Pages

12036.F.a verso
The collection consists of John McAllister Sr.'s original share (1803), forms transferring ownership of the share to Thomas Beveridge (1830), to John McAllister Jr. (1835), and from Anna Mitchel McAllister to John McAllister of Media, Pa. (1924). Also included are 23 receipts for annual dues dating from 1824 to 1929, and a bank envelope annotated: "This share is to always be kept in the family it having been kept in same since 1803.", John McAllister Sr. (1753-1830), emigrated from Scotland in 1775 and became a successful whip and cane manufacturer in Philadelphia. In 1796 he bought a stock of spectacles; this sideline evolved into the family's principal business. John McAllister Jr. (1786-1877) joined the business in 1807. Successive members of the family maintained the business through 1890. Anna Mitchel McAllister, daughter of John McAllister Jr., was a practising physician, having graduated from Woman's Medical College of Pennsylvania in 1873. John McAllister Sr. purchased his Library Company share, no. 397, in May, 1803. Upon his death, his son, having previously purchased his own share (no. 743), sold share no. 397 to Rev. Thomas Beveridge. In 1835, Beveridge sold the share back to John McAllister Jr. After his death in 1877, John McAllister Jr.'s granddaughter, Jessie Grant, purchased the share. She died in 1881 and the share was purchased by her aunt, Dr. Anna Mitchel McAllister. In 1924, share no. 397 was sold to John McAllister of Media, Pa. The share was forfeited in 1937.
12036.F.b recto
The collection consists of John McAllister Sr.'s original share (1803), forms transferring ownership of the share to Thomas Beveridge (1830), to John McAllister Jr. (1835), and from Anna Mitchel McAllister to John McAllister of Media, Pa. (1924). Also included are 23 receipts for annual dues dating from 1824 to 1929, and a bank envelope annotated: "This share is to always be kept in the family it having been kept in same since 1803.", John McAllister Sr. (1753-1830), emigrated from Scotland in 1775 and became a successful whip and cane manufacturer in Philadelphia. In 1796 he bought a stock of spectacles; this sideline evolved into the family's principal business. John McAllister Jr. (1786-1877) joined the business in 1807. Successive members of the family maintained the business through 1890. Anna Mitchel McAllister, daughter of John McAllister Jr., was a practising physician, having graduated from Woman's Medical College of Pennsylvania in 1873. John McAllister Sr. purchased his Library Company share, no. 397, in May, 1803. Upon his death, his son, having previously purchased his own share (no. 743), sold share no. 397 to Rev. Thomas Beveridge. In 1835, Beveridge sold the share back to John McAllister Jr. After his death in 1877, John McAllister Jr.'s granddaughter, Jessie Grant, purchased the share. She died in 1881 and the share was purchased by her aunt, Dr. Anna Mitchel McAllister. In 1924, share no. 397 was sold to John McAllister of Media, Pa. The share was forfeited in 1937.
12036.F.b verso
The collection consists of John McAllister Sr.'s original share (1803), forms transferring ownership of the share to Thomas Beveridge (1830), to John McAllister Jr. (1835), and from Anna Mitchel McAllister to John McAllister of Media, Pa. (1924). Also included are 23 receipts for annual dues dating from 1824 to 1929, and a bank envelope annotated: "This share is to always be kept in the family it having been kept in same since 1803.", John McAllister Sr. (1753-1830), emigrated from Scotland in 1775 and became a successful whip and cane manufacturer in Philadelphia. In 1796 he bought a stock of spectacles; this sideline evolved into the family's principal business. John McAllister Jr. (1786-1877) joined the business in 1807. Successive members of the family maintained the business through 1890. Anna Mitchel McAllister, daughter of John McAllister Jr., was a practising physician, having graduated from Woman's Medical College of Pennsylvania in 1873. John McAllister Sr. purchased his Library Company share, no. 397, in May, 1803. Upon his death, his son, having previously purchased his own share (no. 743), sold share no. 397 to Rev. Thomas Beveridge. In 1835, Beveridge sold the share back to John McAllister Jr. After his death in 1877, John McAllister Jr.'s granddaughter, Jessie Grant, purchased the share. She died in 1881 and the share was purchased by her aunt, Dr. Anna Mitchel McAllister. In 1924, share no. 397 was sold to John McAllister of Media, Pa. The share was forfeited in 1937.
