Collection of 250 portrait photographs on postcard stock depicting residents of South Philadelphia and Kensington by amateur photographer John Frank Keith (1883-1947), ca. 1910-ca. 1940. Keith documented hundreds of, typically unidentified, working-class Philadelphians, individually, and as groups standing on sidewalks, in front of streetscape, and sitting on stoops. The majority of photographs date to the 1920s and show men, women, and children.

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Woman sitting on wooden steps holding a puppy, Philadelphia.
Portrait of a smiling, well dressed young woman with a puppy in her arms sitting on wooden steps in Philadelphia. She wears a dark velvet blouse with a silk pleated skirt, white stockings and dark high heels. Behind her is a carved wood door and brick house., The unidentified young woman is also the subject of John Frank Keith photographs P.8649.23 and P.8649.36, in which she wears the same clothing., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Woman standing in front of brick house with stone porch, Philadelphia.
Portrait of a young woman with dark hair wearing a two-piece dress standing in front of a stone porch in Philadelphia. Her blouse is plain with an inset of striped fabric and some embroidery. The skirt is full-length and made of striped fabric. Patent leather shoes complement her dress. Behind her is a decorative iron grille on a cellar window., Defender postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 228., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Woman standing in front of window, Philadelphia.
Portrait of a young woman with neatly combed hair and a dress with pleats and matching jacket standing in front of a screened window and a screened cellar window in Philadelphia. The jacket is a bit blurred because of the wind. There is a big bow at the neck of her dress and she also wears a bead necklace and holds a purse. The window frame is very worn and in need of paint. A lace curtain hangs in the window behind her., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Woman standing on sidewalk in front of porch, Philadelphia.
Portrait of a woman dressed in an ankle-length pleated skirt with a dark jacket and a light-colored vest standing in front of a porch in Philadelphia. She also wears a hat with a pompom on top, dark leather gloves, and laced up dress shoes. She stands in front of a large brick house with a porch over a stone foundation. The cellar window is protected by a wrought iron screen., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Woman standing on wooden steps with her dog, Philadelphia.
Portrait of an overweight woman in a cotton housedress standing with her dog on the wooden steps of a house in Philadelphia. She has the dog on a leash. The dog sits quietly, posing for the photographer., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Woman with boy sitting on stoop, Philadelphia.
Group portrait showing a woman with her arm around a little boy, sitting on a wooden stoop in Philadelphia. She wears a white blouse with long sleeves and a dark straight skirt with buttons down one side. He wears a ribbon bow tie, dark knee-length pants, dark stockings, and ankle-high shoes., Kruxo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 231., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Woman with curly hair holding infant, Philadelphia.
Group portrait showing a woman with curly hair in a dark chiffon dress holding an infant in Philadelphia. The baby wears a bouffant dress trimmed with lace., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Woman with infant in front of stone porch, Philadelphia.
Group portrait showing a young woman in a winter coat standing outside a brick house with a stone porch in Philadelphia holding a baby, also dressed for winter, except the child isn't wearing a hat. The house has stained glass windows., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Woman with infant sitting on steps, Philadelphia.
Group portrait showing a woman holding an infant sitting on worn brownstone steps in Philadelphia. While the woman wears a sleeveless dress, the child wears a cap and long-sleeved coat or jacket. The image of the woman is blurred as the wind blows her hair about. The door behind them is in dire need of paint., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Woman with two children sitting outside a wooden house, Philadelphia.
Group portrait showing a woman, possibly a mother, with two children posing outside a wooden house in Philadelphia. The older child is a little girl with a big bow in her short hair. She wears a cotton dress with long white stockings. The younger child, sitting on the woman's lap, is probably a bit over a year old. It is dressed with a knitted or crocheted cap and a long coat with long stockings. The woman's hair is messy. She wears her apron over her lacy blouse. All three subjects have pleasant expressions on their faces., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Young child standing in front of brick wall, Philadelphia.
Portrait of young child about three years old with neatly parted slicked down hair wearing a clean baggy playsuit with long sleeves, long white stockings, and ankle-high dark shoes standing on a sidewalk in Philadelphia. There is graffiti on the brick wall behind the subject and weeds protruding from the brick sidewalk., Cyko postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 233., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Young girl and dog sitting on marble steps, Philadelphia.
Portrait showing a girl, about ten years old, with her arm around a black dog beside her, sitting on marble steps in Philadelphia. She wears a dress, white stockings, white shoes, and a bow in her hair. Behind her is an open door leading into a house, and on both sides of the steps are railings topped with flower boxes., Photographer's imprint stamped on verso: John Frank Keith, 2042 North 6th St., Phila., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Young girl holding large bouquet of gladiolas, Philadelphia.
