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Said Jackson at New Orleans, "Boys we'll each one turn explorer, and make a raid on the enemy's stores with the Enterprise Bung Borer."
Trade card issued during the Columbian Exposition of 1893 advertising Enterprise Mf'g Co. of Pa. "Enterprise Bung-Hole Borer or Hollow Auger." Contains an anachronistic scene including a caricaturized depiction of Andrew Jackson and his militia during the War of 1812. Depicts the Major General triumphantly drilling a hole into a cask of rum with an Enterprise auger. Casks surround him and his troop cheers in the background near an American flag. Also contains a view of Machinery Hall designed by Peabody & Stearns. The exposition held in Chicago May 1-October 30, 1898 celebrated the 400th anniversary of Christopher Columbus's arrival in the New World in 1492. Enterprise Manufacturing Co. of Pa. was established in 1866., Advertising text printed on verso: Enterprise Bung-Hole Borer or Hollow Auger. The Most Complete Bung-Hole Borer in the Market. This Auger is made of cast steel, and is ground by patented machinery in such a manner as to leave the cutting edge the most prominent. It is nicely hardened, finely tempered, and very durable. Being furnished with a round lip bit, smooth boring is ensured. It bores a complete Round Hole, Regular Taper, and holds it own chips, preventing them from entering the cask. To sharpen the Stock or Reamer, file the inside of slot only. Prices: No. 1, Bores from 3/8 to 1 1/2 inches, $1.50. " 2, " " 1 1/8 to 2 " 2.00. " 3, " " 1 1/2 to 3 " 3.00., Printed on verso: For Sale by the Hardware Trade. Send for Catalogue. The Enterprise M'f'g Co. of Pa., Third & Dauphin Sts., Philadelphia, U.S.A., Vignette illustration on verso. Depicts an auger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Michael Zinman.
Said Peter Stuyvesant, "Welcome, friends, you would find our living rougher had we knickerbockers not learned to use the Enterprise sausage stuffer."
Trade card issued during the Columbian Exposition of 1893 advertising Enterprise Mf'g Co. of Pa. "Enterprise Sausage Stuffer and Lade Press." Contains an anachronistic scene including a caricaturized depiction of Dutch Director General of the colony New Netherland (later New York) Peter Stuyvesant. Depicts the peg-legged Stuyvesant promoting an Enterprise sausage stuffer to two of the colony's elite citizens. A servant operates the machine. A strand of encased sausage flows into a large bowl. Also contains a view of the Art Gallery designed by Charles B. Atwood. A boat floats in the foreground. The exposition held in Chicago May 1-October 30, 1898 celebrated the 400th anniversary of Christopher Columbus's arrival in the New World in 1492. Enterprise Manufacturing Co. of Pa. was established in 1866., Advertising text printed on verso: Enterprise Sausage Stuffer and Lard Press. Our Sausage Stuffers are easy working and durable, are unexcelled for butchers' and farmers' use and will be found useful for many purposes in the household. We furnish them wither japanned or tinned. Prices: No. 5-2 quart, Japanned, Rack,....$3.00. "10-2 " Tinned, ",...$3.50; " 15-2 ", Japanned, Screw....$4.00; "20-2 " tinned, "....$4.50; " 25-4 " Japanned, ",...$5.00; " 30-4 " Tinned, "...$6.00; " 35-8 " Japanned, "... $6.50; " 40-8 " tinned, "....$7.50., Printed on verso: For Sale by the Hardware Trade. Send for Catalogue. The Enterprise M'f'g Co. of Pa., Third & Dauphin Sts., Philadelphia, U.S.A., Vignette illustration on verso. Depicts a "4 Qrt" hand-turned sausage stuffer and accompanying blades., Typeface on verso varies between prints., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Michael Zinman.
Salem Lutheran Church.
Exterior view church built in 1913 by John F. Davies after designs by S.W. Milnor, both of Frankford., Organization of the Salem congregation began in 1888 and a frame chapel was built in 1892., Sheet number: 50B12., Real photo. Undivided back., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Samuel F. Heflick, Pittsburg, Pa. Heflick's rein supporter. Price card.
Advertisement containing an image of a rein supporter attached to the hitch of a carriage between the cab of the vehicle and the rump of the harnessed horse. Also contains pricing information: one dozen = $18.00; 1=2 gros, per doz. 15.00; one gros, per doz. 12.00., Date inferred from patent date of rein supporter: October 25, 1898., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Samuel Hart & Co. Philadelphia and New York.