12036.F.c recto
The collection consists of John McAllister Sr.'s original share (1803), forms transferring ownership of the share to Thomas Beveridge (1830), to John McAllister Jr. (1835), and from Anna Mitchel McAllister to John McAllister of Media, Pa. (1924). Also included are 23 receipts for annual dues dating from 1824 to 1929, and a bank envelope annotated: "This share is to always be kept in the family it having been kept in same since 1803.", John McAllister Sr. (1753-1830), emigrated from Scotland in 1775 and became a successful whip and cane manufacturer in Philadelphia. In 1796 he bought a stock of spectacles; this sideline evolved into the family's principal business. John McAllister Jr. (1786-1877) joined the business in 1807. Successive members of the family maintained the business through 1890. Anna Mitchel McAllister, daughter of John McAllister Jr., was a practising physician, having graduated from Woman's Medical College of Pennsylvania in 1873. John McAllister Sr. purchased his Library Company share, no. 397, in May, 1803. Upon his death, his son, having previously purchased his own share (no. 743), sold share no. 397 to Rev. Thomas Beveridge. In 1835, Beveridge sold the share back to John McAllister Jr. After his death in 1877, John McAllister Jr.'s granddaughter, Jessie Grant, purchased the share. She died in 1881 and the share was purchased by her aunt, Dr. Anna Mitchel McAllister. In 1924, share no. 397 was sold to John McAllister of Media, Pa. The share was forfeited in 1937.
12036.F.c verso
The collection consists of John McAllister Sr.'s original share (1803), forms transferring ownership of the share to Thomas Beveridge (1830), to John McAllister Jr. (1835), and from Anna Mitchel McAllister to John McAllister of Media, Pa. (1924). Also included are 23 receipts for annual dues dating from 1824 to 1929, and a bank envelope annotated: "This share is to always be kept in the family it having been kept in same since 1803.", John McAllister Sr. (1753-1830), emigrated from Scotland in 1775 and became a successful whip and cane manufacturer in Philadelphia. In 1796 he bought a stock of spectacles; this sideline evolved into the family's principal business. John McAllister Jr. (1786-1877) joined the business in 1807. Successive members of the family maintained the business through 1890. Anna Mitchel McAllister, daughter of John McAllister Jr., was a practising physician, having graduated from Woman's Medical College of Pennsylvania in 1873. John McAllister Sr. purchased his Library Company share, no. 397, in May, 1803. Upon his death, his son, having previously purchased his own share (no. 743), sold share no. 397 to Rev. Thomas Beveridge. In 1835, Beveridge sold the share back to John McAllister Jr. After his death in 1877, John McAllister Jr.'s granddaughter, Jessie Grant, purchased the share. She died in 1881 and the share was purchased by her aunt, Dr. Anna Mitchel McAllister. In 1924, share no. 397 was sold to John McAllister of Media, Pa. The share was forfeited in 1937.
12036.F.d recto
The collection consists of John McAllister Sr.'s original share (1803), forms transferring ownership of the share to Thomas Beveridge (1830), to John McAllister Jr. (1835), and from Anna Mitchel McAllister to John McAllister of Media, Pa. (1924). Also included are 23 receipts for annual dues dating from 1824 to 1929, and a bank envelope annotated: "This share is to always be kept in the family it having been kept in same since 1803.", John McAllister Sr. (1753-1830), emigrated from Scotland in 1775 and became a successful whip and cane manufacturer in Philadelphia. In 1796 he bought a stock of spectacles; this sideline evolved into the family's principal business. John McAllister Jr. (1786-1877) joined the business in 1807. Successive members of the family maintained the business through 1890. Anna Mitchel McAllister, daughter of John McAllister Jr., was a practising physician, having graduated from Woman's Medical College of Pennsylvania in 1873. John McAllister Sr. purchased his Library Company share, no. 397, in May, 1803. Upon his death, his son, having previously purchased his own share (no. 743), sold share no. 397 to Rev. Thomas Beveridge. In 1835, Beveridge sold the share back to John McAllister Jr. After his death in 1877, John McAllister Jr.'s granddaughter, Jessie Grant, purchased the share. She died in 1881 and the share was purchased by her aunt, Dr. Anna Mitchel McAllister. In 1924, share no. 397 was sold to John McAllister of Media, Pa. The share was forfeited in 1937.
