; the mill race; the dam and several boathouses., Printed label on verso contains title, photographer's imprint and list of 39 views in the series., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

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