Pages

"Solitude," from the bear pits.
View of the grounds of the Philadelphia zoo including "Solitude" home of John Penn, built 1784-5., Title from manuscript note on verso., Yellow mount with rounded corners., Stamped on verso: surplus duplicate from the Library of Congress, Division of Prints., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
"Solitude," (Penn Villa.)
Exterior view of Solitude, home built 1784-5 for John Penn, grandson of William Penn. Located on the grounds of the Philadelphia zoo, W. Girard Ave. and North 34th Street., Title from printed label on verso., Yellow mount with rounded corners., Publisher's and photographer's imprints, series title and copyright statement printed in red on mount., A brief advertisement for the zoo printed on verso., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Sooy's trade cards]
Series of illustrated trade cards depicting sprays of flowers; a man smelling flowers while his female companion lies on her stomach in the grass nearby; a hunting scene labeled "Autumn" showing a dog and two boys walking, one of them with a rifle slung carelessly over his shoulder, which has just discharged and knocked the hat off of the boy behind him; and Santa Claus approaching a chimney with a sack of toys on his back. His reindeers and sleigh wait for him on the rooftops overlooking the skyline of the city., Title supplied by cataloger., One print [1975.F.827] contains trimmed "List of Streets of Philadelphia, North and South of Market St." printed on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Souderton.
Cityscape view showing a barn in the foreground and a long row of dwellings in Souderton, Pennsylvania. Souderton was incorporated in 1887., Title on negative., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
South Broad Street postcards.
Contains views mostly of South Broad Street looking north, with City Hall in the distance. Very few of the images depict South Broad Street looking south from City Hall. Several images document buildings on Broad Street north of Spruce Street including the Stenton Hotel; the Hotel Walton (233-247 South Broad Street); the Ritz Carlton Hotel (201 South Broad Street); the Bellevue Stratford Hotel (200-216 South Broad Street) and the Academy of Music (232-246 South Broad Street). Also includes buildings on South Broad Street closer to City Hall, including the West End Trust Company (1400 South Penn Square); the Girard Trust (34-36 South Broad Street), the Land Title Building (100-118 South Broad Street) and the Real Estate Trust Company (101-113 South Broad Street)., Contains 43 postcards printed in color and 23 printed in black and white., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
South Ferry Hotel. Kaighn Point, New Jersey. [graphic] : A. Haines / Boerum, s.c.
Tradecard containing a view of the busy summer resort hotel on Front Street and Kaighn Avenue in Camden, N.J. Guests crowd the porch, convene in the street, and stroll toward the building past parked horse drawn-carriages. The hotel was originally built in 1770 as the residence of Joseph Kaighn.
South from the River Road.
Views show the Schuylkill River from River Road., Title on versos in manuscript note on copy 8353.F.13 and from printed label pasted on copy P.8923.2., Photographer's imprint in red text on mounts., Explicative paragraph of text providing brief history of Fairmount Park entitled, "Fairmount Park and Water Works, Philadelphia" printed on verso of P.8923.2. Text surmounted by vignette of state seal of Pennsylvania and surrounded by decorative border., Yellow mounts with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[South side of Gordon Street west of 30th Street.]
Depicts a partial view of the Glenwood School at the northwest corner of 30th and Gordon Streets. Includes views of row homes west of the school on Gordon Street and a partial view of a corner store at the southwest corner., Sheet number: 156B10., Real photo. Undivided back. Post marked 1912., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
South Street Hospital, 24th and South streets, Philadelphia.
Interior view of the Civil War hospital. Shows convalescing soldiers, seated, in opposite rows, along the walls of a ward. A few men, possibly hospital attendants, stand among the patients. South Street Hospital was also known as "stump hospital" given the large number of amputations performed at the facility., Title from manuscript note on mount: Hospital 24th & South., White mount with square corners., Created postfreeze., Originally part of McAllister scrapbooks of materials of Civil War Views, Places & Events., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 53., Arcadia caption text: Recuperating soldiers are seated in opposite rows lining the walls of a ward in the South Street Hospital. Located at Twenty-fourth and South streets, this Civil War hospital was sometimes referred to as “stump hospital” because of the large number of amputations performed there., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Southeast corner of 52nd Street and Hazel Avenue.]