[Library Company of Philadelphia, southeast corner Fifth and Chestnut streets, Philadelphia]
Shows the first permanent building of the subscription library, organized by Benjamin Franklin and his Junto in 1731, built 1789-1790 after the designs of Dr. William Thornton. View includes the Benjamin Franklin statue sculpted by Francesco Lazzarini and installed in the niche above the building entrance in 1792., Half-stereographic prints including one on white paper mount with square corners., Title supplied by cataloguer., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Library, Union League, Philad[elphi]a
View of room with floor to ceiling bookcases. Man seated in chair at round table. Library was located on second floor on east end of building. Union League was established to raise funds and recruits for the Union cause. Building constructed 1864-1865 based on designs by Philadelphia architect John Fraser., Yellow mount with square corners., Title from pencil inscription on mount., Retrospective conversion record: original entry, edited., Originally part of McAllister scrapbook of views relating to Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Lichten Bros., manufacturers of fine cigars, s.e. cor. 5th and Cherry Sts., Philada.
Pictorial envelope containing a scene titled "Little Champions" showing two boys, fists up, in a boxing ring. The children wear leggings and are surrounded by weights. Lichten Bros. was a partnership between prominent Philadelphia Jews Aaron and Moses H. Lichten, who died in 1897 and 1905, respectively., Title from printed return address., Date from ink-stamp postmark: Philadelphia, PA., May 4, 1888., Contains cancelled two-cent stamp printed in green and depicting a profile portrait of George Washington., Addressed in manuscript to: Mr. L.A. [Myers?] Jr., 69 W 126 St., New York City, Contains ink-stamp postmarks on verso: J 6-5-88 7A N.Y. and P.O.N.Y. 6-5-88 5A 41., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Life scenes in Fairmount Park. [graphic] / A. Kollner, fect.
Etching showing a man walking with a dog and cattle grazing in the rolling hills of Fairmount Park., Title from manuscript note on album page., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Kollner advertised four volumes of small folio pictures, including "Bits of Nature and Some Art Products, in Fairmount Park ..." in 1878. Several of the lithographs from this volume were based on sketches he executed in the 1840s.
Light house and fog horn.
Exterior view of a lighthouse and a nearby horn, bell, and other equipment built as part of the Centennial exhibition in Philadelphia's Fairmount Park., Printed on mount in decorative scrollwork: Centennial Exhibition, Philadelphia, 1876., Title from printed series list on verso with sixty-three other titles., Yellow mount with rounded corners., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Lily pond]
Landscape view showing a lily pond surrounded by plants and ferns., Title supplied by cataloger., Photographer's label pasted on verso., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Lincoln Drive postcards.
Depicts the s-curve of Lincoln Drive near an unidentified pedestrian bridge spanning Paper Mill (Monoshone) Run. View looking north toward Harvey Street., Contains 11 postcards printed in color and 4 printed in black and white., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Lincoln Market
View of Lincoln Market, erected in 1871, at Broad Street and Fairmount Avenue. The building, designed with a tower and clock, served as a market and contained a second floor hall for public meetings. Also includes signage for "George Voltz, basketmaker and dealer in home furnishing goods" displayed under an awning adorning the market., Yellow mount with rounded corners., Publisher's imprint printed on mount., List of over 50 Philadelphia views published by the firm printed on verso., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Lincoln Monument, foot of Lemon Hill.