Portrait of a girl in a printed summer dress posing in front of brick house in Philadelphia while holding a very large bouquet of gladiolas., The girl is also the subject of John Frank Keith photograph P.8649.38., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Young girl in white dress standing in front of window, Philadelphia.
Portrait of a young girl wearing a sleeveless white dress and white socks with patent leather shoes standing in front of a window in Philadelphia. There is a wreath of flowers on her head. She may be dressed for her First Communion or confirmation., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Young girl standing on sidewalk in front of window, Philadelphia.
Portrait showing a little girl, about six years old, standing on a sidewalk in front of a window and cellar door in Philadelphia. She wears a soiled dress, dark stockings, and worn shoes., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Young girl standing outside a house, Philadelphia.
Portrait of a girl about seven or eight years old, dressed in a plaid, summer dress with white stockings, white shoes laced up to her calves, and a big bow in her hair, standing in front of a brick house in Philadelphia. Beside her is a doorway to a cellar. The brick sidewalk underneath her feet is old and set in the herringbone pattern., Artura postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 225., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Young man and child in front of brick wall, Philadelphia.
Group portrait showing a young man in workman's clothes and wearing a workman's hat squatting down and holding a little child on its feet on a sidewalk in Philadelphia. The child is dressed in a winter coat and knitted or crocheted hat., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Young man and two girls standing in front of brick wall and windows, Philadelphia.
Group portrait showing a young man wearing a suit and hat standing in between two girls in front of a brick wall and windows in Philadelphia. The girls wear ankle-length checked aprons. All three subjects are smiling., Photographer's imprint stamped on verso: John Frank Keith, 824 Sentner St., Crescentville, Phila., Pa., Kruxo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 231., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Young man and woman standing in front of a brick house, Philadelphia.
Group portrait showing a young couple with their arms around each other smiling at the camera in front of a brick house in Philadelphia. The man is dressed in his workman's cap and suit, minus the jacket. The woman is dressed in a cotton cap and torn and soiled dress., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Young man in cardigan sweater sitting on marble steps, Philadelphia.
Portrait showing a young man wearing a cardigan sweater and holding a hat in his hands, sitting on marble steps in front of a door in Philadelphia. There is graffiti on the brick wall of the house behind him., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Young man in cardigan sweater sitting on wooden stoop, Philadelphia.
Portrait showing a young man with neatly combed hair wearing a cardigan sweater, sitting on wooden steps in front of a door in Philadelphia., Ms. note on verso: Tooey, Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Young man in sailor uniform holding infant on wooden stoop, Philadelphia.
Group portrait showing a young man wearing a sailor suit sitting on a wooden stoop and holding a baby between his knees. The baby is dressed in a knitted wool jacket and tassled cap, which obscures part of the man's face., Cyko postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 233., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Young man in suit sitting on marble steps, Philadelphia.
Portrait of a young man wearing a suit, tie, and a carnation in his lapel sitting on marble steps in front of a door in Philadelphia. His thick hair is parted in the middle and combed down. He sits on the top marble step, his hands clasping his knees. The marble steps have been kept clean., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Young man in suit standing in front of brick house, Philadelphia.
Portrait of a young man in his late teens or early twenties standing in front of a brick house in Philadelphia. He smiles and wears a workman's cap at an angle. The jacket of his dark suit is unbuttoned. The brick house behind him is in need of a bit of sprucing up, especially the mesh which covers the cellar window., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Young man in sweater standing in front of brick house, Philadelphia.
Portrait of a young man in pressed trousers, polished shoes, a pullover sweater and bow tie on his shirt standing in front of a brick house in Philadelphia. His hair is neatly combed and he has a slight smile on his face. A neighboring woman watches from inside, peering through her window., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Young man seated on stone support of porch steps, Philadelphia.
Portrait of a young man holding a cigar in his hand sitting on the stone porch steps of a house in Philadelphia. He wears a three-piece suit with a striped bow tie. His hair is parted on the side and slicked down. On the porch itself, at the edge of the scene, are a young man in a workman's cap and a young girl holding a baby., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Young man sitting on stoop, Philadelphia.
Portrait of a young man, possibly Frankie Paul, wearing a suit, bow tie, and workman's cap sitting on wooden steps in front of a door in Philadelphia. His dress shoes are brightly polished and he holds a cigarette in his left hand., Ms. note on recto: Frankie Paul, Photographer's imprint stamped on verso: John Frank Keith, 2042 N. Sixth St., Philadelphia, Pa., Kruxo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 231., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Young man standing before a storefront, Philadelphia.
