Pages

p. 13
Souvenir viewbook, issued during the Centennial Exhibition of 1876, containing fifteen captioned views of prominent sites and landmarks in the city and Centennial Exhibition buildings. Contains views of "Independence Hall" (520 Chestnut Street); "Independence Chamber," i.e., the Assembly Room used as an exhibit gallery; the "Public Buildings," (i.e., City Hall, built 1873-1901); "New Post Office" (South Ninth and Chestnut streets, built 1873-1884); the "Masonic Temple" (1-33 North Broad Street, built 1868-1873); "United States Mint" (1331-1337 Chestnut Street); the 400 block of "Chestnut Street" including the Custom House, the United States Post Office and Courthouse (completed 1863) misidentified as the Public Ledger Building, and Bankers Row; "New Academy of Natural Sciences" (built 1868, 1900 block Race Street); "Academy of Fine Arts" (118-26 North Eighteenth Street, completed 1876); "Horticultural Hall" (built 1867, razed 1881) and "Academy of Music" on the 200 block of South Broad Street; University of Pennsylvania in West Philadelphia; the main hall and statuary at "Girard College"; Fairmount Water Works; Girard Avenue Bridge; Main Building; Machinery Hall; Art Gallery; Agricultural Hall; Horticultural Hall; and Women's Pavilion. Also contains a panoramic, bird's eye view "Philadelphia, Seen from West-Philadelphia" captioned with the names of major streets and the Centennial Exhibition buildings, Art Gallery and Main Hall and a panoramic, bird's eye view "Exhibition Grounds, Fairmount Park." Views also show the New York Connecting Railroad Bridge; street and pedestrian traffic, including horse-drawn vehicles; signage; adjacent buildings and businesses; and flags., Title from embossed red moracco binding, front cover stamped: Philadelphia., Prints connected by accordion folds., Inscribed on back cover: Mrs. Sarah Hadley, Bernhards 1876., George C. Reukauff owned Hall & Garrison Looking Glass & Picture Frame Manufactory., Hall & Garrison was a looking glass, picture frames, interior decoration, and cabinetry manufactory in operation in Philadelphia by 1867. The business relocated from the 900 block of North Third Street to 1128 Washington Avenue about 1873. By the 1880s, the firm shipped its materials internationally, including Russia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Michael Zinman.
p. 14
Souvenir viewbook, issued during the Centennial Exhibition of 1876, containing fifteen captioned views of prominent sites and landmarks in the city and Centennial Exhibition buildings. Contains views of "Independence Hall" (520 Chestnut Street); "Independence Chamber," i.e., the Assembly Room used as an exhibit gallery; the "Public Buildings," (i.e., City Hall, built 1873-1901); "New Post Office" (South Ninth and Chestnut streets, built 1873-1884); the "Masonic Temple" (1-33 North Broad Street, built 1868-1873); "United States Mint" (1331-1337 Chestnut Street); the 400 block of "Chestnut Street" including the Custom House, the United States Post Office and Courthouse (completed 1863) misidentified as the Public Ledger Building, and Bankers Row; "New Academy of Natural Sciences" (built 1868, 1900 block Race Street); "Academy of Fine Arts" (118-26 North Eighteenth Street, completed 1876); "Horticultural Hall" (built 1867, razed 1881) and "Academy of Music" on the 200 block of South Broad Street; University of Pennsylvania in West Philadelphia; the main hall and statuary at "Girard College"; Fairmount Water Works; Girard Avenue Bridge; Main Building; Machinery Hall; Art Gallery; Agricultural Hall; Horticultural Hall; and Women's Pavilion. Also contains a panoramic, bird's eye view "Philadelphia, Seen from West-Philadelphia" captioned with the names of major streets and the Centennial Exhibition buildings, Art Gallery and Main Hall and a panoramic, bird's eye view "Exhibition Grounds, Fairmount Park." Views also show the New York Connecting Railroad Bridge; street and pedestrian traffic, including horse-drawn vehicles; signage; adjacent buildings and businesses; and flags., Title from embossed red moracco binding, front cover stamped: Philadelphia., Prints connected by accordion folds., Inscribed on back cover: Mrs. Sarah Hadley, Bernhards 1876., George C. Reukauff owned Hall & Garrison Looking Glass & Picture Frame Manufactory., Hall & Garrison was a looking glass, picture frames, interior decoration, and cabinetry manufactory in operation in Philadelphia by 1867. The business relocated from the 900 block of North Third Street to 1128 Washington Avenue about 1873. By the 1880s, the firm shipped its materials internationally, including Russia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Michael Zinman.
