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A Stingy Man.
A man holds a fork with a fish on it over a fire. Next to the fire are a small sauce pan and toasting fork. A cat stands behind the chair., Text: Mean, snivelling, sneaking, garret bred, / Cat-lick'ed, and shotten herring fed; / What right can such a thing as you, / Presume a woman's love to woo? / Starve where you may, this picture see, / Poor drivelling knave, you don't starve me., Cf. 6.31., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

Street Sweeper.
A woman holds out her arms in alarm after a man steps on the back of her crinolined skirt, causing her skirt to billow up to reveal enough of her legs to show her drawers., Text: Clear the track, Hackley -- your occupation's gone! / Here comes the new machine, a lady and her throng; / Her skirts sweep the street-- my feeling rankles-- / That men forget the dirt while gazing at her ankles. / She glides along in silence, with grace I confess, / Till some unlucky wight puts his foot upon her dress. / She quickly turns, while he bows with sorrow down. / And vents her spite, with "Oh! you awkward clown.", Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

Swaggering like some great high-grandee.
A Union soldier holds a bouquet of red roses and a sword. In addition to his uniform, he wears a monocle and cap, suggesting that he is a dandy. The sender mocks the recipient's inflated sense of his attractiveness., Text: Swaggering like some great high-grandee, / How d'ye do, my Soldier Dandy; / The girls, you think, no doubt get sweet / On you as you strut through the street. / But they're more apt to think you scamp, / When you're found roaming from your camp., "515", Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

A Swan.
A ice skating woman with her legs turned in flails her arms to regain her balance. Her skirt billows up to reveal her legs. The border features a woman embracing a man; the pair resemble Commedia dell'arte characters. At the bottom is a pack of matches marked "Lucifer's matches.", Text: Though puggy of nose and void of grace, / Lanky of limb -- in feature wan; / The thought with each must have a place, / That something you are like the swan. / Ask not of me the reason why, / 'Tis breathed upon the chilly wind; / 'Tis echo'd by the skater's cry, / "A Swan! see, down on her behind!", Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

A Swell Head.
A man with a large, pox-marked head holds a bottle of alcohol. He has a scarf tied around his jaw and head. "Pumpkin" is a derogatory term for an important person., Text: How could I even think, to wed / A man who's always drunken; / Who really has so large a head, / It looks like a ripe pumpkin,., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

The Taciturn
A seated woman has a padlock through her mouth. The valentine suggests that the recipient's quietness will disappear when she marries. The border shows cupids and hearts; one cupid shoots a heart out of a cannon labeled "Love"; another cupid travels with a heart in a hot-air balloon; and another thimble cupid hammers at a cracked heart below a heart on a fishhook labeled "Caught.", Text: A rare and commendable thing / Is well-affected silence, / Among the maids their wiles who bring / Our dulness to beguile hence. / Yet Paddock no control assumes, / (Experience teaches this bird), / When Wedlock or the future looms / And "Yes" has to be whispered., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

The Tailor.
A tailor rides on a goose, has a head of cabbage on his back, and holds a bat that reads "The Ninth or Lousy." "Goose" refers to a tailor's iron, and "cabbage" refers to the fabric leftover from making a garment, which tailors were often accused of stealing. "Ninth part of man" is a derogatory term for tailors, referencing the saying that nine tailors equal one man., Text: O! ninth of man, straighten up if you can, / And go get astride of your goose; / Your cabbaging art has lost you my heart, / I find all your habits are loose., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

Tailor.
A tailor sews a jacket, and he has shears and his "goose," or iron, near him. Behind him is a sign that reads " 190/ J. Cabbage/ Tailor." "Cabbage" refers to fabric leftover from making a garment., Text: Pray, good Knight of the shears, my good Mister Cabbage, / Do you look for a wife, in spite of the adage, / That it takes nine full tailors to make one good man; / Well, I wish you good luck, catch one if you can., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

A Tailor.
A man with a goose's head holds a needle and a piece of fabric. Behind him is a sign that reads "P.G. Goose/ F[as]hion Tailor." "Goose" refers to a tailor's iron., Text: When I look in the glass, / Or I look in my ledger, / I see nothing but "bill"-- / No chink for a pledger; / Sciss, sciss, I will, / Stuff and pad you till / You attend to my long bill; / Confound you, pay your bill -- / P.G. Goose must have a bank bill., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

