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["Old Abe," Wisconsin eagle, 1876]
View showing the eagle named "Old Abe" on a specially-designed perch adorned in patriotic stars and stripes. The mascot of the Eighth Wisconsin Volunteer Infantry Regiment, Old Abe was on display in the Agricultural Building at the Centennial Fair. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title supplied by cataloger., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Manuscript note on verso: Famous "Wisconsin eagle" carried by a Wisc. regiment during the Civil War and later exhibited at the Centennial., Stamped on verso: G.L. Howe, M.D., 924 Clover St., Rochester, N.Y., White curved mount with rounded corners., Gift of Robert M. Vogel., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

Old Columbia Bridge over the Schuylkill River
View showing the Columbia Railroad Bridge, one of the oldest railroad bridges in the United States, completed in 1834. Built after the designs of John C. Trautwine for the Reading Railroad Company, the bridge spanned over the Schuylkill River below Belmont Mansion in Fairmount Park., Title from photographer's label on verso., Manuscript note on mount: Old Columbia Bridge. Philadelphia., Buff mount with rounded corners., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

[Old Columbia Bridge over the Schuylkill River]
View showing the Columbia Railroad Bridge, one of the oldest railroad bridges in the United States, completed in 1834. Built after the designs of John C. Trautwine for the Reading Railroad Company, the bridge spanned over the Schuylkill River below Belmont Mansion in Fairmount Park., Title and publication information from similar stereoview by McClees., Light grey mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook., Image faded., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

[The Old Continental Clothing Manufacturing Company trade cards]
Series of illustrated trade cards depicting two girls playing with a jack-in-the-box and a boy applying wallpaper while one toddler watches and another peers into a nearby bucket of adhesive., Title supplied by cataloger., Printers and engravers include Eckel, pr., cor. 19th and Market., One print [1975.F.187] tinted with blue ink and one print [P.9636.5] tinted with red ink., Advertising text printed on versos promotes the Old Continental Clothing Manufacturing Company's low prices and includes price lists., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.

Old Court House & Market postcards.
Depicts the Old Court House and Market at the corner of Second and Market Streets looking west, showing the market sheds extending to Fourth Street. Also known as the Great Towne House, built in 1707 by Samuel Powell. Demolished in 1837., Contains 1 postcard printed in color and 1 printed in black and white., Accession numbers: P.9049.5 and P.9049.16., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

Old Dunkard Church postcards.
Exterior views of front facade and side of stone church, showing roundel window, a large palladian window and entrance door flanked by a shallow portico. Also includes a view of the cemetery in the background., Contains 4 postcards printed in color and 8 printed in black and white., Also known as Church of the Brethren, founded by Alexander Mack in 1708 near Crefeldt in North Prussia. Persecution drove the congregation to Philadelphia in 1719 and in 1723 the first Dunkard or German Baptist Brethren Church was organized in Germantown. The congregation originally worshipped in a building erected by Christopher Sauer (4653 Main Street) and then in a house secured by Peter Pettikoffer, who begged for the money to erect the building. Called Beggar's Town or Bettel Hausen. Building depicted in postcards erected in 1770., Sheet numbers: 101A01, 101B01 and 101B01A., Postcards issued by a variety of different publishers with the majority issued by The Rotograph Co., New York City., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

Old Falls Bridg[e] Schuy[l]kill R[i]ver.
View from Laurel Hill in East Fairmount Park looking northeast showing the six-arched bridge completed in 1853 by mason Christian Swartz near the Falls of Schuylkill on the Schuylkill River. The bridge was utilized by the Richmond branch of the Reading Railroad. A covered bridge is seen in the background., Title printed on mount., Date from manuscript note on verso., Orange mount with rounded corners., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

An old farm house, near Princeton, N.J.
View includes a man chopping wood., Cream mount with square corners., Title from label pasted on verso., Photographer's imprint stamped on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Pennsylvania views & political miscellany., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

