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Reward of merit
Contains central vignette showing the bare-chested, allegorical female figure Ceres (i.e., Bounty). She sits on sheaves of wheat near a plow, Cows are visible in the background., Includes verse: Come let us haste to the schoolroom away, Nor tarry a moment of time on the way, For when lessons are learn'd and our tasks are all done, We may sport on the green till the set of the sun., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Reward of merit
Contains central vignette, including a portrait of George Washington, and ornamental side borders. Vignette depicts a female figure and a cherub flanking the portrait near a rose bush and elevated on a tuft of ground. The cherub lays a rose garland across the top of the portrait. Grape vines comprise the borders., Presented to Mr. Charles Nash. By A. B. Sanford, Instructor., Manuscript note on verso: Presented to Charles B. Nash Esq. By Miss Amillie B. Sanford. [Illegible ] of Hamilton, Madison County, New York State., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Rex Avenue Bridge postcards.
Depicts the Rex Avenue stone bridge spanning Wissahickon Creek above the Indian Rock Hotel. Also includes the statue of Tedyuscung (1700-1763) on Indian Rock, the chief of a tribe whose lands covered the Wissahickon., Divided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Rhode Island State Building.
View showing the front of the state building designed by T.J. Gold and William R. Walker. A group of men and women sit on the front porch of the building. A wooden fence is visible behind the property. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Manuscript note on verso: Laura C. Bumpus., White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Ridgway Building, Philadelphia]
View from Broad Street of west front of Greek-Revival building constructed 1873-1878 by Addison Hutton near Christian Street for the Library Company of Philadelphia. Shows a man standing on a landscaped lawn enclosed by an iron fence in the foreground. Library built on the million dollar bequest of Dr. James Rush on the condition that he would choose the site of the library. Named in honor of Dr. Rush's wife, Phoebe Ann Ridgway Rush., Title supplied by cataloger. Incorrect title inscribed in negative: Girard College, Phila., Photographer's imprint on mount., Label pasted on verso includes paragraph describing history of Girard College., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Right Revd. Francis Xavier Gartland. First Bishop of Savannah Ga.
Three-quarter length portrait showing the Dublin-born bishop and former Philadelphia vicar-general, attired in his robes and vestments, and seated. He holds the Bible in one hand. The back of his ornate chair is partially visible. Gartland served as bishop of Savannah 1850-1854., Inscribed lower right corner: 141., Contains clerical seal "Episcopus Savannensis" below the image., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Boell operated from 311 Walnut Street from 1860 to 1865.
Right Revd. Francis Xavier Gartland. First Bishop of Savannah Ga. [graphic].
Three-quarter length portrait showing the Dublin-born bishop and former Philadelphia vicar-general, attired in his robes and vestments, and seated. He holds the Bible in one hand. The back of his ornate chair is partially visible. Gartland served as bishop of Savannah 1850-1854., Inscribed lower right corner: 141., Contains clerical seal "Episcopus Savannensis" below the image., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Boell operated from 311 Walnut Street from 1860 to 1865.
Ring, Grandpa, ring! Independence Hall, Philadelphia, Pa., U.S.A.
Rooftop view looking west showing the bell tower and rooftop of the State House constructed 1732-1748 after designs by Andrew Hamilton and Edmund Woolley. Also shows Congress Hall (540-558 Chestnut) built 1787-89 and the Public Ledger building (600-606 Chestnut) built 1866-67 after designs by John McArthur, Jr. Includes smokestacks and rooflines of buildings in the distance and pedestrian and vehicle traffic on Chestnut Street., Title printed on mount., Photographer's imprint printed on verso., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
Rinkermink (Cobb) Creek, Mount Moriah Cemetery.
View of leafy branches from trees and bushes on the creek's banks extending over the water. Mount Moriah Cemetery is divided by Cobbs Creek, the boundry between Philadelphia and Delaware Counties., Distributor's stamp on verso: William Y. McAllister, Phila., Jun. 27, 1868., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1868.
Rinkermink (Cobb) Creek, Mount Moriah Cemetery.
Landscape view showing two men, one standing and one squatting, in a creek. Leafy branches from trees and bushes on the creek's banks extend over the water. A bridge is visible in the background. Mount Moriah Cemetery is divided by Cobbs Creek, the boundry between Philadelphia and Delaware Counties., Title from printed label pasted on verso., Publisher's printed label pasted on verso., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Ripka & Co. artists' and wax flower materials, ebony and velvet frames, 146 S. Eighth St., Philadelphia.