Tailor and Patron Bird.
A simian tailor rides on a goose and holds a pair of scissors. "Goose" refers to a tailor's iron, and "the ninth part of a man" is a derogatory term for tailors, referencing the saying that nine tailors equal one man., Text: I see them coming -- my prophetic muse / Beholds each tailor riding on a goose, / And when in order ranked I see the nine, / I'll thank my stars that I've one Valentine / Romantic Tailor, ninth part of man, / Be all my Valentine a tailor can; / Little than none, is better to endure, / And for a whole one I but want eight more., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

Tailoress.
A woman holds a pair of breeches, and "I runs wid der sewing machine I does," and "tailoring done" are written behind her., Text: Ah! me, don't you see, I'm sadly in need / Of some one to tinker me with needle and thread? / I've long had my eye on your useful machine -- / Your "Wheeler and Wilson," of course, I mean. / To the end that my clothes shall be in repair, / My oldest breeches I'll permit you to wear, / And never shall grumble, unless you, sweet Miss, / Some other gay Valentine should prefer to kiss., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

Take Back Your Heart.
A woman stands in a dramatic pose and holds a bleeding heart in front of her. The border shows cupids and hearts; one cupid shoots a heart out of a thimble cannon labeled "Love"; another cupid travels with a heart in a hot-air balloon; and another cupid hammers at a cracked heart below a heart on a fishhook labeled "Caught.", Text: "Oh! If us two must part / For ever and for ever, / Take back your bleeding heart, / It is too hard to sever!", Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

The Take-ing Woman.
A woman holds out a pocket watch and ribbons. The border shows cupids and hearts; one cupid shoots a heart out of a thimble cannon labeled "Love"; another cupid travels with a heart in a hot-air balloon; and another cupid hammers at a cracked heart below a heart on a fishhook labeled "Caught.", Text: I know you, ma'am, your itching palm, / 'Mong ribbons and 'mong laces, / With artful play is wont to stray / In all the dry-goods places. / Of diamond rings, and such-like things / Likewise a skilful sifter, / You'd better cease, ere the police / Proclaim you a shop-lifter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

Telegraph-Operator.
A man sits at a telegraph board with ticker tape around him. A clock hangs on the wall behind him, and in the background another man reads a ticker tape. The first telegraph message was sent in 1844., Text: O Mighty Operator on the little wire. / A liking I might have for you, / If you were not such a liar.. / But, out of an hundred words, / Of lies there's ninety-nine! / A man with such a [illegible]., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

Tenant Wanted.
The valentine shows a cradle marked " To let or for sale" and urges the recipient to have children., Text: Above, you will find a neat tenement, / Which empty, is now, for sale or to rent; / I send you a note, because if you will it, / I know you can soon find a tenant to fill it., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

That Blessed Baby.
A father stands next to his child, and the mother is in bed behind them., Text: From the breaking of morn to the close of the day, / You delight that bless'd baby in the cradle to rock; / And you grin with delight, when you hear the folks say, / "La! isn't it a perfect chip, off the Old Block.", Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

That flashing eye, that beaming brow!
A woman has black curly hair and wears ice skates and a skating costume., Text: That flashing eye, that beaming brow! / Those curls that wildly float and shine / O, if thy hair's as false as thou, / Thou'lt prove a sorry Valentine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

That Precious Baby.
An overweight child holds a doll and a stick., Text: Doting parient [i.e. parent] -- I thought that maybe / You'd like a portrait of your baby; / If so, just look above you'll find / A dogrotype, by----- Valentine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

Thin Legs.
While ice skating, a woman hikes up her skirt to reveal her thin legs., Text: Like broom-sticks shrunk, or small hat-pegs / One cannot call your's matchless legs; / For as the wind reveals by snatches, / One sees they're quite as thin as matches. / Vile wind that tells the story sad, / That she who skates, must also pad; / Go whisper to this lady fine, / She cannot be my Valentine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

This Day I Am Sixty-Two.
A woman sits supporting her chin with her hands. She has bare feet, wrinkles, and is missing teeth. A cat sits in front of her, and a canary is behind him., Text: With a nice new wig and a coat of paint, / You're almost just as good as new; / Folks say you're old, but then you ain't-- / What woman's old at sixty-two?, Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