The old houses and stores with memorabilia relating to them and my father and grandfather
Memory album compiled by Lewis containing written narratives, photographs, watercolors, textiles, drawings, prints and ephemera documenting his childhood and his lineage and family businesses and residences from the late 18th century to mid 19th century. Specific narrative topics include the provenance of the "Pictures" included in the album; "Memorabilia"; the "Marriage of our Ancestor, 1786. Johann Andreas Philipp Ludwig (i.e., J. A. P. Lewis) and Anna Maria Klingemann"; 'In Memoriam: Johann Andreas Philipp Ludwig' "; the "Memorials of the old Houses, Stores &c.," including deed, plot, architectural, and decor information pertaining to Lewis family residences at 121, i.e., 311 North Fifth Street (1791-1797), 60, i.e., 128 North Fourth Street (1797-1805), 82, i.e., 132 North Second Street (1814-1818), 124, i.e., 264 South Third Street (1818-1824), 148, i.e., 264 South Second Street (1824-1840) and rear storehouse on Laurel Street, and Sixteenth and Walnut streets (1840-1858), and the stores at Walnut and Front streets (1829-1856)., Other narratives describe the yellow fever epidemic of 1793; J. A. P. Lewis's service in the volunteer militia; G. Albert's siblings S. Weir, John A., and Theodore C.; John F. Lewis's successful management of the financial panic of 1828 and his entertaining, including fireworks and "ample supplies of groceries, provisions, wine and liquors" on store; the business practices of the import trade; the conversion of Second Street residences into storefronts; the regrettable disposal of family possessions from the China trade, including card receivers, satins, pearl and ivory seals, artificial flowers, tortoiseshell combs, and silk covered boxes; the childhood of Eliza Mower along the Schuylkill River, her clandestine marriage to Lewis, and her death; John F. Lewis's lucky Mexican dollar; and the childhood and young adult years of G. Albert Lewis, including his "spying" at family parties, Christmas memories, sailing excurisons on the Schuylkill and Delaware rivers, and work for the Lewis firm., Album also contains numerous captioned and dated graphic and ephemeral materials, including watercolors and drawings by G. Albert Lewis, photographic views of family churches, family portraiture, newspaper clippings, certificates, bills of lading, and business and calling cards. Lewis's works depict family crests and coats of arms; sentimentalized genre scenes representing family lore, including J. A. P. Lewis's immigration to America for love; his childhood haunts, Christmas presents, and play areas; exteriors, interiors, grounds and gardens of the family residences and storefronts, including parlors, front rooms, gates, a weather vane designed as a cavalryman on the Walnut Street stable, dormer window (Second Street residence), store house on Laurel Street, and stores on Front and Walnut street; ground plans of Lewis residences (264 S. Second and Walnut Street); the "Great Tree" (South Second Street property); and Chinese exports and china patterns. Photographs depict family portraits of Johann Andreas Philipp and Anna Maria Lewis, John F. and Eliza Lewis, and G. Albert and Anne C. Lewis; the Lewis cargo ship "Globe," family churches and residences, including the altar of St. John's Lutheran Church, Crailsheim (J.A.P. Lewis's baptismal font) and St. Michael's Evangelical Lutheran Church, Swedes Church, (Gloria Dei), and St. Johns Evangelical Lutheran Church (Philadelphia), and the final residence of Eliza Lewis at 1927 Spruce Street; and family artifacts, furniture, and mementoes, including Ludwig's sword and secretary and John F. Lewis's lucky Mexican dollar. Also contains engraved portraits of Frederick the Great and pictorial details by Lewis incorporated at the end of narratives and as frames around portraits., Ephemera includes certificates, bills of lading, and calling cards (including in Chinese) related to the Lewis firms; G. Albert's share certificate in the Philadelphia Museum Company; photomechanical and chromolithographed genre prints; an engraving sample possibly by James Otto Lewis; newspaper clippings, including advertisements and announcement for the Lewis firms, family obituaries, and poems; manuscript "endorsements on notes received, but protested for non-payment" by Weir, Lewis & Co. and family signatures, including that of Eliza Lewis; and textile swatches from Chinese curios, wall paper, and upholstery. Family trees and a chronology of the Lewis firm (until 1828) also form the content., Floral border in watercolor on title page. Border also includes pictorial details showing a sailing ship and Chinese character., Wm. F. Murphy's Sons, Co. Makers stamped on spine., Red leather binding with gold lettering., Dedication: "Dedicated to the Memory of my dear Mother who made the homes of my childhood most lovely and so beautiful!" Surrounded by watercolor frame reading "Haec Olim Meminisse Juvabit Virgo," i.e., "This will help you remember once upon a time.", Gift of Oliver Allen., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Transcription and inventory available at repository., See Sarah Weatherwax, "The Lewis Albums," The Magazine Antiques (August 2006), 116-121., See Oliver H. Allen, "The Lewis Albums," American Heritage 14 (December 1962), 65-80., One of six Lewis Family albums held in the Print Department., Housed in clamshell box., George Albert Lewis, son of Philadelphia China trade merchant John F. Lewis (1791-1858) of John A. Lewis & Co. and Eliza Mower (1788-1885), was a banker, genealogist, and artist descended from Hessian solder and Philadelphia Prothonotary Johann A. P. Lewis [formerly Ludewig]. Lewis studied art with G. W. Holmes, frequently exhibited at the Pennsylvania Academy of the Fine Arts and Artist's Fund Society, and was a member of several organizations, including the Numismatic & Antiquarian Society of Philadelphia, Genealogical Society of Philadelphia, and the Library Company. He married Anne C. Larcombe on July 1, 1851 and with her had two children Alberta (1854-1934) and Hermann (b. 1863) and grandchildren Hildegarde Allen (b. 1885), editor and publisher Frederick Lewis Allen (1890-1954), Barbara Lewis [Shepperd] (b. 1885), Margaret Lewis [Browne] (b. 1886), and George Draper Lewis (b. 1888).