Illustrated trade card depicting three birds surrounding a cherub sitting in the grass and playing a pan flute. Ripka & Co. was operated by John C. Ripka., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Rising mist after rain. Juniata River.
Landscape view showing a man standing on railroad tracks running parallel to the Juniata River. Also shows mountains in the distance., Attributed to John Moran., Title from manuscript note on verso., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Rising Sun Stove Polish by Morse Bros. trade cards]
Series of illustrated trade cards depicting two cause and effect scenarios entitled "The story of a foolish man" and "The story of a wise man". In the four panels of "The story of a foolish man," a businessman buys an imitation stove polish from an "unprincipaled dealer" and as a result, suffers a cranky maid, dirty stove and late meals, which forces him to lose money and business. In the four panels of "The story of a wise man," a businessman purchases Rising Sun Stove Polish from a "respectable store" and as a result, enjoys a happy home, which allows him to tend to his business and eventually become a wealthy and well-respected Congressman. One print [1975.F.722] also depicts a package of Rising Sun Stove Polish on the verso and the other [1975.F.725] includes a bird's eye view of Morse Bros. manufactory in Canton, Massachusetts., Title supplied by cataloger., Advertising text printed on versos promotes Rising Sun Stove Polish created by Morse Bros. of Canton, Massachusetts. Cautions viewer to avoid imitations., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
The Rittenhouse Hotel postcards.
Exterior views looking northwest of hotel building constructed in 1893 after designs by Angus S. Wade. Note St. James Protestant Episcopal Church in the background., Contains 1 postcard printed in color and 1 printed in black and white., Sheet numbers: 117A05 and 117B02B., Divided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Rittenhouse Square fountain.
Views depict an ornate drinking fountain adorned by a column with sea horses and the bearded face of Neptune surmounted by a classical male figure balancing his body with one foot. Also shows a detail of an open iron gate., Title in manuscript notes on mount of P.9299.117 and verso of P.9299.116., Photographer's imprint printed on mounts., Stamped on versos: Copyrighted Kiralfy Bros., Philadelphia, 1876., Pink curved mounts with rounded corners., One item, P.9299.117, reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 118., Arcadia caption text: Donated in 1872 to the Philadelphia Fountain Society by prominent Philadelphia civil engineer and art collector J. Gillingham Fell, the ornate fountain at the northwest corner of Rittenhouse Square (at Walnut and Rittenhouse streets) mirrored the wealth of nearby residents. Although beautiful, the fountains contained faulty plumbing, which caused muddy conditions intolerable to visitors, and the structures were removed by the early 1880s., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
Rittenhouse Square postcards.
Contains images of Rittenhouse Square and buildings that line the periphery, such as Holy Trinity Church, Rittenhouse Plaza Apartments and The Wellington. Also includes a drawing of children playing in Rittenhouse Square and an advertisement for the annual Arts Festival held in the Square., Contains 5 postcards printed in color and 1 printed in black and white. Also includes 1 linen postcard., Known as the Southwest Square, until 1825 when it was renamed in honor of astronomer and Philadelphia native David Rittenhouse., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Ritz-Carlton Hotel, Philadelphia.
Exterior view looking southeast at the Broad Street front. Built in 1912 and expanded in 1914. Commissioned by the Widener family., Divided back., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Ritz Carlton Hotel postcards.
Contains images of the Ritz Carlton Hotel commissioned by the Widener family. Built in 1912 and expanded in 1914. Depicts exterior views of the hotel looking east and southeast. Also includes interior views of the French restaurant, palm court and writing room in the hotel., Contains 3 postcards printed in color and 5 printed in black and white., Sheet numbers: 117A06, 117B03A and 117B03B., Divided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
River Drive, east park.
Landscape view looking north at the winding dirt road flanked by steep, jagged rocks and trees on the east and the Schuylkill River on the west., Written on negative: 1008, Title from manuscript note on mount., Photographer's imprint mostly obscured by photograph pasted on mount., Stamped on verso: Copyrighted Kiralfy Bros., Philadelphia, 1876., Pink curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
River Road and park carriage, Phila. park.
