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Viti's alabaster vases M.B.
View of alabaster vases and urns created by Viti Brothers of Philadelphia on display in the Main Building designed by Henry Pettit and Joseph M. Wilson. Also shows chandeliers and candelabra on display behind the Viti Brothers' exhibit. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., White curved mount with rounded corners., Gift of Charles Isaacs., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Benevolent institutions.
Depicts handicrafts and other goods for sale at a table with a "Benevolent Institutions" signboard. Patriotic bunting hangs from the rafters., Originally part of McAllister scrapbook on the Sanitary Commission., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 54., Arcadia caption text: Local businesses and benevolent institutions donated products and staffed booths at the Sanitary Fair, held in Philadelphia’s Logan Square in June of 1861 to raise money for the benefit of Union soldiers. Displays featured the latest technology and tools, along with relics, art work, and plant specimens from all over the world., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Ein vortressliches Mittel gegen die Wassersucht.
Dated from typographical evidence., Printed area, including ornamental border, measures 16.7 x 12.3 cm., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Votti & Newman, manufacturers of Votti's patent clocks, with one year movements, also, one month movements with winding-up designs. 2132 Market Street, Philadelphia, Pa.
Illustrated trade card depicting a case clock., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Vue panoramique du parc pres du Cercle International
Panoramic view looking toward the Palais du Champ De Mars (main building of the exposition) within a four-section park showing the area near the International Circle. Rooftops and towers of other exhibition buildings surround it. In the foreground, a monumental roof sculpture comprised of a female and cheubic figure is visible. The exposition held April 1-November 3, 1867 celebrated the technological and economic progress of the Second Empire, as well as originated the classification system followed by proceeding international exhibitions., Title printed on mount., Blindstamped on mount: Concession Unique., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
W. Hofert, chemist & druggist, successor to Neergaard's Pharmacy. Manufacturer of Pharmaceutical Preparations, 936 Sixth Avenue, S.E. cor. 53rd St. N.Y.
Letterhead containing illustration composed of ornate type, cloud and starburst imagery, floral details, and the Hofert monogram, probably a trademark., Completed in manuscript to 'Dear Hortense" from Clayton M. Nagle, 936, 6 Ave, S.E. Cor. 53d St., N.Y. Correspondence refers to his pardoning her delay in responding to his letter due to illness, summer plans of their acquaintances, his clerking for experience in the drug business, and the expense of New York, including "$8 for week board and it is not as first class as it should be.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
W. Spencer Rowland's Union lager beer saloon, No. 724 Filbert Street, Philadelphia.
Illustrated trade card for W. Spencer Rowland's hotel and lager beer saloon depicting casks labeled "French brandy" and bottles of liquor., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Wag tails
Label containing a scene showing two dogs near tall grasses and plants in a fenced pasture. Trees are visible in the background., Printed on recto: No. 6214. Also blank. $12.50 per 1000. $1.35 per 100., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Eine wahre Geschichte, oder eine probirte Kunst in Feuers-Gefahr wie auch in Pestilenz-Zeiten zu gebrauchen.
The gypsy's fire charm, a magical incantation for preventing fire or pestilence., Printed area, including ornamental border, measures 25.1 x 13.0 cm., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Wall Street Ferry Terminal, foot of Montague Street, Brooklyn, New York]
Elevated view of the Wall Street Ferry Terminal, built ca. 1853 at the foot of Montague Street in Brooklyn, showing two ships with bare masts near a docked ferry boat in the foreground. Shows other vessels on the Hudson River and a partial view of Manhattan in the background. Ferry operated 1853-1912 by the Union Ferry Company., Title supplied by cataloger. Identified from ca. 1884 photograph., Manuscript note on verso: View on the Delaware, Philada., Printed list of three series, "Philadelphia Centennial Views," "Philadelphia City and Park," and "Miscellaneous" on verso. Below lists of series on verso: Philad'a Stereo. Publishing Company., Publisher's imprint on mount., Orange curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Wallace & Sons, manufacturers of the eagle pin, superior to all others in quality and finish.
Label for the rolling metal and drawing wire manufactory showing an American eagle framed by an ornamented border. Border includes pictorial details depicting flowers and vinery. Wallace & Sons, a brass manufactory established in 1848 in Ansonia, Ct., operated until 1895., Printed on flaps: Perfect heads & points. Spring temper., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Walnut Lane Bridge postcards.