View showing the Lincoln Monument at the entrance (Kelly and Lemon Hill Drives) of Fairmount Park surrounded by men who stand and look at the viewer, including white men spectators and three men guards, one possibly African American, attired in caps with insignia pinned to their lapels, and holding swords. In the right, two white men sit within a horse-drawn carriage. Sculpted by Randolph Rogers, Abraham Lincoln is depicted seated with a quill in his hand after just signing the Emancipation Proclamation. The statue rests upon a pedestal adorned with sculpted garland, bronze eagles, and the City of Philadelphia’s Coat of Arms. The granite base is adorned with four panels inscribed with a dedication to and quotes from Lincoln of which two are visible. Unveiled in September 1871, the monument was commissioned by the Lincoln Monument Association, one of the first such associations formed in the country to raise funds for a city monument in memory of Lincoln. City Park Hotel is seen in the background., Artist from duplicate print., Title from manuscript note on mount., Stamped on verso: Copyrighted by Kiralfy Bros., Phila., 1876., P.9299.100 on pink mount with rounded corners., P.2011.47.932 on orange mount with rounded corners., Monument described in Fairmount Park Association's Sculpture of a city: Philadelphia's treasures in bronze and stone (New York: Walker Publishing Company, 1974) p. 46-52. (LCP Print Room Uy 8, 3208.F)., Monument described in Penny Balkin Bach's Public art in Philadelphia (Philadelphia: Temple University Press, 1992) p. 49-50, 198. (LCP Print Room Is 4, 9379.Q)., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Jane Carson James, 1990 [P.9299.100]; gift of Raymond Holstein [P.2011.47.932].
[Lincoln Monument, Kelly and Lemon Hill Drives, entrance to East Fairmount Park, Philadelphia]
View showing the Lincoln Monument at the entrance (Kelly and Lemon Hill Drives) of Fairmount Park surrounded by male and female spectators. Sculpted by Randolph Rogers, Abraham Lincoln is depicted seated with a quill in his hand after just signing the Emancipation Proclamation. The statue rests upon a pedestal adorned with sculpted garland, bronze eagles, and the City of Philadelphia's Coat of Arms. The granite base is adorned with four panels inscribed with a dedication to and quotes from Lincoln of which two are visible. Unveiled in September 1871, the monument was commissioned by the Lincoln Monument Association, one of the first such associations formed in the country to raise funds for a city monument in memory of Lincoln. A horse-drawn coach is visible under the shade of trees in the right background., Title supplied by cataloger., Yellow printed label pasted on verso contains explicative paragraph of text describing the history of Fairmount Park and the Lincoln Monument., Buff mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Monument described in Fairmount Park Association's Sculpture of a City: Philadelphia's Treasures in Bronze and Stone (New York: Walker Publishing Company, 1974) p. 46-52. (LCP Print Room Uy 8, 3208.F)., Monument described in Penny Balkin Bach's Public Art in Philadelphia. (Philadelphia: Temple University Press, 1992) p. 49-50, 198. (LCP Print Room Is 4, 9379.Q).
Lincoln Monument, Phila. Park
View showing the Lincoln Monument at the entrance (Kelly and Lemon Hill Drives) of Fairmount Park surrounded by men who stand and look at the viewer, including white men spectators and three men guards, one possibly African American, attired in caps with insignia pinned to their lapels, and holding swords. In the right, two white men sit within a horse-drawn carriage. Sculpted by Randolph Rogers, Abraham Lincoln is depicted seated with a quill in his hand after just signing the Emancipation Proclamation. The statue rests upon a pedestal adorned with sculpted garland, bronze eagles, and the City of Philadelphia's Coat of Arms. The granite base is adorned with four panels inscribed with a dedication to and quotes from Lincoln of which two are visible. Unveiled in September 1871, the monument was commissioned by the Lincoln Monument Association, one of the first such associations formed in the country to raise funds for a city monument in memory of Lincoln. City Park Hotel is seen in the background., Manuscript note written on verso: K. Duefor? Oct. 21, 1871., Photographer's imprint stamped on verso., Distributor's label on verso: E. Borhek & Son, Opticians, No. 628 Chestnut St., Monument described in Fairmount Park Association's Sculpture of a City: Philadelphia's treasures in bronze and stone (New York: Walker Publishing Company, 1974) p. 46-52. (LCP Print Room Uy 8, 3208.F)., Monument described in Penny Balkin Bach's Public art in Philadelphia. (Philadelphia: Temple University Press, 1992) p. 49-50, 198. (LCP Print Room Is 4, 9379.Q)., Purchase 1989., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Lion Fighter, Fairmount Park, Philadelphia, Pa.
