This collection includes historical materials or references to or descriptions of historical materials that may be considered offensive or harmful. Historical records are evidence of the time in which they were created and often contain language and images that are racist, homophobic, sexist, ableist, or otherwise derogatory and insensitive. The Library Company takes responsibility for these materials and their importance for the study of the past seriously. The Library does not endorse the views expressed in these materials.

If you encounter language in this digitized collection, or elsewhere that you find offensive or harmful, or if you have questions about the statement above or about our work, we welcome your feedback. A full statement and feedback form where you can alert us of potentially harmful material is available here.

The Race and Visual Culture Digital Collection contains historical visual material and popular art works, often racist in content, that pertain to the visual culture of race and its social, cultural, and historical complexities and biases. The collection, in correlation with the African American History Graphics Digital Collection, includes over 1,600 images and descriptions of visual material that depict or reference the BIPOC community between the 18th and 20th centuries. The sub collections contained within are arranged by date spans based on the creation date of the item. The supplied titles, descriptions, and subject headings were reviewed, revised, and remediated to include anti-racist language as part of a 2021-2022 remediation cataloging project of our African American History Graphics Collection. Many records still include legacy Library of Congress Subject Headings, which conform to national and institutional cataloging standards that are under review for their continued public use in our catalogs. The collection was first published in 2023.

Pages

Dr. W. W. Wogan [graphic].
Racist trade card promoting dentist Dr. William W. Wogan and depicting a caricature an African American woman dancing. Shows the woman portrayed with exaggerated features and attired in floral headband, red hoop earrings, green gloves, a pink dress with a white collar and white lace petticoat, and white shoes. She holds her skirt up with her left hand and sticks her left foot forward in a dance step. She tilts her face to the left and curves her right arm up. William W. Wogan (1864-1934) was a dentist in York, Pa., Title from item., Place of publication deduced from place of operation of the advertised business., Date deduced from the history of the advertised business., Advertising text printed on verso: Go to Dr. Wogan, to have your teeth extracted. Full sets of teeth from $5.00 to $10.00. All kinds of work done as cheap as elsewhere and satisfaction guaranteed. 12 W. Market Street, York, PA., Gift of David Doret.
The duel about the twins [graphic] : Universal, perfect and elegant stoves and ranges. Manufactured by Cribben, Sexton & Co., Chicago, Ill.
Racist trade card promoting stove manufacturer Cribben, Sexton & Co. and depicting a genre scene with African American caricatures originally created for Harper’s Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." Figures are portrayed with exaggerated features. Shows two African American men (i.e., the suitors of the twins) at the start of a duel in a field between two trees. The suitor with a squat figure is in the right, attired in black shoes, red and white striped pants, a brown vest, and a yellow jacket, and stands with his face looking up. The tall suitor in the left is attired in black shoes, red and white striped pants, a white collared shirt, and a blue jacket, and has one hand behind his head. They point guns at each other. An African American man (witness), attired in a brown pants, a green jacket, and a black hat, stands behind the tree in the foreground and another, in a red suit, sits behind the tree in the background. An older African American man sits behind the standing observer with his medical bag labeled “Dr. Black.” He reaches into it with one hand while holding a medicine bottle in the other. In front of the bag are medical pliers, a knife, and a saw. In the distant left background is a house. Henry Cribben and James A. Sexton founded the stove manufactory Cribben, Sexton & Co. in Chicago in 1873. The Company closed in 1965., Title from item., Date deduced from history of the advertised business., Distributor's imprint printed on verso: Sayles & Conover, Dealers in stoves and hardware, A full line of universal, Perfect and elegant stoves and ranges always on hand. Valparaiso, Indiana., Gift of David Doret., See related prints from series [P.2017.95.36 & P.2017.95.38].
E. Schoeneck, dealer in choice groceries, provisions, flour, etc., 359 W. Lake Street, Chicago. [graphic].
Racist trade card illustration depicting an African American man and boy walking through a valley alongside a river. The man is attired in a hat, a jacket with patches, and pants with a patch on the right knee. The boy is attired in a shirt and pants that are torn at the hems. The man carries a stick with a sack at the end over his left shoulder and holds a walking stick in his right hand. The boy holds a sack in his left hand. Mountains and a shrub are visible in the background. Both figures are portrayed with exaggerated features. Elizabeth Schoeneck was a grocer who immigrated to the United States from Germany in 1851., Title from item., Text printed on recto: The exodus, why are they leaving? If you want to see, heat the card., Gift of David Doret.
The early bird catches the worm [graphic].
Racist post card depicting a satiric caricature of an African American man urinating behind a tree and a goose biting him. Shows the man in the left portrayed with exaggerated features and attired in a yellow hat, a white shirt, and yellow pants with white cuffs at the bottom. He stands behind a tree to urinate. In the right, a white goose with its wings stretched out has surprised him and bites him. The man opens his mouth wide in alarm., Title from item., Date deduced from the visual content., Series number printed on the recto: 421., Text printed on the verso: Post Card. Place one cent stamp here., Gift of David Doret.
Edwin C. Burt, fine shoes [graphic].
Trade card promoting shoemaker Edwin C. Burt and depicting a racist, whimsical scene of two African American boys carrying a white girl in a “sedan chair” in the shape of a shoe. In the left, a boy attired in red, sarong-like shorts holds the red, back handles of the sedan over his shoulders. In the right, a boy attired in yellow, sarong-like shorts with black stripes holds the red, front handles over his shoulders. The girl sits with her legs stretched out. She is attired in a red headband that wraps around her brown hair styled in a bun; a yellow, short-sleeved dress with a white collar and blue stripes at the sleeves and around the bottom; and a gold bracelet. She holds a matching yellow and blue fan, possibly of peacock feathers. The sedan chair is depicted as a black woman's dress shoe with a heel and is adorned with a red bow at the front with a gold and diamond circular embellishment. A red canopy with green fringe trim attached to the back of the shoe shields the girl. In the background, mountains and a pink sky are visible. Edwin C. Burt (1818-1884) began his career in boot and shoemaking with his father in Hartford, Connecticut in 1838. He moved his business to New York City in 1848 and founded Edwin C. Burt & Co. in 1860. He patented an improvement to increase his shoes' durability in 1874., Title from item., Place of publication deduced from place of operation of advertised business., Date deduced from history of the advertised business., Text on the recto: Over., Advertising text on verso: Caution to the public. Ladies', misses' and children's genuine Burt's shoe has the name stamped in full on the lining of each shoe, thus: Edwin C. Burt Maker New York. Also, on the bottom of each shoe, thus: Edwin C. Burt New York. And are warranted to give satisfaction. Call for them. If these goods are not to be obtained in your [?] [plea]se write us and we will advise where [?] be found. Edwin C. Burt, New York., Gift of David Doret., Library Company holds a duplicate copy with a variant verso [P.2017.95.19].