Portrait of a tall young man with dark hair, hands behind his back, standing in front of a store window. The subject is dressed in shirtsleeves and dark trousers. He stands on the metal sidewalk door to the cellar. In the store window are two bottles of "Sunbeam Water" and a few other commodities., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Young man standing beside a wooden fence and house, Philadelphia.
Portrait of a young man wearing a double-breasted jacket with a high collar shirt, wide tie, and checked cap standing in front of a wooden picket fence in Philadelphia. Behind him is a window with a striped awning opened over it., Ms. note on recto: Robinson, Cyko postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 233., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Young man standing in front of board fence, Philadelphia.
Portrait showing a young man, in his twenties, wearing a striped shirt with sleeve garters and no collar or tie standing in front of a wooden fence in Philadelphia. He holds his workman's cap and a sprig of flowers. His hair is neatly combed. Two pens are in his vest pocket. The blurred image of a little girl is visible to the left., Artura postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 225., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Young man standing in front of wooden house, Philadelphia.
Portrait of a young man, identified as "Walt Bright," about 20 years of age, standing in front of a wooden house. He holds a cap in his hand and is wearing a dark shirt (no tie), a jacket and trousers. His shoes are in need of a polish. The house behind him is of very worn clapboard in need of paint. The shutters are in need of paint as well and the foundation, of brick and cement, appears to have a break in it., Ms. note on recto: Walt Bright, Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Young mother holding infant standing in front of church, Philadelphia.
Group portrait showing a young mother in a dark dress, her hair combed very neatly, standing and holding a baby in front of a church in Philadelphia. The baby wears a very pretty summer cap, a ruffled white dress, white stockings and shiny patent leather shoes. The iron fence surrounding the church was made by Field & Todd, Phila., Ms. note on mount: St. John's Church 3rd & Reed S. Phila., Artura postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 225., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Young woman standing in bathing suit, Philadelphia.
Portrait of a young woman with dark wavy hair posing in her woolen bathing suit in front of a house in the country. She also wears high heeled leather shoes. She stands in the grass in front of the porch of a wooden house. In the background is some other greenery., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Young woman standing in front of brick wall and windows, Philadelphia.
Portrait showing a young woman standing in front of a brick house in Philadelphia, in between two windows on the first floor and two cellar windows. She wears a dress with two large pockets, a wide fabric belt, and a ruffle collar around the neck, and white shoes laced up to her calves with white stockings. The cellar windows are protected by wrought iron screens., Photographer's imprint stamped on verso: John Frank Keith, 2042 North 6th St., Phila., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Young woman standing in front of stone wall, Philadelphia.
Portrait of a young woman posing in a two-piece dress in front of the stone wall of a porch in Philadelphia. She wears stockings and high-heeled shoes. Her dark hair is cut short. The large cellar window behind her is protected by a carefully painted wrought iron screen., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Young woman standing in front of window, Philadelphia.
Portrait of a young woman, about twenty years of age, dressed in a dark velvet overblouse, a light-colored pleated silken skirt and dress shoes, standing, hands on hips and smiling, in front of a window of a brick house in Philadelphia. In the window two children and an adult watch from inside the activity outside on the sidewalk. The cellar window is protected by a wrought iron screen which is attractively painted., The unidentified young woman is also the subject of John Frank Keith photographs P.2008.10.92 and P.8649.36, in which she wears the same clothing., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Young woman standing in front of window, Philadelphia.
Portrait showing a young woman dressed in a skirt and belted four-pocket jacket standing in front of a window with open shutters in Philadelphia. Paint peels from the wooded clapboard and shutters in front of which she stands., Kruxo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 231., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Young woman standing on porch with little boy, Philadelphia.
Group portrait showing a tall, dark-haired young woman holding the arm of a little boy who is about two years old and is standing on the support of a stone porch in Philadelphia. She wears a dark dress with short ruffled sleeves. The boy wears shorts and a sweater., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Young woman standing on stoop in front of door, Philadelphia.
Portrait showing a young woman standing on a wooden step in front of a door in Philadelphia. She is neatly dressed in a bouffant dress (possibly a coat to wear motoring), dark stockings, and dark pointed shoes laced up to her calves. Her styled hair is secured with a headband around her forehead. Graffiti on a wooden wall behind her shows the date "JAN. 1 1916.", Cyko postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 233., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Young woman standing on woodland path, Philadelphia.
Portrait of a young woman, her hair neatly combed, standing on a path in a woodland. She wears a long sleeveless flower-printed dress that is trimmed with a dark ribbon bow and a necklace., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.

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