Collection of 250 portrait photographs on postcard stock depicting residents of South Philadelphia and Kensington by amateur photographer John Frank Keith (1883-1947), ca. 1910-ca. 1940. Keith documented hundreds of, typically unidentified, working-class Philadelphians, individually, and as groups standing on sidewalks, in front of streetscape, and sitting on stoops. The majority of photographs date to the 1920s and show men, women, and children.

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Girl and two boys standing on sidewalk in front of two windows, Philadelphia.
Group portrait showing a teenage girl in a flowered two-piece dress standing with two little boys who are probably her brothers, holding on to them with both of her hands. The older boy wears a light colored suit with short pants and drab shoes. This might be his First Communion suit. The younger boy wears bib overalls and a shirt trimmed with ruffles. All three children have their hair neatly combed. Flower boxes and potted plants sit on the window sill behind them., Ms. note on recto: Ray Mitchell (crossed out), Andrea (?) Ferricola, Frankie Ferricola, Joe Ferricola, Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Girl in checked ruffled dress in front of window, Philadelphia.
Portrait showing a young girl standing in front of a window in Philadelphia. She wears a checked ruffled dress, striped knee-high socks, and shiny shoes. A comic book or magazine lies at her feet., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Girl in First Communion dress standing in front of painted brick wall, Philadelphia.
Portrait of a little girl wearing a white dress with very full bows on both shoulders and both sides of her headband standing in front of a brick wall in Philadelphia. She holds her white missal out with both hands. Her white stockings are a bit twisted and her facial expression is serious., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Girl in sailor suit with hat, Philadelphia.
Portrait showing a little girl wearing a sailor suite, cloche, and necklace standing in front of a house in Philadelphia. Paint is chipped off the wooden shutters behind her, and there is trash at her feet., Photographer's imprint stamped on verso: John Frank Keith, 2042 North 6th St., Phila., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Girl in white dress standing in front of wrought iron gate, Philadelphia.
Portrait of a girl about twelve or thirteen years of age standing in front of a wrought iron gate in Philadelphia. She wears a white dress with long sleeves, a veiled headdress, white stockings and shoes. A rosary is wrapped around her hands, held in a prayerful position. This could be her First Communion day or because of her age, her Confirmation day. The wrought iron gate and steps probably belong to a church., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Girl sitting on dirty marble steps, Philadelphia.
Portrait of a girl, about fourteen years old, wearing a summer dress, white stockings and dark shoes sitting on marble steps in Philadelphia. The steps she sits on are in great need of a scrubbing. There is also graffiti on the brick wall behind her., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Girl standing in front of the First Association of Spiritualists Temple, Philadelphia.
Portrait of a teenage girl wearing a summer dress trimmed with lace and a bow around her head standing in front of the First Association of Spiritualists Temple, located at 12th and Thompson Streets in Philadelphia. A partially visible sign on the wall behind her reads: "will be observed in this temple Sunday, March 28th, Special music & Singing.", Photographer's imprint stamped on verso: John Frank Keith, 824 Sentner St., Crescentville, Phila., Pa., Kruxo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 231., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Girl wearing hat standing in front of brick house, Philadelphia.
Portrait of a girl about thirteen years old standing in her Sunday finest-a Spring coat in light color, a straw hat, and a ruffled dress-in front of a brick house in Philadelphia. She wears knee high socks and black Mary Janes. She is very composed., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Girl with infant on lap sitting on wooden stoop, Philadelphia.
Group portrait showing a young girl with messy hair and clenched lips holding an infant on her lap and sitting on a wooden stoop in Philadelphia., Cyko postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 233., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Group of boys and girls sitting on wooden stoop in front of screen doors, Philadelphia.
Group portrait showing five small children, some smiling, sitting on a wooden stoop with an old brick sidewalk underfoot. Two boys are dressed in fresh shirts and ties. Their hair is neatly combed. In front of them are three younger girls, all in white, summery dresses. Behind them are two screen doors., Artura postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 225., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Group of children gathered on steps in front of house, Philadelphia.
Group portrait showing over twenty-five children gathered on the steps of a brick house under a striped awning in Philadelphia. The children range in age from infancy to nine or ten years old. They are dressed nicely in summer clothes and might be on an outing., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Group of fourteen people sitting and standing in the doorway of a brick house, Philadelphia.
Group portrait showing fourteen men, women, and children standing in the doorway of a brick house in Philadelphia. They are dressed for summer and crowd together to have their photo taken. Two of the women hold infants. There are at least three other small children. Two teenage boys stand in the doorway. A newspaper clutters the sidewalk., Photographer's imprint stamped on verso: John Frank Keith, 2703 E Ontario St., Phila PA, Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Group of men and children posing on steps of brownstone house, Philadelphia.