Edwin C. Burt, fine shoes [graphic].
Trade card promoting shoemaker Edwin C. Burt and depicting a racist caricature of an African American man minstrel. The man is attired in a uniform-like costume of a black top hat with a gold band; a blue jacket with gold buttons and epaulettes and a black belt; white pants; white gloves; and black knee-length boots. He pulls on a red cord for a curtain with his right hand. He carries a white card that reads, "Edwin C. Burt, Fine Shoes" in his left hand. Edwin C. Burt (1818-1884) began his career in boot and shoemaking with his father in Hartford, Connecticut in 1838. He moved his business to New York City in 1848 and founded Edwin C. Burt & Co. in 1860. He patented an improvement to increase his shoes’ durability in 1874., Title from item., Publication information from verso: The Major & Knapp Eng Mfg Litho Co 56 Park Place, N.Y., Advertising text printed on verso: Please notice: Genuine goods of Edwin C. Burt’s make have his Name stamped in full on Lining and Sole of Each Shoe and are warranted. Burt’s calendar for 1878. Edwin C. Burt [illegible]. Over., Text printed on verso: Calendar for 1878., Distributor's imprint printed on verso: Henry H. Tuttle & Co., 435 Washington Street, (cor, Winter,) Boston, have a full line in all widths of my Goods for sale., Gift of David Doret.
Edwin C. Burt, fine shoes. Presented by Chas. T. Croft, Little Falls, N.Y. [graphic].
Trade card promoting shoemaker Edwin C. Burt and depicting a racist, whimsical scene of two African American boys carrying a white girl in a “sedan chair” in the shape of a shoe. In the left, a boy attired in red, sarong-like shorts holds the red, back handles of the sedan over his shoulders. In the right, a boy attired in yellow, sarong-like shorts with black stripes holds the red, front handles over his shoulders. The girl sits with her legs stretched out. She is attired in a red headband that wraps around her brown hair styled in a bun; a yellow, short-sleeved dress with a white collar and blue stripes at the sleeves and around the bottom; and a gold bracelet. She holds a matching yellow and blue fan, possibly of peacock feathers. The sedan chair is depicted as a black woman's dress shoe with a heel and is adorned with a red bow at the front with a gold and diamond circular embellishment. A red canopy with green fringe trim attached to the back of the shoe shields the girl. In the background, mountains and a pink sky are visible. Edwin C. Burt (1818-1884) began his career in boot and shoemaking with his father in Hartford, Connecticut in 1838. He moved his business to New York City in 1848 and founded Edwin C. Burt & Co. in 1860. He patented an improvement to increase his shoes' durability in 1874., Title from item., Place of publication deduced from place of operation of advertised business., Date deduced from history of the advertised business., Text on the recto: Over., Advertising text printed on verso: Chas. T Croft, dealer in boots, shoes and rubbers, Little Fall, N.Y. Has a choice line of Burt's goods, manufactured expressively for him by Edwin C. Burt, New York. Caution: the genuine Burt shoe has the name Edwin C. Burt stamped in full on the lining and sole of e[ach] shoe, and are warranted. Over., Contains Edwin C. Burt trademark on verso depicting an ornament composed of an illustration of a circle of exposition seals where Burt had won awards, including the 1876 Centennial in Philadelphia., Gift of David Doret., Library Company holds a duplicate copy with a variant verso [P.2017.95.20].
Elkhart paper pail [graphic].
Trade card promoting the Elkhart Paper Pail Company and depicting a racist caricature of an African American man minstrel. The man is attired in a uniform-like costume of a black top hat with a gold band; a blue jacket with gold buttons and epaulettes and a black belt; white pants; white gloves; and black knee-length boots. He pulls on a red cord for a curtain with his right hand. He carries a pail labeled "Elkhart Paper Pail" in his left hand. The Elkhart Paper Pail Company was founded circa 1883. The factory was damaged by fire in 1886 and 1887. The company rebuilt the manufactory and continued operating into the 20th century., Title from item., Date deduced from history of advertised business., Advertising text printed on verso: "Elkhart paper pail manufactured by the Elkhart Paper Pail Co. Elkhart Ind., U.S.A." Includes illustration depicting a pail with picture of a deer on the front., Gift of David Doret.
Enoch Morgan's Sons Sapolio [graphic].
Racist trade card promoting soap manufacturer Enoch Morgan's Sons Company and depicting African American women domestics cleaning a parlor. Shows an African American woman, attired in a head kerchief; hoop earrings; a polka dotted dress with the sleeves rolled up to her upper arms; and black shoes, on her hands and knees cleaning a floor with a brush in her right hand. There is a wooden bucket beside the woman. In the right, another African American woman, attired in a short-sleeved dress with a bustle and checked skirt, stands cleaning the molding of a doorway with a cloth. In the background is a lit fireplace and mantle with vases on top of it. Enoch Morgan's Sons Company began manufacturing Sapolio soap in 1869 in New York. Peruvian company Intradevco Industrial SA purchased Sapolio in 1997., Title from item., Date deduced from history of the advertised business., Distributor's imprint stamped on recto: Tom S. Culver, Dealer in surplus [?] teas, coffees, [?] and flour. Canned, dried, and [?] vegetables, etc. Choice brands of [?] tobacco. A fine [?] Ithaca, N.Y., Advertising text printed on verso: There is no one article known that will do so many kinds of work in and about the house and do it so well as Enoch Morgan's Sons Sapolio. (Each cake is wrapped in tin foil, and surrounded with Ultramarine Blue Band, and bears the above device.) Always note this. A cake of Sapolio, a bowl of water and a brush, cloth or sponge will make House Cleaning an easy and quick job--Will clean paint and all painted surfaces-- Will clean marble, mantels, tables and statuary-- Will clean oil-cloths, floors, shelves, &c. -- Will clean bath tubs, wash-basins, &c. -- Will clean crockery, glassware, &c. -- Will clean kitchen utensils, of all kinds--Will clean windows without splashing of water -- Will polish tin, brass, and copperwares-- Will polish knives as you wash them-- Will polish all metal surfaces and Will clean all household articles -- and is better and cheaper than soap, emery, rotten stone, &c. Price 10 c. per cake. Illustration of a white man looking at the bottom of a pan that reflects his face as a mirror., Gift of David Doret.
Every body uses Scull's champion coffee [graphic].