Thou languishing young lady-bird
A woman bends forward in the Grecian Bend caused by fashionable bustles and restrictive skirts. She holds up her skirt revealing her ankles and petticoats. The Grecian bend style of bustle became popular after 1869., Text: Thou languishing young lady-bird, / Thou Angel quite untainted; / With ruby lips, and well formed hips, / Pray tell me, -- are you painted? / You're uglier than the Gorgon / That frightened folks to stone, / The Grecian Bend don't help you, / So ugly have you grown., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

Through many a hen-house you have roved
A Union soldier perched on a picket fence appears to be in pain. He has dropped a piglet. Behind him is a chicken. In addition to a type of fence, "picket" also means dangerous military guard duty. The reference to the hen-house in the text suggests that the soldier has previously been promiscuous., Text: Through many a hen-house you have roved, / And many a pig-stye searched, / At last you've got your just deserts, / Upon a Pick-et perched., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

The Tinner.
The tinner sits in front his workbench and wears a jug on his head. A pair of large shears rests behind him, and there is a small furnace in front of him. The border features a woman embracing a man; the pair resemble Commedia dell'arte characters. At the bottom is a pack of matches marked "Lucifer's matches.", Text: Clock, clack, among the tin / Worketh the jolly tinner, / Who at his trade doth make a din / And also make a dinner., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

Tis evident you're far too fond of liquor
A man pours liquor out of a bottle which is positioned near his groin. The valentine suggests that the recipient's passion is for drinking and not for women. L. Prang & Co. first appeared in the Boston city directory in 1863., Text: Tis evident you're far to [i.e. too] fond of liquor / To have a passion for aught else than wine / I doubt if it or you can run the quicker. / I'll have no tippler for a Valentine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

To a Bachelor.
A seated man sews a sock by candelight., Text: This picture I send, to show you your end, / The end of not only a few-- / Old Nick I intend as your intimate friend, / For the devil serves thus such fellows as you. / Alas, you poor fool! 'tis plain to be seen / That one thus to live, indeed, 'tis a sin: / There's plenty to have you, if you only knew it, / 'Tis certain, indeed, you never would rue it., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

To a Baker.
A baker smokes and kneads dough., Text: Dear doughhead, don't be such a fool, / And think that I would favor show / To such a living half-baked pie, / For if you do your cake's all dough. / You're badly bred, with flowery speech, / You strive to knead a heart to thee; / But be assured that none will wed / With such a dough-nut, sir, as thee., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

To a Barkeeper.
The barkeeper pours liquor from one glass into another as he stands at a bar. The sender rejects the recipient and suggests that he has no money, intellect, or heart., Text: You dashing, dressy Barkeeper, for a dandy you would pass, / As with your most exquisite grace you handle well you glass; / But your brains are like your liquors, the more they are display'd / The more they show the frothy stuff of which your drink are made. / I know you flourish very gay, and talk like men of spunk, / But when you're dress'd to death, I'd like to peep into your trunk, / For it is my opinion, sir, that, if I should you wed, / I'd find your trunk and pockets both as empty as your head!, Cf. Valentine 13.17., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

To a Black Republican.
A Union soldier holds a rifle with a bayonet while embracing an African-American woman. His actions cause the woman to spill the liquid in the bottle she carries on a platter. Her dress is turned up to reveal her crinoline and legs. Behind them, an African American man holds his fist up., Text: You nasty, Black Republican, / To hug the sooty African, / How sweet to you her stench must seem, / When the day Star reigns reigns surpreme; -- / That she's your equal in your creed, / To Niggerdom then quickly speed, / For such a filthy kin to swine / Shall never be my Valentine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

To a Bricklayer.
The bricklayer applies mortar to a brick and stands behind a brick wall., Text: You're a very nice fellow, no doubt, / To lay up the wall of a cellar; / If it rained very hard I'd not pout, / Should you offer to hold my umbrella. / But I don't think that mortar could stick / Your heart or your hand unto mine; / 'Twould be laying it on rather thick, / To call you my own Valentine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

To a Bricklayer.
A bricklayer holds a level to a wall of bricks and a trowel in his other hand. "Hod" means a trough used to carry bricks or coal., Text: With plummet and rule, here's a bricklaying fool; / A can's his delight, and a trowel's his tool-- / And just as the plummet consists of hard lead, / Even so are the brains that you have in your head; / Oh Cupid beware, or perchance you grow sick, / To see such a gulpin pile brick upon brick, / Go man of the hod, I prithee go quick, / Your mould is all crooked, your mortar won't stick., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