View showing a horse-drawn coach with two male passengers parked on River Road in Fairmount Park. Also shows a tree-lined sidewalk running parallel to the road., Title from label pasted on verso., Photographer's imprint on label pasted on verso., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
River Road at Fairmount Park.
View of River Road running parallel to the Schuylkill River. Shows a gazebo in the distance, along with a dwelling on the opposite bank., Title from photographer's label pasted on verso., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1869.
River Road at Fairmount Park. Phil. Pa.
Landscape view of River Road running parallel to the Schuylkill River. Shows a pavilion in the distance, along with dwellings on the opposite bank., Title and series number on negative., Orange mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
River scene.
View showing the Schuylkill River near the terrace of the new mill house at the Fairmount Water Works. Also shows a decorative urn near an ornamental railing in the foreground and the Philadelphia Girls' Rowing Club boathouse (built in 1860 after designs by James C. Sidney) lining the riverbank in the far right background. The waterworks, originally built between 1812 and 1822, were expanded in 1862 to include a new mill house built after the designs of Philadelphia engineer Henry P.M. Birkinbine., Photographer's imprint printed on mount., Title from manuscript note on verso., Yellow mount with rounded corners., Description of "Fairmount Park and Water Works, Philadelphia" printed on verso., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
River scene from Girard Avenue.
River view looking through an arch of the Old Girard Avenue Bridge spanning the Schuylkill River in Fairmount Park. The bridge, completed in 1855, was razed circa 1871 and replaced. Shows cliffs near the riverbank., Title from manuscript note on mount., Yellow mount with rounded corners., Photographer's imprint printed on mount., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
River scene upper east park.
View showing the Schuylkill River from a small recess shaded by trees on the east bank. Includes rocks and an empty barrel floating in the water in the foreground, a docked rowboat, and a building on the west bank in the background., Title from manuscript note on verso., Photographer's imprint in red text on mount., Explicative paragraph of text providing brief history of Fairmount Park entitled, "Fairmount Park and Water Works, Philadelphia" printed on verso. Text surmounted by vignette of state seal of Pennsylvania and surrounded by decorative border., Manuscript note on verso: Stuart., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
R.L. Shute, 695 Broadway, below 4th St., west side, New York.
Illustrated trade card depicting a spray of flowers., Advertising text printed on verso: Fancy goods, chromos, vases, picture frames, swiss carvings, gold pens, fans, stationery, etc. Wedding & visiting card engraving. The following at wholesale and retail: decalcomanie, gilt and velvet frames, passe-partouts, colors, gold bronze, brushes, wax flower materials, envelopes, and diaphanie. Varnish to preserve natural leaves. 695 Broadway, New York., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Robert Barker & Co. Manufacturers and wholesale druggists. Selling agents for Barker's H&C Powder & N&B Liniment. 135 Arch Street.
Billhead of the Philadelphia druggist containing block lettering and pictorial details, including a frame-like ornament, filigree, and flourishes. Ornament overprinted with text reading "Barker's Sarsaparilla. Barker's Pills. Moore's Syrup Tar. Mein's Syrup Blackberry. Ffirst National White Lead and Colors. Barker's Flavoring Extracts., Completed in manuscript to J. F. Wagernhuss (i.e., Wagonhurst) on December 31, 1895 for several items, including fenugreek and salt petre, for $22.27., Stamped on recto: 30 days, Less 1 per cent. Discount in 10 days., Inscribed on recto: Paid 1/31/96., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Robert Moderwell's transportation line for Philadelphia and Lancaster, warehouse fronting on North Queen Street and the Penna. Rail Road, Lancaster.
Bill of lading containing a vignette showing a locomotive pulling a string of rail cars loaded with crates, barrels, and sacks. Moderwell established his freight business circa 1835., Completed in manuscript for Elizabeth Furnace shipping "3 tons Pig Iron subject to order of James Moore, Greenwood Forge for R. Moderwell," dated Jul 10, 1849 and signed by Daniel Sugm., Printed on verso: Always On Hand and For Sale, At The Lowest Market Prices, Fish, Salt, Plaster, Coal, Hops, Tar, Empty Hogsheads & Barrels, &c., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Robert Reid, machinist, 42, 44 & 46 E. Canal Street, below Front, Philadelphia, Pa.
