Pages

View of Niagara Falls, New York and Ontario.
View of the falls in the distant background. Includes a tent labeled "photographic and stereoscopic views of the falls" sheltering a camera in the left foreground., Photographer's stamp pasted on verso., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
View of Philadelphia harbor, Philadelphia, Pa.
Harbor scene showing a steamboat departing from a pier on the Delaware River. Includes a partial view of a docked steamboat., Photographer's imprint stamped on mount., Buff mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
View of Philadelphia harbor, Philadelphia, Pa.
Harbor scene showing a steamboat departing from a pier on the Delaware River. Includes a partial view of a docked steamboat., Photographer's imprint stamped on mount., Buff mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
[View of road in West Branch Valley, Schuylkill County, Pa.]
View of a winding dirt road in the mountains flanked by boulders, stacked rocks, and trees., Title supplied by cataloger., Photographer's imprint from label pasted on verso., Photographer's imprint printed on mount., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift from the heirs of Paul D.I. and Anna S. Maier: James H. Maier, Anthony M. Maier, Marianna M. Thomas, and Cynthia C. Maier., A.M. Allen, born in Deerfield, Mass., relocated to Pottsville, Pa. ca. 1852 and set up his studio at the southwest corner of West Market and North Centre Streets. He retired from the business in 1894.
[View of rocky hillside near railroad in Mill Creek Valley, Schuylkill County]
View of the rocky terrain adjacent to a railroad, most likely the Mill Creek Railroad, which extended from Port Carbon, Pa. up the valley of Mill Creek to the mines. A man stands near the tracks in the righthand edge of the image., Title supplied by cataloger., Photographer's imprint from label pasted on verso., Photographer's imprint printed on mount., Yellow mount with square corners., A.M. Allen, born in Deerfield, Mass., relocated to Pottsville, Pa. ca. 1852 and set up his studio at the southwest corner of West Market and North Centre Streets. He retired from the business in 1894., Cataloging of copy no. P.9844.20 funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift from the heirs of Paul D.I. and Anna S. Maier: James H. Maier, Anthony M. Maier, Marianna M. Thomas, and Cynthia C. Maier.
View of side of basin at Fairmount.
View showing the "Nymph with Bittern" statue at the east side of the forebay at the Fairmount Water Works on the Schuylkill River. The statue, sculpted in wood in 1809 by William Rush for the Centre Square Water Works, was installed at the basin in 1827. It was removed in 1872 when cast in bronze and relocated to the south garden at the waterworks. Also shows the standpipe on Reservoir Hill in the upper left corner of the image. The waterworks, originally constructed between 1812 and 1822, were altered and expanded until 1872., Publisher's imprint printed on mount., Title printed on mount., Orange mount with rounded corners., American scenery was a popular series of copy stereographs issued between 1874 and 1877., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
View of the high banks & bed of Genesee River
Landscape view showing a gorge through which the river flows., Title from label on negative., Unmounted half stereograph., Inscribed in negative: 135., Originally part of a McAllister scrapbook of views of New York., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
View of West Phila. from Fairmount.
Winter view looking from the Fairmount Waterworks toward West Philadelphia. Shows a building on the west bank of the Schuylkill River at the southern end of the Fairmount Locks. A covered canal lock is visible in the foreground, flanked on the east side by rocky terrain. In the background, dwellings and trees line the landscape. Building possibly the hotel inhabited and operated by Jeremiah King., Title and date from manuscript note on verso., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
View of wheel house, Fairmount.
View looking northeast from the west bank of the Schuylkill River showing the Fairmount Water Works. Shows the old engine house; old mill house; new mill house (completed 1862); and the observatory tower arch (built 1860) and stand pipe (built 1852) on Reservoir Hill. The waterworks, orginally built between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, were altered and expanded after the designs of Philadelphia engineers, Henry P.M. Birkinbine and Frederick Graff, Jr., Title from manuscript note on verso., Attributed to Robert Newell., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of David Doret.
View, on other side, of Washington's Headquarters, at Valley Forge, Pa. Sold for the benefit of the Valley Forge Memorial Chapel. One brick.
