Pages

12036.F.a verso
The collection consists of John McAllister Sr.'s original share (1803), forms transferring ownership of the share to Thomas Beveridge (1830), to John McAllister Jr. (1835), and from Anna Mitchel McAllister to John McAllister of Media, Pa. (1924). Also included are 23 receipts for annual dues dating from 1824 to 1929, and a bank envelope annotated: "This share is to always be kept in the family it having been kept in same since 1803.", John McAllister Sr. (1753-1830), emigrated from Scotland in 1775 and became a successful whip and cane manufacturer in Philadelphia. In 1796 he bought a stock of spectacles; this sideline evolved into the family's principal business. John McAllister Jr. (1786-1877) joined the business in 1807. Successive members of the family maintained the business through 1890. Anna Mitchel McAllister, daughter of John McAllister Jr., was a practising physician, having graduated from Woman's Medical College of Pennsylvania in 1873. John McAllister Sr. purchased his Library Company share, no. 397, in May, 1803. Upon his death, his son, having previously purchased his own share (no. 743), sold share no. 397 to Rev. Thomas Beveridge. In 1835, Beveridge sold the share back to John McAllister Jr. After his death in 1877, John McAllister Jr.'s granddaughter, Jessie Grant, purchased the share. She died in 1881 and the share was purchased by her aunt, Dr. Anna Mitchel McAllister. In 1924, share no. 397 was sold to John McAllister of Media, Pa. The share was forfeited in 1937.
12036.F.b recto
The collection consists of John McAllister Sr.'s original share (1803), forms transferring ownership of the share to Thomas Beveridge (1830), to John McAllister Jr. (1835), and from Anna Mitchel McAllister to John McAllister of Media, Pa. (1924). Also included are 23 receipts for annual dues dating from 1824 to 1929, and a bank envelope annotated: "This share is to always be kept in the family it having been kept in same since 1803.", John McAllister Sr. (1753-1830), emigrated from Scotland in 1775 and became a successful whip and cane manufacturer in Philadelphia. In 1796 he bought a stock of spectacles; this sideline evolved into the family's principal business. John McAllister Jr. (1786-1877) joined the business in 1807. Successive members of the family maintained the business through 1890. Anna Mitchel McAllister, daughter of John McAllister Jr., was a practising physician, having graduated from Woman's Medical College of Pennsylvania in 1873. John McAllister Sr. purchased his Library Company share, no. 397, in May, 1803. Upon his death, his son, having previously purchased his own share (no. 743), sold share no. 397 to Rev. Thomas Beveridge. In 1835, Beveridge sold the share back to John McAllister Jr. After his death in 1877, John McAllister Jr.'s granddaughter, Jessie Grant, purchased the share. She died in 1881 and the share was purchased by her aunt, Dr. Anna Mitchel McAllister. In 1924, share no. 397 was sold to John McAllister of Media, Pa. The share was forfeited in 1937.
12036.F.b verso
The collection consists of John McAllister Sr.'s original share (1803), forms transferring ownership of the share to Thomas Beveridge (1830), to John McAllister Jr. (1835), and from Anna Mitchel McAllister to John McAllister of Media, Pa. (1924). Also included are 23 receipts for annual dues dating from 1824 to 1929, and a bank envelope annotated: "This share is to always be kept in the family it having been kept in same since 1803.", John McAllister Sr. (1753-1830), emigrated from Scotland in 1775 and became a successful whip and cane manufacturer in Philadelphia. In 1796 he bought a stock of spectacles; this sideline evolved into the family's principal business. John McAllister Jr. (1786-1877) joined the business in 1807. Successive members of the family maintained the business through 1890. Anna Mitchel McAllister, daughter of John McAllister Jr., was a practising physician, having graduated from Woman's Medical College of Pennsylvania in 1873. John McAllister Sr. purchased his Library Company share, no. 397, in May, 1803. Upon his death, his son, having previously purchased his own share (no. 743), sold share no. 397 to Rev. Thomas Beveridge. In 1835, Beveridge sold the share back to John McAllister Jr. After his death in 1877, John McAllister Jr.'s granddaughter, Jessie Grant, purchased the share. She died in 1881 and the share was purchased by her aunt, Dr. Anna Mitchel McAllister. In 1924, share no. 397 was sold to John McAllister of Media, Pa. The share was forfeited in 1937.
