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Miniature yachts, Fairmount Park, Philadelphia, Pa.
View of model sailboats on Gustine Lake in East Fairmount Park north of the Queen Lane Pumping Station near the confluence of the Wissahickon Creek and the Schuylkill River. A crowd stands around the perimeter of the lake., Title printed on mount below image., White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Mint Arcade.
Depicts the Mint Arcade built in 1903 by Savery & Scheetz. Building commissioned by the Crane Ice Cream Company after the demolition of the United States Mint in 1902. The Widener Building was built in 1914 on the site of the Mint Arcade., Undivided back., Sheet number: 27B05B, Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Miscellaneous popular medicine ephemera]
Includes a stereograph depicting "Killnarney-The Black Valley" and advertising Rutland, Vermont druggist and apothecary W. H. H. Fisher; an envelope printed "Bought of Coon & Robinson, Dealers in Drugs & Medicines... Nunda, N.Y."; and an illustrated songsheet "Composed by the Bearer, H. C. Harris, who has not Walked or had the use of his Hands or Arms, for 14 Years, July, 1872." Songsheet contains an ornate floral border and illustration captioned "My Picture" showing a full-length portrait of Harris, in a wheelchair and with a small box on his lap., P.2011.46.485 on yellow mount with rounded corners. Inscribed on verso: Oscar Marshall., Printers, publishers, and engravers include Miller & Best; Republican Banner Steam Print; and Stillman-Way., W. H. H. Fisher was succeeded by Fisher & McClallen in 1895., Coon & Robinson operated in the 1860s., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
[Miscellaneous specimens from specimen album loose prints collection]
Contains specimens of ornate borders; an amateurly-colored view of Cincinnati pasted on verso of proof periodical illustration depicting butterflies; uncut pages of a gas pipe fittings trade catalog depicting tees, crosses, elbows, bends, and sockets; an entrance notice for Bryant & Stratton Business College illustrated with a calligraphic image of a bird, likely by J. E. Soulé; a printed lease and 1877 electoral broadside; sheet music cover "Charming Waltz"; advertising print for the "Walnut Street House"; and a flower print., Title supplied by cataloger., Various printers, including Ehrgott & Fobriger., Originally part of Specimens Album [P.9349]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., J. Emory Soulé worked as a calligrapher at Bryant & Straton Commercial College by 1870 and became the school's principal within the decade.
Misericordia Hospital postcards.
Contains views of the Misericordia Hospital built in 1915 by Edwin Forrest Durang at the northwest corner of 53rd Street and Cedar Avenue in West Philadelphia. Depicts an exterior view of the front facade of the hospital and interior views of a private room, the nursery, children's ward, women's ward and library., Contains 1 postcard printed in color and 5 printed in black and white., Five out of six postcards issued by Artvue Post Card Co., 225 Fifth Ave., New York, NY., Sheet numbers: 108A05, 108B05B and 108B05C., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The misfortunes of a sweet tooth.
Genre scene showing a crying boy sitting on the floor by a disheveled pantry. A toppled chair rests nearby and dishes are scattered on the floor at the boy's feet., Title on negative., Photographer's imprint printed on mount., Distributor's imprint printed on mount., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Carl Getter.
Miss E. Levy, 1018 Chestnut St., Phila. Umbrellas & parasols, leather goods, fans.
Illustrated trade card depicting a business card for Miss E. Levy tucked into a spray of leaves., Copyrighted 1880 by Bufford, Boston., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Miss. M. Peebles, fine millinery, 2816 Germantown Ave., Phila.
Illustrated trade card depicting the profile of a well-dressed woman holding up and inspecting a plumed hat. Maggie M. Peebles immigrated to the United States in 1886 and set up a millinery shop at 2930 Germantown Avenue in Philadelphia in 1894 before relocating to 2816 Germantown Avenue in 1897., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Wright., Digitized.