Illustrated trade card depicting pink roses and white daisies on recto and a wood engraving of Washington's Headquarter's at Valley Forge, Pennsylvania on verso. Includes a caption below the image: Built in 1770, owned by Isaac Potts, and occupied by George and Martha Washington from December 18th, 1777, to June 19th, 1778., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
View on Schuylkill
View looking south from Lemon Hill in East Fairmount Park. Shows the Fairmount Water Works on the Schuylkill River, including the old engine house; the old mill house; and the observatory arch, standpipe and pavilion on Reservoir Hill. View also includes a group of girls standing near a tree on the estate in the foreground. The waterworks, originally constructed between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, were altered and expanded after the designs of Philadelphia engineers, Henry P.M. Birkinbine and Frederick Graff, Jr., until 1872., Title from manuscript note on verso., Yellow mount with rounded corners., Retrospective conversion record: original entry, edited, Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
View on the Brandywine, near Wilmington, Del.
Faded view showing a bridge spanning the shallow creek. Includes large rocks in the foreground., Attributed to John Moran., Title from label pasted on mount., Distributor's label pasted on verso: McAllister & Brother, 728 Chestnut Street, Philadelphia., Buff mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
View on the Delaware, Philadelphia harbor.
Shows ships docked at piers with warehouse sheds near loading docks cluttered with crates and barrels., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
View on the Delaware, Philadelphia harbor.
Shows ships docked at piers with warehouse sheds near loading docks cluttered with crates and barrels., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
View on the Delaware, Philadelphia harbor.
Shows ships docked at piers with warehouse sheds holding lumber. Also shows men in rowboats in the distance., Photographer's imprint stamped on mount., Title printed on mount., Buff paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
View on the Delaware, Philadelphia harbor.
Shows ships docked at piers with warehouse sheds holding lumber. Also shows men in rowboats in the distance., Photographer's imprint stamped on mount., Title printed on mount., Buff paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
View on the line of the Pennsylvania Rail Road, Spruce Creek Tunnel.
View of a double set of tracks running along the Spruce Creek in Huntingdon County in Central Pennsylvania. The tracks run through a tunnel cut into a mountain in the background., Publisher's imprint on verso: Published by S.M. Morse, bookseller and stationer, dealer in pictures and picture frames, stereoscopes and views, 75 Main Street, Nashau, N.H., Label on verso printed by Miller & Best, 67 High St., Boston., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
View on the Schuylkill.
View looking north showing a steamboat near the steamboat landing on the Schuylkill River immediately north of the Fairmount Water Works. Also shows two steamboats on the river near the landing and George Popps' floating Park Boat House in the background near Boathouse Row., Title from manuscript note on mount., Photographer's imprint printed on mount., Stamped on verso: Copyrighted by Kiralfy Bros., Philadelphia, 1876., Pink mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
View on the Wissahickon.
Landscape view showing a calm, tree-lined creek., Title printed on mount., Publisher's imprint printed on mount., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
View on the Wissahickon.
Shows a man standing near a toll house at the bend of a road near the Wissahickon Creek., Title printed on mount., Date from manuscript note on mount., Yellow paper mount with square corners., Paper backing pasted on verso., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
View on the Wissahickon above toll house. [graphic] / Bartlett & Smith, photographers.
View showing a stretch of Lincoln Drive including Maple Spring Hotel, the roadhouse and picnic resort established around 1865. The hotel was known for proprietor Joseph Smith's prominently displayed hand-carved curios created from laurel root that he gathered along the Wissahickon Creek. The hotel fell into ruin following the loss of its liquor privileges and was razed in the late 19th century. A horse-drawn carriage travels down the wooded road., Title from accompanying label., Photographer's imprint embossed on accompanying label., Trimmed orange mount with square corners., Paper backing pasted on verso., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
View on the Wissahickon near Philadelphia.
Landscape view of calm, tree-lined creek., Title from manuscript note on verso., Attributed to Robert Newell., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
View on the Wissahickon near Philadelphia, Pa.
Landscape view depicts the calm waters of Wissahickon Creek flanked by trees and the dirt drive looking north toward Wissahickon Hall erected circa 1849 by Harry Lippen at Wissahickon Drive (i.e., Lincoln Drive) below Gypsy Lane. Shows stables facing the creek., Title from manuscript note on verso., Attributed to Robert Newell., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
View on the Wissahickon, Philada.