12036.F.c recto
The collection consists of John McAllister Sr.'s original share (1803), forms transferring ownership of the share to Thomas Beveridge (1830), to John McAllister Jr. (1835), and from Anna Mitchel McAllister to John McAllister of Media, Pa. (1924). Also included are 23 receipts for annual dues dating from 1824 to 1929, and a bank envelope annotated: "This share is to always be kept in the family it having been kept in same since 1803.", John McAllister Sr. (1753-1830), emigrated from Scotland in 1775 and became a successful whip and cane manufacturer in Philadelphia. In 1796 he bought a stock of spectacles; this sideline evolved into the family's principal business. John McAllister Jr. (1786-1877) joined the business in 1807. Successive members of the family maintained the business through 1890. Anna Mitchel McAllister, daughter of John McAllister Jr., was a practising physician, having graduated from Woman's Medical College of Pennsylvania in 1873. John McAllister Sr. purchased his Library Company share, no. 397, in May, 1803. Upon his death, his son, having previously purchased his own share (no. 743), sold share no. 397 to Rev. Thomas Beveridge. In 1835, Beveridge sold the share back to John McAllister Jr. After his death in 1877, John McAllister Jr.'s granddaughter, Jessie Grant, purchased the share. She died in 1881 and the share was purchased by her aunt, Dr. Anna Mitchel McAllister. In 1924, share no. 397 was sold to John McAllister of Media, Pa. The share was forfeited in 1937.
12036.F.c verso
The collection consists of John McAllister Sr.'s original share (1803), forms transferring ownership of the share to Thomas Beveridge (1830), to John McAllister Jr. (1835), and from Anna Mitchel McAllister to John McAllister of Media, Pa. (1924). Also included are 23 receipts for annual dues dating from 1824 to 1929, and a bank envelope annotated: "This share is to always be kept in the family it having been kept in same since 1803.", John McAllister Sr. (1753-1830), emigrated from Scotland in 1775 and became a successful whip and cane manufacturer in Philadelphia. In 1796 he bought a stock of spectacles; this sideline evolved into the family's principal business. John McAllister Jr. (1786-1877) joined the business in 1807. Successive members of the family maintained the business through 1890. Anna Mitchel McAllister, daughter of John McAllister Jr., was a practising physician, having graduated from Woman's Medical College of Pennsylvania in 1873. John McAllister Sr. purchased his Library Company share, no. 397, in May, 1803. Upon his death, his son, having previously purchased his own share (no. 743), sold share no. 397 to Rev. Thomas Beveridge. In 1835, Beveridge sold the share back to John McAllister Jr. After his death in 1877, John McAllister Jr.'s granddaughter, Jessie Grant, purchased the share. She died in 1881 and the share was purchased by her aunt, Dr. Anna Mitchel McAllister. In 1924, share no. 397 was sold to John McAllister of Media, Pa. The share was forfeited in 1937.
12036.F.d recto
The collection consists of John McAllister Sr.'s original share (1803), forms transferring ownership of the share to Thomas Beveridge (1830), to John McAllister Jr. (1835), and from Anna Mitchel McAllister to John McAllister of Media, Pa. (1924). Also included are 23 receipts for annual dues dating from 1824 to 1929, and a bank envelope annotated: "This share is to always be kept in the family it having been kept in same since 1803.", John McAllister Sr. (1753-1830), emigrated from Scotland in 1775 and became a successful whip and cane manufacturer in Philadelphia. In 1796 he bought a stock of spectacles; this sideline evolved into the family's principal business. John McAllister Jr. (1786-1877) joined the business in 1807. Successive members of the family maintained the business through 1890. Anna Mitchel McAllister, daughter of John McAllister Jr., was a practising physician, having graduated from Woman's Medical College of Pennsylvania in 1873. John McAllister Sr. purchased his Library Company share, no. 397, in May, 1803. Upon his death, his son, having previously purchased his own share (no. 743), sold share no. 397 to Rev. Thomas Beveridge. In 1835, Beveridge sold the share back to John McAllister Jr. After his death in 1877, John McAllister Jr.'s granddaughter, Jessie Grant, purchased the share. She died in 1881 and the share was purchased by her aunt, Dr. Anna Mitchel McAllister. In 1924, share no. 397 was sold to John McAllister of Media, Pa. The share was forfeited in 1937.