[Mitchell House, southwest corner of Greene Street and Walnut Lane, Germantown, Philadelphia]
View looking southwest at the west and north elevations of the stone country house built ca. 1856 after designs by Samuel Sloan at 200 West Walnut Lane in Germantown., Title supplied by cataloger., Manuscript note on verso: [Walnut Lane + Greene St.], Creme mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Mixed Media Scrapbooks
Money bags, Chestnut Street Theatre. Marrying for money.
llustrated trade card depicting a vignette of an older man and a young woman. As he mischievously twists his mustache, she is posed in a childlike manner, seated and playing with his pocketwatch. Vignette surrounded by money, including paper and coin currency. The comedy "Money Bags" by J.W. Shannon debuted at the Chestnut Street Theatre in 1881., Contains advertising text printed on verso: Chestnut Street Theatre, Chestnut St., above Twelfth. Another novelty! First production in America. Three hours fun! J.W. Shannon's inimitable comedy Money Bags commencing Thursday, Oct. 20, Wednesday & Saturday matinee. Best reserved seats 50 cents. Reserved seats at admission prices after the doors are open in the evening. Full of fun and merriment! Seats may be secured two weeks in advance., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Money's scarce
Comic genre scene depicting a frowning female proprietor asking for money from a male customer patronizing her rustic tavern. She holds her hand out to the surprised man seated on a barrel and rummaging in his pants pocket. Another male customer points and laughs at the man from behind the slightly ajar tavern door. In the background, patrons smoke long pipes, play cards, and are served below a sign inscribed "Pay to Day & Trust Tomorrow.", Title from manuscript note on verso., Photographer's label pasted on verso., Yellow mount with rounded corners., Retrospective conversion record: original entry, edited., Gift of Jane Carson James., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Monitor Terror.
View showing the turret of the USS Terror, originally named the USS Agmenticus. Laid down in Portsmouth Navy Yard in Maine in 1862, launched in 1863, commissioned in 1864 at Portsmouth under the command of C. H. Cushman, decommissioned at the Boston Navy Yard in 1865, the monitor's name was changed to "Terror" in 1869. After being recommissioned in 1870, Terror came to the Philadelphia Navy Yard in 1872. The facility, which built, overhauled, stored, and disposed of warships, operated in Southwark until 1876 when the Navy Yard enlarged and relocated to League Island., Title printed on verso in publisher's series list with fifty-three other titles (No. 1-54)., Publisher's imprint in red text on mount., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Monitor Terror, Philadelphia.
View showing the turret of the USS Terror, originally named the USS Agmenticus. Laid down in Portsmouth Navy Yard in Maine in 1862, launched in 1863, commissioned in 1864 at Portsmouth under the command of C. H. Cushman, decommissioned at the Boston Navy Yard in 1865, the monitor's name was changed to "Terror" in 1869. After being recommissioned in 1870, Terror came to the Philadelphia Navy Yard in 1872. The facility, which built, overhauled, stored, and disposed of warships, operated in Southwark until 1876 when the Navy Yard enlarged and relocated to League Island., Title on negative., Orange curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Monitors, League Island, Philada.
Shows out of service ironclad warships docked by the Navy Department at the island at the junction of the Delaware and Schuylkill Rivers. Island opened officially as the Navy Yard in 1876., Publisher's label pasted on verso., White paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in Kenneth Finkel's Nineteenth century photography in Philadelphia (New York: Dover Publications, Inc. in cooperation with the Library Company of Philadelphia, 1980), entry #148., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The Monkey House.
View showing male and female spectators, one holding an open parasol, standing and sitting in front of the monkey house at the Philadelphia Zoo., Title from printed on label pasted on verso., Photographer's imprint on mount., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The monkey house from the south.
Depicts the grounds of the Philadelphia zoo including an exterior view of the monkey house., Title from manuscript note on verso., Yellow mount with rounded corners., Stamped on verso: surplus duplicate from the LIbrary of Congress, Division of Prints., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Montevista Apartments, Philadelphia.