Depicts an equestrian statue of a man about to pierce a lion with his spear. Designed by Albert Wolff in 1858 and was cast in bronze by Bureau Brothers in 1893 for the Columbian Exposition. Later placed in front of the Post Office at Ninth and Chestnut Streets. Moved to East River Drive in 1897. Currently located at the foot of the Art Museum steps, near the Benjamin Franklin Parkway., Sheet number: 88A09., Divided back. Post marked 1909., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Lit Brothers department store postcards.
Depicts the Lit Brother's store from the corner of Eighth and Market Streets looking northeast. Lit Brothers began their business in 1895 and acquired all of the properties on the block by 1907. Contains a WDAR broadcasting schedule on the back of the postcard in color image., Sheet numbers: 40A07B and 40B04A, Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The little bill poster.
Trade card showing a girl posting a "bill" advertising "Eskay's Albumenized Food for Infants and Invalids" on a wood fence. A satchel lies beside her on the ground. Eskay's food was a modified milk product., Publication date based on copyright statement "copyrighted 1896, S, K, & F. Co. Philadelphia.", Name of artist from several lines of advertising text printed on verso, including two testimonials and premium offer reading, "For three 50-cent wrappers, or their equivalent in value of other sizes, we will send free of all expense a copy of the handsome picture on the other side, in nine colors, size 16 x 25 inches, without any advertising upon it whatever. The original painting is one of the latest works of the celebrated artists, Ida Waugh, and is a handsome work of art. Full directions for mounting accompany each picture., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Little Sisters of the Poor postcards.
Exterior views of the Little Sisters of the Poor Home for the Aged renovated circa 1915 by Ballinger & Perrot., Contains 1 postcard printed in color and 1 printed in black and white., Sheet numbers: 100A02 and 100B05., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
A little too thin.
Comic genre scene set in a parlor depicting a young man courting a young woman as he shows her a bolt of fabric. An older woman, possibly the man's mother, sits at a table to the side of them and inspects the cloth and the young woman. Bolts of cloth surround them., Distributor's imprint printed on mount: Sold by Underwood & Underwoood, Baltimore, Md. - Ottawa, Kas., Buff mount with rounded corners., Negative number printed on mount: 541., Copyrighted by F. G. Weller., Gift of Jesse Randall., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Lloyd O. Woodruff, druggist. Cor. Broadway & Point St., Cape Vincent, N.Y. Don’t read the other side. [graphic].
Racist trade card promoting pharmacist Lloyd O. Woodruff and depicting actress Kate Forster dressed in character as Pitti-Sing from the opera, The Mikado or, The town of Titipu, by W. S. Gilbert and Arthur Sullivan. Shows Forster wearing her hair up and attired in a blue kimono with gold decorations and a gold, flower-patterned obi. She holds a fan in both hands behind her head. Kate Forster, whose real name was Kate Jancowski, worked for the D'Oyly Carte Opera Company and performed as Pitti-Sing and Katisha in the Mikado in 1885-1886, 1889-1902. Lloyd O. Woodruff opened a drugstore in Cape Vincent, New York circa 1870., Title stamped on recto., Date deduced from dates of the performance., Text printed on verso: Lloyd O. Woodruff, druggist, keeps a full line of drugs, patent medicines, paints, oils, window glass, dry goods, boots, shoes and rubbers, fine stationery, school books, fancy groceries, watches, chains, plated ware, crockery, and will not be undersold, if you do not see what you want at his store, ask for it. Don’t forget the place, Cor. Broadway & Point St., Gift of William H. Helfand., RVCDC
Loading a Mississippi steamer, New Orleans U.S.A.
