Collection of 250 portrait photographs on postcard stock depicting residents of South Philadelphia and Kensington by amateur photographer John Frank Keith (1883-1947), ca. 1910-ca. 1940. Keith documented hundreds of, typically unidentified, working-class Philadelphians, individually, and as groups standing on sidewalks, in front of streetscape, and sitting on stoops. The majority of photographs date to the 1920s and show men, women, and children.

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Little girl in dress in front of house, Philadelphia.
Portrait of a friendly-looking little girl about three or four years of age standing in front of a brick house wall between two cellar windows. She wears a clean sleeveless summer dress, white socks and white shoes., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Little girl in dress standing on marble step, Philadelphia.
Portrait showing a little girl, about three or four years of age, standing on a marble step in front of a door in Philadelphia. She wears a summer dress trimmed with ruffles and a headband with big ribbon bows on both sides. Her hair is cut short and she has bangs. Her stockings and shoes are white., Artura postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 225., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Little girl in knitted winter coat and hat standing on steps, Philadelphia.
Portrait of a little girl wearing a dark knitted or crocheted coat with full sleeves and matching hat standing on marble steps in Philadelphia. Her outfit is trimmed with several rows of fluffy white angora yarn. The marble steps on which she stands are dirty. However, the wooden door and brick walls of the house behind her appear to be very well maintained., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Little girl in summer dress standing in front of brick house, Philadelphia.
Portrait of a smiling little girl wearing a summer dress, knee-high socks and patent leather shoes standing in front of a brick house in Philadelphia, the wall of which is defaced by chalk graffiti., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Little girl in summer dress standing in front of wall, Philadelphia.
Portrait of a little girl with rumpled hair standing on a brick pavement in front of a large covered window opening in Philadelphia. She squints as she looks at the camera and wears a light colored summer dress and white socks and shoes., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Little girl in summer dress standing on sidewalk, Philadelphia.
Portrait showing a little girl wearing a white dress trimmed with ribbon flowers at the neckline and shoulders standing on the sidewalk in front of a brick house in Philadelphia. She also wears white knee high socks, white shoes, and a white ribbon in her hair. The cellar window behind her is protected by metal bars., Artura postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 225., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Little girl in sunsuit standing in front of wooden house, Philadelphia.
Portrait of a little girl, about six years old, standing in front of wooden house in Philadelphia. She wears a soiled sunsuit which is too small for her. Her posture is poor. Her legs are dirty and she wears no socks with her patent leather shoes. She looks up shyly at the camera. The house behind her is made of wood. It appears to need paint and the cement and stone foundation has holes in it., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Little girl in white dress standing outside a brick house, Philadelphia.
Portrait of little girl, about six years of age, standing in front of a brick house in Philadelphia. She wears a pretty white dress with a broad cape-ruffle around her shoulders, white socks and shoes. She smiles at the photographer. The image is rather blurred., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Little girl sitting on stone porch, Philadelphia.
Portrait of little girl approximately three years old wearing a nicely ironed summer dress with short sleeves, short white socks, and patent leather Mary Jane style shoes sitting on a stone porch in Philadelphia. Her hair is brushed down with two curls on the forehead., Photographer's imprint stamped on verso: John Frank Keith, 2042 North 6th St., Phila., Velox postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 221., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Little girl standing in her First Communion dress, Philadelphia.
Portrait of a little girl, about seven years old, dressed in white from head to toe including her veil, her dress, her long stockings and her shoes, standing in front of a wall in Philadelphia. She might be standing outside of a church., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Little girl standing on brownstone steps in front of door, Philadelphia.
Portrait of a little girl with blonde curls wearing a rumpled cotton dress standing in front of a door in Philadelphia. Her socks are rolled down to her ankles. She is about four years of age., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Little girl with a bow in her hair standing in front of a door, Philadelphia.
Portrait showing a smiling little girl with a bow in her hair standing on wooden steps in front of a door in Philadelphia. About seven years old, she wears a white dress with a colored ribbon marking the bodice, white stockings, and white shoes. Her dark hair is cut short and her bangs are even., Kruxo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 231., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Man and boy standing outside a screened porch, Philadelphia.
Group portrait showing a man in summer trousers and shirtsleeves and a little boy in long pants with suspenders standing outside a screened porch in front of a small garden, possibly at a shore resort near Philadelphia. The man has his hand on the child's shoulder. There is another wooden house very close next door., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Man and teenage boy standing in front of a brick house, Philadelphia.