Exterior view of front of apartments constructed in 1909 after designs by James C. Fernald., Also identified as the Monte Vista Apartments., Sheet number: 117B01B1., Divided back., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Montreal and St. Helena from Mount Roya[l]
Bird's-eye view of Montreal from Mount Royal, a mountain in the middle of the city, looking east toward the St. Lawrence River and St. Helen's Island., Title inscribed in negative., Photographer's imprint on mount., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Monuments at Woodlands Cemetery, Philadelphia.
Views showing the monument for Stephen H. Tyng, reverend of the Church of Epiphany and an elaborate sculpture monument, including a reclining female figure, inscribed "Hobson." Views also include iron work fencing and surrounding gravesites., Yellow paper mounts with square corners., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
(8)1322.F.43h
Views showing the monument for Stephen H. Tyng, reverend of the Church of Epiphany and an elaborate sculpture monument, including a reclining female figure, inscribed "Hobson." Views also include iron work fencing and surrounding gravesites., Yellow paper mounts with square corners., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Moore Institute of Art, Science and Industry.
Exterior view of front facade of Moore Institute of Art, Science and Industry, originally known as Philadelphia School of Design for Women, founded in 1848 and located in the Edwin Forrest Mansion since 1881. Moore Institute and the School of Design merged in 1932. Educational facility constructed as a dwelling in 1853-1854 by Stephen Decatur Button., Sheet number: 153B03., Divided back. Text on verso., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Moravian Cemetery, Bethlehem.
View showing long rows of flat headstones and trees in the Central Moravian Church's cemetery known as "God's Acre" in Bethlehem, Pa. Includes a man sitting against a tree near a grave. Used as a burial place from 1742-1910, only flat gravestones were permitted., Copyrighted by Kiralfy Bros., Philadelphia., Attributed to R. Newell & Sons., Title from manuscript note on mount., Pink mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
[Morgan & Headly trade cards] [graphic].
Series of illustrated trade cards promoting jewelers Morgan & Headly in the Mutual Life Building at the northwest corner of Tenth and Chestnut Streets in Philadelphia. Trade card depicts a large diamond jewel [1975.F.579]. Illustrated trade card depicts a caricaturized Japanese woman and boy playing a horn. The woman, wearing her hair tied up and decorated with kanzashi (decorative hair ornaments) and attired in a floral patterned kimono, stands before a Japanese-style building. She leans her left arm over a wall and looks down at a boy, wearing a shaved head with a small ponytail and attired in a tunic, a belt, pants, and cloth, slip-on shoes, playing a horn next to a bird with its beak open [1975.F.592]. Trade card depicting a Japanese-stylized scene of a crane bending over and cleaning its feathers with its beak. Also includes flowering tree branches [1975.F.593]., Title supplied by cataloger., Date inferred from content and history of the advertised business., One print [1975.F.579] contains vignette printed on verso depicting a hand-held fan superimposed onto a ribbon., RVCDC, Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Morris House postcards.
Exterior views of front facade of the Deshler-Morris House, built in 1772 for Quaker merchant David Deshler. Colonel Isaac Franks' owned the house when George Washington sought refuge here from the Yellow Fever epidemic that swept through Philadelphia in 1793. Nicknamed the "Germantown White House" during his occupation. The Morris family occupied the house for more than 100 years until they donated it to the National Park Service in 1948., Contains 8 postcards printed in color and 6 printed in black and white., Sheet numbers: 102A09, 102A10, 102B10 and 102B11., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Morris-Littell House postcards.
Depicts exterior views of the house owned by the Morris-Littell family from 1776 until 1888. Dr. Christopher Wit (1675-1765) planted one of the first botanical gardens in America on this site. The house was torn down after the construction of Germantown High School in 1915., Sheet numbers: 27B05 and 102B12., Undivided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The Moser & Lyon Co., manufacturing stationers, 216 S. Clinton St., Syracuse, N.Y.