Contains views of the Walnut Lane Bridge spanning Wissahickon Creek in Fairmount Park, the largest concrete arch bridge when it was finished in 1908 by George S. Webster and Henry H. Quimby. Includes various views of the bridge, including an aerial view, side views, views from the driveway and from the Wissahickon Creek., Contains 16 postcards printed in color and 1 printed in black and white., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Walnut St. Theatre.
View showing the Walnut Street Theatre at 827-833 Walnut Street (corner of Ninth and Chestnut streets). The theater, originally built as a circus in 1809, was altered to a theater in 1816, and remodeled from 1827-1828 after the designs of Philadelphia architect John Haviland. Also shows adjacent buildings, including a lager beer saloon. Street traffic includes a horse-drawn omnibus and several carriages., Yellow mount with square corners., Title from manuscript note on mount., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Walnut Street Theatre, Philada.
View showing the Walnut Street Theatre at 827-833 Walnut Street (corner of Ninth and Chestnut streets). The theater, originally built as a circus in 1809, was altered to a theater in 1816, and remodeled from 1827-1828 after the designs of Philadelphia architect John Haviland. Also shows men sitting and standing near the corner of the building, along with adjacent row homes on the north side of the block looking east., Title from inscription on mount., Inscribed on mount: No. 1486., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 17., Arcadia caption text: The rowhouses on the north side of the 800 block of Walnut Street shown here c. 1865 no longer exist, but the Walnut Street Theatre still stands, holding the title of America’s oldest theater. Built by Victor Pepin and Jean Breschard, circus promoters who brought their equestrian and human acts to the United States from Europe, the theater has operated continuously since opening in 1809 as the New Circus. Architect John Haviland made extensive alterations in 1828, when it permanently changed its name to the Walnut Street Theatre., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Walnut Street Theatre postcards.
Exterior views of the Walnut Street Theatre built originally as a circus in 1809, enlarged in 1811 and converted to a theatre in 1816. Remodeled in 1827-1828 after designs by John Haviland, in 1852 by Hoxie & Button, in 1903 by Willis Gaylord Hale and in 1904 by Rush Anderson Plowman. Includes an advertisement for "The Girl Rangers" at the Walnut Street Theatre in 1907., Contains 1 postcard printed in color and 2 printed in black and white., Also identified as The Circus (1809-1811), Olympic Theatre (1811-1820) and Walnut Theatre., Sheet numbers: 157A07 and 157B03., Divided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Walter W. Bragg, printer. Fine gift & bevel edged card a speciality [sic].
Illustrated trade card depicting a comic scene with two men and a dog on a wooden pier fishing in a lake. Another man swims in the water unseen by the fishermen and pulls their fishing lines toward the shore., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See trade card - Loudenslager [1975.F.507] for similar illustration., Digitized.
[Wanamaker & Brown trade cards]
Series of illustrated trade cards depicting head portraits of men, women, and putti with bows and arrows flanking scrolls inscribed with titles and advertising text. Other imagery includes birds, butterflies, flowers and a four horse chariot. John Wanamaker and his brother-in-law Nathan Brown opened their clothing and dry goods store, Oak Hall, at Sixth and Market Streets in 1861., Title supplied by cataloger., Three prints [1975.F.942, 964 & 965] copyrighted 1878 by L. Prang & Co., Boston., Two prints contain advertising text printed on versos. One print [1975.F.948] provides historical information about Roman chariot races, which Wanamaker & Brown used as a symbol of their business. The other [1975.F.995] promotes mens' and boys' clothing and gentlemen's, youths' and boys' furnishing goods., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Wanamaker postcards.
Contains exterior views of the first Wanamaker store along with views of the department store built 1902-1910 after designs by Daniel H. Burnham & Company. Also depicts interior views of the main floor, the centre section west aisle looking from the waiting room, the French perfumery shop, the Egyptian hall, the Grand Court, the eagle in the Grand Court and the painting "Christ on Calvary" by Michael de Munkacsy in the Grand Court. Also includes the Herring-Curtiss flying machine that won the world's championship at Rheims, France and a private mailing card from the Swiss village at Wanamakers., Contains 18 postcards printed in color and 12 printed in black and white. Also includes 5 linen postcards., Some postcards issued as part of Wanamaker's Golden Jubilee (1861-1911) by the Taylor Art Co. of Philadelphia., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The Wanamaker Store postcards.