Racist trade card promoting William S. Scull & Company’s Champion Coffee and depicting a caricature of an African American man riding a mule while carrying bags of Scull’s coffee. The barefooted man is portrayed with exaggerated features and is attired in a brimmed hat, a polka-dotted, long-sleeved shirt, and plaid pants. He carries large sacks labeled, "Scull’s Champion," underneath each arm as he rides on a mule. In the right perched on a tree, a black crow says to the man, "Every body uses Scull’s Champion Coffee." An owl on another branch of the tree says, "So they do." The man turns his head back towards the birds and remarks in the vernacular, "who said da dont." Joab Scull founded the business which imported, packaged, and distributed tea and coffee in 1831. His son William S. Scull was in charge of the business under the name William S. Scull & Company from 1858 until his death in 1916. They had a large warehouse and mill at Front and Federal Streets, Camden, N.J. William C. Scull succeeded the Company, which changed its name to the Boscul Coffee Company in 1947. R.C. Williams & Co. then acquired the business in 1959., Title from item., Place of publication deduced from place of operation of the advertised business., Date deduced from the history of the advertised business., Advertising text printed on verso: Reason’s why you should use Scull’s Champion Coffee. It is roasted by a new and improved process by which the strength is increased and aroma saved. It is packed hot from the cylinders, in one pound air-tight paper sacks, keeping it free from dust and dampness. It is giving universal satisfaction, and where-ever introduced wins for itself a place among the staple articles of trade. It is warranted full weight, uniform in quality, delicious in flavor, always fresh, always reliable. It is not ground, but the finest grade of Coffee cleaned of all impurities, scientifically roasted and packed hot, in the grain, thereby preserving the full flavor of the berry. It has become the leading Coffee in the country, because it is the best and therefore the cheapest. It is sure to please you. Ask you grocer for it. W.S. Scull & Co., Mills and Warehouse, Camden, N.J., Office, 33 South Front Street, Philadelphia., Distributor’s imprint printed on verso: F.G. Stuart & Co., 144 South 4th St., Phila., Gift of David Doret.
Excelsior metal polish, for polishing and cleaning cutlery, brass, copper, tin ware and all bright steel and metal work [graphic].
Trade card promoting metal polish manufacturer Walpole Emery Mills and depicting a racist caricature of an African American woman domestic polishing cookware. Shows an African American woman portrayed with exaggerated features and attired in a red and yellow striped head kerchief; a blue short-sleeved shirt; a red and yellow shawl; a red skirt; and a white apron with red polka dots, smiling and looking at the viewer. She holds a brush in her right hand and a pot in her left hand. In the left, a brown-haired white woman, attired in a yellow dress with white ruffles at the neck and sleeves and a red bow, bends over a table with a plate in her hands as she looks at the African American woman. In the foreground, two white children look at the reflection of their cat in a polished pan. A boy, attired in a blue Fauntleroy outfit, smiles with his arms apart as he looks down at the pan. A white girl, attired in a white dress decorated with orange bows at the shoulders, sits on the floor and holds the pan up with her right hand. She holds an orange cat with black stripes up to the pan with her left hand. The cat arcs its back with its fur standing up and has its mouth wide open. In the left is an oversized can labeled, "Trademark Excelsior Metal Polish Manufactured by the Walpole Emery Mills 114 Milk Street Boston." On top of the can is another orange cat with black stripes that is arching its back with its mouth open in alarm. In the background is a cupboard with plates and bowls on the shelves. In the right is a table with a large stock pot and lid and a can of metal polish with a skillet hanging from a hook at the front of the table. Walpole Emery Mills, manufacturers of Excelsior metal polish, was founded in 1877 in South Walpole, Massachusetts. The company operated into the 20th century., Title from item., Distributor’s imprint printed on verso: Holway, Wright & Miner, Manufacturers' agents, New York: 167 Chambers Street. Boston: 135 State Street., Advertising text printed on verso: Excelsior metal polish. Acknowledged the cheapest and best article known for cleaning and polishing cutlery, brass, tin ware, and all kitchen utensils, sewing machine plates, nickel plate, bath tubs, copper boilers, bicycles, needles, scissors, carpenter's tools, and all bright metal and steel work. A single trial will prove it to be a household and mechanical necessity. It is neatly put up in tin cans, containing one pound, half-pound and quarter-pound each, with directions for using. Price list. 1/4 lb. cans...10 cents each. 1/2 lb"....15"". 1 lb"...25"". For sale by grocers, druggists, hardware stove and tinware dealers. Illustration of a can of Excelsior metal polish., Gift of David Doret.
Fairbank's rock cordials, positive cure for all lung disorders [graphic].
Trade card promoting Fisher and Fairbanks' patent medicine Fairbanks' Rock Cordials and depicting a racist caricature of an African American man chef in the galley of ship. Shows the man portrayed with exaggerated features and attired in a white chef's hat; a white shirt with the sleeves rolled up to his elbows; a red vest with gold buttons; a white apron; blue pants; and black shoes. He stands holding a spoon in his right hand and with his left hand holds a bowl that is filled with an unidentifiable pink food over a barrel that is being used as a table. He smiles and looks to a blond-haired white girl in the right attired in a pink hat; a black choker; a red dress; a white pinafore; white stockings with red stripes; and black shoes. She carries a doll costumed in a matching outfit and leans to look at the chef mixing. In the foreground on the floor are a pan, a pot with a bowl on top of it, and a spoon. In the background is a stove with a steaming kettle on it and a large chain. In the right, there is a barrel and next to it is a doorway through which we can see a sailor attired in a brimmed hat, a blue jacket, and pants. He stands on the side of the ship and looks through a telescope at the water., Title from item., Date deduced from history of the advertised business., Gift of David Doret.
Fine clothing, for men, youths and boys at the Misfitstore, cor. 10th & F Sts. [graphic].
Racist trade card illustration depicting an African American man minstrel musician to promote a clothing store. Shows the man facing the viewer and playing a recorder. The man is attired in a red cap, a white shirt with the collar turned up, a green bowtie, a brown jacket, blue and white striped pants, and brown shoes., Title from item., Date inferred from content and genre of print., Gift of David Doret.
The Finish [graphic].
Die-cut scrap depicting a racist caricature of an African American man standing next to his crashed two-wheeled cart and horse. Shows the man attired in a white top hat, which is crushed and covering his eyes; a white collared shirt; a white waistcoat; a blue bowtie; a black jacket with tails; white pants; yellow gloves; and black shoes. He stands carrying a whip in his right hand. His left hand clutches his right arm in pain. The right wheel has fallen off of the cart and lies on the ground behind him. The brown horse stands in the right still harnessed to the broken cart., Title from item., Date deduced from the visual content., Duplicate copy of [P.2017.95.268]., Gift of David Doret.
The Finish [graphic].
Die-cut scrap depicting a racist caricature of an African American man standing next to his crashed two-wheeled cart and horse. Shows the man attired in a white top hat, which is crushed and covering his eyes; a white collared shirt; a white waistcoat; a blue bowtie; a black jacket with tails; white pants; yellow gloves, and black shoes. He stands carrying a whip in his right hand. His left hand clutches his right arm in pain. The right wheel has fallen off of the cart and lies on the ground behind him. The brown horse stands in the right still harnessed to the broken cart., Title from item., Date deduced from the visual content., Duplicate copy of [P.2017.95.267]., Gift of David Doret.
