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Wanamaker's great store, Phila.
View of Wanamaker's Grand Depot from the northeast showing the Market Street facade between 12th and 13th Streets. Wanamaker opened the depot, designed by Theopilius P. Chandler, in 1876 in the old Pennsylvania Railroad Company train sheds. Demolished 1902., Buff mount with rounded corners., Title inscribed in negative., Series title stamped on mount., Gift of Robert M. Vogel., Duplicate view published by Alfred S. Campbell of Elizabeth, New Jersey (P.9047.92)., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Wanamaker's store, Phila.
View of Wanamaker's Grand Depot from the northeast showing the Market Street facade between 12th and 13th Streets. Wanamaker opened the depot, designed by Theopilius P. Chandler, in 1876 in the old Pennsylvania Railroad Company train sheds. Demolished 1902., Buff mount with rounded corners., Title inscribed in negative., Stamped on mount: Copyrighted 1896 by Alfred S. Campbell, Elizabeth, N.J., U.S.A., Printed label on verso contains text describing the store., Gift of Robert M. Vogel., Duplicate view published by J.S. Johnston of Philadelphia (P.9047.91)., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 66., Arcadia caption text: Having outgrown his original men’s and boy’s clothing store at Sixth and Market streets, John Wanamaker purchased an abandoned Pennsylvania Railroad freight depot at Thirteenth and Market streets in 1874 and remodeled it into Philadelphia’s first department store. Known as the Grand Depot, the store attracted thousands of customers daily. By the time of this 1896 photograph, the store had electric lights, telephones, elevators, a large restaurant, and “many waiting, reading and toilet rooms” for the comfort of the customers. In the early 20th century a new Wanamaker’s store was constructed on the same site., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Warburton, "the" hatter, 430 Chestnut Street.
Illustrated trade card depicting a boy attired in oversized clothing, including a top hat and coat. He holds a large umbrella in his right hand., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Warerooms of Baird's monumental works.
Interior view of warehouse on Spring Garden Street above Ridge Road [i.e. Avenue] showing carved marble monuments including ornate gravestones, a fountain, and statues. The marble works, founded by John Baird in 1841 specialized in monumental art, principally of Italian marble. The firm was the first marble works of the city to use a steam powered mill., Pale yellow mount with square corners., Published in Kenneth Finkel's Nineteenth-Century photography in Philadelphia (New York: Dover Publications Inc., 1980), plate 117., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Warner Miskey & Merrill's show room, 718 Chestnut St. Phil.
Interior view of the gas fixture store. Gas light fixtures and chandeliers line the walls and ceilings above shelves lined with merchandise wrapped in paper. A store catalog is displayed in front of banister surrounding an opening in the floor. Also includes a stairwell in the background., Photographer's imprint blindstamped on mount., White paper mount with square corners., Title printed on mount., Accompanied by advertising label titled "Philadelphia Gas Fixture works. " Promotes the Philadelphia and New York branch (Warner, Peck & Co.) of the fixture manufactory and the company's line of products of "gas fixtures, lamps, girandoles, Bronzes, &c." designed by French artists. Also contains a one-line promotion for the photographic firm Langenheim, Philadelphia., Retrospective conversion record: original entry, edited., Published in Kenneth Finkel’s Nineteenth century photography in Philadelphia (New York: Dover Publications, Inc. in cooperation with the Library Company of Philadelphia, 1980), entry #109., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Warner Miskey & Merrill's show room, 718 Chestnut St. Phil.
Interior view of the gas fixture store. Gas light fixtures and chandeliers line the walls and ceilings above shelves lined with merchandise wrapped in paper. A store catalog is displayed in front of banister surrounding an opening in the floor. Also includes a stairwell in the background., Photographer's imprint blindstamped on mount., White paper mount with square corners., Title printed on mount., Accompanied by advertising label titled "Philadelphia Gas Fixture works. " Promotes the Philadelphia and New York branch (Warner, Peck & Co.) of the fixture manufactory and the company's line of products of "gas fixtures, lamps, girandoles, Bronzes, &c." designed by French artists. Also contains a one-line promotion for the photographic firm Langenheim, Philadelphia., Retrospective conversion record: original entry, edited., Published in Kenneth Finkel’s Nineteenth century photography in Philadelphia (New York: Dover Publications, Inc. in cooperation with the Library Company of Philadelphia, 1980), entry #109., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Warner's safe rheumatic cure
Trade card showing a girl attending to a man with dwarfism, seated on a chair, and with his two wrapped feet resting on an ottoman. She hands him a bottle of Warner's Safe Rheumatic Cure. Image also shows the box for the cure in the lower right corner. H. H. Warner, entered the patent medicine trade in 1879, and expanded his line of products to include the Safe Rheumatic Cure in 1885. The marketing of his "Safe" cure usually alluded to its benefits to persons whose health was already in peril., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Washing Department. Brighton Laundry 6th & Race.