Landscape view showing a man standing on a wide, tree-lined dirt road running parallel to the Wissahickon Creek., Title from manuscript note on label pasted on verso., Publisher's imprint printed on label pasted on verso., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of F.J. Dallet.
View on the Wissihicken [sic] near Philla. [sic]
View showing a stretch of Lincoln Drive including Maple Spring Hotel, the roadhouse and picnic resort established around 1865. The hotel was known for proprietor Joseph Smith's prominently displayed hand-carved curios created from laurel root that he gathered along the Wissahickon Creek. The hotel fell into ruin following the loss of its liquor privileges and was razed in the late 19th century. A horse-drawn carriage travels down the wooded road., Yellow mount with rounded corners., Title from manuscript note on verso., Name of photographer from duplicate. (3)1322.F.137h., Gift of Ivan Noble., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Views at Chestnutwold, residence of C.H. Clark.
Album of 12 photographic views showing the West Philadelphia estate of Philadelphia banker and collector Clarence Howard Clark at 4200 Locust Street. Images depict the front gate to the residence, the residence, green house and garden, and pond with fountain. Also depicts members of Clark's family posed at the residence, on the grounds, in a goat carriage, and in a boat on the pond. Views also include an African American servant posed near an entrance, gardeners at the greenhouse, wooded areas, paths, and lawn chairs., Photographer's imprint from blind stamp on mounts., Title from brown morocco binding, plate on front cover., Bookplate of The Divinity School of the Protestant Episcopal Church pasted inside front cover. Typed Gift of Clarence Clark Zantzinger (1925)., Retrospective conversion record: original entry, edited., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., LCP AR [Annual Report] 1990, p. 54., Housed in phase box., Clarence Howard Clark, banker, book collector, philanthropist, horticulturalist, and prominent land developer of West Philadelphia resided in Chesnutwold from about the 1860s. The property was originally built by Samuel K. Hopkins Jr. for banker Nathaniel Borrodail Browne after 1851. Altered during the 1880s, including an addition, the estate grounds were open to the public by 1895 when Clark donated some of his other land holdings for an adjacent public park (i.e., Clark Park). Following Clark's death, Chestnutwold was presumed to be given to the city as a public park, but instead was purchased in 1917 by The Divinity School of the Protestant Episcopal Church. Clark was married to Amie Hampton Westcott (d. 1870) and later Marie Motley Davis with whom he had three sons, including Philadelphia mayor Joseph S. Clark.
Views at De Silverwood. Near Holmesburg, Pa.
Series of views of the estate in Northeast Philadelphia. Shows "The Piazza; "The Mansion"; "The Pond"; and "The Park." Images include posed individuals, including two seated women near a lounging bearded man in a turban and a horse-handler with a horse; potted plants and trees adorning the piazza; posed horse-drawn carriages; and a foot-bridge near the pond., Cream paper mounts with square corners., Four of images contain photographer's imprint and are accompanied by labels., Originally part of a McAllister scrapbook of Pennsylvania views & political miscellany., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Views from the Reading Railroad near Reading, Pa.
Views of the rocky landscape adjacent to railroad tracks near Reading, Pa., including the Lebanon Valley Railroad Bridge spanning the Schuylkill River. Includes a man standing in front of a steep, rocky hill and a horse-drawn coach resting near the river. The bridge, completed in 1857, was burned down during the Great Railroad Strike of 1877., Yellow cardboard mounts with rounded corners. Photographer's printed labels pasted on versos., Manuscript note on versos of P.8484.19 and P.8484.21: Bartlett & French; William C. Darrah coll., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1869.
Views in the garden of J.R. Evans.