Pictorial envelope containing vignettes of paper cutters and advertising text on the recto and verso. Vignette on recto shows a reversible roll paper cutter under a "counter." A hand tears off a piece of paper from a large roll with the cutter blade. Vignettes on verso show "Roll Desk Tablet, the most convenient article of its kind ever manufactured"; "6 and 12 Inch no. 1 Reversible Cutter in Pyramid"; and "the Reversible with name on face of blade. Any name can be placed thereon." Each cutter contains a large roll of paper. Moser & Lyon entered the stationery trade in 1873 and consolidated into the stock corporation Moser & Lyon Co. in 1892., Title from printed return address., Addressed in manuscript to: Holden Bros., Turin, N.Y., Date inferred from ink-stamp postmark: Syracuse, N.Y. 1893., Contains cancelled two-cent stamp printed in red and depicting a profile portrait of George Washington., Printed on verso: Write Us For Prices. Read the Circular which is Inside this Envelope., Vignettes printed in red ink on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Moss Cataract.
View of a downhill stream running over a smooth rock bed covered in green moss in the Delaware Water Gap. Both sides of the stream are flanked by trees and bushes., Title from photographer's label on verso. Also lists eighteen other titles in the series (No. 192-209). Also includes series titled A Trip on the Catawissa (No. 210-235)., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The most Rev Francis Patrick Kenrick D.D. Archbishop of Baltimore.
Half-length portrait showing the archbishop, former Bishop of Philadelphia, attired in his robes and vestments, and seated. Kenrick served as the third Archbishop of Baltimore 1851-1863., Inscribed lower left corner: 142., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The most Rev Francis Patrick Kenrick D.D. Archbishop of Baltimore. [graphic].
Half-length portrait showing the archbishop, former Bishop of Philadelphia, attired in his robes and vestments, and seated. Kenrick served as the third Archbishop of Baltimore 1851-1863., Inscribed lower left corner: 142., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Motion studies]
Series of six nude motion studies photographed by Thomas Eakins at the University of Pennsylvania. Views show male models, including George Reynolds, during the process of jumping, running, and walking. Includes a copy of the image "History of a Jump.", Gift of Elizabeth G. Coates., One of images reproduced in William Dennis Marks's "The Mechanism of Instantaneous Photography" in "Animal Locomotion: The MuyBridge Work at the University of Pennsylvania" (Philadelphia, 1888), p. 14. LCP also holds larger format variant with annotations. [*photo - Eakins, P.8713.6]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., LCP AR (Annual Report) 1982, p. 37., Photographs housed together in acid free clamshell box., Thomas Eakins, artist, photographer, and director of the Pennsylvania Academy of the Fine Arts (1882-1886), photographed over 60 motion studies at the University of Pennsylvania between 1884 and 1885. He devised a new camera for the motion photographs that included a timing device and rotating shutter mechanism.
Mount Pleasant, Arnold House, East Fairmount Park, Philadelphia
Exterior views of Mount Pleasant Mansion (i.e. Arnold Mansion) built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. One view shows the east front of the main house. The other view depicts the main house flanked by smaller buildings and trees. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Title supplied by cataloger., Photographer's imprint in red text on mounts., Manuscript notes on versos., Explicative paragraph of text providing brief history of Fairmount Park entitled, "Fairmount Park and Water Works, Philadelphia," printed on verso of P.9462.22. Text surmounted by vignette of state seal of Pennsylvania and surrounded by decorative border., Yellow mounts with rounded corners., Purchase 1994 [P.9462.22]. Gift of J.F. Dallet, 1995 [P.9488.1]., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Mount Pleasant mansion, Fairmount Park, Philadelphia]. [graphic].
View shows Mount Pleasant mansion in Fairmount Park, Philadelphia flanked by outbuildings. The view is somewhat obscured by trees. The Middle-Georgian country house was built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil on Mount Pleasant Drive in Fairmount Park, Philadelphia, Pa. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Title inferred from manuscript note on verso., Date inferred from type of mount., Yellow mount with rounded corners., Gift of Raymond Holstein, 2011., Description revised 2021., Access points revised 2021.