p. 16
Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
p. 17
Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
p. 18
Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
p. 14
Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
p. 15
Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Back cover
Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
p. 13
Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
p. 19
Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
p. 20
Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
p. 21
Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
p. 22
Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
p. 10
Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
p. 11
Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
p. 12
Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
p. 23
Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
p. 24
Souvenir viewbook containing 12 prints originally connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Titles include Main Exhibition Building; Art Gallery; Agricultural Building; Horticultural Building; Machinery Building; Washington's Retreat near Philadelphia/Carpenter's Hall Philadelphia; Declaration of Independence, July 4th 1776; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Old State House, Boston; Faneuil Hall, Boston; and The Capitol at Washington. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Blue paper binding, stamped with border design and containing gold seals replicating the Centennial medal on recto. Seals illustrated with female allegorical figures representing the Genius of American Independence and Liberty. Seal on recto reads "In Commemoration of the Hundredth Anniversary of American Independence 1876." Seal on verso reads "These United Colonies are and of Right Ought to be Free and Independent States 1776.", Includes 15-page "Description" of Philadelphia and major landmarks in Boston and Washington, D.C. Description missing pages., Publication information from variant duplicate., Inscribed on last fold: Miss [Tillie Pardy?], A little souvenir from the Centennial. Compliments of El[?] V. B. Millen., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Centennial Exhibition raffle trade cards advertising the New American sewing machine manufactured by American B.H.O. (Button Hole Overseaming) Machine Co., 1318 Chestnut St., Philadelpia, Pa.]
Series of trade cards depicting Centennial Exhibition buildings, historic sites, and a bird's eye view of the grounds. Views show "Bird's eye View"; Women's Pavilion; Machinery Hall; Horticultural Hall; "Independence Hall. 1st U.S. Congress"; Judge's Hall; and Agricultural Building. Majority of views also show pedestrian traffic. Images of exhibition buildings include length, width, and acres measurements. Majority of the buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The centennial of the United States was celebrated through an international exhibition of industry, agriculture, and art in West Fairmount Park, Philadelphia. The American B.H.O. Sewing Machine Co. was established in Philadelphia in 1867 and the firm introduced the New American machine in 1873. The company remained in business until circa 1896., Title supplied by cataloger., Contains several lines of advertising text printed on verso. Text begins "We will give away at the close of the Centennial Exposition the fine Machine on Exhibition, at our Pavilion, Machinery Hall" and promotes the New American as "complete, simple, and perfect" with a self threading shuttle, self adjusting tension, and self setting needles; as well as monthly cash payments; to examine the machine before purchasing it; the agents wanted; and to send for a price list and illustrated catalog. Text also describes the machine as never skipping a stitch; no holes to thread through; and the only one in the world to work elegant button holes... and makes the "'over and over' stitch for sheets and pillow-cases.", Two of the prints contain imprint: Printed in Machinery Hall, E, 28., Prints stamped with "holder of this Card, No." Numbers include: 9250; 17649; 18195; 17810; 11646; 5768; and 19821., One of prints [P.2008.36.89] numbered in upper left corner: No. 6., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Michael Zinman.
Centennial Lake postcards.
Depicts the Centennial Lake and Island in Fairmount Park including miniature boats and pedestrians sitting in the foreground. The area, located near Belmont Avenue and Concourse Drive in West Fairmount Park, was a wetland before the lake was created for the Centennial Exposition in 1876., Contains 12 postcards printed in color and 2 printed in black and white., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Centennial pocket album.