To a Butcher.
The butcher has a bull's head and tail and holds a knife and blade sharpener. Behind him are cuts of meat., Text: We may search all the market, old Bullshead, 'tis true, / But in vain may we look for a monster like you: / For you both cut and steal with such stinking tough chops / 'Tis the sight of the horns, where no customer stops; / No beast such as you, either west, north, or south, / Can be found-- and you're surely the "OLD BULL AND MOUTH., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

To a Cabinet Maker.
A man hammers a cabinet. "Mizzle" means to depart suddenly., Text: Next to a beastly undertaker, / Oh! how I hate a cabinet maker; / His punch-like nose-- his shaving lips, / His little sixpenny brads and chips / If ere I married such a chizzle, / I'd surely mallet him, and mizzle., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

To a Cap Maker
A woman looks at a cap that she holds. Behind her is another woman who wears a similar cap., Text: Cap-maker, at your task you sit, / Wond'ring what head your cap will fit, / And if the locks that round it twine, / May ornament your Valentine. / Ply your trade with industry, / And 'tis possible there'll be, / Of the men your caps will cover, / Some poor fool to be your lover., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

To a Cavalry Dandy.
A Union soldier cocks his head. He has long mutton chops and carries a sword., Text: Wherefore with hat cocked on one side defiantly, / Smile so complacent, and swaggering stride, / Passing civilians with scornfulness giantly, / Haunt you the streets in your hairy-faced pride? / Doubtless you think there's a wonderful charm in / Your sword and your spurs and your jaunty chapeau, / But not to kill ladies our heroes are arming, / "Eyes right!" my dear fellow, and charge on the foe., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

To a Chasseur.
A Union soldier wears baggy, short red pants, a cap with a red crest, and box-like shoes. The valentine mocks the Chasseur's drinking, flirting, and cowardice., Text: Farewell, my bold Chasseur-- / In every lass sir, / A flame, I've no doubt you inspire; / But when in the line / Of the skirmishers fine, / At the show of a flame you'll expire-- / Then take off each trunk. / And make you a bunk, / To lay your head in / When with glory you're drunk., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

To a Compositer.
A man with a donkey's head stands in front of a printing press. Behind him is a sign that reads "The Vicar of Bray! By a Celebrated Composer. E.HAW.EST.", Text: Believe me I have too much pride, / E'er to be a Donkey's Bride. / Girls take no pity on YOUR CASE, / But laugh full in your Asses face: / Tho' some may say that from our sex / Length of years (ears) command respect, / Yet no respect have I for you, / So-- my Composing Stick, Adiea!, Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

To a Dragoon.
A Union soldier rides a horse without a bridal and clings to its neck. His feet are out of the stirrups, his cap is off, and his sword is in the air., Text:"Bring forth the steed! the steed was brought," / And on his back to mount you thought; / But don't you think for a Dragoon, / That you commenced almost too soon? / Before you bade the ground good bye, / Why did you not a hobby try?, Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

To a Druggist.
The pharmacist holds a pestle and stands next to a mortar with a skull and cross bones on it. Two bottles marked "pills," a canister with a triangle and female symbol on it, and several blank bottles are on the shelf behind him., Text: You man-killing poisoning creature, / Here is pictured each ugly feature / Of your impudent conceited face, / Which a monkey even would disgrace, / Your Jallap or Rhubarb won't suit me, / And as I don't like Senna Tea, / I, really, Sir, must quite decline, / To have you for my Valentine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

To a Druggist.
The druggist holds a pestle above a mortar. Medicine bottles, books, and a skull on are the shelves behind him., Text: Thou Esculapian, half-starved wretch, / Thou nostrum vender of the pill, / The Sexton's friend -- thou shar'st his fees / With victims that thy physic kill. / Unfit to tend an ailing cat, / Or to a jackass give relief: / Thou'll' ne'er suit me, you nauseous spook, / Of human lives a legal thief., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

To a Drummer.
A Union soldier carries a drum. A crow flies above him., Text: Admiration of the boys-- / In this world you'll make a noise; / But it has been said by some, / That your head is like your drum-- / Plenty of sound and plenty of brass, / And carried by a perfect ass., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.

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