Group portrait showing nine men and three children sitting on steps in front of a brownstone house in Philadelphia. A woman leans out of a window on the right from within the house. Several of the men wear suits and fedoras or caps. The sun casts a shadow over the children in the front row., Photographer's imprint stamped on verso: John Frank Keith, 824 Sentner St., Crescentville, Phila., Pa., Kruxo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 231., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Group of teenagers standing in front of a stone porch, Philadelphia.
Group portrait showing four young men and one young woman standing in front of a stone porch in Philadelphia. Three of the teen boys wear white shirts and trousers, bow ties and sleeve garters, and one has a cigarette in his mouth. Their workman's caps are decorated with bows and a ribbon with the words "Jack Rose Social" printed on it. The other young man wears a jacket and trousers as well as a workman's cap. The woman has her hair neatly combed and wears a dark dress with a pleated skirt and an apron., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Group of young men and women sitting on a loading dock or wharf, drinking, Philadelphia.
Group portrait depicting three young men and two young women sitting on a loading dock or wharf, drinking, in Philadelphia. The men drape their arms over the shoulders of the women, and one couple holds hands. A little girl in a summer dress with a bow in her hair sits alone on the other side of a pillar next to the group., Photographer's imprint stamped on verso: John Frank Keith, 2042 N. 6th St., Phila., Kruxo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 231., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
[Group portrait of members of the First Association of Spiritualists, Philadelphia]
Depicts the members, including two African American women, on the steps of their temple completed in 1901 at 12th and Thompson Streets. Shows the men and women standing on the sidewalk, on the steps, and in front of the open door before the entrance. Mounted on the brick wall is a plaque that reads, Temple First Association of Spiritualists. Rev. Will. J. Erwood…” The First Association of Spiritualists was a religious group that began as a benevolent society in 1852 in search of spiritual truth through spirit guides, seances, and science., Title supplied by cataloger., Date inferred from postcard type and attire of the sitters., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Gift of Chris Boas, 1990., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the late 1910s to the 1940s.
Group portrait of two girls sitting in wooden rowboat, Philadelphia.
Group portrait depicting two girls, one in a sailor dress and holding a paddle, the other with a bow in her hair, sitting in a rowboat near the shore., Cyko postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 233., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Group portrait of woman sitting in yard with two girls, Philadelphia.
Group portrait of a stern older woman in a full-length dark dress sitting on a chair in a grassy yard. Standing behind her are two girls about thirteen and sixteen years old. The girls wear summer dresses and big bows in their hair. The older girl and the woman both wear eyeglasses., Cyko postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 233., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Group portrait of young boys on steps, Philadelphia.
Group portrait of fourteen boys sitting and standing on steps in front of a brick house in Philadelphia. Several of them wear peaked caps or knitted hats and a few wear wool coats. A boy in the back row smokes a pipe. A boy in the front wears stockings torn with holes., Ms. note on recto: Geo Sulli[van?], McGuigan, Chas Carrigan, Stosh, Theodore Kra[use?], Nedzie, Reddzie Morrow, Ms. note on verso: smithy, See new House, 2300, Cyko postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 233., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Infant in baby carriage, Philadelphia.
Portrait of a laughing infant wearing a bib, sitting up in a carriage and looking at the camera. The carriage's protective netting is thrown back, and the carriage is parked next to a brick row house in Philadelphia. The carriage has a leather hood and a dark body. The brick sidewalk is very old and irregular., Ms. note on verso: 118 Morris; 141 Segal [sic]; 115 Ritner; 2347 S. Front; 88 Mifflin; 131 Manton; 132 Manton; 1241 Moya[mensing]; 1312 American St.; 1236 American St.; 126 Dudly [sic] St.; 1932 S. Front St. (Mercy)., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Infant in baby carriage with netting, Philadelphia.
Portrait of an infant wearing a little cap and hand-made sweater over its dress resting in a baby carriage with netting parked on a sidewalk in Philadelphia. There is another baby carriage parked in the background., Defender postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 228., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Infant in wicker baby carriage, Philadelphia.
Portrait showing an infant sitting up in a wicker baby carriage that is parked underneath the closed shutters of a window in Philadelphia., Photographer's imprint stamped on verso: John Frank Keith, 2042 North 6th St., Phila., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Infant in wicker carriage on sidewalk, Philadelphia.
Portrait of an infant wearing a knitted beret propped up by a pillow in a wicker carriage with its lining partially torn out. The baby seems to be crying. The carriage is on the sidewalk in front of a stone wall with a cellar window in Philadelphia., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Infant sitting on pillow on doorstep, Philadelphia.
Portrait showing an infant, sitting on a pillow on a doorstep in Philadelphia, being helped to sit up by adult hands. The baby wears a sleeveless dress and and knitted booties., Kruxo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 231., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Infant sitting on wooden steps, Philadelphia.