Finnerty's, the champion of all root beer extracts, 15c. per bottle. 106 Market Street [graphic].
Racist trade card promoting E.J. Finnerty Jr. & Co.'s patent medicines and depicting a crying African American baby that is suspended from a tree branch. In the center of the image is a baby, attired in a white onesie, that has a white cloth wrapped around their midsection and tied to a blooming cherry tree branch. The baby's eyes are tightly closed, their mouth is open wide, and they grasp a branch of cherry blossoms with their left hand. A straw hat also is on the tree branch. E.J. Finnerty (1863-1901) was a druggist in Philadelphia. He created the firm Finnerty, McClure & Co. in 1891 and continued in the trade until his death., Title from item., Advertising text printed on verso: Go to the old reliable drug store, 106 Market St. Philadelphia, for pure drugs and medicine at the lowest prices. We make a specialty of compounding Physicians' Prescriptions, with great care and promptness. A full line of Perfumes and Toilet Articles always on hand. We will also continue the manufacture and sale of the following well-known and highly recommended remedies: Finnerty's W.C.&H. Expectorant, . Per bottle. Price, 25c. The best remedy for coughs, colds, etc. Finnerty's Beef, Iron and Wine, ... " 50c. The great nutritive tonic. Finnerty's Sarsaparilla, ..." 50c. The best blood purifier. Penn's White Linament, ... 25c. The great rheumatic remedy. Finnerty's Essence Ginger, ... " 25c. The reliable remedy for colic, nausea and debility. Finnerty's Cramp and Diarrhoea Mixture, ... " 25c. A sure cure for cholera morbus and stomach troubles. Finnerty's Liver Granules, ... " 25c. No better in the markey. Finnerty's Catarrh Remedy, ... Per Box 25c. Will cure catarrh, cold in the head and hay fever. Michner's German Dyspepsia Lozenges, ... " 50c. The greatest remedy known for the cure of dyspepsia. E.J. Finnerty, Jr. & Co. Druggists and Manufacturing Chemists., Gift of David Doret.
The First lesson [graphic] : An exceptional offer to the users of Knox gelatine.
Racist trade card promoting Knox Gelatine and depicting an African American woman domestic making a gelatin molded dessert with a white girl. Shows an African American woman domestic attired in a head kerchief, spectacles, a patterned shawl, and a white, long-sleeved shirt, sitting in a kitchen behind a table. She teaches the white girl, attired in a hair bow and a striped dress with a ruffled collar, how to decorate a molded gelatin dessert and places a berry on top it. The girl has a bowl of berries in front of her and holds a spoon with a berry on it. On the table there is a mold, a glass, a lid, a knife, a pitcher, and a box labeled, “Knox’s Gelatine.” In the background is a brick hearth with pots and an oven in the right. Charles B. Knox (1855-1908) of Johnstown, New York discovered a method of granulating gelatine in 1889, which made it practical and easy to use. Charles died in 1908, and his wife Rose Knox ran the company for the next forty years. The Company continues to operate into the 21st century., Title from item., Place of publication from place of operation of advertised business., Publication information and date from the copyright statment: Copyright 1905 By Chas. B. Knox., Advertising text on verso: We have had reproduced in its original colors Harry Roseland’s famous painting, “The First Lesson.” The other side of this card gives only a faint idea of what the picture really is. The large reproduction has twelve (12) distinct colors in it, is reproduced on heavy plate paper having all the appearance of canvas, and it would take an expert to tell it from the original. The original hangs in Mr. Knox’s home, and there are no reproductions of it except those referred to on this card, and if these were on sale in the art stores they would cost at the very least $5 each. The size of the picture is 20 x 27, and it is ready for framing. We want the users of Knox Gelatin to have a copy of this painting and we will send you one upon receipt of ONE empty Knox Gelatine box and 10c in coin or stamps to cover cost of packing and mailing. The supply of these pictures is limited, so if you want one you must act quickly. After receiving the picture, if you are not entirely satisfied with it, return it, and your 10c will be refunded by next mail. Address, Art Department, Knox Gelatine, Johnstown, N.Y., U.S.A. Knox Gelatine is the best Gelatine in the world. It is made from absolutely pure stock; is granulated and can be measured with a spoon like sugar; dissolves in two minutes and mold in half an hour. Each package makes a half gallon of jelly; is clear and sparkling and needs no clarifying. Pink coloring for fancy desserts in every package. It is guaranteed to comply with the National Pure Food Law, and it is always sold under the broad guarantee of “Your Money Back If For Any Reason You Are Dissatisfied.”, Gift of David Doret.
Five Brothers plug tobacco "the best" [graphic].
Racist trade card promoting tobacco manufacturer John Finzer Bros. and depicting an African American girl and a white girl looking at a newspaper together. The two girls sit side-by-side on a stone wall with their naked backsides revealed to the viewer. In the left, the blond-haired white girl is barefooted and attired in a pink hat with blue trim and a short-sleeved pink dress with white lace around the neck and sleeves. In the right, the African American girl is attired in a short-sleeved white dress with blue stripes with lace around the sleeves and gold buttons at the top of the back. Both girls' dresses are open at the back revealing their naked bottoms. They hold a newspaper titled "Tale of Two Cities." The white girl points her finger at an advertisement for "Five Brothers Plug" in the paper. In the foreground are a number of blooming white and pink flowers. In the background several trees are visible. Five Brothers Tobacco Works, later called J. Finzer Brothers Company, was established by the five Finzer brothers: John, Benjamin, Frederick, Rudolph, and Nicholas in 1866 in Louisville, Kentucky. American Tobacco Company acquired the firm in the early 20th century., Title from item., Place of publication inferred from place of operation of advertised business., Date deduced from history of the advertised business., Advertising text printed on verso: The little "Narrative" on the other side is plainly if briefly told. That "Five Brothers Plug Tobacco is the Best" is our opinion. It is certainly the best we can make by employing only the choicest selections out of the highest grade Leaf Tobacco marketed, and using in connection with the same absolutely pure ingredients to produce flavor and a palatable chew. We now want your judgment. Ask for Five Brothers Plug, and we believe you will always use it. John Finzer & Bros. maufacturers, Louisville, Kentucky., Gift of David Doret.
Foh yo' birfday! De sweetest little flowers, dat eber ah saw grew, am climbing up de birfday fence, a-blossomin' foh you! [graphic].
Birthday card depicting a racist caricature an African American girl standing as flowers grow over a fence and towards a house. Shows the African American girl portrayed with exaggerated features and attired in an orange dress with purple polka dots, blue shoes, and blue and orange bows in her hair. At her feet are yellow, purple, blue, and orange flowers. She speaks in the vernacular that the flowers are “climbing up de birfday fence,” which is the yellow fence depicted in the right. The flowers, made of cloth, grow over it and towards a house, which has flowers growing on the roof. The house is blue with green shutters that are falling apart., Title from item., Date deduced from the visual content., Manuscript note on recto: Harold- Henry- Florence, Gift of David Doret.