Old Indian chapel.
View showing the small log chapel on the south side of Market Street in Bethlehem, Pa., including two men standing on the entrance stairs to an adjacent property. Originally built ca. 1758 in the Native American village Nain in West Bethlehem to serve the local Christianized Native Americans, the chapel was relocated in 1763 to Market Street. Demolished in 1868., Yellow mount with rounded corners., Photographer's imprint printed on mount., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel., Kleckner, a Moravian, operated a studio in Pennsylvania until 1883.

Old "Jolly Post" Hotel, Frankford, Philadelphia.
Exterior view of building constructed in 1680. Demolished circa 1912., Also identified as the Old Jolly Post Inn and the Jolly Post Boy Tavern. Located on Frankford Road, which formed part of the main passage that connected New York and Philadelphia. John Worrell purchased the property in 1698. His son Isaiah may have been the first to operate the inn from this location., Sheet number: 115A02., Undivided back., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

[Old Judge cigarettes, Goodwin & Co., New York, U.S.A.]
Illustrated trade card depicting patent information printed in gold on red bands attached to "Old Judge" cigarettes and surrounded by a scroll, florettes, geometric shaped-borders, and ornate text. Goodwin & Co. merged with other tobacco companies in 1890 to form the American Tobacco Company., Title supplied by cataloger., Advertising text printed on verso entitled, "Important for cigarette smokers to know," promotes the rice paper (patented in 1878) used in "Old Judge" cigarettes produced by Goodwin & Co., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.

Old landmarks & relics of Philadelphia. Fourth series.
Viewbook containing a folded leave of six titled photographs and a folded leave of titled, narrative texts about the images. Photographs depict "The House in which Gen'l Agnew Died Germantown" showing an exterior view of Grumblethorpe, the house built in 1744 in which British General James Agnew died in 1777; "Swedes Church. Front View" showing the Episcopalian, former Lutheran, church known as Gloria Dei Church, built 1700-1703 at 929 South Water Street; "Old Log Cabin, Richmond & Vienna Sts." showing an 18th-century style dwelling in Fishtown; "The Old Market House, Callowhill & New Market Sts." showing one of the four old market houses, known as Norwich Market, established in 1783 on the 100 block of Callowhill Street; Robert Morris Hotel Phila. Park showing the four-story hotel opposite the race bridge of the Fairmount Water Works that was razed in 1868; and "Ancient Building, First Fish House, Arch St. bel. 4th Sts." showing the 18th-century attached, brick buildings in Loxley Court that purportedly housed fishing implements for the Penn family. Images include grave stones; broadsides; signage; neighborhood dwellers; and partial views of horse-drawn carriages., Titles on negatives., Embossed brown cloth binding, gilt lettering., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Retrospective conversion record: MARC Link database, edited., Recon note: Match points differ, LCP holds loose, larger format copies of some of the images., Gift of S. Marguerite Brenner.