Group portrait showing a man with his arm around the shoulder of a teenage boy in front of a brick house in Philadelphia. Both are dressed in white shirts and neat slacks. The boy wears a vest and white shoes. The man's tie is tucked inside his shirt, and he wears a belt with a decorative buckle., Ms. note on verso: 216 Wilder St.; 220 Dickinson; 149 Morris; 154 Watkins; Lee & Ritner; 2312 Lee; 108 Fed[eral]; 121 Manton; 134 Manton; 2d & Earp; 1820 S 2; 139 Wilder; 201 Gerritt; 202 Gerritt; 146 Fernon; 111 McClellan; 2254 Lee., Kodak postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 226., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Man and two women sitting on a wooden stoop, Philadelphia.
Group portrait showing a man sitting between two young women, his arms around their waists. His hair is neatly combed but his trousers are rumpled and there are no laces in his worn shoes. His workman's cap rests on his knee. The women are dressed both in blouses, dark skirts and stockings and dark shoes that are closed with ribbons. Thier hair is neatly combed. The door behind the wooden steps is in need of paint., Artura postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 225., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Man and woman sitting on marble steps, Philadelphia.
Group portrait showing a gray-haired man sitting, cigar in hand, next to a woman on marble steps in Philadelphia. He is in his shirtsleeves, and laced-up shoes. The woman beside him is younger and wears a checkered dress with short sleeves and white shoes. The window in the door behind them has a lace curtain., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Man and woman standing in front of a brick house, Philadelphia.
Group portrait showing a young man and a young women posing in front of a house in Philadelphia. The man wears a dress shirt with the sleeves rolled up, and the woman wears an apron over her blouse and skirt. In the window behind them is a sliding screen., Kruxo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 231., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Man, baby boy, and two puppies on a stone porch, Philadelphia.
Group portrait showing a child dressed in summer clothes sitting on a stone support to a porch in Philadelphia as a man with dark, slicked back hair, possibly his father, supports and consoles him. The baby is surrounded by two very small puppies., Ms. note on verso: Old man Fryman was as young at 80 as Turk is Today at 50, Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Man holding two small children on steps, Philadelphia.
Group portrait showing a man with no teeth smiling at the camera as he holds two small children on his lap. He holds a cigarette in his hand. They sit on brownstone steps that lead to a double door in Philadelphia. The end of a canvas baby carriage can be see to the left., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Man in straw bowler standing in front of brick house, Philadelphia.
Portrait of a middle-aged man wearing a straw hat and collarless shirt standing in front of a brick house in Philadelphia. He stands between two windows with shutters., Photographer's imprint stamped on verso: John Frank Keith, 2703 E. Ontario St., Phila., Pa., Defender postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 228., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Man leaning against an old wooden wall of a house, Philadelphia.
Portrait showing a man in shirtsleeves and a workman's cap standing in front of a wall of a wooden house in Philadelphia. He wears sleeve garters. The wooden wall behind him is very rough and carries some graffiti. The shutters to the window behind him are closed. He is standing on the door to the cellar., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Man leaning against the brick wall of a building, Philadelphia.
Portrait of a man, about thirty years old, wearing workman's trousers, a sweater coat with a hole in it over another sweater and shirt standing in front of a brick wall and window in Philadelphia. He also wears a workman's hat. The building might not be a private home. The window behind the subject is filthy. The cellar window is protected by an iron grate., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Man standing with two girls in front of brick wall, Philadelphia.
Group portrait showing a man with a moustache, in his undershirt and trousers, hands on both hips, standing between two girls in front of a brick wall in Philadelphia. The girls wear white dresses, white stockings, and white shoes. Litter lies on the sidewalk in front of them., Kruxo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 231., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Man standing with two women in courtyard, Philadelphia.
Group portrait showing a man in a straw boater, a striped shirt with no collar, smoking a cigar, standing with two women in a courtyard in Philadelphia. They are in front of a wire fence. In the distance one sees a gas lamp to light up the alley. The women are both in summer dresses-one looks like a house dress; the other like a dressy dress, with a vertical lace trim. An exotic plant, a small tree, grows behind them., Photographer's imprint stamped on verso: John Frank Keith, 2703 E. Ontario St., Phila., Pa., Defender postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 228., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Man, woman, and little boy standing in front of door, Philadelphia.
Group portrait showing a young woman, with her hands on the shoulders of a little boy in front of her, standing beside a man in front of a door in Philadelphia. The woman wears a long coat with a velvet collar and cuffs, and the man wears a suit jacket., Cyko postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 233., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Men and women sitting on house step in front of door, Philadelphia.