Playing card containing vignette portraits of George and Martha Washington, the American eagle and shield, and the ace of spades. Also includes banners, stars, and vinery. Samuel Hart & Co. began the manufacture of playing cards in Philadelphia and New York in 1849. George & Martha Washington Aces of Spades was one of the firm's most popular designs, with at least five different versions issued until after 1900., Printed on recto: Patented May 8 1866., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
A scene in the park, Wissahickon Creek postcards.
Depicts Rittenhouse Bridge, a large stone bridge with a small arch opening carrying Forbidden Drive in Fairmount Park. View of bridge near Lover's Leap looking north along the Wissahickon Creek. Marks the entrance to the upper Wissahickon Valley., Contains 3 postcards printed in color and 3 in black and white., Majority of postcards issued by the Philadelphia Post Card Co., Philadelphia., Sheet numbers: 62A06 and 62B01., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Schaeffer Ashmead Memorial Church, Lutheran Theological Seminary, Mt. Airy, Philadelphia.
Exterior view of the Schaeffer Ashmead Memorial Chapel on the campus of the Lutheran Theological Seminary on Germantown Avenue built in 1901 by Frank Thomas Miller., Sheet number: 50B13A., Undivided back., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
School of Industrial Art of Penn. Museum, Philadelphia, Pa.
Exterior view of front facade of the Pennsylvania Museum School of Industrial Art built 1824-1826 after designs by John Haviland., Numbered 3128 on recto., Also identified as Dorrance Hamilton Hall., Sheet number: 153B05., Undivided back., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Schuylkill Navigation Company stock certificate]
Shows canal, lock, and bridge., Retrospective conversion record: original entry, with corrections., Philadelphia on Stone
Seamen's Church Institute, Philadelphia, Pa.
Exterior view of Seamen's Church Institute building, constructed in 1925. Under the auspices of the Episcopal Church and the outcome of the Churchmen's Missionary Association. Provided residence and entertainment for seamen passing through Philadelphia., Numbered 105111 on recto., Sheet number: 138A07., Divided back. Text on verso., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Sears postcards.
Exterior views of the distribution plant of Sears Roebuck & Co. on Roosevelt Boulevard built after designs by Ernest A. Greenfeld and Tilden, Register & Pepper., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Season ticket.--20 cts.
A ticket., Printed area measures 42 x 75 mm., Originally part of a McAllister scrapbook., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Second Baptist Church postcards.
Exterior views., Contains 1 postcard printed in color and 1 printed in black and white., Sheet numbers: 101A08 and 101B06., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Sehnsucht nach dem himmlischen Jerusalem.
A hymn in five verses and a chorus, words only; first line: Kommt ihr Freunde, wir eilen jeszt fort., Caption title., Dated by Yoder, "probably from the late nineteenth century.", Printed area measures 14.4 x 6.5 cm., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Sesquicentennial Exhibition postcards.
Contains souvenir and memento postcards of the Sesquicentennial Exhibition, celebrating the 150th anniversary of independence in Philadelphia. Features general views of the fair grounds, including High Street, constructed to portray a Philadelphia street as it looked in 1776. Depicts exterior views of exhibition buildings erected for the fair, including several State buildings, buildings constructed on League Island, the large Liberty Bell replica marking the entrance of the fair, the Administration building, Palace of the Liberal Arts, Palace of Agriculture, Palace of Education, Palace of Fine Arts and Auditorium Convention Hall. Also includes images of popular icons associated with Philadelphia's history including the liberty bell, Independence Hall, City Hall, Carpenter's Hall and William Penn., Contains 112 postcards printed in color and 19 printed in black and white., The fair grounds were located in South Philadelphia, adjacent to the Navy Yard. The exhibition opened on May 31, 1926 and for six months provided attractions and entertainment in the form of pageants, exhibitions and sporting events. New technology, especially electrical appliances, were displayed, marking the progress of science and industry since the Centennial Exhibition 1876., Most postcards issued by John D. Cardinell, Philadelphia., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The Settlement Music School postcards.
Exterior view of the front facade of the Settlement Music School. Includes a view of a party at the school, with a policeman wearing a basket hat in the foreground., Moved into Queen Street building in 1917., Sheet number: 138B19., Undivided backs. AZO stamp boxes with upward pointing triangles in corners., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Seventh Street south of York Street.]
Depicts residences along North 7th Street south of West York Street. Includes a partial view of a corner store., Numbered 849 on recto., Sheet number: 156B09., Real photo. Undivided back., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The Shaker extract of roots. Sold by A.J. White, New York City. Office, 29 Murray Street.