Depicts row homes along the south side of Hazel Street near 52nd Street., Numbered 38 on recto., Sheet number: 156B06., Real photo. Divided back., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Southern Manual Training School postcards.
Exterior views of school at South Broad and Jackson Streets, viewed from Broad and Snyder Avenue in these images. Built in 1907 after designs by Lloyd Titus. Became South Philadelphia High School in 1915., Numbered 2327 on recto., Published in Robert Morris Skaler's Philadelphia's Broad Street South and North, (Portsmouth, NH: Arcadia Publishing, 2003), p. 11., Sheet number: 153A05., Divided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Southwest corner West 3rd Street and Market Square, Williamsport, Pa.]
View showing the southwest corner of Market Square in downtown Williamsport, Pa. Businesses include Philadelphia & Erie railroad ticket office with John A. Vanderslice, agent; S.M. Beck & Co., hardware store; W.M. Harrison & Co., stationery and wallpaper store; and a piano forte warehouse. Ticket office covered in signage. Also shows several men standing near a lamp post adorned with advertisements in front of the ticket office; farm implements on display in front of the hardware store; and a blanketed horse standing in front of the stationery store., Buff mount with rounded corners., Manuscript note on verso: S.W. corner W. 3rd and Market Square., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Southwick's own kid gloves every pair warranted. 2 but. $.89, 3 but. $1.05, 4 but. $1.19, 6 but. $1.59. If you try a pair you will buy more. Southwick's combination store, cor, 11th and Chestnut Sts., Philadelphia.
Illustrated trade card and bookmark depicting a woman seated within a flowerbed of oversized flowers and holding out a bunch of flowers to the viewer., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
p. 4
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Souvenir de L'Exposition Universelle 1878
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Souvenir de L'Exposition Universelle 1878
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Souvenir de L'Exposition Universelle 1878
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Souvenir de L'Exposition Universelle 1878
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Souvenir de L'Exposition Universelle 1878
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Souvenir de L'Exposition Universelle 1878
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Souvenir de L'Exposition Universelle 1878
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Souvenir de L'Exposition Universelle 1878
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Souvenir de L'Exposition Universelle 1878
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
p. 2
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
p. 1
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
p. 3
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Cover
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Souvenir of Erie Avenue M.E. Church. Jubilee occasion, February, 1907.
Exterior view of church at the intersection of West Erie Avenue, Rising Sun Avenue and North Seventh Street., Sheet number: 50B02B., Undivided back. Portrait of Rev. J.C. Petre on verso., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Souvenir. Stockton Hotel. Chas. Duffy, manager. Sunday eve'ng concert, by Simon Hassler's orchestra, August First, 1880.
Illustrated trade card depicting a bird perched on the branch of a flowering tree. The seaside hotel opened in 1869 on the entire block between Howard and Gurney streets and Columbia Avenue and the Atlantic Ocean. The hotel, destroyed in the great fire of 1878, was rebuilt, and destroyed again by fire in 1889., Copyrighted 1878 by Wemple & Kronheim N.Y., Programme for the Sunday evening concert on August 1, 1880 by Simon Hassler's celebrated orchestra at the Stockton Hotel printed on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Sparrow Jack House postcards.
Exterior views of house built circa 1770., Contains 2 postcards printed in color and 4 printed in black and white., John Bardsley lived here in the 1870s. Bardsley brought the English sparrow to Germantown to fight the caterpillars which were infesting local trees., Also identified as the Bardsley House., Sheet numbers: 102A11 and 102B14., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Specialties in curtains and furniture , Walraven, 1105 Chestnut Street.