Portrait of a small child, barely able to sit up unassisted, sitting on the wooden steps of a row house. The steps need painting as do the doors and door frames. The baby wears a dress with a sweater., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Infant sitting on wooden steps, Philadelphia.
Portrait of a nicely dressed baby sitting on a folded blanket on the wooden steps of a wooden house in Philadelphia. The opened wooden door and trim is in need of paint. The baby, wearing knitted booties, appears to have just awakened., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Infant standing in child's chair, Philadelphia.
Portrait of a very small child, too young to stand on its own, being propped up in a children's potty chair or step stool placed on a sidewalk in Philadelphia. The child's hands are squeezed in either anxiety or cold. The child wears a hooded jacket and leggings and winter booties. The chair is situated in front of a brick wall., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
John Frank Keith sitting on porch steps, Philadelphia.
Portrait of John Frank Keith sitting on the steps leading up to a stone porch in Philadelphia. He wears a vest and shirt with the sleeves rolled up. His straw hat rests on the landing behind him., Ms. note on recto: John F. Keith, Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
John Frank Keith standing in front of store, Philadelphia.
Portrait of John Frank Keith wearing a long coat standing in front of a corner store in Philadelphia. Pairs of gloves and a sign for "Baby Ruth" candy can be seen in the windows behind him., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Young man sitting with a young woman on marble steps, Philadelphia.
Group portrait showing Rodgers iin his suit and tie, hair neatly slicked down, sitting with his arm around Schmidt, notable for the spit curl in the middle of her forehead. She wears a spring coat, white stockings and dark, high-heeled shoes. It looks as though she is wearing an engagement ring. The brick house in Philadelphia in front of which they sit is neatly painted and the brick trim is clean.In 1930 both the subjects lived on the 100 block of Dudley Street in South Philadelphia., Ms. note on verso: John Rodgers + Mary Schmidt. In 1930 the subjects both lived on the 100 block of Dudley Street in South Philadelphia., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Large group of men, women, and children gathering in wooded area, Philadelphia.
Photograph showing a large group of people in a wooded area, waiting for an activity to take place or watching an event. The people, standing in an overgrown field, are dressed for warm weather, and the trees in the background are heavy with fruit., Artura postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 225., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Laundry drying behind row homes, Philadelphia.
View of laundry drying above an alleyway between two rows of houses on a sunny day in Philadelphia. Garages occupy the street level below the floors from which the laundry hangs., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Little boy in playsuit standing in front of brick wall, Philadelphia.
Portrait of a little boy wearing a playsuit with knee high white stockings and black shoes standing in front of a brick wall in Philadelphia., Photographer's imprint stamped on verso: John Frank Keith, 2042 N. Sixth St., Philadelphia, Pa., Kruxo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 231., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Little boy in suit standing in front of a brick house, Philadelphia.
Portrait of a little boy with a pleasant expression on his face standing in front of a brick house in Philadelphia. Although he is somewhat rumpled, he wears a buttoned jacket and matching knickers with knee-high dark stockings and shiny tie shoes. His collar and tie are arranged sloppily and his stockings are sliding down. The window frames of the house behind him need paint. The cellar windows are screened., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Little boy, possibly with rickets, standing in front of brick house, Philadelphia.
Portrait of a little boy about four years of age wearing short dark pants and a light shirt. His severely bowed legs suggest he might have a bone disease, such as rickets. The house behind him and the brick sidewalk need some maintenence., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Little boy riding a small tricycle, Philadelphia.
Portrait showing a little boy riding a children's tricycle on the sidewalk in Philadelphia. He wears a white playsuit and black boots., Artura postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 225., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Little boy wearing printed sweater standing in front of brownstone house, Philadelphia.
Portrait of a boy about five or six years of age standing in front of a brownstone wall in Philadelphia. He stands between two cellar windows protected by iron grating. There is graffiti on the wall and a bit of trash on the sidewalk. His hair is cut short. He wears a printed sweater and shorts. His legs are dirty., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Little boy with frilly shirt standing in front of a stone porch, Philadelphia.
Portrait of a young boy with a forlorn expression on his face standing in front of a stone porch in Philadelphia. His dark bangs are freshly cut and have a perfectly even edge. He seems to be wearing a somewhat frilly summer shirt with his white knickers and white stockings. His shoes are dark. He stands in front of a stone porch and directly behind him is wrought ironwork protecting the cellar windows., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Little boy with leg braces sitting on bench, Philadelphia.
Portrait of a little boy, about four years old, with neatly combed hair and wearing a pressed summer playsuit, sitting on a park bench in Philadelphia. Both of his legs are encased in leather and metal braces from the knees to the foot., Cyko postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 233., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Little girl and dog in wicker chair on sidewalk, Philadelphia.
Portrait showing a little girl, about four years old, sitting with a white dog on her lap in a wicker children's chair on the sidewalk in Philadelphia. She wears a dress, white knee-high socks, and patent leather shoes., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.

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