Shows "The Fountain" and "The Walk" in the rear garden of the residence of gentleman Joseph R. Evans at 329 Pine Street in Society Hill. Views also include trellises, ornamental urns, and three young ladies and two gentlemen., Cream paper mounts with square corners., Photographer's imprint stamped on mount., Title from accompanying labels., Originally part of McAllister scrapbooks of views of Philadelphia and Pennsylvania views & political miscellany., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 23., Arcadia caption text: Many Center City rowhouse residents made use of their “postage stamp” yards to create small private gardens hidden from view from the street. Behind his residence at 329 Pine Street, Joseph R. Evans took advantage of a double back lot to create a fenced garden complete with walkways, trellises, statuary, urns, and a large ornamental fountain. These two views from the early 1860s document the elaborate design and landscaping of his garden., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Views of a U.S. Army Hospital Department No. 9 ambulance in a lumber yard, probably in Washington, D.C
Series of views showing the two-wheeled Finley ambulance wagon displayed in front of a draped pile of lumber; while attended by an ambulance driver and occupied by men posed as casualties; and parked with closed flaps near medics carrying a stretcher between one of the "causalities" on a flat gurney and a second one on a folded bed. Also shows piles of exposed lumber and nearby buildings in the background., One of images [ 5779.F.17c] accompanied by label with manuscript note: U.S. Army Ambulance., Created postfreeze., Originally part of McAllister scrapbooks of materials related to the Cooper Shop and Union Volunteer Saloons and Hospitals and Civil War views., Contains four stereographic prints on yellow mounts with square corners, 3 unmounted halves of stereographic prints and one half of a stereographic print on a white mount., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Views of a wedding ceremony.
Series of titled wedding photographs include "Kissing the bride," "The wedding march," and "The blessing". Images depict a bride and groom with a bridal party in a room full of plants and shows the groom leaning in to kiss the bride; the entire group posing for the photographer; and everyone kneeling and praying in a circle., Copyrighted 1897 on negative by William H. Rau., Additional places of publication printed on mount, including Chicago; London; Hamburg, Ger.; and Milan, Italy., Title supplied by cataloger., Photographer's imprint printed on mount., Distributor's imprint printed on mount., Buff curved mount with rounded corners., Griffith & Griffith, established in Philadelphia in 1896, expanded in 1908 to included offices in St. Louis and Liverpool. The non-Philadelphia offices were relocated in 1910., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Views of Ashwood, Gulph Mills, and other sites in Delaware County and surrounding counties in Pennsylvania
Album containing 24 photographs showing landscape views of Delaware County and portraiture of family and acquaintances. Images include exterior and interior views of the Leaming family estate Ashwood near Villanova and views of Conshohocken, Darby Creek near Lewis Mill, Valley Forge, Gulph and Morris mills and dams, Hammer Hollow, and farmland in Cream and Pleasant valleys. Also contains an image of Radnor Meeting House and a photographic reproduction of a cloud filled sky captioned "Sic Itur ad Astra" (i.e., thus you shall go the stars). Many of the views include Leaming's wife and children and others posed in parlors; with animals; on bridges and dirt paths; at brooks, creeks, spring houses, and barns; and in modes of transportion, including canoes and horse-drawn vehicles. Other portrait sitters include Alice Bourda and children Ernie Law, Tommy Gaffney, Henny Lewis, and Og Hoffman., Wooden binding., Title supplied by cataloger., Captions by Robert Waln Leaming on the recto and verso of the album pages., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See LCP AR [Annual Report] 1999, p. 45-46., Gift of Mrs. Clifford Lewis III., Housed in phase box., Robert Waln Leaming, grandson of China Trade merchant Robert Waln (1765-1836), was a merchant by trade who also painted and practiced photography. He was married to Julia Scott, descended from the royal Scotts of Ancrum, with whom he had four children Rebecca, i.e., Reb (1850-1911); Mary, i.e., Mame (1851-1911); Julia, i.e., Duly (1854-1913), and Thomas (1856-1911). Leaming was also an active member of the Photographic Society of Philadelphia. His residence Ashwood, not to be confused with the Penn-Gaskell/DeCosta property of the same name (208 Ashwood Road, Villanova), was razed in the late 19th century.
Views of Brandywine Creek, Delaware.
Views of Brandywine Creek in Delaware, showing men, women and children sitting on rocks near the banks of the creek, in canoes, and near a mill race. Includes sunset views, rocky glens, tangles of bare trees, and a partial view of a mill building., Contains seven stereographic prints mounted on yellow cardboard mounts, five of which have square corners, two rounded corners. All contain photographer's printed labels pasted on versos., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1869.
Views of Catawissa Creek.
Views of men steadying or rowing canoes on the tree-lined creek near Stranger Hollow and Catawissa Island. Catawissa Creek is a tributary of the North Branch Susquehanna River in east central Pennsylvania., Yellow cardboard mounts, three with square corners, two with rounded corners. Photographer's printed labels pasted on versos. Includes one hand-colored stereograph (P.8484.6)., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1869.