For the holidays, good dinners, &c., to be had at the Model Coffee House, Chas. Huber, Proprietor. [graphic] No. 48 East Seneca Street, Buffalo, N.Y. Separate room for ladies.
Racist trade card illustration depicting an African American man cook delivering food to a table and two blonde-haired white children trailing him. In the foreground is a table with a red and white tablecloth. Plates of food, trays, and a pitcher are visible on the table. A fish is depicted atop a plate at the center of the table and a tray in the right bears bunches of grapes and bears. Behind the three figures are shrubbery and a trellis covered in leafy vines. The cook is attired in a white chef's hat and uniform and is depicted with exaggerated features. The young white girl dons a red ribbon in her hair. Charles Huber owned a restaurant, Model Coffee House, in Buffalo, New York during the late nineteenth century., Title from item., Date inferred from content and genre of print., Advertising text printed on recto: Separate room for ladies., Gift of David Doret.
[Four African men carrying a white man in a sedan chair] [graphic].
Scrap depicting a racist caricature of four African men carrying a white man in a sedan chair. In the center, seated in the red-cushioned, wooden sedan chair is a brown-haired white man attired in a hat with a blue band, a white shirt, a blue tie, a khaki jacket, khaki pants, and brown shoes. Two bamboo poles hold up the chair, which is carried by four bare-chested, barefooted, African men, attired in white shorts with red stripes. They smile as they run, holding the bamboo poles on their shoulders across a grassy field., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Frank Miller's blacking. [graphic].
Racist trade card illustration depicting an African American man walking down a street past two white male onlookers and with a small white man behind him. The African American man stands tall with his right hand tucked into the breast of his coat and his legs crossed. He carries a cane in his left hand and smokes a cigar. He is attired in a top hat, a collared shirt, a bowtie, a coat, striped slim-fitting pants, and heeled shoes. The two white men stand with their hands in their pockets and are attired in top hats, coats, pants, and dark-colored shoes. The small white man stands in an identical pose to the African American man and carries a box in his left hand. He is attired in a coat, a vest, pants with a patch, and shoes. The African American man is depicted with exaggerated features. Frank Miller & Co. was a New York manufacturer of shoe polish based in Manhattan. The company was founded in the 1860s and continued operating throughout the late 19th century., Title from item., Date inferred from content and genre of print., Text printed on recto: Over., Advertising text printed on verso: Frank Miller's peerless black[in]g. This article will fully meet the requirements [of the] dealer and consumer, as to quality and appearance, [for] the general consumption of the country. It gives a quick [radiant], jet black gloss, without injury to the [?]. Frank Miller's improved French blacking gives a quick, brilliant and durable polish with positive nourishment to the leather. It is different in composition from common blackings, being based upon the French pro-cess, with every vluable feature of the French style retained, while such improvements have been made as to insure a dryer and more durable gloss, with increaed pliability of the leather., Gift of David Doret.
Frank Miller's crown dressing. [graphic] : Yes missus dat am de Crown of Dressing shua!
Racist trade card depicting an African American maid shining a white woman's boots. The African American woman is depicted in profile and holds a bottle of Frank Miller's Crown Dressing in her left hand. The white woman holds up the skirt of her dress to reveal her left boot. The maid is attired in a head wrap, a dress with the sleeves rolled, an apron, and flat shoes. The white woman is attired in a ruffled, dark-colored dress, flowers in her hair, and leather boots. A bottle of Frank Miller's Crown Dressing sits atop an ornamented table. A bottle of Frank Miller's Crown dressing is also printed on the verso. A tassel is visible above the bottle and a curtain is visible behind it. Frank Miller & Co. was a New York manufacturer of shoe polish based in Manhattan. The company was founded in the 1860s and continued operating throughout the late 19th century., Title from item., Printed in red ink., Distributor's imprint printed on recto: John Cottrill, boots, shoes, trunks, &c, Wallingford, Conn., Advertising text printed on verso: Frank Miller's Crown Dressing in 4-oz. bottles, with wire, sponge, and cork. Gives a rich gloss, with a deep and durable color. While most dressings crack the leather, the Crown does not injure it in the least, and for ladies' and children's boots and shoes is rapidly displacing all others., Gift of David Doret.
Frank Miller's crown dressing. [graphic] : Well dis chile am 'stonished at his own genius- dat Frank Miller must be a conjuror-shua!
Racist trade card depicting an African American man cobbler in a shop setting. Shoes the boy-faced man shining a boot from a counter lined with shoes and boots. He looks out toward the viewer, and holds a dabber in his right hand and the boot in his left. To his left is the counter of footwear along the wall. A chest, boxes, and a bag are visible in the right foreground. In the left are several pairs of shoes and boots strewn in a pile on the ground in front of a counter on top of which a bottle of Frank Miller's Crown Dressing rests. The cobbler is attired in a collared shirt, striped pants, an apron, and leather shoes. Frank Miller & Co. was a New York manufacturer of shoe polish based in Manhattan. The company was founded in the 1860s and continued operating throughout the late 19th century., Title from item., Date inferred from content and genre of print., Advertising text printed on verso: Frank Miller's Improved French Blacking. Gives a quick, brilliant, and durable polish, with positive nourishment to the leather. It is different in composition from common blackings, being based upon the French process, with every valuable feature of the French style retained, while such improvements have been made to insure a dryer and more durable gloss, with increased pliability of the leather. Frank Miller's Crown Dressing. An invaluable preparation for restoring ladies' and children's boots, shoes, rubbers, travelling bags, and all black leather goods that are soiled or worn by age or use, to their original beauty of finish and softness. Frank Miller's Leather Preservative and Water-proof Blacking. This blacking is not designed to produce a polish, but to render the leather soft, pliable, water-proof, and much more durable. For more than forty years it has been the reliance of farmers, miners, sportsmen, lumbermen, soldiers, and outdoor laboring men. It does away with the necessity of using rubbers, which are expensive, uncomfortable, and destructive to health and leather. This is the only article designed for this purpose which has met with universal approval. Frank Miller's Peerless Blacking. This article will fully meet the requirements of the consumer, as to quality. It gives a quick, brilliant, jet black gloss, without injury to the leather., Gift of David Doret.
Frank Miller's crown dressing. [graphic] : Yes missus dat am de Crown of Dressing shua!
Racist trade card depicting an African American maid shining a white woman's boots. The African American woman is depicted in profile and holds a bottle of Frank Miller's Crown Dressing in her left hand. The white woman holds up the skirt of her dress to reveal her left boot. The maid is attired in a head wrap, a dress with the sleeves rolled, an apron, and flat shoes. The white woman is attired in a ruffled, dark-colored dress, flowers in her hair, and leather boots. A bottle of Frank Miller's Crown Dressing sits atop an ornamented table. A tassel is visible above the bottle and a curtain is visible behind it. Frank Miller & Co. was a New York manufacturer of shoe polish based in Manhattan. The company was founded in the 1860s and continued operating throughout the late 19th century., Title from item., Several lines of advertising text printed on verso; text is not visible., Gift of David Doret.