Exterior views looking southwest at the front facade of the department store built 1902-1910 after designs by Daniel H. Burnham & Company., Contains 1 postcard printed in color and 2 printed in black and white., Two out of three postcards issued for the 21st annual reunion of the Benevolent and Protective Order of Elks (B.P.O.E.) held in Philadelphia in 1907. Includes a portrait of a woman and an elk superimposed onto a clock on verso., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Wanamaker's Dining Rooms trade cards]
Series of illustrated trade cards depicting sprays of flowers and butterflies., Title supplied by cataloger., One print [1975.F.997] contains advertising text printed on verso: Wanamaker's ladies' and gents' dining rooms, No. 42 N. 8th Street, No. 823 Market Street, No. 42 S. 2d Street, and Del. Ave. & Spruce St., Philadelphia. George W. Wanamaker, proprietor., One print [1975.F.1007] contains calendar for 1881 printed on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Wanamaker's great store, Phila.
View of Wanamaker's Grand Depot from the northeast showing the Market Street facade between 12th and 13th Streets. Wanamaker opened the depot, designed by Theopilius P. Chandler, in 1876 in the old Pennsylvania Railroad Company train sheds. Demolished 1902., Buff mount with rounded corners., Title inscribed in negative., Series title stamped on mount., Gift of Robert M. Vogel., Duplicate view published by Alfred S. Campbell of Elizabeth, New Jersey (P.9047.92)., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Wanamaker's store, Phila.
View of Wanamaker's Grand Depot from the northeast showing the Market Street facade between 12th and 13th Streets. Wanamaker opened the depot, designed by Theopilius P. Chandler, in 1876 in the old Pennsylvania Railroad Company train sheds. Demolished 1902., Buff mount with rounded corners., Title inscribed in negative., Stamped on mount: Copyrighted 1896 by Alfred S. Campbell, Elizabeth, N.J., U.S.A., Printed label on verso contains text describing the store., Gift of Robert M. Vogel., Duplicate view published by J.S. Johnston of Philadelphia (P.9047.91)., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 66., Arcadia caption text: Having outgrown his original men’s and boy’s clothing store at Sixth and Market streets, John Wanamaker purchased an abandoned Pennsylvania Railroad freight depot at Thirteenth and Market streets in 1874 and remodeled it into Philadelphia’s first department store. Known as the Grand Depot, the store attracted thousands of customers daily. By the time of this 1896 photograph, the store had electric lights, telephones, elevators, a large restaurant, and “many waiting, reading and toilet rooms” for the comfort of the customers. In the early 20th century a new Wanamaker’s store was constructed on the same site., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Warburton, "the" hatter, 430 Chestnut Street.
Illustrated trade card depicting a boy attired in oversized clothing, including a top hat and coat. He holds a large umbrella in his right hand., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Warerooms of Baird's monumental works.
Interior view of warehouse on Spring Garden Street above Ridge Road [i.e. Avenue] showing carved marble monuments including ornate gravestones, a fountain, and statues. The marble works, founded by John Baird in 1841 specialized in monumental art, principally of Italian marble. The firm was the first marble works of the city to use a steam powered mill., Pale yellow mount with square corners., Published in Kenneth Finkel's Nineteenth-Century photography in Philadelphia (New York: Dover Publications Inc., 1980), plate 117., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Warner Miskey & Merrill's show room, 718 Chestnut St. Phil.
Interior view of the gas fixture store. Gas light fixtures and chandeliers line the walls and ceilings above shelves lined with merchandise wrapped in paper. A store catalog is displayed in front of banister surrounding an opening in the floor. Also includes a stairwell in the background., Photographer's imprint blindstamped on mount., White paper mount with square corners., Title printed on mount., Accompanied by advertising label titled "Philadelphia Gas Fixture works. " Promotes the Philadelphia and New York branch (Warner, Peck & Co.) of the fixture manufactory and the company's line of products of "gas fixtures, lamps, girandoles, Bronzes, &c." designed by French artists. Also contains a one-line promotion for the photographic firm Langenheim, Philadelphia., Retrospective conversion record: original entry, edited., Published in Kenneth Finkel’s Nineteenth century photography in Philadelphia (New York: Dover Publications, Inc. in cooperation with the Library Company of Philadelphia, 1980), entry #109., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Warner Miskey & Merrill's show room, 718 Chestnut St. Phil.