Views of Chatham Island, South Pacific during United States Transit of Venus expedition.
Series of expedition views from photographer William H. Rau's Transit of Venus expedition to Chatham Island in December 1874 depict crude wooden structures in a rural landscape., Title supplied by cataloger., Photographer's imprint on mounts., Orange mounts with rounded corners., Manuscript note on verso of item P.9517.1: "Rear view of one observatory", Manuscript note on verso of item P.9517.2: "Cabin built by the wrecked crew of the American whaler "Alabama" 1868"., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Philadelphia photographer William H. Rau was included in one of eight observation parties sponsored by the United States government to gather information about the December 8, 1874 Transit of Venus. His party travelled to the Chatham Islands, an archipelago off the coast of New Zealand, to view the astronomical phenomenon, but inclement weather there prevented Rau from collecting decent images of the event.
Views of construction of New City Building, Philadelphia, John McArthur, Jr., architect.
Progress photographs of the early construction of City Hall built 1871-1901 on Penn Square after the designs of John McArthur, Jr. Photographs show different stages of the construction of the foundation and lower floor of the building between 1873 and 1875. Includes images of the dirt sub-basement; construction materials, equipment, and workers; and partially completed walls and abutments. Several of the views include scaffolding; horse-drawn carts; pulleys; piles of construction debris; and workers and well-dressed men, probably the commissioners, reviewing and posed on or near constructed parts of the building and construction materials. Views also show surrounding cityscape, including the west and south elevations of Masonic Temple (Broad and Filbert); the Pennsylvania Railroad freight depot (13th and Market); the towers of the gothic-style St. John the Evangelist Church (23-25 South 13th); West Penn Square Academy (s.w. corner of Market and Merrick); the spire of the Arch Street Methodist Episcopal Church (s.w. corner Broad and Arch); La Salle College High School (n.e. corner Broad and Filbert); and dwellings facing Penn Square. Also shows broadsides posted to the fence surrounding the construction site advertising Pugh & Creauthers furniture manufacturers and dealers (228 So. 2nd St.); Fox's New American Theatre; Arion Pianos (1308 Chestnut); and Secor Sewing Machines (Eighth and Walnut)., Six are from the Views of construction in sub-basement series and eight are from the Views of construction series., Series titled "Views of construction in sub-basement" (P.9840.3-7) copyrighted 1873 by James Cremer., Photographer's imprint on mounts., Dates on versos., Printed text on versos list names of architects and the Board of Commissioners., Yellow mounts with rounded corners., See also albums - Cremer [(1)23455.D and (2)23455.D], Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., From 1873 to 1875, Cremer documented the construction of Philadelphia's City Hall in a series of stereographs produced for the Commissioner for the Erection of the Public Building.
Views of Fairmount Park Philadelphia 1866
Album of photographs of aerial and landscape views taken in the park during the Centennial Exhibition of 1876, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art. Photographs predominately depict views from observation towers at George's Hill and Lemon Hill. Images show the Centennial Exhibition grounds, including the buildings, monuments, ponds, 24th Ward Reservoir, and Centennial Station and tracks of the Philadelphia & Reading Railroad; Fairmount Water Works; Girard College and surrounding neighborhood, including Brewerytown; the breweries of H. J. Walter (North Thirty-third and Thompson streets), Bergner & Engel (3200 block Thompson Street), F. A. Poth (North Thirty-first and Jefferson streets) and Bergdoll & Psotta (Twenty-ninth and Parish streets, built 1875); boat houses and landings near the waterworks; bridges, including the Wire Suspension Bridge at Fairmount, Girard Avenue Bridge, and New York Connecting Railroad Bridge; and cityscape. Also contains views of Wissahickon Creek and Fairmount Park, including Belmont Pumping Station, fountains, landscaped gardens, and the observation tower at George's Hill; the Lincoln and Humboldt monuments; signage on the Centennial pavilions; and park visitors., Title from black morocco binding, stamped front cover. Stamped with incorrect date., Spine stamped: Views. Fairmount Park 1866., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Select images reproduced in Kenneth Finkel’s Nineteenth-century photography in Philadelphia (New York: Dover Publications, Inc., 1980).