Old landmarks & relics of Philadelphia. Second series.
Viewbook containing six titled photographs and a folded leave of titled, narrative texts about the images. Photographs depict "Independence Hall" showing the front facade of the building built 1732-1748, including the front courtyard with the Joseph A. Baily statue of George Washington; "Whitby Hall" showing the country dwelling built in 1754 on land in Kingsessing acquired by Philadelphia merchant James Coultas in 1741;" "Friends Alms House, Walnut Bel. Fourth" showing the benevolent institution erected in 1729 and razed in 1841; "Acadamy [sic] of Fine Arts, Chestnut St. Bet. 10th & 11th Sts. Phila." showing the arched entry way to the building erected in 1806 and shortly before it was "torn down in 1870, to make way for Fox's American Theatre; "Rittenhouse Mansion, Arch & Seventh Sts." showing the former residence of astronomer David Rittenhouse built 1786-1787 by master builder Joseph Ogilby; and "St. Peters Church, Fourth & Pine" showing the Episcopal church built 1758-1761 "in the midst of a graveyard." Images also include residents; street lamps; signage; partial views of storefront awnings; and trees and greenery., Titles on negatives., Embossed green cloth binding, gilt lettering., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Retrospective conversion record: original entry, edited., Recon note: Match points differ, Photographs originally on folded leave., Presented by Margaretta A. Dick in memory of her father Walter B. Dick.

The old Liberty Bell.
View shows the bell installed in the gallery of Independence Hall surrounded by patriotic symbols and emblems in iron work, including liberty caps and shields. State House built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley., Written on negative and printed on label pasted on verso: entered according to Act of Congress in the year 1872 by Chase & Town in the office of the Librarian of Congress, Washington D.C., Title printed on label pasted on verso., Publisher's imprint printed on label pasted on verso., Mint green mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

Old Liberty Bell.
View of the bell, mostly likely a replica, displayed behind bars., Title printed on verso in publisher's series list with fifty-three other titles (No. 1-54)., Publisher's imprint in red text on mount., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

The old Liberty Bell, Independence Hall, Philadelphia, Pa.
Interior view showing the Liberty Bell in the Assembly Room when utilized as an exhibit gallery at the State House. State House built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley., Title printed on mount., Additional places of publication printed on mount, including New York, NY; Portland, Oregon; London, Eng.; and Sydney, Aus., Publisher's imprint printed on mount., Printed above image on mount: 80, Explicative paragraph of text providing brief history of the Liberty Bell printed on verso. Includes latitude and longitude: Lat. 40 degrees N.; Long. 75 degrees W., Gray curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

The old Liberty Bell, Independence Hall, Philadelphia, Pa., U.S.A.
The old Liberty Bell, Independence Hall, Philadelphia, Pa., U.S.A.
Interior view showing the Liberty Bell in the Assembly Room when utilized as an exhibit gallery at the State House. State House built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley., Printed on mount: Copyright 1899 by B.L. Singley., Printed on verso: Copyright 1910 by Keystone View Company., Title printed on mount., Additional places of publication printed on mount, including New York, N.Y.; Portland, Oregon; London, Eng.; and Sydney, Aus., Publisher's imprint printed on mount and on verso., Explicative paragraph of text providing brief history of the Liberty Bell printed on verso., Gray curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.

Old log cabin.
View showing an old log cabin at Richmond and Vienna Streets (i.e., Berks Street) in Fishtown. A woman leans against the side of the house and shields her eyes from the sun. Cabin was a typical example of those built in the neighborhood around the time of the Revolutionary War., Title on negative., Photographer's imprint printed on mount., Manuscript note in pencil on verso: No. 15 papa 1876, Buff mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William Schaeffer.