Frank Miller's crown dressing. [graphic] : Yes missus dat am de Crown of Dressing shua!
Racist trade card depicting an African American maid shining a white woman's boots. The African American woman is depicted in profile and holds a bottle of Frank Miller's Crown Dressing in her left hand. The white woman holds up the skirt of her dress to reveal her left boot. The maid is attired in a head wrap, a dress with the sleeves rolled, an apron, and flat shoes. The white woman is attired in a ruffled, dark-colored dress, flowers in her hair, and leather boots. A bottle of Frank Miller's Crown Dressing sits atop an ornamented table. A bottle of Frank Miller's Crown dressing is also printed on the verso. A tassel is visible above the bottle and a curtain is visible behind it. Frank Miller & Co. was a New York manufacturer of shoe polish based in Manhattan. The company was founded in the 1860s and continued operating throughout the late 19th century., Title from item., Printed in red ink., Advertising text printed on verso: Frank Miller's Crown Dressing in 4-oz. bottles, with wire, sponge, and cork. Gives a rich gloss, with a deep and durable color. While most dressings crack the leather, the Crown does not injure it in the least, and for ladies' and children's boots and shoes is rapidly displacing all others., Gift of David Doret.
Fred C. Davis, land surveyor and insurance agent, Felchville, VT., will insure against all kinds of accidents [graphic].
Trade card promoting surveyor and insurance agent Fred C. Davis and depicting a racist caricature of an African American man on a horse-drawn plow. Shows the man barely seated, leaning back, and with his legs in the air on the plow. He holds broken reins in his hands to a brown horse running away in the left. The man is depicted with exaggerated features. His mouth is open in alarm. He is attired in brown boots, blue checked pants and shirt, and a brown vest. His hat has flown off his head behind him. The roof of a house is visible in the left background. Fred C. Davis was an insurance agent in Vermont circa 1884 - circa 1921., Title from item., Series number on recto: 468., Text printed on recto: Over., Text printed on verso: Insurance companies represented. Assets January 1, 1888. Phoenix, of Hartford...$4,778,469.00. Phenix, of Brooklyn... 5,054,179.51. North British & Mercantile, of London and Edinburg... 3,301,747.00. New England, of Rutland... 125,414.40. Vermont Mutual...3,530,434.82. Fitchburgh Mutual. Travelers (Life and Accident) of Hartford...9,111,589.68., Gift of David Doret.
Friday. Use Higgins' soap in de mornin, a washin of de winder, for wif good soap and a merry heart, dar's nothin for to hinder [graphic].
Racist trade card promoting Higgins' soap and depicting a caricature of an African American woman domestic washing a window. The woman is portrayed with exaggerated features and speaks in the vernacular. Shows the African American woman with her hair in pigtail braids tied at the ends in white bows, attired in an orange and yellow striped head kerchief; a red and white shawl; a blue, short-sleeved shirt with black stripes; an orange and yellow checked skirt; yellow, red, and white striped stockings; and black shoes. The woman sits on the window ledge with her legs crossed at the ankles. Her upper body is outside of the house as she washes the exterior of the window with a white cloth. The woman smiles at the viewer and says, “Use Higgins' soap in de mornin, a washin of de winder, for wif good soap and a merry heart, dar's nothin for to hinder.” In the right is a wooden bucket with a bar of soap labeled, “Higgins Soap,” on top of a wooden stool. The Charles S. Higgins Company, established by Higgins’s father W. B. Higgins in Brooklyn in 1846, manufactured "German Laundry soap" beginning around 1860, when Charles assumed the business. The laundry soap was packaged in a wrapper illustrated with an African American woman washing in a tub. By the early 1890s, Charles S. Higgins left the firm still operated under his name and formed Higgins Soap Company. Court proceedings over trademarks and tradenames ensued and Higgins Soap Company became insolvent by the mid 1890s., Title from item., Date deduced from history of the advertised business., Gift of David Doret.
Gately & Britton, (limited,) largest installment house in Reading, no. 940 Penn Street [graphic].
Racist trade card promoting Gately & Britton's home furnishing store in Reading, Pa. and depicting a caricature of an African American boy sitting against a fence post eating a large slice of watermelon. Shows the boy squatting on his toes and smiling at the viewer as he holds a piece of watermelon in both hands. He has taken the melon out of a field of watermelon plants surrounded by a barbed wire fence. He is attired in a torn straw hat, blue shorts with a patch, and only the partial sleeves of a red and white striped shirt. The rest of the shirt has ripped and hangs from the barbed wire in the left. On the ground in the left is the watermelon with a slice cut from it with the handle of a knife protuding out of it. In the right is a small, white and brown dog. Edward Gately and G.M. Britton established a home furnishings store called Gately & Britton at 940 Penn Street, Reading, Pa. in 1887. The business continued operating into the 20th century., Title from item., Place of publication deduced from place of operation of advertised business., Publication information and date from copyright statement: Copyrighted 1887 by Chas. Brown., Series number on recto: C-762., Gift of David Doret.
The "Gem" freezer [graphic].
Racist trade card illustration depicting an African American woman maid serving two bowls of freshly churned ice cream on a tray to two white children sitting at a table with a white tablecloth. The girl is attired in a yellow dress with a white and purple ruffled collar and a white ribbon in her hair. She sits with her hands folded. The boy is attired in a long sleeved purple shirt and a white bib. He holds a spoon in his right hand and reaches his left hand out toward the maid. The maid is attired in a red headwrap, gold hoop earrings, a white collared shirt with a bowtie, a blue long sleeved dress, and a white apron. On the verso of the trade card is a black and white illustration depicting a "Gem" freezer. The "Gem" freezer was manufactured by the North Brothers Manufacturing Company, which was based in Philadelphia and owned by Selden Gladwin North, Ralph H. North, and Frank H. North. The company was founded in 1878 and became a major manufacturer of various kitchen appliances., Title from item., Date inferred from dates of operation of business., Note written in manuscript on verso., Advertising text printed on verso: The "Gem" freezer. The best in practical use, because convenient, compact in size, use for smallest amount of ice and salt, run easily, freeze quickly, produce smoothly frozen creams or desserts with little bother and less work. The Pails have electric-welded wire hoops, guaranteed not to break or fall off; the cans are made of heavy tinplate with drawn steel bottoms that are guaranteed not to fall out or break and do not leak, the strongest and most durable freezer can made; the automatic twin scrapers by their positive action insure perfect scraping of frozen particles from side of can as rapidly as formed without injury to can or scrapers. All inside parts are heavily coated with pure block tin, and outside parts all thoroughly galvanized. A recipe book with complete directions for making over 100 ice creams, water ices, sherbets and other desserts packed in each freezer. W.E. Sturges, Phoenixville, PA., Gift of David Doret.