Views of Independence Hall, 520 Chestnut Street, Philadelphia.
Views predominately showing exteriors of the front and rear of the State House built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley. Also shows the old City Hall built 1790-1791 after the designs of David Evans, Jr. adorned with lettering reading "Mayors Office" (500 Chestnut); views of Congress Hall built 1787-1789 (540-558 Chestnut), including the building adorned with broadsides; partial views of the construction site for and the completed Public Ledger Building (built 1866-1867, 600-606 Chestnut), the rear gate entrance to Independence Square and the square; pedestrian traffic; horse-drawn wagons; and a guard. Also includes a view of a queue of people in mourning clothes at the rear of the hall, probably during the funeral of President Lincoln and an interior view showing the Assembly Room when utilized as an exhibit gallery. Interior view includes William Rush's wood statue of George Washington (carved 1815); the Liberty Bell; a stuffed bald eagle; framed artwork, predominately from the Charles Wilson Peale portrait collection, and the "Rising Sun" chair (used by George Washington as he presided over the Constitutional Convention) displayed on top of a desk., Contains eight stereographic prints mounted on yellow, cream, or orange mounts, including six with square corners and two with rounded corners. Four of images contain manuscript titles. One of images published as series number 352. Independence Hall. New Excelsior Series. Fine American Views. Philadelphia, Penn'a., Six of the images were originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Views of Loudoun and Stenton, residences of Maria Dickinson Logan and her brother, Albanus C. Logan, Germantown, Philadelphia
Album of snapshots showing the Logan family residence Loudoun erected for Thomas Armat (photographer's great grandfather) in 1800 at 4650 Germantown Avenue and Stenton, the Logan family country seat at 4601 North Eighteenth Street in Germantown. Contains interior views of Loudoun depicting the parlor and a bedroom. Also includes views of the Stenton grounds showing a wood pile, a hay stack, and rafts of lumber floating down a creek, possibly Wingohocking and portraiture, including an image of the photographer at her camera outside of the Stenton residence. Furniture and interior decoration includes arm chairs, settes, tables, framed paintings, chandeliers, fireplaces, sculpted busts, desks, mantlepieces, lamps, framed photographs, and plates. Also contains a portrait of her brother Albanus Charles; a group portrait, including the photographer, Albanus, and a woman identified as C. Dallett in front of George Logan's barn at Stenton; and an exterior view of a large stone residence captioned "Sammy [Gilles?]," possibly a tenant house on the Stenton property., Title supplied by cataloger., Leather binding, front cover stamped: Photographs., Photographer's imprint stamped on verso of tipped in photographs., Some tipped in photographs contain manuscript notes on verso. One photograph contains manuscript note on recto and verso. Recto: Room in L[oudoun] Return. Verso: The table 100 years old here is by this bed & a antique desk by fireplace., Insert: Folded fabric bookmark., Label for "Ward's Dark Leaf Albums" pasted on back cover advertising the size, style, and price for their "two styles of binding": Art Cloth and Seal Grain. Prices range from 25 cents to $2.50 for 3 1/4 x 4 1/2 to 10 x 12 inches., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See also loose prints of Loudoun and Stenton by Logan (photo - 5x7 - [P.9276.82-93])., Maria Dickinson Logan, daughter of Anna Armat (1820-1895) and great great granddaughter of James Logan Gustavus Logan (1674-1751), resided, photographed, and worked to preserve the Logan family Germantown estates Loudoun and Stenton. At her death in 1939, Logan, a Colonial Dame, bequeathed several pieces of family furniture to Stenton (under the stewardship of the National Society of Colonial Dames since the early 20th century) as well as her residence, Loudoun, to the city of Philadelphia for use as a historic house.
[Views of Milestown, Philadelphia along Old York Road, north of Branchtown, and above Oak Lane.]
Series of views of the Philadelphia neighborhood. Shows a rundown cottage near a row of trees; a mill; and a creek. Views also include boys posed near the sites, including boys with a rowboat and holding fishing nets., Attributed to John Moran., Cream mounts with square corners., Three of images accompanied by labels., Series numbers include: 22., Originally part of McAllister scrapbooks of American views and Pennsylvania views & political miscellany., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

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