Illustrated trade card depicting women washing, drying, and folding clothes in Brighton Laundry's washroom at Sixth and Race Streets in Philadelphia. A man observes the work scene from the doorway., Advertising text printed on verso: Brighton Laundry, second season of our summer starch, will commence first week in May. Lewis G. Carr. 158 N. 6th St., Philadelphia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Washington birthday greetings [graphic].
Postcard containing an interpretation of Christian Schussele's 1864 painting "Washington and his Family" that was also issued as an engraving. Shows a domestic family group portrait with George and Martha Washington seated at a table, near which their step grand-children Nelly and William stand. A map rests on the table, and Washington holds a book in his lap. In the background, William Lee, an African American man enslaved by Washington who worked as his valet including during the Revolutionary War, enters the room holding a note on a tray. In the right foreground, Washington's overcoat and sword rest on a chair., Date inferred from postmark: Mass., Dec. 1910., Addressed in manuscript to: Mr. Ralph Osgood, Oak St., Springfield, Mass., Inscribed in lower left corner on verso: Cores. from Ethel., Contains cancelled one-cent stamp printed in green ink and depicting Benjamin Franklin in profile., Divided back., Gift of John Serembus, 2013., Description revised 2022., Access points revised 2022.
[Washington Fire Engine Company steam engine in front of the company fire station at Lombard Street below Eleventh Street, Philadelphia]
View includes a section of a hose laying on the ground. Company founded January 3, 1796., Attributed to Robert Newell., Title supplied by cataloguer., Yellow mount with square corners., Originally part of a McAllister scrapbook., Paper backing pasted on verso., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Washington Monument and Independence Hall, Philadelphia, Pa.
View of the marble statue designed by Joseph Bailly erected in front of the State House by the "Washington Monument Association of the First School District of Pennsylvania July 4, 1869." The base of the statue is adorned in patriotic bunting. In the background, shields depicting state seals hang from windows on the upper stories of the state house below flags and shields. Original statue removed to City Hall in 1908 and bronze cast erected in its place., Additional places of publication printed on mount. Includes Liverpool, Toronto-Canada and Ottowa-Kansas., Title, photographer's, publisher's and distributor's imprint on mount. Mount includes two small circular stamps on the left-hand side: "Grand diamond badge prize" and "Eleven first prize medals.", Title printed in six languages on verso., Curved cream mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel., George Barker was a prolific New York stereographer in the 1860s whose gallery catered to the tourist trade in Niagara Falls.
Washington Monument, Baltimore, Md.
View looking east from West Monument Street showing the Washington Monument constructed 1815-1829 after designs by Robert Mills in the Mount Vernon neighborhood of Baltimore, Maryland. The 178-foot doric column is visible from the street flanked by large brownstone mansions., Title printed on mount., Photographer's blind stamp on mount., Publisher's label pasted on verso., Distributor's label pasted on verso: From James W. Queen & Co., opticians, No. 921 Chestnut St., Philadelphia, White mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim Brothers copyrighted a series of stereographs with labels inscribed: "American Stereoscopic Co., Langenheim, Loyd & Co., Philadelphia" in 1858. They continued to produce stereographs until 1865, when they withdrew from the American Stereoscopic Co.
Washington Monument, Fairmount Park, Philadelphia, Pa.
Depicts equestrian statue of George Washington on a pedestal above allegorical figures, along with "typical" American people. Designed by Rudolf Siemering in 1897 and unveiled at the Green Street entrance to Fairmount Park. Moved to the end of the Benjamin Franklin Parkway in front of the Philadelphia Museum of Art in 1928. Depicts monument at Green Street entrance., Monument commissioned by the Society of the Cincinnati of Pennsylvania, whose members were descendants of Washington's soldiers., Sheet number: 88A10., Divided back., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Washington Monument, front of Independence Hall, Philadelphia.
View of the marble statue designed by Joseph Bailly erected in front of the State House by the "Washington Monument Association of the First School District of Pennsylvania July 4, 1869." The base of the statue is adorned in patriotic bunting. In the background, shields depicting state seals hang from windows on the upper stories of the state house below flags and shields. Original statue removed to City Hall in 1908 and bronze cast erected in its place., Title and photographer's imprint on mount., Curved orange mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., George Barker was a prolific New York stereographer in the 1860s whose gallery catered to the tourist trade in Niagara Falls.