Lichten Bros., manufacturers of fine cigars, s.e. cor. 5th and Cherry Sts., Philada.
Pictorial envelope containing a scene titled "Little Champions" showing two boys, fists up, in a boxing ring. The children wear leggings and are surrounded by weights. Lichten Bros. was a partnership between prominent Philadelphia Jews Aaron and Moses H. Lichten, who died in 1897 and 1905, respectively., Title from printed return address., Date from ink-stamp postmark: Philadelphia, PA., May 4, 1888., Contains cancelled two-cent stamp printed in green and depicting a profile portrait of George Washington., Addressed in manuscript to: Mr. L.A. [Myers?] Jr., 69 W 126 St., New York City, Contains ink-stamp postmarks on verso: J 6-5-88 7A N.Y. and P.O.N.Y. 6-5-88 5A 41., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
The life & age of man. Stages of man's life from the cradle to the grave. [graphic].
Allegorical print containing a portrayal of a male figure aging from a baby to an older man on a pedestal of life. Includes rhymed couplets describing each age below the image corresponding to animal vignettes adorning the pedestal styled as up and down steps. Shows the figure, in the far left, as an infant as a "lamb like innocent" in the lap of his mother, her long dark hair loose down her back, and attired in a red dress; at the age of 10 with dark hair and attired in a blue pant suit and cap and holding a stick and hoop as he "goat like skips and joys"; at the age of 20 attired in a black top hat, black waistcoat, and blue striped pants when "love doth swell his veins and heifer like untamed remains"; at the age of 30 attired in a military uniform "with bull like strength he smites his foes"; at the age of 40 attired in a military uniform holding a sword and flag and "naught his courage quails but lion like by force prevails"; at the age of 50 with greying hair, attired in a black suit and top hat, and his "strength fails but with wit fox like he helps to manage it"; at the age of 60 with long white hair, attired in a black suit and top hat, and holding out a cane while "wolf like he tries his wealth to raise"; at the age of 70 with rounded shoulders and attired in a black long coat and top hat and cane in hand, "he'll hear and tell but dog like loves at home to dwell"; at the age of 80 slightly hunched and reaching out as "a cat keeps house and loves the fire" he has the same desire; at the age of 90, in the far right, severely hunched over and reliant on a cane that he must suffer everywhere as "weak asses backs were made to bare"; and at the age of 100, attired in a white night gown, seated in a chaise lounge, and tended by a young woman, attired in a red dress and holding a cup as "the sick of life the grave he fears.", Image also includes a tree in full leaf (left), a dead withered tree (right), and a vignette scene set in a tree-lined pasture behind a stone wall entitled "Resist the Devil and he will flee from you!" Scene shows bare-chested male figure attired in a loincloth and with their left hand up and right arm out between a couple, in the right, and a table of men drinking, in the left. A cross is seen in the distance behind the couple., Title from item., Date inferred from dates publisher Nathaniel Currier operated as sole proprietor of his firm., Printed on recto: 87., Currier operated as a sole proprietor at 152 Nassau Street from 1838 to 1857 before partnering with Frederick Ives.
The life & age of man. Stages of man's life from the cradle to the grave. [graphic].