[Old Log Cabin Bridge over Wissahickon Creek, Philadelphia, Pa.]
View showing the Old Log Cabin Bridge across the Wissahickon Creek. Bridge named after the nearby Old Log Cabin Hostlery at Lincoln Drive above Gypsy Lane., Title supplied by cataloguer., Warped green mount with rounded corners., Gift of Robert M. Vogel., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

[Old Log Cabin, Wissahickon]
View showing the Wissahickon Creek hostelry, reconstructed out of the log cabin built during William Henry Harrison's 1840 presidential campaign, operated by Tommy Llewellyn. The hotel, containing a dining room, drinking room, and ladies saloon, also displayed wildlife as a novelty attraction. A white woman and an African American man with a horse stand in front of the hotel. The creek is visible in the foreground. The hotel was razed in 1872., Title supplied by cataloger., Pink mount with rounded corners., Photographer's imprint printed on mount., Publisher's imprint printed on verso., Inscribed in negative: 76., Printed on mount: No. 4., Reissue of circa 1870 view entitled "Old Log Cabin" by R. Newell & Son of Philadelphia from the series Stereoscopic views. Fairmount Park views., Gift of Robert M. Vogel, 1984., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

The Old Market at Pine and Second Streets.
Depicts an exterior view of the old colonial market building at Pine and Second Streets., Sheet number: 27A06, Undivided back., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

Old Monastery, Wissahickon, Philadelphia.
Exterior view of house built near Wissahickon Creek between 1746 and 1752 for Joseph Gorgas, a lumber merchant and third generation resident of Germantown. Constructed on the site of "the Kloster," the log cabin built in 1737 as a community house for the German Dunkards., Also known as the Joseph Gorgas House and the Children's Museum of Philadelphia (1973)., Sheet number: 81B01., Undivided back., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

Old Moravian burying ground - summer.
Shows two boys sitting in a tree-lined path in the cemetery established in the mid-eighteenth century in Bethlehem. Includes partial views of flat gravestones (i.e. breaststones) and a building in the background. Cemetery also called "God's Acre.", Yellow mount with rounded corners., Photographer's imprinted printed on mount., Paper backing pasted on verso., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Kleckner, a Moravian, operated a studio in Pennsylvania until 1883.

"Old Mortality." Laurel Hill Cemetery, Phila.
View looking from a pathway showing the shelter of the sculpture completed by sculptor James Thom circa 1836 in the central courtyard of the cemetery at 3822 Ridge Avenue. The partially visible sculpture, inspired by Sir Walter Scott's novel "Old Mortality," depicts Scott conversing with the main character of his novel, an elderly itinerant Scotsman who re-carved names on gravestones, seated on a tombstone near his horse. Laurel Hill Cemetery was built 1836-1839 after the designs of John Notman., Title printed on mount., Trimmed buff paper mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.

"Old Mortality." Laurel Hill Cemetery, Phila.
View looking from a pathway showing the shelter of the sculpture completed by sculptor James Thom circa 1836 in the central courtyard of the cemetery at 3822 Ridge Avenue. The partially visible sculpture, inspired by Sir Walter Scott's novel "Old Mortality," depicts Scott conversing with the main character of his novel, an elderly itinerant Scotsman who re-carved names on gravestones, seated on a tombstone near his horse. Laurel Hill Cemetery was built 1836-1839 after the designs of John Notman., Title printed on mount., Trimmed buff paper mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.

Old Norris mansion, 7th & York Sts. Built 1727.
View looking northeast at the front elevation of the Fairhill mansion built 1778 near York and Seventh Streets. Shows the painted phrase, "Revolution House, Iron Sons of..." spanning the width of the front elevation, which was the name of a tavern that operated there in the 1870s. The original mansion, constructed 1712-1719 by bricklayer Richard Redman and stone mason John Hart for Isaac Norris, Sr., was destroyed by fire by the British troops in 1777. Second mansion demolished in 1885., Title from manuscript note on mount., Photographer's imprint printed on mount. Also contains photograper's blindstamp on mount: Gutekunst, 712 Arch St., Orange curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.