Washington Monument postcards.
Depicts equestrian statue of George Washington on a pedestal surrounded by four fountains and allegorical figures that represent four rivers: the Delaware, the Hudson, the Potomac and the Mississippi Rivers. Statues on the lowest tier portray "typical" American human figures and animals. Designed by Rudolf Siemering in 1897 and unveiled at the Green Street entrance to Fairmount Park. Moved to Eakins Oval at the end of the Benjamin Franklin Parkway in front of the Philadelphia Museum of Art in 1928. Contains views of the monument at both locations., Contains 33 postcards printed in color and 17 in black and white., Commissioned by the Society of the Cincinnati of Pennsylvania, whose members were descendants of Washington's soldiers., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Washington monument, Richmond, Va.
Shows the monument sculpted by Thomas Crawford and Randolph Rogers installed at Capitol Square in 1850. Sculpture includes figure of Washington on horseback and six smaller figures of important Virginians including Patrick Henry and Thomas Jefferson. View includes church steeples in the background., Unmounted stereographic print with paper backing pasted on verso., Title inscribed on image., Originally part of a McAllister scrapbook of views of Virginia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Washington. Printed by S. H. Greene & Sons. Riverpoint, R.I. Coffin, Artemus & Co. Sole agents.
Textile label for the textile print works founded in 1828 by Simon H. Greene and Edward Pike. Depicts Washington, in uniform, holding a sheet of paper, and standing next to his horse near a river. Label also contains corner details of fasces and United States shields framed in garland. The firm, renamed S. H. Greene & Sons in 1865, were nationally known for their "Washington" line of printed textiles., Stamped on recto: 41 2, Copyrighted in Washington, D.C., Inscribed on verso: Cora cora Ott. Samuel Sassemon., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Washington Senate Chamber.
Interior view of the United States Senate Chamber in the Capitol building in Washington, D.C. Shows desks and chairs arranged in a half-circle facing a platform, the galleries lining the perimeter of the room, and a partial view of the skylights in the ceiling. The Senate relocated to this chamber in 1859., Title on negative., Distributor's imprint on mount., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Washington statue--front of Independence Hall.
View showing the George Washington marble statue sculpted by Joseph A. Bailly enclosed in ironwork fencing in front of Independence Hall. Statue rests on pedestal inscribed "Erected by the Washington Monument Association of the First School District of Pennsylvania July 4, 1869." Also shows spectators in the background., Title printed on verso with eighty-one other numbered titles in the series (No. 356-437)., Photographer's imprint printed on verso., Buff mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
Washington Union restaurant, N.E. corner of Seventh and Walnut Streets, Philadelphia,
Illustrated trade card promoting J.J. Fullerton's restaurant depicting small vignettes of a bird and a turtle., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Washington's statue--Philadelphia.
View showing the George Washington marble statue sculpted by Joseph A. Bailly enclosed in ironwork fencing in front of Independence Hall. Statue rests on pedestal inscribed "Erected by the Washington Monument Association of the First School District of Pennsylvania July 4, 1869." Also shows a crowd of spectators in the foreground and patriotic bunting, most likely for the Centennial celebrations, covering the State House in the background., Title printed on mount below image., Series titles in ornate columns with graphic vignettes., Orange mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Watchman's address on the return of Christmas, 1851.
Verse in fifty-six lines; first line: Now Christmas dawns, the season dear., Caption title., At head of title is a woodcut eagle with the banner: Merry Christmas and Happy New Year., The poems is printed in two columns divided by a wavy rule., At foot is a woodcut of a watchman on a snowy night, along with "Counting house almanac" for 1852, "Solar and lunar eclipses for the year, 1852," and "Regulations of the state house bell in case of fire.", Printed area, including arched ornamental border, measures 43.5 x 26.6 cm., Library Company copy pasted to a 20th-century hand-painted sign advertising: Sermons by the Redemptorist preacher Rev. Andrew L. Doran, ..., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The Water Babies.
View of the statue "The Water Babies," designed by M.S. Gould, on display in the Art Gallery Annex. Depicts two nude young children, cuddling together inside an oversized seashell. One child sits awake with its arm around a smaller child with its eyes closed. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., White curved mount with rounded corners., Gift of David Doret., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Water works.