Robert Reid relocated his machinist shop to 71 East Laurel Street in 1886., Manuscript note written diagonally across recto: Removed to 71 East Laurel St., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized., Craig, Finley & Co., the partnership between William Craig, James G. Finley and James Ferguson, Jr., relocated to 1018/1020 Arch Street in 1875.
[Roberts' Mill, Germantown, Philadelphia]
View of the first grist mill in Philadelphia built in 1683 by Richard Townsend in Germantown at Church Lane and Wingohocking Street. Named for its early 19th-century owner, Hugh Roberts, the mill was razed in 1873. Shows the wheelhouse, waterfall, and stone wall of the mill. Five boys and men sit on the wall., Title supplied by cataloguer., Photographer's imprint printed on mount., Publisher's imprint printed on verso., Printed on mount: No. 4., Pink mount with rounded corners., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Newell and Son, a partnership between Robert and his son Henry, was active from around 1870 until 1897 and the death of the elder Newell.
Roberts' Old Mill, Germantown, Philadelphia.
View of old grist mill showing wheelhouse, built by Richard Townsend in 1683 on Mill Street (Church Lane) and Wingohocking Street. Considered the oldest mill in Pennsylvania. Later it was known as Lukens Mill and then Roberts Mill after its 19th century owner, Hugh Roberts. Demolished circa 1873., Photographed circa 1870 by Robert Newell., Undivided back. Dated 3/15/1910 in manuscript note on verso., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Roberts' old mill postcards.
View of old grist mill showing wheelhouse and waterfall, built by Richard Townsend in 1683 on Mill Street (Church Lane) and Wingohocking Street. Considered the oldest mill in Pennsylvania. Later it was known as Lukens Mill and then Roberts Mill after its 19th century owner, Hugh Roberts. Demolished circa 1873., Sheet number: 100B10., Undivided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Rockland Mansion.
Detail of dwelling built ca. 1810, showing side elevation of house covered in branches and the front porch. Sold to Isaac Cooper Jones, another merchant, in 1815. Jones' family owned it until it was sold to Fairmount Park in 1870., Title printed on mount below image., Yellow mount with rounded corners., Retrospective conversion record: original entry, edited., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of F.J. Dallet.
[Rockland Street near York Road.]
Depicts row homes on Rockland Street near York Road in the Logan section of Philadelphia., Sheet number: 156B10., Real photo. Divided back. Post marked 1909., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The Rodin Museum.
Depicts the front facade of the Rodin Museum built 1926-1928 after designs by Paul Philippe Cret. Includes the statue "The Thinker" by Rodin in the foreground., Undivided back., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Rodin Museum postcards.
Depicts the Rodin Museum built 1926-1928 by Paul Philippe Cret. Includes a detail of the statue "The Thinker" by Rodin., Contains 2 postcards printed in black and white and 1 linen postcard., Sheet numbers: 27B09 and 27L02., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Rolling cigarette.
Illustrated trade card for W. Duke Sons & Co., a manufacturing branch of the American Tobacco Co., depicting a female bicycle and trick rider performing in costume. She rolls a cigarette and sits on a penny-farthing or high wheeled bicycle. Also includes a small vignette of a bicycle on verso., Advertising text printed on verso promotes "Honest long cut, the best smoking and chewing tobacco.", One of twenty-five cards included with tobacco packages and issued as one of a series by the American Tobacco Co., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler., Digitized.
Roman Catholic High School, Philadelphia, Pa.
Exterior view of school built 1886-1890 by Edwin Forrest Durang., The first free non public school in the United States., Sheet number: 153A04., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Romantic Park, High Bridge, G.W. Riley, proprietor. Music day & evening. Boats to let. Refreshments, &c.
Illustrated trade card depicting a woman's hand holding flowers., Advertising text printed on verso: Visitors should not [?] Delightful park [?] It is the easiest approach to the [?] bridge, Sheddler's Hotel, the [?] from which a view of the country around, for 30 miles, can be [?] Most beautiful pavilion on the river. Special accommodations for private parties at reasonable rates., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
[Rooftop view from New York University on Washington Square looking northeast toward Grace Church, New York]
Includes two men seated on rooftop in foreground and church tower in background., Photographer's imprint stamped on mount., Pale yellow paper mount with square corners., Title supplied by cataloguer., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.

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