[Mount Pleasant mansion, Fairmount Park, Philadelphia.] [graphic].
Exterior view of the front of Mount Pleasant Mansion (i.e. Arnold Mansion) main house built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. View shows wildflowers in bloom on the front lawn and benches lining the front walk. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Date inferred from type of mount., Orange mount with rounded corners., Series title printed on mount., Title supplied by cataloger., Title printed on mount erroneously identifies site as Washington's Headquarters - Fairmount Park., Gift of Raymond Holstein, 2011., Description revised 2021., Access points revised 2021.
Mount Saint Joseph Academy postcards.
Landscape views of the campus of Mount Saint Joseph Academy in Chestnut Hill, now occupied by Chestnut Hill College. Founded by the Sisters of Saint Joseph as a Catholic convent and girls seminary in 1858 on the Joseph Middleton estate. Mount Saint Joseph Female Academy building constructed in 1874. Turned into a day school in 1911. Mount Saint Joseph's moved to Flourtown in 1961., Contains 2 postcards printed in color and 1 printed in black and white., Sheet numbers: 153A01B and 153B06A., Undivided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Mount Vernon Cemetery.
View of the cemetery gateway built 1856-1858 after the designs of John Notman at 3301 West Lehigh Avenue., Title on negative., Photographer's imprint printed on mount., Buff mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
Mount Vernon Cemetery, Phila.
View of the cemetery gateway built 1856-1858 after the designs of John Notman at 3301 West Lehigh Avenue. A man stands on the dirt path in the foreground., Title from manuscript note on verso., Distibutor's printed pink label pasted on verso., Mint green mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Mount Vernon--Washington's Residence. [graphic].
Puzzle showing the eastern facade of the mansion and grounds overlooking the Potomac River in Fairfax County, Virginia owned by George Washington. White men and women promenade, white children play with a dog, cattle graze, and a white man handler walks a horse on the landscaped grounds in the foreground. George Washington, Martha Washington, and a white woman sit on the porch. An enslaved African American man servant, attired in a white collared shirt, a black jacket with tails, and black pants, stands to the left of them. The estate, originally granted to Washington's great-grandfather John Washington in 1674, was inherited by George in 1761 and purchased by the Mount Vernon Ladies Association in 1858., One of four puzzles, stored in two pieces, housed in clamshell box., Purchase 1978., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
8418.F.2 left section
Puzzle showing the eastern facade of the mansion and grounds overlooking the Potomac River in Fairfax County, Virginia owned by George Washington. White men and women promenade, white children play with a dog, cattle graze, and a white man handler walks a horse on the landscaped grounds in the foreground. George Washington, Martha Washington, and a white woman sit on the porch. An enslaved African American man servant, attired in a white collared shirt, a black jacket with tails, and black pants, stands to the left of them. The estate, originally granted to Washington's great-grandfather John Washington in 1674, was inherited by George in 1761 and purchased by the Mount Vernon Ladies Association in 1858., One of four puzzles, stored in two pieces, housed in clamshell box., Purchase 1978., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
8418.F.2 right section
Puzzle showing the eastern facade of the mansion and grounds overlooking the Potomac River in Fairfax County, Virginia owned by George Washington. White men and women promenade, white children play with a dog, cattle graze, and a white man handler walks a horse on the landscaped grounds in the foreground. George Washington, Martha Washington, and a white woman sit on the porch. An enslaved African American man servant, attired in a white collared shirt, a black jacket with tails, and black pants, stands to the left of them. The estate, originally granted to Washington's great-grandfather John Washington in 1674, was inherited by George in 1761 and purchased by the Mount Vernon Ladies Association in 1858., One of four puzzles, stored in two pieces, housed in clamshell box., Purchase 1978., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

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