View looking northwest through the observatory tower arch at the basin of the Fairmount Water Works on the Schuylkill River. Shows the path with ornate iron railing leading to the terrace of the new mill house built on the mound dam between 1859 and 1862 after the designs of engineer Henry P.M. Birkinbine. Also shows a pavilion of the old mill house and the pavilion on the pier of the mound dam. The waterworks, originally built between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, were altered and expanded after the designs of Philadelphia engineers, Henry P.M. Birkinbine and Frederick Graff, Jr., Trimmed yellow mount with rounded corners., Title from manuscript note on verso., Photographer's imprint printed on mount., Duplicate of P.9260.17., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Water works
View looking northwest through the observatory tower arch at the basin of the Fairmount Water Works on the Schuylkill River. Shows the path with ornate iron railing leading to the terrace of the new mill house built between 1859 and 1862 on the mound dam after the designs of engineer Henry P.M. Birkinbine. Also shows a pavilion of the old mill house and the pavilion on the pier of the mound dam. The waterworks, originally designed by Philadelphia engineer Frederick Graff, were altered and expanded by Philadelphia engineers Henry P.M. Birkinbine and Frederick Graff, Jr., Photographer's imprint printed on mount., Yellow mount with rounded corners., Description of "Fairmount Park and Water Works" printed on verso., Title from manuscript note on verso., Duplicate of 8353.F.9., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Water works
Winter view looking northwest through the observatory tower arch at the basin of the Fairmount Water Works on the Schuylkill River. Shows the path with ornate iron railing leading to the terrace of the new mill house built on the mound dam between 1859 and 1862 after the designs of engineer Henry P.M. Birkinbine. Also shows a pavilion of the old mill house and the pavilion on the pier of the mound dam. The waterworks, originally designed by Philadelphia engineer Frederick Graff, were altered and expanded after the designs of Philadelphia engineers Henry P.M. Birkinbine and Frederick Graff, Jr., Title from manuscript note on verso., Photographer's imprint printed on mount., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Water works and dam
View looking from the west bank of the Schuylkill River showing the Fairmount Water Works, originally built between 1812 and 1822 after the designs of engineer Frederick Graff. Includes the old engine house, old mill house, new mill house (completed 1862), pavilion on the pier of the mound dam (built 1835); and the observatory tower arch (built 1860), stand pipe (built 1852), and pavilion on Reservoir Hill. Also shows the dam and nearby boat landing for local paddle steamboats. The waterworks were altered and expanded after the designs of Philadelphia engineers, Henry P.M. Birkinbine and Frederick Graff, Jr., Yellow mount with rounded corners., Title from manuscript note on verso., Photographer's imprint printed on mount., Description of "Fairmount Park and Water Works, Philadelphia" printed on verso., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Water works. B
View looking north from Reservoir Hill at the Fairmount Water Works on the Schuylkill River showing the forebay. Includes a promenade on Reservoir Hill; a park guard standing near a handcart and leaning on a fence lining the mill race; and the ascending main pipe connected to the old mill house during renovations between 1867 and 1872. Also shows the race bridge in the background. The waterworks, originally constructed between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, were altered and expanded after the designs of Philadelphia engineers Henry P.M. Birkinbine and Frederick Graff, Jr., until 1872., Publisher's imprint printed on mount., List of over 50 views of Fairmount Park issued by publisher printed on verso., Yellow mount with rounded corners., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Water Works, general view.
View looking north from the forebay showing the race bridge at the Fairmount Water Works on the Schuylkill River. Also shows the ascending mains connected to the old mill house after the designs of Philadelphia engineer Frederick Graff, Jr. during the replacement of the house's water wheels by turbines between 1867-1872. The waterworks, originally constructed between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, were altered and expanded until 1872., List of over fifty views of Fairmount Park issued by publisher printed on verso., Publisher's imprint printed on mount., Yellow mount with rounded corners., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Waterbury Drug Store, established 1797. Leavenworth & Dikeman, Exchange Place, Waterbury, Conn.
Series of illustrated trade cards containing "Fishing" showing a white man and woman couple fishing in a rowboat with a pet dog that has its head in their picnic basket; "Caught on the fly" depicting a white man attached to the hook of his own fishing rod as he stands next to a stream; "We met by chance, or waiting for the swell" showing a white man floating on a wave in the ocean and colliding with a white woman as she stands in the ocean near other white women and children; "What are the wild waves saying sister?" depicting a boy, attired in overalls and a wide-brimmed hat, standing next to his sister, attired in a bonnet and long-sleeved dress, looking out at the ocean with their backs to the viewer; "Oh, come and see us" showing a group of white children standing in a pond jeering at an older, white man who stands on dry land in the foreground; and "Scoot, brother scoot!" depicting an African American boy and girl holding hands and scurrying from the approaching waves of the ocean. Leavenworth & Dikeman, the partnership between Elisha Leavenworth and Nathan Dikeman, operated in Waterbury, Connecticut between 1850-1890., Title from item., Date inferred from dates of operation of advertised business., Four prints [P.9828.7033-7036] printed by Phoenix Card Co., N.Y., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Wayland Temple Baptist Church, 25th and Columbia Ave., Philadelphia, Pa.