Allegorical print containing a portrayal of a male figure aging from a baby to an older man on a pedestal of life. Includes rhymed couplets describing each age below the image corresponding to animal vignettes adorning the pedestal styled as up and down steps. Shows the figure, in the far left, as an infant as a "lamb like innocent" in the lap of his mother, her long dark hair loose down her back, and attired in a red dress; at the age of 10 with dark hair and attired in a blue pant suit and cap and holding a stick and hoop as he "goat like skips and joys"; at the age of 20 attired in a black top hat, black waistcoat, and blue striped pants when "love doth swell his veins and heifer like untamed remains"; at the age of 30 attired in a military uniform "with bull like strength he smites his foes"; at the age of 40 attired in a military uniform holding a sword and flag and "naught his courage quails but lion like by force prevails"; at the age of 50 with greying hair, attired in a black suit and top hat, and his "strength fails but with wit fox like he helps to manage it"; at the age of 60 with long white hair, attired in a black suit and top hat, and holding out a cane while "wolf like he tries his wealth to raise"; at the age of 70 with rounded shoulders and attired in a black long coat and top hat and cane in hand, "he'll hear and tell but dog like loves at home to dwell"; at the age of 80 slightly hunched and reaching out as "a cat keeps house and loves the fire" he has the same desire; at the age of 90, in the far right, severely hunched over and reliant on a cane that he must suffer everywhere as "weak asses backs were made to bare"; and at the age of 100, attired in a white night gown, seated in a chaise lounge, and tended by a young woman, attired in a red dress and holding a cup as "the sick of life the grave he fears.", Image also includes a tree in full leaf (left), a dead withered tree (right), and a vignette scene set in a tree-lined pasture behind a stone wall entitled "Resist the Devil and he will flee from you!" Scene shows bare-chested male figure attired in a loincloth and with their left hand up and right arm out between a couple, in the right, and a table of men drinking, in the left. A cross is seen in the distance behind the couple., Title from item., Date inferred from dates publisher Nathaniel Currier operated as sole proprietor of his firm., Printed on recto: 87., Currier operated as a sole proprietor at 152 Nassau Street from 1838 to 1857 before partnering with Frederick Ives.
Lincoln Drive postcards.
Depicts the s-curve of Lincoln Drive near an unidentified pedestrian bridge spanning Paper Mill (Monoshone) Run. View looking north toward Harvey Street., Contains 11 postcards printed in color and 4 printed in black and white., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Lion Fighter, Fairmount Park, Philadelphia, Pa.
Depicts an equestrian statue of a man about to pierce a lion with his spear. Designed by Albert Wolff in 1858 and was cast in bronze by Bureau Brothers in 1893 for the Columbian Exposition. Later placed in front of the Post Office at Ninth and Chestnut Streets. Moved to East River Drive in 1897. Currently located at the foot of the Art Museum steps, near the Benjamin Franklin Parkway., Sheet number: 88A09., Divided back. Post marked 1909., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Lit Brothers department store postcards.
Depicts the Lit Brother's store from the corner of Eighth and Market Streets looking northeast. Lit Brothers began their business in 1895 and acquired all of the properties on the block by 1907. Contains a WDAR broadcasting schedule on the back of the postcard in color image., Sheet numbers: 40A07B and 40B04A, Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Little Sisters of the Poor postcards.
Exterior views of the Little Sisters of the Poor Home for the Aged renovated circa 1915 by Ballinger & Perrot., Contains 1 postcard printed in color and 1 printed in black and white., Sheet numbers: 100A02 and 100B05., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Logan House postcards.
Exterior views of front facade. Original portion of house constructed in 1801 for Philadelphia merchant Thomas Armat by builders Peter L. Berry and John Ardis., Contains 1 postcard printed in color and 1 printed in black and white., Sheet numbers: 102A08 and 102B09., Undivided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Logan Square and Parkway postcards.
Contains images of Logan Square, Logan Circle and the Benjamin Franklin Parkway from many different perspectives. Depicts popular landmarks on the parkway including the Philadelphia Art Museum, the Central Branch of the Free Library, City Hall, the Cathedral of Sts. Peter and Paul and Pennsylvania Railroad's Suburban Station. Images document Logan Square and the Benjamin Franklin Parkway before, during and after construction from 1917-1926., Contains 21 postcards printed in color and 5 printed in black and white. Also includes 11 linen postcards., Logan Square marked the central portion of the Benjamin Franklin Parkway, connecting the wider linear segment running east from the Art Museum terminus and the thinner portion running west from City Hall. Based on plans designed by Jacques Greber, who was also responsible for the World's Exposition held in Paris in 1937. One of many boulevards created during the City Beautiful movement, emphasizing an attractive environment of green landscapes and classical civic buildings that would create moral and civic minded citizens during a time when American cities were afflicted by poverty and overcrowded living conditions., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The Lord's prayer.