Group portrait showing three women and two men posing on the step of a wooden house in Philadelphia. The men are wearing their workman's caps and jackets. Some of them are squinting because of the glare of the sun. Next to the house is a high wooden fence with a clothes line visible above it., Artura postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 225., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Men playing cards on stoop, Philadelphia.
Group portrait of six men and three children sitting on a stoop and chairs in Philadelphia. Of the six men, four hold playing cards, three smoke cigarettes, and two hold glasses of beer. Two young girls, one holding an infant, stand in the background., Photographer's imprint stamped on verso: John Frank Keith, 2042 N. 6th St., Phila., Kruxo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 231., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Mother holding infant, Philadelphia.
Group portrait showing a mother in a very rumpled and soiled dress holding her baby in front of a brick house in Philadelphia. She smiles with pride. There is another child in the opened window behind her. The window's awning is not extended. Part of a baby carriage is visible next to the woman., Ms. note on recto: Brown, Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Native American woman standing in wooded area, Philadelphia.
Portrait of a Native American woman standing out of doors in an overgrown area near a tree. She wears an ornate headband and a full length fringed dress possibly made of leather, as well as decorated leggings, moccasins, and necklaces. She carries a decorated or woven purse or bag on her left arm., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Outdoor group portrait of men, women, and children, Philadelphia.
Group portrait showing over forty people, possibly all related, dressed in summer clothes, some in bathing suits, posing on a lawn in a wooded area near Philadelphia. In the back row, a man in a bathing suit is held above the head of another man. There are several children, including an infant, seated in the first two rows., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Parents and daughter in a country setting, Philadelphia.
Group portrait showing two young parents, both wear bathing suits, holding a little girl who wears a dress and shoes. All of them are smiling amidst a backdrop of trees and foliage. The sides of two houses are also visible., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Picnickers, Philadelphia.
Group portrait showing about twenty men, women, and children sitting on wooden benches at wooden tables at a picnic in a wooded area in Philadelphia. One woman wears a bathing cap and a bathrobe, while jackets and hats are shown piled on a nearby table. In the background is a covered pavilion with chairs., Photographer's imprint stamped on verso: John Frank Keith, 824 Sentner St., Crescentville, Phila., Pa., Kruxo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 231., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Seven men and a young boy sitting on brownstone steps, Philadelphia.
Group portrait showing seven men of varying ages and a boy about fourteen years old, almost all dressed in suits and ties, sitting on the brownstone steps of a brick house in Philadelphia. One man, who holds a cigarette, sticks his tongue out at the photographer., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Seven men and one woman sitting on the steps of a wooden house, Philadelphia.
Group portrait showing seven men, all in shirtsleeves, except one who is in his undershirt and barefeet, sitting around a smiling woman who wears a checked summer dress in front of a wooden house in Philadelphia. One man wears a workman's cap. One man holds a cigarette in his hand; another, a cigar. The house appears to be in good repair. The sidewalk is brick in the herringbone pattern., Ms. note on recto: Chas, Dean, Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Small child sitting on a blanket on a wooden step, Philadelphia.
Portrait of a small child in light-colored clothing and a diaper sitting on a blanket on a wooden front step in Philadelphia. The facial image is a bit blurred. The house is in good repair. The bricks have been pointed and the door has an unmarred paint or varnish on it. The brass mail and knob plates are also highly polished., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Small child sitting on marble steps, Philadelphia.
Portrait showing a small child sitting on marble steps in front of a door in Philadelphia. The child wears a summer dress and striped stockings and holds a toy in its hand., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Small child sitting on wooden stoop, Philadelphia.
Portrait showing a small child sitting on a wooden stoop in Philadelphia. Behind the child is a screen door., Kruxo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 231., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Small child standing on a stone porch, Philadelphia.
Portrait of a small blonde child under the age of two standing unsteadily on a porch support wearing a white summer dress, white socks, and dark shoes and looking directly at the photographer., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Small child standing on doorstep, Philadelphia.
Portrait of a small child wearing a white long-sleeved dress, white shoes, and a petticoat adorned with eyelets standing on a doorstep in Philadelphia., Photographer's imprint stamped on verso: John Frank Keith, 824 Sentner St., Crescentville, Phila., Pa., Kruxo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 231., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Small girl sitting on marble steps, Philadelphia.
Portrait showing a little girl, about two years old, wearing a summer dress, white shoes and stockings. She is sitting on the steps in front of the open door to the vestibule of a brick house in Philadelphia. Her dark hair is cut short with bangs., Artura postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 225., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.

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