Augmented collection of advertisements for 19th-century Philadelphia businesses originally compiled by local Jewish socialite Emily Phillips, ca. 1860-ca. 1880s.
Racist trade card promoting the druggist J. Harley Compton and depicting a caricature of an older African American man reading a notice on a country grocery store. Shows the man with a white beard and attired in a yellow brimmed hat, a long-sleeved red shirt, yellow pants with patches and held up by suspenders, and black shoes. He bends forward to read the sign on the boarded up, dilapidated store. It states in the vernacular that the Johnsing & Skinner Grocery is out of business and that, “Dem as owes de firm, will settle wid me--dey de firm owes will settle wid Skinner. G.W. Johnsing." The African American man is labeled as a creditor who says in the vernacular, “I’ll hab a hundred and fifty cents on de dollar, or I’ll lick de hul firm.” Another sign on the building states, "10 miles to de post ofice (sic)." In the right, the man’s donkey is tied to an orange post behind him. In the background, fenced in fields and trees are visible. William Carroll purchased J. Harley Compton’s drugstore in New Egypt, New Jersey in 1895., Title from item., Text printed on recto: Johnsing & Skinner Grocery. Notis—De firm of Johnsing & Skinner am resolved. Dem as owes de firm, will settle wid me—dey de firm owes will settle wid Skinner. G.W. Johnsing. Creditor of Johnsing & Skinner—“I’ll hab a hundred and fifty cents on de dollar, or I’ll lick de hul firm.”, Advertising text printed on verso promotes items manufactured by J. Harley Compton, including Compton's concentrated flavoring extracts, liquid rennet, camphor ice with glycerine, cholera and dysentery drops, and Compton's tooth powder. Dated Oct. 9th, 1883., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William Helfand., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Trade card promoting soap manufacturer J.D. Larkin & Co. and depicting a racist caricature of an anthropomorphized chimpanzee as a man hunter. He stands in front of a section of tall grass and holds a clutch of birds in his left hand and a rifle under his right arm. He is attired in a hunting cap, red jacket, tan pants, and black high boots. Leather straps are criss-crossed over his chest. J.D. Larkin & Co. was founded in 1875. By 1881 the soap company included over 100 factory workers and sustained specialized departments for advertising and shipping, as well as solicited to door-to-door private residences in addition to shopkeepers. Trade cards with the company logo were included with each box of soap. By 1885 the firm only directly sold their products to residential customers and was known for their premiums. The company was sold in 1941 and continued as a mail-order business until 1962., Title from item., Date from copyright statement: Copyright, Clay & Richmond, Buffalo, N.Y., 1881., Printed in upper right corner on recto: J, D, L, & C. monogram (ie. J.D. Larkin & Co.) surmounting "Buffalo, N.Y.", Series no. printed on recto: II., Advertising text printed on verso promotes "Creme" toilet soap sold by A.E. Snow, dealer in drugs, medicines, etc. in Plainfield, Vt. Also promotes "six different designs" of cards by the People's Mfg. Co., Buffalo, N.Y., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Incomplete series of trade cards, including duplicate and variant imagery with the same series number, to promote "Crème" toilet soap manufactured by J.D. Larkin & Co. Depicts racist, anthropomorphic chimpanzee figures in social situations and leisure and cultural activities., Series no. I (variant 1) depicts a man and woman as well-dressed anthropomorphized chimpanzees greeting each other. In the left, the man attired in a black top hat, blue jacket, and checkered yellow pants, nods his head to the left and holds up his walking stick. In the right, the woman, her back to the viewer, is attired in a yellow bonnet adorned with flowers and a ribbon, and a long-sleeved green dress with a pink belt at the waist and a bow at the bustle. She lifts up her skirt and exposes her slip. Series no. I (variant 2) depicts an anthropomorphized chimpanzee as a man artist. He rests back on his chair, and holds a palette in one hand, and a paint brush in the other. He sits in front of an easel and canvas. He is attired in a green-colored smock shirt with collar and buttons, yellow pants, and brown laced shoes. His eyelids droop down and his mouth is slightly ajar., Series no. II depicts an anthropomorphized chimpanzee as a man hunter. He stands in front of a section of tall grass and holds a clutch of birds in his left hand and a shot gun under his right arm. He is attired in a hunting cap, red jacket, tan pants, and black high boots. Leather straps are criss-crossed over his chest. Series no. III depicts an anthropomorphized chimpanzee as a man fishing at a dock. The man hangs his