Old Penn Hotel, Philadelphia, Pa.
View photographed during the 1860s showing the William Penn Hotel at 10 Letitia Street between Market and Chestnut streets. View also includes the adjacent building incorrectly identified by 19th-century historians as the Letitia Penn House. Signs for V. Rundnagel's German saloon and Jacob Sinn, importer of liquor, (operating at the address in 1868) adorn the Penn house. The residence was incorrectly recorded as built in 1682 by William Penn and given to his daughter in 1701., Publisher's imprint including illustration printed on verso., Orange mount with rounded corners., Title printed on mount., The prolific Anthony firm, established in 1859, operated from 591 Broadway between 1871 and 1881., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

Old Pennypack Baptist Church. 1688 - 1925.
Interior view of pulpit and pews of Baptist church founded in 1688 by twelve men and women from England, Ireland and Wales. Original log church constructed by founders was replaced in 1770 and a third structure was erected in 1805., Considered the oldest Baptist Church in Pennsylvania. Originally known as Pennepek., Real photo. Paul - Photo engraved on recto. Undivided back. AZO stamp box with squares in corner., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

Old Philadelphia Punch Bowl.
Exterior view of the Punch Bowl Inn, built circa 1840 and demolished in 1884. The Second Regiment Armory building was constructed on this site in 1890., Copy of Robert Newell's image of the Punch Bowl Inn, photographed circa 1870., Undivided back., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

Old Philadelphia views 1861
Album of photographs, predominately half stereographs, of landscape views of Philadelphia and Bucks County. Images include views of Frankford Creek, Tohickon Creek, Wissahickon Creek, Tacony Creek, Pleasantville, Crescentville, Germantown, Fairmount Park near the water works, and winter scenery. Also contains photographs of Stenton, Woodlands Cemetery, the Desilverwood Estate (Holmesburg), the Burd family monuments at St. Stephen's Church (Philadelphia), the city garden of Joseph R. Evans (329 Pine Street), Atlantic City, and Richmond, Va. Images include trees, creek banks, rocks, waterfalls, dams, bridges, mills, and farm land. Many also include posed figures, including a man, probably one of Moran's artist brothers Edward or Thomas, painting in a ravine and scenes titled "Student at Work"; "Autumn in the Woods - burning leaves"; and "Sit up Sir" showing a man with a dog., Title from inscription on spine., Spine stamped in gilt: Photographs., Blue morocco binding., Photographs arranged four to a page, numbered, and identified by captions inscribed below the images., Letter from Ferdinand J. Dreer to [George W. Childs?], March 12, 1861 pasted on verso of front cover. Letter begins "Accept from your friend a few photographs & stereoscope views... of the work of a young native artist" and explains they were not sent for "their intrinsic value, but as beautiful studies and highly artistic.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box., Gift of Ruth Molloy.

Old processee starchee no goodee. It smellee rots & makee shirts yellee.” "I will never use any other but the New Process Starch." New Process Starch. Manufactured only by the Firmenich Manufacturing Company, Peoria, Ill. [graphic].
Trade card promoting Firmenich Manufacturing Company and depicting a racist caricature of a Chinese man laundry worker contrasted in a split panel with a white women doing laundry. In the left, the Chinese man, wearing a queue hairstyle and attired in a white tunic and pants and blue cloth slip-on shoes, stands and irons a shirt on a table. He speaks in pidgin English, “Old processee starchee no goodee. It smelle rots and make shirts yellee.” On the floor are two boxes of “Old Process Gloss Starch.” On the table is a bowl of steaming water. A teapot heats on the stove behind him, and clothes hang on the clothesline. In the right, the white woman, attired in a pink dress with a white bow around the neck and white cuffs, stands behind the table ironing. She says, “I will never use any other but the new process starch.” A young white boy hands her a box of “New Process” starch, and two additional boxes lie on the floor in the right. On the table is a bowl of water. A tea kettle steams behind her on the stove. Buildings are visible through a window in the background. Dr. Joseph Firmenich (1828-1903) started a starch company with his two sons, George and Frank. The Firmenich Manufacturing Company was incorporated in 1884. The Company opened a glucose plant in Marshalltown, Iowa in 1887. The Company operating into the 20th century., Title from item., Date inferred from dates of operation of business advertised., Advertising text printed on verso: New process starch. This starch is manufactured by a new process, with pure spring water. The light starch and gluten usually found in other starches, especially if made from white corn, are entirely removed and manufactured into other articles. The patents of this process are owned solely by this company. We guarantee all our starch perfectly pure and sweet. This starch, having the light starch and gluten removed, one-third less can be used than any other in the market. Ask your grocer for the new process gloss and corn starch and take no other. Manufactured only by the Firmenich Manufacturing Company. Peoria, Ill., Gift of Linda Kimiko August., RVCDC