Scene showing a steamship, named New Orleans, pulled up to a wooden dock covered with barrels and sacks. African American men carry sacks up gangplanks to the ship. In the foreground, an African American man lies on his stomach across a pile of sacks. Several men stand near him., Title from item., Date inferred from content and photographic medium., View is numbered 188 in a series., Purchase 1998., Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Locomotive "Samson Junior," Philadelphia Gas Works.]
View of small coal powered steam locomotive in front of a stone building., Title from Darrah., Buff paper mount with rounded corners., See William C. Darrah's The World of Stereographs (Gettysburg, Pennsylvania: W.C. Darrah, 1977), page 185 for similar view., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Locomotive "Samson Junior," Philadelphia Gas Works.]
View of small coal powered steam locomotive in front of a stone building., Title from Darrah., Buff paper mount with rounded corners., See William C. Darrah's The World of Stereographs (Gettysburg, Pennsylvania: W.C. Darrah, 1977), page 185 for similar view., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Locomotive "Samson Junior," Philadelphia Gas Works.]
View of small coal powered steam locomotive in front of a stone building with three men., Title from Darrah., Buff paper mount with rounded corners., See William C. Darrah's The World of Stereographs (Gettysburg, Pennsylvania: W.C. Darrah, 1977), page 185 for similar view., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Locomotive "Samson Junior," Philadelphia Gas Works.]
View of small coal powered steam locomotive in front of a stone building with three men., Title from Darrah., Buff paper mount with rounded corners., See William C. Darrah's The World of Stereographs (Gettysburg, Pennsylvania: W.C. Darrah, 1977), page 185 for similar view., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Locust St. east from Sixteenth.
View looking east from Sixteenth Street showing brick row houses on the south side of Locust Street and the Gothic-style Presbyterian church built 1851-1853 after the designs of John Notman (1508-1514 Locust Street). a pile of rubble sits in the street in the foreground. The church was completed for a dissenting congregation that included locomotive industrialist Matthias Baldwin who contributed $10,000 to the over $100,000 construction and land fees., Title on negative., Manuscript note on verso: 16th St. looking E. on Locust, Calvary Presbyterian Ch., Orange curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Lodore cascade, Derwentwater.
Landscape view of Lodore Falls surrounded by trees near Derwent Water, England. A man stands behind two women that sit in the grass in the foreground., Title printed on mount below image., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Log cabin in "Ye olden times."
Views of Colonial-style log cabin (i.e., the New England Log House) with a sign reading "Ye olden time" on the roof. Female reenactors dressed in Colonial garb sit and stand in the fenced-in front yard. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negatives., Photographer's imprint printed on mounts and on versos. Imprint on versos contains initials "CPC" in decorative border surmounted by date range 1776-1876., One print [P.9229.12] contains manuscript note on verso: Laura C. Bumpus., One print [P.2011.47.219] contains manuscript note on verso: H.E.L., White curved mounts with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., One print [P.2011.47.218] gift of Raymond Holstein.
Logan House postcards.
Exterior views of front facade. Original portion of house constructed in 1801 for Philadelphia merchant Thomas Armat by builders Peter L. Berry and John Ardis., Contains 1 postcard printed in color and 1 printed in black and white., Sheet numbers: 102A08 and 102B09., Undivided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Logan Square and Parkway postcards.