Illustrated trade card depicting boats and sailing vessels on a rough, choppy sea., Advertising text printed on verso promotes I.E. Walraven's "spring novelties" and "imported goods"., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
[Specimens album]
Scrapbook of print specimens and proofs probably compiled by a printer associated with the Philadelphia lithographic firm Stein & Jones. Contains book and periodical plates and illustrations; sheet music covers; proof prints; collecting cards; trade cards (several glossed); bank notes, checks, billheads, and receipts; certificates; advertising calendars; and chromolithographed labels and scraps. Majority of contents include several plates from Thomas Allom's "China: In a Series of Views,..." (London, 1860), Albert Barnes's "Scenes and Incidents in the Life of the Apostle Paul" (Philadelphia, 1869), John Fleetwood's "The life of Our Blessed Lord and Saviour Jesus Christ" (Philadelphia, 1871) and Daniel March's "Our Father's House , or The Unwritten Word" (Philadelphia, 1871); illustrations and plates depicting genre, religious, sentimental, historical, natural history, scientific, and scenic views from children and gift books, and periodicals, including "Leila in England" and "Leila at Home" (Philadelphia: Porter & Coates, 1875-1880), "Peterson's Magazine" (plates engraved by Illman Brothers), "Ladies Companion," "Graham's Magazine," "Odd Fellow's Casket," "Transactions and Proceedings of American Entomological Society" and "Annals Lyceum of Natural History"; and several works printed by Stein & Jones and Cincinnati lithographers Klauprech & Menzel and Ehrgott & Fobriger, including trade cards, labels, tickets, invitations, certificates, receipts, checks, bank notes, sheet music covers, advertisements, and book illustrations., Bank notes, receipts, checks, and certificates document primarily Philadelphia and New York bank, coal, oil, steel, and real estate businesses, including Bank of Fashion, Belmont Petroleum Refinery, and Union College Bank. Trade cards, tickets, invitations, and labels represent primarily Philadelphia, Pittsburgh, New York, Cincinnati and Chicago businesses and organizations, including printers and art supply dealers; perfume, patent medicine, wine, dry goods, and clothing dealers; doctors and dentists; bankers and brokers; and manufacturers. The materials contain patriotic, agricultural, and transportation vignettes, views of buildings, anaglyptography (i.e., medal engraving), allegorical figures, and Centennial Exhibition (1876) imagery. Sheet music covers, predominantly printed by Ehrgott & Fobriger, depict mainly genre and Civil War scenes, portraiture, including images of entertainers, and advertisements such as "Sewing Machine Polka." Work by the Cincinnati lithographers also include several book illustrations depicting Ohio and Cincinnati asylums, institutes, seminaries, and landmarks, as well as uncut sheets of views of cemetery monuments for "The Cincinnati Cemetery of Spring Grove..." (Cincinnati, 1862). Several of the ephemera also printed by Grattan & Co., Theodore Leonhardt, and Wm. F. Murphy & Sons., Scrapbook also contains 1860s Berlin wool work patterns ("Peterson’s Ladies National Magazine"); ornate border print specimens, some with cut-out overlays; proofs and final states of textile, fruit, liquor, druggist labels, and tobacco labels printed predominantly by Stern, Jonas & Co. and Steng & Paxson and depicting romantic, patriotic, and mystical themes, including "I Am Free" logo illustrated with an African American man ; European prints, including plates from Bernard-Romain Julien "Cours Elementaire," and issued by German publisher A.H. Payne (some hand-colored); ca. 1855 Bowen & Co. plates of birds from "United States Pacific Rail Road Expedition and Survey"; color printed and numbered proof lithographs depicting Mo-Hon-Go; Shar- I-Tar-Ish; Se-Quo-Yah after plates in McKenney & Hall's "History of the Indian Tribes of North America"; Philadelphia Sketch Club signage; portraits of Catholic bishops, celebrity and political figures, and lithographers Rudolph Stein and Alfred Jones; mechanical views printed by William Boell; job printing specimen vignettes depicting masonic, military, allegorical, and patriotic imagery, transportation views, women, entertainers, agriculture, buildings, animals, and machinery; collecting cards showing George and Martha Washington, Civil War generals, celebrities, including Lydia Thompson and Euphrosyne Parepa-Rosasea, wild life, Biblical animals, fashion, and satiric scenes; and chromolithographic scrap portraits of women., Stamped on spine: Specimens., Various artists, engravers, lithographers, and printers including Ackerman; John Alexander; Thomas Allom; William Boell; John T. Bowen,; Bowen & Co.; Byram & Slack; C. E. Wemple & Co.; Donaldson Brothers ; G. Dow; Ehrgott & Fobriger; Dominque Fabronius; Grattan & Co.; The Hatch Lith. Co.; Otto Knirsch; L. H. Bradford & Co.; Klauprech & Menzel; Theodore Leonhardt; London Printing and Publishing Company; McLaughlin Bros.; Antoine [Maurin?]; A.H. Payne; Prang & Co.; Rawdon, Wright & Hatch; William H. Rease; Sarony & Major; John Sartain; Samuel Sartain; R. Trembley; J. Shobe; Steng & Paxson; Stern, Jonas & Co.; A. B. Walter; and Wm. F. Murphy & Sons., Index of general subjects illustrated available at repository., Several items found loose in album removed and housed separately., Gift of Margaret Robinson, 1991., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Specimens Album Loose Prints