Envelope containing ornate lettering and details promoting the syrup, also known as Mother Siegel's Curative Syrup, introduced into the market by White circa 1876. White's company, which specialized in the wholesale of Shaker medicines, operated until 1957., Addressed in manuscript to: Martin Kishpaugh Esq, McMichaels, Monroe Co., Pa., Contains three-cent stamp printed in green and depicting a profile portrait of George Washington., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Shibe Park. Philadelphia, Pa. The Home of the Athletics.
Exterior view of stadium built in stages from 1908-09 to 1939 by William Steele & Sons Company., Numbered A-17128 on verso., Also known as Connie Mack Stadium (1953)., Divided back. Post marked 1913., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Shipped by the grace of God, in good order and well conditioned, by [blank] :
Three bills of lading printed one above the other on a single half sheet; each of the three blank forms begins with an ornamental letter S., Printed area measures 32.1 x 15.6 cm., Not in: Evans; Bristol., Library Company copy completed in MS. in triplicate for Nathaniel West Dandridge, shipping eight hogsheads of tocabbo to Messrs. Farrel & Jones, Bristol, England, aboard the ship Realto, at anchor in York River, John Thomas, master; dated Aug. 30, 1762 and signed by John Thomas., Library Company copy from the Michael Zinman Collection of Early American Imprints., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., NEH-Readex: not in Readex; not at AAS.
Shipped by the grace of God in good order and well conditioned, by [blank] :
A bill of lading form., Ornamental initial letter S shows a ship under full sail; the woodcut initial is unsigned., Printed area measures 9.3 x 19.4 cm., Not in: Evans; Bristol., Library Company copy completed in MS. for Jonathan Belcher, shipping sugar, molasses, rum, 12 oak tables, 5 dozens chairs, and 6 dozen pails from Boston to "Nansymum in Virginia or So. Carolina" (i.e. Nansemond, Va.), aboard the ship Dove, William Winter, master; dated Boston, Sept. 12, 1723, and signed by Winter., Library Company copy from the Michael Zinman Collection of Early American Imprints., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., NEH-Readex: not in Readex; not at AAS.
Signing of the Declaration of Independence postcards.
Depicts copies of the painting created by John Trumbull circa 1819, showing members of the Second Continental Congress gathered in the East Room of Independence Hall signing the Declaration of Independence on July 4, 1776. John Adams, Robert Sherman, Thomas Jefferson and Benjamin Franklin stand before John Hancock, the President of the Continental Congress., Divided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Skating in Fairmount Park, Philadelphia, Pa.
Depicts a crowd of people ice skating in Fairmount Park., Numbered 8901 and 43042 on verso., Sheet number: 86A18., Divided back., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Smith Memorial postcards.
Contains views of the Smith Memorial gateway designed by James Windrim & Son and built 1897-1912 at the Forty-first Street entrance to Fairmount Park. Built in honor of Civil War soldiers. Consists of two pedestals flanking Concourse Drive near Memorial Hall. Both sides have palladian arches and equestrian bronze statues on columns. Various sculptors produced different statues for the memorial. Daniel Chester French created the George Meade statue; Charles Grafly created the John Reynolds statue; Edward C. Potter created the McClellan statue and John Quincy Adams Ward created the Winfield Hancock statue., Contains 13 postcards printed in color and 5 printed in black and white., Also known as the Richard Smith Memorial Gateway., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Soapine is the very best washing powder.
Trade card for the Philadelphia branch of the Kendall Manufacturing Company containing a view by English artist and illustrator Helena Maguire who specialized in country scenes of animals and women. Shows a group of three rabbits in front of their hutch. One sniffs a lettuce leaf., Title from advertising text printed on verso. Text also reads: New Large Package, 5c. Former 5c. Package reduced to 3c. Quality Guaranteed. to get one of our magnificent Mounted Pictures, bring 25 Whales cut from the packages, or 10 Whales and 15 Fronts of Wrappers from Kendall Mfg. Co.'s Soaps to our Office, 1207 Fairmount Ave., Phila, Pa. They cannot be mailed., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Soldiers' monument commemorating the Battle of Germantown postcards.
Depicts the monument to the Battle of Germantown in Vernon Park., Contains 2 postcards printed in color and 1 printed in black and white., Sheet numbers: 104A03 and 104B03., Divided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Solicitations to Pancoast F. Hoy, Schuylkill Haven, Pa.]