Contains images of Logan Square, Logan Circle and the Benjamin Franklin Parkway from many different perspectives. Depicts popular landmarks on the parkway including the Philadelphia Art Museum, the Central Branch of the Free Library, City Hall, the Cathedral of Sts. Peter and Paul and Pennsylvania Railroad's Suburban Station. Images document Logan Square and the Benjamin Franklin Parkway before, during and after construction from 1917-1926., Contains 21 postcards printed in color and 5 printed in black and white. Also includes 11 linen postcards., Logan Square marked the central portion of the Benjamin Franklin Parkway, connecting the wider linear segment running east from the Art Museum terminus and the thinner portion running west from City Hall. Based on plans designed by Jacques Greber, who was also responsible for the World's Exposition held in Paris in 1937. One of many boulevards created during the City Beautiful movement, emphasizing an attractive environment of green landscapes and classical civic buildings that would create moral and civic minded citizens during a time when American cities were afflicted by poverty and overcrowded living conditions., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
London Mfg. Co. essences of meats, 77 & 79 Varick Street, New York.
Illustrated trade card depicting a girl wearing a bonnet embellished with flowers and wrapped in large bow under her chin., Advertising text promoting essences of meat (beef, mutton, and chicken) for invalids, dyspeptics, infants, in cases of sea sickness and after child-birth printed on verso with the London Manufacturing Company's trademark symbol., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Longworth's sparkling Catawba & Isabella, still & sweet Catawba, and Catawba Brandy. Cincinnati. [graphic].
Advertisement for the winery of Nicholas Longworth containing an ornate border designed as grape vines. Longworth, known as the Father of the American wine industry, operated his winery circa 1825 until his death in 1863., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Looking toward the city
View looking south from East Fairmount Park showing the Wire Suspension Bridge at Fairmount. The bridge, the first suspension bridge in the United States, was built from 1841-1842 after the designs of engineer Charles Ellet, Jr. It was removed in 1874. View also shows the old engine house at the Fairmount Water Works, factory buildings lining the west bank of the river, and cityscape., Title from manuscript note on verso., Photographer's imprint printed on mount., Orange mount with rounded corners., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Looking west from Reservoir Hill at Fairmount Water Works]
Copy stereograph of a view looking west from Reservoir Hill at the Fairmount Water Works on the Schuylkill River. Shows the terrace of the new mill house (built 1859-1862 after the designs of engineer Henry P.M. Birkinbine), a paddleboat at the nearby boat landing, and boat houses, including University boat house, on the east bank of the river in the distance. Also shows a section of ornate railing and a decorative urn in the foreground. The waterworks, built between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, were altered and expanded until 1872., Title supplied by cataloguer., Yellow mount with rounded corners., American Scenery was a popular series of copy stereographs issued between 1874 and 1877., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Looking west [sic] from Colosseum. Philadelphia, Pa.
Rooftop view looking south from the tower observatory of the Colosseum at the southeast corner of Broad and Locust Streets showing a partial view of the Beth Eden Baptist church built circa 1869 after designs by Edward Tuckerman Potter; a partially obscured view of the Pennsylvania Institution for the Deaf and Dumb (i.e., Deaf & Dumb Asylum) built 1824-26 after designs by John Haviland; and brick row houses facing Broad Street and Spruce Street. Originally constructed in 1873 in New York City, the Colosseum was dismantled and rebuilt in Philadelphia to exhibit cycloramas during the Centennial celebration in 1876. Removed to Boston in 1883 and stables built on the site by John Wanamaker., Title printed on mount., Publisher's imprint printed on mount., White mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The Lord's prayer.
Caption title., At head of title is a type specimen., The New England Institution for the Education of the Blind opened in Boston in 1832; in 1839, the name changed to Perkins Institution and Massachusetts Asylum for the Blind., Printed in S.G. Howe's raised-letter Boston line type; printed area measures 24.9 x 20.1 cm., In the Michael Zinman Collection of Printing for the Blind., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Lore Mountain, from Dinis Road, Killarny [sic], Ireland.
Landscape view showing men and women sitting in a beached rowboat on a rocky shore. A strip of tree-covered land juts into the water in the background., Title from manuscript note on verso., Photographer's imprint in black text on mount., Buff mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

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