Old Red Hill Tavern. Built before the Revolution. Full of Indian relics. Can be seen by calling on James Emery.
Exterior view of tavern with trolley stopped in the foreground., Sheet number: 117B02A., Undivided back. Post marked 1906., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

Old Saint Joseph's Church, Philadelphia, Penna. Founded 1733.
Interior view of nave and sanctuary of church built in 1839 after designs by John Darragh. According to text on verso, St. Joseph's was the first Catholic Church to succeed in the British North American colonies., Sheet number: 50B11., Divided back., Postcard issued by Standard Photo Service Co., 2004 Chestnut Street, Philadelphia and Dexter Press, Inc., West Nyack, NY., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

Old St. Paul's Church, No. 225 South Third Street, central office Philadelphia P. E. City Mission.
Exterior view of front facade of Old St. Paul's Church on recto, with bulletin on verso, including an invitation to a noon-day service for business men. Church served as the central office of the Protestant Episcopal City Mission in Philadelphia circa 1950., Undivided back. Invitation on verso. Dated 1906 in manuscript note on verso., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

Old St. Paul's Church, No. 225 South Third Street, central office Philadelphia P. E. City Mission.
Exterior view of front facade of Old St. Paul's Church on recto, with bulletin on verso, including an invitation to a noon-day service for business men. Church served as the central office of the Protestant Episcopal City Mission in Philadelphia circa 1950., Sheet number: 138B17., Undivided back. Invitation on verso., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

Old Swedes' Church.
Exterior view of the Episcopalian, former Lutheran, church known as Gloria Dei Church, built 1700-1703 by master builder John Harrison I at 929 South Water Street. View includes two boys standing on the sidewalk in front of the fence surrounding the church property and the very tops of tombstones in the adjacent burial ground., Title on negative., Orange mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

Old Swedes Church postcards.
Contains exterior views of the oldest church in Pennsylvania, built 1698-1700 after designs by John Harrison I and Reverend Andrew Rudman. The wings were added 1703-1705 and the tower circa 1733. Also includes an interior view of the sanctuary., Contains 21 postcards printed in color and 10 printed in black and white. Also includes 1 linen postcard., Stands on the site of the first Swedish Lutheran Church in Philadelphia., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

The old tavern at the Wire Bridge, Philadelphia
View showing the Upper Ferry Tavern on the West Bank of the Schuylkill River (Fairmount Park). The tavern, opened in 1820, was also known as Harding's Hotel after Richard Harding, one of its later proprietors. Includes partial views of adjacent buildings., Attributed to William and Frederick Langenheim., Title printed on mount., Yellow mount with square corners., Retrospective conversion record: original entry, edited., Image faded., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.

The old tavern at the Wire Bridge, Philadelphia
View showing the Upper Ferry Tavern on the West Bank of the Schuylkill River (Fairmount Park). The tavern, opened in 1820, was also known as Harding's Hotel after Richard Harding, one of its later proprietors. Includes partial views of adjacent buildings., Attributed to William and Frederick Langenheim., Title printed on mount., Yellow mount with square corners., Retrospective conversion record: original entry, edited., Image faded., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.

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