Souvenir viewbook containing 14 prints connected by accordion folds and depicting Centennial Exhibition buildings and national historic landmarks and scenes. Includes title page "Centennial Album" illustrated with an allegorical, patriotic scene; Declaration of Independence, July 4th 1776; Carpenter's Hall/Old Liberty 1776 (i.e., Liberty Bell)/Washington's Retreat near Philadelphia; Independence Hall, Philadelphia 1776; Independence Hall, Philadelphia 1876; Faneuil Hall, Boston; Old State House, Boston; Washington's Headquarter, Newburgh, N.Y.; Old City Hall, Wall St. N.Y.; The U.S. Capitol at Washington; Main Building; Agricultural Hall; Machinery Hall; Horticultural Hall; and Art Gallery. Views also show street and pedestrian traffic. Majority of the Centennial buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., P.2010.21.13 contains white paper binding, printed in color with ornate border design., P.2010.21.13 inscribed on verso of last fold: Rowland C. Trask, Otego, Ostego Co. N.Y., P.2010.21.14 contains red cloth binding stamped with ornate border design., Includes "The Hymn Sung at the Opening of Our Centennial" pasted on the inside covers., Centennial album registered at the patent office July 20th 1875., Gift of David Doret., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Central Library, Free Library of Philadelphia postcards.
Exterior views of the front facade of the Central Branch of the Free Library of Philadelphia, built 1917-25 after designs by Horace Trumbauer., Contains 1 postcard printed in color and 1 linen postcard., The Free Library system began in 1891. The first library occupied three rooms in City Hall in 1894. It moved to 1217-21 Chestnut Street in 1895, to the northeast corner of 13th and Locust Streets in 1910 and into its present site in 1927., Sheet numbers: 132A02 and 132L01., Divided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Central Y.M.C.A. postcards.
Contains images of the central branch of the Young Men's Christian association building on Arch Street. Includes an exterior view of the front facade looking northwest. Built circa 1907 after designs by Horace Trumbauer and Cope & Stewardson. Two postcards also depict the Armed Forces Building of the Y.M.C.A. (111-123 North 15th Street), built 1926-28 by Louis Eugene Jallade., Contains 1 postcard printed in color and 2 printed in black and white., Sheet numbers: 138A08 and 138B23., Divided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Centre Square Water Works postcards.
Depicts the neo-classical style marble pump house, completed in 1800 after the designs of architect Benjamin Henry Latrobe, in the tree-lined public square at High (Market) and Broad streets. The city's first waterworks delivered water from the Schuylkill River to subscribers and city hydrants until 1815, when superseded by the Fairmount Waterworks. The pump house was razed in 1827. Includes the Water Nymph and Bittern fountain sculpted in wood in 1809 by William Rush for the Centre Square Water Works, but later moved to the Fairmount Waterworks on the Schuylkill River., Divided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Certificate of promotion.
Printed on rose-colored paper; printed area, including ornamental border, measures 16.4 x 22.2 cm., Library Company copy completed in MS. May 24, 1840 for Miss Mary Shertz, signed by John Mathiot., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Chambers-Wylie Presby. Church, Broad and Spruce Sts., Phila.
Exterior view of church built 1899-1901 after designs by Rankin & Kellogg. Named for three Presbyterian clergymen: John Chambers, Samuel B. Wylie and Theodore W.J. Wylie., Undivided back., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Chamounix Falls postcards.
Depicts Chamounix waterfalls in West Fairmount Park, including three boys sitting near the water's edge., Sheet numbers: 86A06 and 86A07., Divided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Chamounix Lake postcards.
Contains views of people recreating on Lake Chamounix, including various groups rowing boats on the lake and people relaxing near the water's edge., Sheet numbers: 86A08 and 86B04., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Chamounix Mansion postcards.
Exterior views of front facade of country retreat built circa 1802 for George Plumsted. The property was acquired by the city of Philadelphia in 1871 and was used as a restaurant and boarding house., Numbered 2305 on recto., Also known as Montpelier., Sheet number: 81A01., Divided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Charles Corless, Glen Riddle, Pa. The best cow milker in the world.
Trade card containing the image of a milk cow with her udders attached to a milking contraption within a milk pail., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Chasseurs et chevaux, Amerique du Sud.
Shows a diorama with a South American hunter mounted on a taxidermy horse. A female figure stands at the shoulder of the animal. Another male figure mounted on a horse is partially visible in the background. The exposition held April 1-November 3, 1867 celebrated the technological and economic progress of the Second Empire, as well as originated the classification system followed by proceeding international exhibitions., Title printed on mount., Blindstamped on mount: Concession Unique., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Chestnut Hill Academy postcards.