Title supplied by cataloger. Various printers, including Simeon Boerum; Ehrgott, Fobriger & Co.; Geo. S. Harris & Sons; J. Ottmann; and Wm. F. Murphy Sons. Originally part of Specimens Album [P.9349]. Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Specimens album loose prints collection]
[Specimens album loose prints collection]
Collection of loose prints from a specimen album probably compiled by a printer once associated with the Philadelphia lithographic firm Stein and Jones. Contains chromolithographic art supplements and advertising specimens; proof sheets; checks, bank notes billheads, and receipts; trade cards and labels; vignette specimens; proof sheets; and illustrations. Businesses and trades represented include banks, manufacturers, and the textile industry. Collection also includes a proof of a trade catalog for gas pipe fittings; job work, including an 1877 broadside for an "Assessor's Registry of Voters" of a Philadelphia ward; an advertising print for the Walnut Street House (Cincinnati, Oh.); and a sheet music cover containing a landscape view., Title supplied by cataloger., Various printers, including Simeon Boerum; Ehrgott, Fobriger & Co.; Geo. S. Harris & Sons; J. Ottmann; and Wm. F. Murphy Sons., Originally part of Specimens Album [P.9349]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Spinning room - Winding bobbins with woolen yarn for weaving, Philadelphia, Pa.
Depicts the back of a young female worker, wearing an apron, at work inside a large textile factory. She attends one of several rows of mechanized small and large bobbins., Copyrighted by Keystone View Company., Negative number printed on mount: 22128., Title printed on mount., Printed above image: 81., Grey curved mount., Contains a description of the weaving process and an instructional exercise on verso., Keystone View Company, stock publisher of stereographs of the late 19th and 20th century, started issuing educational stereoviews around 1898. In 1906, the first boxed set of 600 educational views with an accompanying guide book was issued., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Spring Garden Street entrance to East Fairmount Park, Philadelphia]
View showing the winding path with ornate iron railings at the Spring Garden Street entrance to East Fairmount Park., Title supplied by cataloger., Manuscript note on verso: Fairmount Phila., Publisher's printed label pasted on verso., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Springbrook, garden estate of George H. Stuart, Frankford Road]
Views of the garden and greenhouses on the forty acre estate of Stuart, a Philadelphia philanthropist. Shows a gravel path in the garden near the rear of a building; the interior of a greenhouse filled with potted plants; and the exterior of a greenhouse. Exterior views include a man possibly, Stuart; African American gardeners, including one with a wheelbarrow; and potted plants lining the edge of a lawn. Stuart bought the estate from Caleb Cope, a collector of botany, in 1857 and sold the property in 1866., Attributed to John Moran., Title supplied by cataloger., Pale yellow or cream paper mounts with square corners., Originally part of a McAllister scrapbook of views of Philadelphia. McAllister Collection, gift, 1886., For a description of the estate, see clipping in Poulson's scrapbook, vol 1, p. 73., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Springfield Church School.
A report card., Printed area measures 9.6 x 16.6 cm., Library Company copy completed for Milton Hess, whose academic grade point average was 3.9, who was present for 98 days out of 100, and who earned a 5 for conduct., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Springfield Water Supply Co. of Philadelphia advertisement postcards.
Advertisements depicting horse drawn Springfield Water Supply Company wagons. Springfield Water Supply Company established in 1897., Contains 2 postcards printed in color., Number 2524 printed on recto of one card., Sheet number: 40A09B, Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Divided backs., Postcards issued by the Springfield Water Supply Company, Philadelphia.
[St. Andrew's Church, Rev. Gregory Townsend Bedell tomb, 250-254 South Eighth Street, Philadelphia]
Shows the tomb of the first rector of the church in the church cemetery. Tomb adorned with sculpted ornamentations including an eternal flame., Title supplied by cataloguer., White paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

Pages