George Miller & Son, wholesale confectioners, 610 & 612 Market street, Philadelphia [graphic].
Racist trade card promoting confectioner George Miller & Son and depicting a caricature of an African American man playing the violin. Shows the man portrayed with exaggerated features and attired in a white shirt, white pants with suspenders, and a long blue coat with an oversized, red and white striped collar. He sits on a red stool with his left leg straight out and his foot keeping time. He holds the bow in his right hand and cradles the violin under his chin as he plays. George Miller (1803-1891) established a confectionery in Philadelphia in 1833. The firm became George Miller & Son when George's son Charles B. Miller joined the business. In 1876, George retired, and his grandson William D. Miller joined the firm in 1877. The business moved from 610-612 Market Street to 255-257 South Third Street in 1888. In 1906, Union National Bank President William H. Carpenter acquired the firm., Title from item., Place of publication deduced from place of operation of the advertised business., Date inferred from history of the advertised business., Advertising text printed on recto: Established 1833. Manufacturers of pure candies. The best goods for the money., Gift of David Doret.
G.F.H. Guth, dealer in first class pianos, organs, sewing machines and musical merchandise [graphic].
Racist trade card promoting G.F.H. Guth's musical instruments retail store and depicting a caricature of an African American man on a farm with a horse-drawn plow driven and guided by dogs. Shows an African American man, attired in a hat, an orange plaid collared shirt, black pants, and black shoes, holding a whip and overseeing plowing on a farm. In the center is a team of two white horses pulling a plow. On top of the plow is a large, black dog wearing a collar and holding the reins to the horses in his mouth. Numerous lines of furrows can be seen in the ground. In front of the plow, a small, white dog wearing a collar guides the horses. Granville Francis Hiram Guth (1860-1939) owned a store in Allentown, Pa. selling pianos, organs, and musical instruments and also worked as a job printer. His store appears in the directories in the late 1880s to 1890s., Title from item., Place of publication inferred from place of operation of advertised business., Date deduced from history of the advertised business., Advertising text printed on verso: [Only] first-class makes on hand. No poor ones [in stock.] [Speci]alties. Behr Bros. Pianos. Farrand & Votey Organs. [Standard Rotary Shuttle Sewing Mach’s. 830] Ham[ilton St. All]entown [PA.], Text printed on the verso has been torn and damaged., Guth's imprint is stamped on recto: G.F.H. Guth, Music dealer, 830 Hamilton St., Allentown., Distributor’s imprint printed on verso: D.D. Halman, Salesman., Series number printed on the recto: 468., Gift of David Doret.
G.F.H. Guth, dealer in first class pianos, organs, sewing machines and musical merchandise [graphic].
Racist trade card promoting G.F.H. Guth's musical instruments retail store and depicting a caricature of an African American man on a farm with a plow driven by hogs. Shows an African American man, attired in a hat, an orange shirt with black polka dots, blue plaid pants, and black shoes, behind the plow and guiding it by the handles. In the right a team of three pigs pulls the plow. An African American woman, attired in a white head kerchief, a blue dress, and an apron, watches the scene with alarm. She throws her hands up in the air and opens her mouth in exclamation. In the right background, a white house is visible. Granville Francis Hiram Guth (1860-1939) owned a store in Allentown, Pa. selling pianos, organs, and musical instruments and also worked as a job printer. His store appears in the directories in the late 1880s to 1890s., Title from item., Publication information and date from the copyright statement: Copyright 1884 by J.H. Bufford's Sons., Guth's imprint is stamped on recto: G.F.H. Guth, Music dealer, 830 Hamilton St., Allentown, PA., Distributor’s imprint printed on verso: D.D. Halman, Salesman., Series number printed on the recto: 468., Advertising text printed on verso: G.F.H. Guth, Dealer in first class pianos, organs, sewing machines and musical merchandise. Only first-class makes on hand. No poor ones in stock. Specialties. Behr Bros. Pianos. Farrand & Votey Organs. Standard Rotary Shuttle Sewing Mach’s. 830 Hamilton St. Allentown PA., Gift of David Doret.
Go to Dives, Pomeroy & Stewart's for the lowest prices in dry goods & notions, 442 & 444 Penn Street, Reading, Pa. [graphic].
Racist trade card promoting Dives, Pomeroy & Stewart's dry goods store and depicting a caricature of African American boys with a donkey. Shows a barefooted boy, attired in pants with a hole at the knee, a shirt, and a jacket, sitting atop a donkey that is kicking its hind legs into the air. The boy looks down wide-eyed and with a worried countenance and holds the handle of a large banner with the advertising text in his right hand. In the left, behind the donkey, another boy crouches on his hands and knees on the ground and looks up at the rear of the donkey. He is barefoot and attired in pants and a jacket. Josiah Dives, George Strickland Pomeroy, and John Stewart opened their dry goods store in 1876 in Reading, PA. In 1880, the store moved to 442 & 444 Penn Street. Hahn Department Stores bought the company in 1934., Title from item., Date deduced from history of the advertised business., Series number on recto: 493., Manuscript note annotating title on recto: Reading, Pa., Gift of David Doret.
Go to Edelman's for your kid gloves, zephyrs, ribbons and hosiery, 335 Northampton St., Easton, PA. [graphic].
Trade card promoting Edelman's store and depicting a satiric, racist caricature of an older African American man misunderstanding an operator to whom he speaks on a wall-mounted telephone. He faces the viewer, leans against the wall, and remarks in vernacular speech "dis chile's rich...dis man... gib me de city hall." The man is balding and has tufts of hair on the sides of his head. He has a white beard and is attired in a beige coat, an undersized, green vest with buttons, and blue plaid pants rolled up at the bottom exposing his socks and black shoes. On the ground beside his feet is a banjo and brimmed hat. M.A. Edelman had a shoe store on 146 Northampton Street, Easton, PA circa 1871. Circa 1880s, he opened a store selling women's accessories on 335 Northampton Street., Title from item., Publication information from copyright statement: Copyright 1883 by J H. Bufford's Sons., Text printed on recto: Golly! I guess dis chile's rich- dis man him say wait a minute and him gib me de city hall., Gift of David Doret.
Gold Dust Washing Powder. [graphic].