Contains images of Chestnut Hill Academy, originally built as the Wissahickon Inn in 1883-1884 after designs by G. W. & W. D. Hewitt. Includes a landscape view of the school and an interior view of the swimming pool., Opened as a summer resort by Henry H. Houston. Chestnut Hill Academy occupied the building in 1898., Sheet number: 153B01., Undivided backs., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The Chestnut Hill Stock Farm, Chestnut Hill, Pa. Breeders and importers of hackneys and thoroughbreds, hunters, high action pairs, dog-cart horses, ladies cobs, and childrens ponies.
Trade card containing a vignette showing a hunter on horseback after clearing a fence and accompanied by hounds., Printed above title: Proprietor, Mitchell Harrison, Lock Box 1630, Phila. Address All Communications to the Farm. Manager, W. Fred. Presgrave, Chestnut Hill, Phila., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Chestnut Street postcards.
Contains views of Chestnut Street looking west from Sixth Street, Eighth Street, Ninth Street and Eleventh Street. Also includes views looking east from Sixth Street, Eleventh Street and Sixteenth Street. Depicts one view looking north from Chestnut and Fifth Streets. The Philadelphia Record building, Post Office, United States Custom House and the Pennsylvania Building are the most prominent buildings in these street views., Contains 21 postcards printed in color and 8 printed in black and white., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Chew Mansion postcards.
Exterior view of front and side of the colonial residence built 1763-1767 by master carpenter Jacob Knor for Philadelphia attorney Benjamin Chew at 6401 Germantown Avenue. Shows the facade of the two-story stone building with a pediment over the front door, shuttered windows, and dormers and chimneys on the roof. Also depicts the entrance drive to the Chew grounds. Chew House, also known as Cliveden, was the site of the turning point in the Battle of Germantown in 1777. The Chew family enslaved people of African descent in the city of Philadelphia and in Germantown during the 18th and 19th centuries. The estate was the Chew family residence until 1972 when it was acquired by the National Trust for Historic Preservation., Contains 17 postcards printed in color and 9 printed in black and white., Sheet numbers: 102A02, 102A03, 102A04, 102A05, 102A06, 102B02,102B03 and 102B04., Gift of George M. Brightbill, 1999., Description revised 2022., Access points revised 2022., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Children's Playhouse postcards.
Depicts the playhouse and playground built in 1899 as a country space for city children, erected by Richard and Sarah Smith., Also known as Smith's Memorial Playhouse., Sheet numbers: 81A03 and 81A04., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Christ Church Hospital, Philadelphia, Pa. -- Founded in 1772.
Exterior view of front facade of hospital built 1856-1861 after designs by John M. Gries. Founded in 1772 by Dr. John Kearsley to support poor and widowed women of the Church of England., Also known as the Kearsley Home., Sheet number: 108B01., Divided back. Post marked 1958., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Christ Church postcards.
Exterior views of Christ Church built 1727-1744 after designs by John Kearsley. Steeple built 1751-1754 after designs by John Harrison II and Robert Smith. Also includes interior views of the nave, wine glass pulpit, sanctuary, pews, stained glass windows and the church's silver., Contains 19 postcards printed in color and 11 printed in black and white., Accession numbers: P.8712.5n, P.9048.145, P.9048.259, P.9048.265, P.9049.86, P.9050.21 - 22, P.9050.24, P.9050.27 - 28, P.9050.33, P.9050.35, P.9050.43, P.9050.52, P.9050.60 - 61, P.9050.65, P.9050.67, P.9050.74, P.9050.76 - 78, P.9050.86, P.9050.88 - 89, P.9050.96, P.9067.8, P.9105.12, P.9526.2 and P.2005.3.37., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Christ Church postcards.
Exterior views of Christ Church built 1727-1744 after designs by John Kearsley. Steeple built 1751-1754 after designs by John Harrison II and Robert Smith. Also includes interior views of the nave, pulpit, sanctuary, pews, stained glass windows, bells, the coat of arms of William and Mary and the church's silver., Contains 52 postcards printed in color and 10 in black and white. Also includes 2 linen postcards., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Christlicher Haus-Segen, nebst der Zwölf Stunden-Gedächtniss.
This 18th-century German house blessing, with twelve-hour reminder, served as a model for format, though not for content, of printed Pennsylvania house blessings. See Yoder, D. Pennsylvania German broadside, p. 200-202., Printed on laid paper; hand-colored; printed area measures 38.0 x 30.3 cm., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

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