Exterior view of church organized in 1902. Moved into building depicted in image on May 15, 1949. Church building was formerly home to the Columbia Avenue Methodist Episcopal Church. Columbia Avenue name changed to Cecil B. Moore Avenue., Numbered 43921 on recto., Sheet number: 50B13C., Divided back. Post marked 1952. Text on verso., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Wayne Avenue, Germantown, Philadelphia, Pa.
Depicts a man walking along the west side of the 5100 block of Wayne Avenue (below Hansberry Street), showing large private residences and trees lining the street. House most clearly visible is 5130 Wayne Avenue, a large Queen Anne style residence constructed ca. 1886. Also includes partial view of the Sally Watson Center at 5128 Wayne Avenue in the left foreground., Numbered 11632 on recto., Sheet number: 104A04., Divided back., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
W.B. Eltonhead, watch maker, and jeweler. 340 so. 2d St., Philad'a.
Illustrated trade card depicting two figures, a farmer with a scythe slung over his shoulder and a sailor resting against a large anchor, flanking a decorative scroll containing the title. A banner labeled "Excelsior" surmounts the scroll., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
We bake our own pies, rolls and bread for the Home Coffee House, 1109 Market St. 5 cents for each article. Side entrance for ladies.
Illustrated trade card depicting several landscape vignettes, including a rising or setting sun and a palm tree in front of a large rock; a scroll with text; and filigree borders., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Wear Celluloid collars and cuffs.
Series of illustrated trade cards depicting anthropomorphic frogs, fairy-like figures, and a bee wearing large collars around their necks and wrists as they fly, dance, play the banjo, and sit near the pond. The Celluloid Manufacturing Company was established in 1872 in Newark, New Jersey., Includes advertising text printed on versos: Celluloid. (Water-proof linen.) Collars, cuffs and shirt bosoms. Elastic, linen finish, durable. When soiled, rub with soap or water (hot or cold), used freely with a stiff brush. Advice to wearers. Always slip the necktie under the roll of the turn down collar. Do not attempt to straighten the fold. The goods give better satisfaction if the separable sleeve button and collar button is used. Twist a small rubber elastic, or chamois washer around the post of sleeve button, to prevent rattling of button. To remove yellow stains which may come from long wearing, use sapolio soap, or salertus water, or celluline. Goods for sale by all dealers., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Wells on Clarion River
View showing derricks on the bank of the Clarion County river. Also shows a man on a dirt path lined by brush and trees near the derricks., Buff mount with rounded corners., Manuscript note on mount: Mrs. S.M. Fox., List of over one-hundred views published by photographer printed on verso., Digitized for AMD: Global Commodities., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Wenderoth, Taylor & Brown Fine Art Gallery]
Depicts the elegantly decorated interior of the photographic studio operated at 914 Chestnut Street from circa 1865 to circa 1871. The large waiting room is adorned with sofas, chairs, framed photos, framed artwork, and a skylight. Also includes stairwells decorated with signage; a piano advertisement; and a counter adorned with the photographic studio's pricesheet (effective January 1865). William H. Dutton sold pianos at 914 Chestnut Street in 1869., Photographer and publication information from duplicate in private collection., Title supplied by cataloguer., Pale yellow mount with square corners., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
West Arch Street Presbyterian Church, 18th & Arch St., Philadelphia.
Exterior view showing the church also known as Arch Street Presbyterian Church built by Joseph DeNegre in 1855 after the designs of Joseph C. Hoxie at 1726-1732 Arch Street. Also includes the rear facades of adjacent buildings., Attributed to John Moran., Title from label pasted on mount on stereograph., Stereograph on pale yellow paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The West End Shoe Store, custom work and repairing, Geo. E. Bissex, agt. 3612 Market Street.
Illustrated trade card depicting a woman's hand holding and displaying a bunch of roses., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
West entrance, Main Building.
Exterior view looking northeast at the entrance and main gates to the exhibition, including a partial view of the Main Exhibition Building designed by Henry Pettit and Joseph M. Wilson in the background. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title from series list printed on verso, including twenty-five other views in the series and thirty-eight views from series "Philadelphia City and Park" and "Miscellaneous"., Manuscript note on mount: Entrance to exhibition grounds., Orange curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.

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