Caption title., At head of title is a type specimen., The New England Institution for the Education of the Blind opened in Boston in 1832; in 1839, the name changed to Perkins Institution and Massachusetts Asylum for the Blind., Printed in S.G. Howe's raised-letter Boston line type; printed area measures 24.9 x 20.1 cm., In the Michael Zinman Collection of Printing for the Blind., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Lulu Temple postcards.
Exterior views of the Lulu Temple (built in 1903) with the Spring Garden Institute (built 1851-1852 by Hoxie & Button) at the northeast corner of North Broad and Spring Garden Streets., Contains 6 postcards printed in color and 5 in black and white., Sheet number: 153A05., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Lustres, section Belge.
View showing a display of chandeliers among displays of pottery, objet d'arts, and framed prints and paintings in the Belgian section. Includes the work of pottery manufacturers Boch Frere Keramis. The exposition held April 1-November 3, 1867 celebrated the technological and economic progress of the Second Empire, as well as originated the classification system followed by proceeding international exhibitions., Title printed on mount., Blindstamped on mount: Concession Unique., Yellow mount with rounded corners., Photographer's imprint printed on verso: M. Leon & J. Levy Ferrier, Sucrs. de Ferrier pere et fils et Soulier, 113, Boulevard de Sebastopol, 113 Paris. Vues sterescoptique sur verre de L'Exposition Universelle de 1867 ainsi que de tour les Pays., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Lutheran Orphans' Home postcards.
Contains exterior views of the orphanage building constructed in 1879 for the elderly and the new annex built circa 1896 by Carl Berger. Also depicts boys gardening on the property., Sheet number: 100B07., Undivided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Lyric Theatre, Broad and Cherry Sts., Philadelphia, Pa.
Exterior view of front facade of the Lyric Theatre built in 1905 after designs by James H. Windrim, who also designed its twin theatre, the Adelphi, in 1907. The Lyric and Adelphi Theatres shared a front facade, but the Lyric had a greater seating capacity. Both theatres were demolished in 1937., Numbered 20071 on verso., Sheet number: 157A05., Divided back., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Machinery Building (official). World's Fair, St. Louis, 1904.
Illustrated envelope for the Louisiana Purchase Exposition held in honor of the centennial anniversary of the Louisiana Purchase in St. Louis, Mo., April 30-December 1, 1901. Shows the Palace of Machinery built after the designs of Windman, Walsh & Boisselier. A fountain adorns the grounds across which vistors stroll and sit on benches. The machinery building contained exhibits related to advancements in technology, as well as the generator built by General Electric to power the entire exhibition., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Michael Zinman.
Machinery Hall. Centennial International Exhibition.
Trade card issued preceding the Centennial Exhibition of 1876 advertising New York publishers Nelson & Phillips. Depicts the hall to be built after designs by Henry Pettit and Joseph M. Wilson. Several individuals promenade on the grounds. The centennial of the United States was celebrated through an international exhibition of industry, agriculture, and art in West Fairmount Park, Philadelphia, May 10-November 10, 1876., Advertising text printed on verso: 1875. Holidays! 1876. We would respectfully call your attention to our complete assortment of Holiday Goods suitable for Presents, consisting of Books, Photograph Albums, Authograph Albums, Bible, Pocket-Books. Stationery, Scrap-books, Book-Marks, Christmas Cards, Mottoes, Christmas Boxes, And a complete outfit for Christmas Trees of our own importations. We would call your attention to our Fancy Boxes, of which we have the most complete assortment in the city, at prices to suit all, ranging from $6 to $25 per 100. Please call and examine our samples. Nelson & Phillips. 805 Broadway, New York., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Michael Zinman.
Majestic Hotel postcards.
Exterior views looking northeast of the Majestic Hotel at the northeast corner of North Broad Street and Girard Avenue. The Majestic incorporated the William L. Elkins mansion into the hotel in 1905., Contains 4 postcards printed in color and 2 printed in black and white., Sheet numbers: 117A02 and 117B01B1., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Major H. (English hackney.) J. L. Huye, owner, Lancaster, Pa.
Trade card containing vignette of a hackney horse wtih bobbed tail and wearing a bridle., Manuscript notes, calculations, and scribbles in pencil and pen on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Making ends meet.