Racist die cut trade card illustration advertising a cleaning agent. Image depicts a pair of smiling identical twin African American boys sitting in a wooden tub filled with soapy water. The boys each have an arm wrapped around one another and the boy on the right rests his left arm on the edge of the tub. The boys are both depicted with exaggerated features. Gold Dust Washing Powder was created in the late 1880s by the Nathaniel Kellogg Fairbank Soap Company, which was based in New York, and was distributed by the Lever Brothers Company, which was based in Cambridge, Massachusetts. The "Gold Dust Twins," "Goldie" and "Dustie," were introdued in the 1890s and were the faces of the brand until the 1950s., Title from item., Date inferred from dates of operation of business., Advertising text on verso: Best purest Gold Dust Washing Poweder does more work in less time with less labor than any other at less than half the cost. Buy our large package--it means economy to the consumer. See that the trade mark The "Twins" is on every package. Made only by The N.K. Fairbank Company, Chicago. St. Louis. New York. Boston. Philadelphia. Montreal., Gift of David Doret.
Gold Medal Coffee is the purest and best [graphic].
Racist trade card promoting Gold Medal Coffee and depicting a caricature of an African American man wearing a sandwich board. The man is portrayed with exaggerated features and is attired in a green hat with a red band and feather, a red shirt with a white collar, blue pants, and brown shoes. A sandwich board is draped over his shoulders. The back board reads, "Gold Medal Coffee is the purest and best." He turns his head back and looks at the viewer. T.H. Butler and G.W. Earhart began manufacturing coffee as Butler, Earhart, & Co. in Columbus, Ohio in circa 1870 and produced and advertised their Gold Medal Coffee., Title from item., Place of publication deduced from place of operation of the advertised business., Date deduced from the history of the advertised business., Gift of David Doret.
Golden Cottolene, N.K. Fairbanks & Co. Chicago. [graphic].
Racist trade card illustration depicting a short-haired African American girl picking cotton. Surrounding the image are cotton leaves, buds, and bolls. The girl carries a large, overflowing bale of cotton in the skirt of her apron and stands on her left leg while kicking her right leg outward. Visible in the right corner of the image is a tin bucket of Golden Cottolene. The girl is attired in a red and blue striped collared dress, a yellow striped apron, red socks, and black heeled boots. She is depicted with exaggerated features. Golden Cottolene shortening was was manufactured by N.K. Fairbank & Co., which was based in Chicago during the late 19th century and purchased by American Cotton Oil in 1875. The manufacturing plant in Chicago was closed in 1921., Title from item., Advertising text on verso: Directions for using Fairbank's Cottolene. Health! Purity! Economy! Cottolene, the new and popular health food, is rapidly superseding lard and butter as a cooking fat, being healthier, cleaner and more economical. Use in every place and in the same manner that lard and butter is used in cooking, taking only two-thirds (2/3) of the amount that would be required of the above mentioned articles. If more is used it is wasted. For cake making treat in the same manner as butter, i.e., creaming it with sugar, adding a little salt, for Cottolene contains none. For frying put the Cottolene in a cold pan or kettle allowing the fat to gradually come to a cooking point. This will prevent burning. Cottolene reaches a cooking point without any sputtering or smoking and quicker than lard with the same heat, and therefore care should be taken that it does not become too hot. Beware of imitations. The N.K. Fairbank Co. Chicago, St. Louis, New York, Boston, Philadelphia & Montreal. Recipe for New England Doughnuts. 1 cup sugar. 2 eggs beaten light and mixed with the sugar. 2 teaspoonfuls melted Cottolene. 1/2 cup milk. 2 teaspoonfuls baking powder. 1/2 teaspoonful salt. 1 salt-spoonful cinnamon. Flour enough to roll. Add the milk alternately with the flour. Have the kettle three-quarters (3/4) full of Cottolene, hot enough to brown a piece of bread in half a minute, or while you count sixty. Drop in the doughnuts and fry till brown., Gift of David Doret.
Granite floor paint. Manf'd only by Acme white lead & color works, Detroit, Mich. [graphic].
Trade card containing two panels and depicting a contrived, racist scene of two African American women domestics talking to each other from the kitchens of the respective, separate homes in which they work. The women are portrayed with caricaturized features and speak in the vernacular. They are attired in head coverings, sheath dresses with rolled-up sleeves, aprons, stockings, and slipper shoes. The depicted kitchens contain a sink, pans stored on hooks or a shelf, and a stove. In the left panel, the woman frowns and holds a kettle in one hand and the side of her skirt in the other. She stands "like a monument" on a floor "painted tree days now" and marked with her footprints. In the background, a white man, his mouth open in a shocked expression, and attired in a suit opens the door to the kitchen. In the right panel, the woman dances with one leg raised and her hands on her hips on a floor with "hard 'nuf" Granite Paint. In the background, a smiling white man attired in a suit looks on behind an open door to the kitchen. Separating the panels is a column of red cans labeled "Granite Floor Paint." Acme White Lead and Color Works was incorporated in Detroit in December 1884, by H. Kirke White, A.E.F. White, and W.L. Davies. In March 1920, Sherwin-Williams of Cleveland purchased the company and renamed the brand Acme Quality Paints. The firm continued under that name into the 21st century., Title from item., Text printed on recto: G'way chile! Dis floor been painted tree days an now I'se stuck fas' like a monument, why dont you use de Granite Paint? Law sakes only painted las' night and dat Granite Paint am hard 'nuf dis mawnin fur a breakdown., Advertising text printed on verso: Granite Floor Paint. You have undoubtedly in your experience, had an occasion to paint a floor, steps or a piazza. If such is the case, the chances are that you realize that the same paint used for painting the exterior of houses will not answer to paint floors, yet up to the time we invented the Granite Floor Paint that was what must be used. There are three great faults with the paints heretofore used, namely: First, they require a long time to dry, which causes great inconvenience; second, they never dry perfectly hard, and consequently will not wear; third, cold water will stain, hot water blister, and soap will to a certain extent remove them. After many long and costly experiments we succeeded in perfecting the Granite Floor Paint, and present it to the public with the assurance that it has none of the above faults. It is sure to become as great a favorite as our other popular specialty, "Neal's Carriage Paint," which is prepared ready for use in eight beautiful colors, and renders the re-painting of a buggy possible at a cost of not to exceed one dollar. Acme White Lead and Color Works, Sole Manufacturers, Detroit, Michigan., Distributor’s name on verso: For sale by Thorne & Rogers, Troy, N.Y., Gift of David Doret.
The guessing. Smith, Stevenson & Co., Byxbee house block, Meriden. [graphic].
Racist trade card illustration advertising a competition to guess the weight of a horse. Image depicts a smiling African American child peering out from beneath a folded blanket with fringe. The upper left corner of the blanket is folded and bears advertising text and the word "Honey." Underneath the folded flap of the blanket is a branch with two roses. The child is depicted with exaggerated features. Smith, Stevenson & Co. was a clothing store in Meriden, Connecticut., Title from item., Advertising text on recto: I's gwine to guess de weight ob Meriden Girl, shuah!, Advertising text on recto: The Guessing on the weight of the bay mare Meriden Girl, will close Thursday, December 21st. We make this announcement that all may have a chance to guess before the box is closed. The mare will be weighed Christmas morning as before stated., Gift of David Doret.

Pages