Interior view of the gas fixture store. Gas light fixtures and chandeliers line the walls and ceilings above shelves lined with merchandise wrapped in paper. A store catalog is displayed in front of banister surrounding an opening in the floor. Also includes a stairwell in the background., Photographer's imprint blindstamped on mount., White paper mount with square corners., Title printed on mount., Accompanied by advertising label titled "Philadelphia Gas Fixture works. " Promotes the Philadelphia and New York branch (Warner, Peck & Co.) of the fixture manufactory and the company's line of products of "gas fixtures, lamps, girandoles, Bronzes, &c." designed by French artists. Also contains a one-line promotion for the photographic firm Langenheim, Philadelphia., Retrospective conversion record: original entry, edited., Published in Kenneth Finkel’s Nineteenth century photography in Philadelphia (New York: Dover Publications, Inc. in cooperation with the Library Company of Philadelphia, 1980), entry #109., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Warner's safe rheumatic cure
Trade card showing a girl attending to a man with dwarfism, seated on a chair, and with his two wrapped feet resting on an ottoman. She hands him a bottle of Warner's Safe Rheumatic Cure. Image also shows the box for the cure in the lower right corner. H. H. Warner, entered the patent medicine trade in 1879, and expanded his line of products to include the Safe Rheumatic Cure in 1885. The marketing of his "Safe" cure usually alluded to its benefits to persons whose health was already in peril., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Washing Department. Brighton Laundry 6th & Race.
Illustrated trade card depicting women washing, drying, and folding clothes in Brighton Laundry's washroom at Sixth and Race Streets in Philadelphia. A man observes the work scene from the doorway., Advertising text printed on verso: Brighton Laundry, second season of our summer starch, will commence first week in May. Lewis G. Carr. 158 N. 6th St., Philadelphia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Washington birthday greetings [graphic].
Postcard containing an interpretation of Christian Schussele's 1864 painting "Washington and his Family" that was also issued as an engraving. Shows a domestic family group portrait with George and Martha Washington seated at a table, near which their step grand-children Nelly and William stand. A map rests on the table, and Washington holds a book in his lap. In the background, William Lee, an African American man enslaved by Washington who worked as his valet including during the Revolutionary War, enters the room holding a note on a tray. In the right foreground, Washington's overcoat and sword rest on a chair., Date inferred from postmark: Mass., Dec. 1910., Addressed in manuscript to: Mr. Ralph Osgood, Oak St., Springfield, Mass., Inscribed in lower left corner on verso: Cores. from Ethel., Contains cancelled one-cent stamp printed in green ink and depicting Benjamin Franklin in profile., Divided back., Gift of John Serembus, 2013., Description revised 2022., Access points revised 2022.
[Washington Fire Engine Company steam engine in front of the company fire station at Lombard Street below Eleventh Street, Philadelphia]
View includes a section of a hose laying on the ground. Company founded January 3, 1796., Attributed to Robert Newell., Title supplied by cataloguer., Yellow mount with square corners., Originally part of a McAllister scrapbook., Paper backing pasted on verso., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Washington Monument and Independence Hall, Philadelphia, Pa.
View of the marble statue designed by Joseph Bailly erected in front of the State House by the "Washington Monument Association of the First School District of Pennsylvania July 4, 1869." The base of the statue is adorned in patriotic bunting. In the background, shields depicting state seals hang from windows on the upper stories of the state house below flags and shields. Original statue removed to City Hall in 1908 and bronze cast erected in its place., Additional places of publication printed on mount. Includes Liverpool, Toronto-Canada and Ottowa-Kansas., Title, photographer's, publisher's and distributor's imprint on mount. Mount includes two small circular stamps on the left-hand side: "Grand diamond badge prize" and "Eleven first prize medals.", Title printed in six languages on verso., Curved cream mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel., George Barker was a prolific New York stereographer in the 1860s whose gallery catered to the tourist trade in Niagara Falls.
Washington Monument, Baltimore, Md.