Trade card for the Philadelphia branch of the Singer Sewing Manufacturing Company containing a comic view showing a boy sewing the ends of two cat's tails together with a Singer sewing machine. Two other boys hold the horrified looking cats, while a dog sits near the machine. Singer Manufacturing Company relocated to 1202 Chestnut Street in 1882., Advertising text printed on verso: Principal Office of The Singer Manufacturing Company Removed to 1202 Chestnut Street. Genuine Singer Sewing Machines. At Low Prices For Cash., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler., For duplicate, see trade card - Singer [1975.F.865]
Manufacturers' Club.
Depicts the Manufacturers' Club built in 1911 after designs by Simon & Bassett., Sheet number: 27A06, Text on verso., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Manufactures & Liberal Arts Bl'd'g.
Trade card issued during the Columbian Exposition of 1893 advertising Maine shoemaker E. A. Noble. Contains a view showing the exhibition's largest building built after the designs of George B. Post. Visitors walk the grounds and on an adjacent pier across from the "Grand Basin" on which several sail and steamboats travel. The exposition held in Chicago May 1-October 30, 1898 celebrated the 400th anniversary of Christopher Columbus's arrival in the New World in 1492., Printed on verso: E. A. Noble, boots, Shoes, & rubbers, Repairing and Custom Work. Currier Block, Water Street, Hallowell, Maine., Contains promotional text devised as a poem on verso. Begins "He has Boots and Shoes, and Rubbers of gum,... and concludes "For E.A. Noble can fit them all, I've heard Tell, if she's Boston's wit, or Chicago's bell.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Michael Zinman.
Market Square Germantown postcards.
Contains views of Germantown's Market Square where the prison, stocks, public scales, market house (1714) and firehouse (1814) were located. Depicts views of Market Square with the Market Square Presbyterian Church in the background, along with views of the square looking at the Executive Mansion, or Robert Morris House, where George Washington stayed during the drafting of the Constitution in 1787. Most views include the Civil War monument looking northeast, erected in 1883 by the members of Ellis Post, No. 6, Grand Army of the Republic. Shows the granite figure of a soldier at "parade rest." Monument moved to Moved to Belmont Avenue and George's Hill Drive in West Fairmount Park in 1909. Includes an original painting of the square as it appeared in 1830, owned by the Germantown Historical Society., Contains 8 postcards printed in color and 6 printed in black and white., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Market Street postcards.
Contains images of store fronts and automobile and pedestrian traffic looking east and west on Market Street. Views depict Market Street looking: at the Market Street loop; west from 10th Street, showing Woolworth & Co. 5 and 10 store; west of 11th Street showing the Denckla, Inquirer and Reading Terminal buildings and east from City Hall showing the Wanamaker Department store. Also includes a bird's eye view of Market Street looking west towards West Philadelphia., Contains 4 postcards printed in color and 3 printed in black and white., Accession numbers: P.2002.67.30, P.9048.37, P.9048.41, P.9049.16, P.9049.53 and P.9512.6 - 7., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Market Street postcards.
Contains images of store fronts, automobile and pedestrian traffic and City Hall looking east and west on Market Street. Views depict Market Street looking: at the Market Street loop; west from 2nd Street; east from 6th Street, showing Wanamaker & Brown; west from 7th Street, showing Lit Brothers and the Ladies' Cafe; Penn National Bank at the southwest corner of 7th and Market Streets; west from 8th Street, showing Strawbridge & Clothier and Gimbel's; north from 8th and Market Streets; east and west from 9th Street; west from 10th Street, showing Woolworth & Co. 5 and 10 store; west of 11th Street showing the Denckla, Inquirer and Reading Terminal buildings and Market Street east from 11th and 12th Streets and City Hall tower. Includes an airplane view of Market Street looking west., Contains 35 postcards printed in color and 13 printed in black and white. Also contains 1 linen postcard., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Market Street Subway postcards.
Depicts the underground tracks and steel skeleton of the Market Street subway. Includes a view of an approaching train., The Philadelphia Rapid Transit Company (PRT) built the Market Street subway - elevated from 15th Street to 69th Street in 1907. Construction expanding the line eastward to Delaware Avenue finished in 1908, but the elevated section connecting Frankford to the Center City line was not completed until 1922., Sheet numbers: 158A01 and 158A11., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Market Street subway station postcards.