Includes envelopes, a letter of solicitation, and an illustrated flier. Advertising firms include R. M. Connable & Co., "Sole Manufacturers of the "Hercules" Overalls, Coats and Shirts (Dayton, Ohio) and David Rupp, Proprietor of York Steam Soap Works (York, Pa.). Connable type-written solicitation promotes "Hercules" overalls and pants. Rupp flier promotes two "schemes," including when "You Buy 5 Boxes of Laundry Soap for $20.00 and get a Ladies Gold Watch Free" and "5 Boxes of our Well Known Family Favorite Soap at $3.60 Per Box (100--12 oz. Cakes) and one Show Case Free as per cut." Flier also includes vignettes showing a gold watch with ornamented case, "German Silver Case," "Show Case and Desk Combined," and a long German silver case., Title supplied by cataloger., Date range inferred from date on correspondence and stamps., Envelopes contain cancelled one-cent stamps printed in blue and depicting a profile portrait of Benjamin Franklin., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler., Pancoast Hoy, was proprietor of a premier dry goods store in Schuylkill Haven from circa 1875 to the early 20th century. He was a prolific and innovative advertiser of his store merchandise.
South Broad Street postcards.
Contains views mostly of South Broad Street looking north, with City Hall in the distance. Very few of the images depict South Broad Street looking south from City Hall. Several images document buildings on Broad Street north of Spruce Street including the Stenton Hotel; the Hotel Walton (233-247 South Broad Street); the Ritz Carlton Hotel (201 South Broad Street); the Bellevue Stratford Hotel (200-216 South Broad Street) and the Academy of Music (232-246 South Broad Street). Also includes buildings on South Broad Street closer to City Hall, including the West End Trust Company (1400 South Penn Square); the Girard Trust (34-36 South Broad Street), the Land Title Building (100-118 South Broad Street) and the Real Estate Trust Company (101-113 South Broad Street)., Contains 43 postcards printed in color and 23 printed in black and white., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[South side of Gordon Street west of 30th Street.]
Depicts a partial view of the Glenwood School at the northwest corner of 30th and Gordon Streets. Includes views of row homes west of the school on Gordon Street and a partial view of a corner store at the southwest corner., Sheet number: 156B10., Real photo. Undivided back. Post marked 1912., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Southeast corner of 52nd Street and Hazel Avenue.]
Depicts row homes along the south side of Hazel Street near 52nd Street., Numbered 38 on recto., Sheet number: 156B06., Real photo. Divided back., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Southern Manual Training School postcards.
Exterior views of school at South Broad and Jackson Streets, viewed from Broad and Snyder Avenue in these images. Built in 1907 after designs by Lloyd Titus. Became South Philadelphia High School in 1915., Numbered 2327 on recto., Published in Robert Morris Skaler's Philadelphia's Broad Street South and North, (Portsmouth, NH: Arcadia Publishing, 2003), p. 11., Sheet number: 153A05., Divided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
p. 4
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Souvenir de L'Exposition Universelle 1878
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Souvenir de L'Exposition Universelle 1878
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Souvenir de L'Exposition Universelle 1878
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Souvenir de L'Exposition Universelle 1878
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Souvenir de L'Exposition Universelle 1878
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Souvenir de L'Exposition Universelle 1878
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Souvenir de L'Exposition Universelle 1878
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Souvenir de L'Exposition Universelle 1878
Souvenir album containing captioned photographs of sites at the Paris Universal Exposition of 1878 held May 1-November 10, 1878 to celebrate the recovery of France following the Franco-Prussian War of 1870. Includes Palais du Trocadéro designed by Gabriel Davioud and Jules Bourdais; Vue Générale du Palais du Champ de Mars; Palais du Champ de Mars; Galerie d'Iéna; Galerie des Machines; Pavillion de la Ville de Paris; Façade des Galeries des Beaux-Arts; Rue des Nations (facades to the international exhibitors inside the Palace of Industry); Façade de la Section Belge; Façade de la Section Chinoise; Le Palais Algérien; and Pavillon des Eaux et Forêts. Views include landscaping, a pond, a bridge, exhibit cases, and steam-operated machinery, including printing presses., Red morocco binding stamped with illustration designed by bookbinders Lofficiau & Munzinger. Illustration depicts the main building and grounds in the Champs de Mars (Palais du Champ de Mars). In the foreground, the allegorical female figure Ceres sits among tools, equipment, and symbols representing art, industry, and technology. Includes a camera, paint palette, locomotive, wheels, a distillery, compass, books, an anvil, and a caduceus., Inscribed on front free endpaper: Bertha C. Moras. A tiny memento of the visit to the Paris Exhibition of 1878., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

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