View looking east from West Monument Street showing the Washington Monument constructed 1815-1829 after designs by Robert Mills in the Mount Vernon neighborhood of Baltimore, Maryland. The 178-foot doric column is visible from the street flanked by large brownstone mansions., Title printed on mount., Photographer's blind stamp on mount., Publisher's label pasted on verso., Distributor's label pasted on verso: From James W. Queen & Co., opticians, No. 921 Chestnut St., Philadelphia, White mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim Brothers copyrighted a series of stereographs with labels inscribed: "American Stereoscopic Co., Langenheim, Loyd & Co., Philadelphia" in 1858. They continued to produce stereographs until 1865, when they withdrew from the American Stereoscopic Co.
Washington Monument, Fairmount Park, Philadelphia, Pa.
Depicts equestrian statue of George Washington on a pedestal above allegorical figures, along with "typical" American people. Designed by Rudolf Siemering in 1897 and unveiled at the Green Street entrance to Fairmount Park. Moved to the end of the Benjamin Franklin Parkway in front of the Philadelphia Museum of Art in 1928. Depicts monument at Green Street entrance., Monument commissioned by the Society of the Cincinnati of Pennsylvania, whose members were descendants of Washington's soldiers., Sheet number: 88A10., Divided back., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Washington Monument, front of Independence Hall, Philadelphia.
View of the marble statue designed by Joseph Bailly erected in front of the State House by the "Washington Monument Association of the First School District of Pennsylvania July 4, 1869." The base of the statue is adorned in patriotic bunting. In the background, shields depicting state seals hang from windows on the upper stories of the state house below flags and shields. Original statue removed to City Hall in 1908 and bronze cast erected in its place., Title and photographer's imprint on mount., Curved orange mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., George Barker was a prolific New York stereographer in the 1860s whose gallery catered to the tourist trade in Niagara Falls.
Washington Monument postcards.
Depicts equestrian statue of George Washington on a pedestal surrounded by four fountains and allegorical figures that represent four rivers: the Delaware, the Hudson, the Potomac and the Mississippi Rivers. Statues on the lowest tier portray "typical" American human figures and animals. Designed by Rudolf Siemering in 1897 and unveiled at the Green Street entrance to Fairmount Park. Moved to Eakins Oval at the end of the Benjamin Franklin Parkway in front of the Philadelphia Museum of Art in 1928. Contains views of the monument at both locations., Contains 33 postcards printed in color and 17 in black and white., Commissioned by the Society of the Cincinnati of Pennsylvania, whose members were descendants of Washington's soldiers., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Washington monument, Richmond, Va.
Shows the monument sculpted by Thomas Crawford and Randolph Rogers installed at Capitol Square in 1850. Sculpture includes figure of Washington on horseback and six smaller figures of important Virginians including Patrick Henry and Thomas Jefferson. View includes church steeples in the background., Unmounted stereographic print with paper backing pasted on verso., Title inscribed on image., Originally part of a McAllister scrapbook of views of Virginia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Washington. Printed by S. H. Greene & Sons. Riverpoint, R.I. Coffin, Artemus & Co. Sole agents.
Textile label for the textile print works founded in 1828 by Simon H. Greene and Edward Pike. Depicts Washington, in uniform, holding a sheet of paper, and standing next to his horse near a river. Label also contains corner details of fasces and United States shields framed in garland. The firm, renamed S. H. Greene & Sons in 1865, were nationally known for their "Washington" line of printed textiles., Stamped on recto: 41 2, Copyrighted in Washington, D.C., Inscribed on verso: Cora cora Ott. Samuel Sassemon., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Washington Senate Chamber.
Interior view of the United States Senate Chamber in the Capitol building in Washington, D.C. Shows desks and chairs arranged in a half-circle facing a platform, the galleries lining the perimeter of the room, and a partial view of the skylights in the ceiling. The Senate relocated to this chamber in 1859., Title on negative., Distributor's imprint on mount., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Washington statue--front of Independence Hall.
View showing the George Washington marble statue sculpted by Joseph A. Bailly enclosed in ironwork fencing in front of Independence Hall. Statue rests on pedestal inscribed "Erected by the Washington Monument Association of the First School District of Pennsylvania July 4, 1869." Also shows spectators in the background., Title printed on verso with eighty-one other numbered titles in the series (No. 356-437)., Photographer's imprint printed on verso., Buff mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
Washington Union restaurant, N.E. corner of Seventh and Walnut Streets, Philadelphia,
Illustrated trade card promoting J.J. Fullerton's restaurant depicting small vignettes of a bird and a turtle., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.

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