Contains various interior images of subway stations servicing the Market Street subway-elevated line, including the 8th Street station, the 13th Street station and the 69th Street station. Also includes a random window display for one of the department stores located near one of these stations., The Philadelphia Rapid Transit Company (PRT) built the Market Street subway - elevated from 15th Street to 69th Street in 1907. Construction expanding the line eastward to Delaware Avenue finished in 1908, but the elevated section connecting Frankford to the Center City line was not completed until 1922., Half of the postcards (3 out of 6) issued by P. Sander, Philadelphia., Sheet numbers: 158A09 and 158A10., Divided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Marriage certificate.
At head of title: "Whom God has joined together, let no man put asunder.", Printed area, including ornamental border, measures 15.6 x 21.1 cm., Library Company copy completed in MS. for Martin Mellinger and Miss Sarah Burry [i.e. Barry], married Dec. 13, 1864, by Rev. F.W. Kremer; with a five-cent stamp attached., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitied by Alexander Street Press for Images of the American Civil War.
Marsden Gateway, Chestnut Hill, Phila.
Exterior view of the entrance gateway to the Marsden residence in Chestnut Hill, showing the front portico of the house in the background., Numbered 797 on verso., Divided back., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Martha Washington. Manufactured by Arnett, Wemple & Ellyson, Danville, Va.
Tobacco label for the firm (originally Arnett & Wemple) in operation 1876-1886. Shows a half-length portrait of Washington in winter attire, including a bonnet overlaid with a muslin wrap. Also includes ornamental cornices., Title annotated in ink: & Ellyson., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler., Empire Lithographing and Engraving Company operated under this firm name 1879-1884.
Martha Washington. Printed by S. H. Greene & Sons. Riverpoint, R.I. Coffin, Artemus & Co. Sole agents.
Textile label for the textile print works founded in 1828 by Simon H. Greene and Edward Pike. Depicts Washington, in a sitting room, standing next to a table with knitting, and holding a letter reading "For the Soldiers at Valley Forge, George Washington." View also includes a window looking onto a winter scene and a framed portrait of George Washington. Label also contains an ornamental border. The firm, renamed S. H. Greene & Sons in 1865, were nationally known for their "Washington" line of printed textiles., Printed and stamped on recto: No. 48 2 Yds., Copyrighted in Washington, D.C., Lines drawn on recto., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Mary J. Drexel Home postcards.
Exterior views of the front facade and entrance to the Mary J. Drexel Home at South College and Corinthian Avenues. Built in 1888 on the campus of Lankenau Hospital to house the deaconesses' home, children's hospital, home for the elderly and school for girls., About half (7 out of 15) postcards issued by The Rotograph Co., New York., Sheet numbers: 138A02, 138A03, 138B03, 138B04 and 138B05., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Maryland, ss. Frederick, absolute lord and proprietary of the provinces of Maryland and Avalon, Lord Baron of Baltimore, &c. To all persons to whom these presents shall come, Greeting in our Lord God everlasting.
A land patent form., Second line of text, last word: Know., Printed on vellum; printed area measures 27.0 x 29.5 cm., Not in: Evans; Bristol., Library Company copy from the Michael Zinman Collection of Early American Imprints., Library Company copy completed in MS. for John Wallace, Jan. 28, 1754, granting him land in Somerset County; signed by Horatio Sharpe; with a MS. docket title., signed: Thos. Jennings clk., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Masonic Temple postcards.
Contains views of the Masonic Temple built 1868-1873 after designs by James Hamilton Windrim. Images depict the temple looking northeast from City Hall. Includes one interior view of Norman Hall., Contains 22 postcards printed in color and 9 printed in black and white., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
May I. C. U. home?
Specimen to advertise sets of escort cards (i.e., acquaintance cards) containing a vignette surrounded by a decorative border. Vignette depicts two frogs, facing each other, and holding hands., Stamped on verso: 40 Escort Cards, 35 designs for 10 cts., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.

Pages