legs over a pier and holds a pole into the water. A basket of fish lays beside him. He wears a wide-brimmed hat, a brown jacket with the collar turned up, and blue checkered pants. The backs of two other anglers are visible in the left background. Series no. IV (2 copies) depicts anthropomorphized chimpanzees as a man and woman couple on promenade. The woman, in the left, is attired in a yellow bonnet, a yellow, three-quarter length sleeved dress with ruffling down the front and ruching on the skirt, and white gloves. She holds a fan by her left cheek, looks to her left, and lifts up the skirt of her dress and shows the edge of her slip. To the right, the man smiles and looks over her shoulder. He is attired in a bowler, red jacket, and grey-striped pants and holds a walking stick up under his arm., Series no. VI depicts anthropomorphized chimpanzees as a man and woman couple getting married by a clergyman. The couple, their backs to the viewer, stand to the left of the clergyman attired in his ceremonial robes. The man wears a suit with a long jacket. The woman wears a white wedding dress with a veil adorned with floral ornaments. The dress is composed with ruched sleeves, and adorned with pink bows and ribbons. The figures all have solemn expressions. J.D. Larkin & Co. was founded in 1875. By 1881 the soap company included over 100 factory workers and sustained specialized departments for advertising and shipping, as well as solicited to door-to-door private residences in addition to shopkeepers. Trade cards with the company logo were included with each box of soap. By 1885 the firm only directly sold their products to residential customers and was known for their premiums. The company was sold in 1941 and continued as a mail-order business until 1962., Title from items., Date, publisher, and manufacturer (printer) from copyright statements on prints: Copyright J.D. Larkin & Co., Buffalo, N.Y. 1881 and Copyright Clay & Richmond, Buffalo, N.Y. 1881., Majority of prints (P.2020.3.1-4&7) distributed by J.D. Larkin & Co., P.2020.3.5&6 distributed by the People’s Manufacturing Co., Prints include the company logo “J.D. L. & Co., Buffalo, N.Y.” in two designs; one in cursive and the other as a monogram with a central block letter., Includes series numbers: I. (2 variant images); II.; III.; V. (2 copies, same image); and VI., Five of the prints contain variant advertising text on verso. All texts include statement: To Card Collectors.- There are six different designs in this set. We will mail the complete set to any address, on receipt of 3 c./three cent stamp., RVCDC, Description reviewed 2022., Access points revised 2022.
Series of illustrated trade cards depicting children's heads poking through torn paper or canvas., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Series of illustrated trade cards promoting confectioners Croft, Wilbur & Co. and depicting children performing a variety of activities, including two white girls playing tug-of-war over a wrapped piece of candy; and boys and girls eating sweets, including a white boy eating a candy stick while holding his dog on a leash. Also shows flowers; a courting white boy and girl couple sitting on a log; two white boy clowns dancing, playing a drum, and strutting a homemade pitchfork; and a man in Colonial attire popping out of a large cracker or bon-bon and dumping candy to white woman who catches it in her skirt. Racist card depicting an African American boy, portrayed in caricature, and a white girl on a candy stick seesaw. In the left, shows the white girl attired in a large, white bonnet; a yellow dress with red polka dots; a blue and white checked smock; orange stockings; and brown shoes, sitting on a red and white striped candy stick. In the right, the barefooted African American boy, attired in an orange shirt and gray pants, sits on the other side of the candy see saw. The fulcrum is a piece of chocolate. Founded in Philadelphia in 1865 by Samuel Croft and Henry Oscar Wilbur, Croft, Wilbur & Co. divided into H.O. Wilbur & Sons and Croft and Allen in 1884., Title supplied by cataloger., Four prints printed by E. Ketterlinus & Co., Includes two prints [1975.F.120 and 1974.F.141] with advertising text printed on versos., Gift of Emily Phillips, 1883., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Illustrated trade card depicting cats standing in a basket with their front paws propped on the top rim. They meow and attempt to crawl out of the basket. Curwen Stoddart and Company was the partnership between Curwen, Joseph, and Curwen Stoddart, Jr., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Illustrated trade card die cut and shaped into an art palette depicting a cat. D. Klein & Bro. was a partnership between David and Lewis Klein., Advertising text printed on verso: D. Klein & Bro., clothiers and merchant tailors, 1112 Market Street, Philadelphia. Branch store, 4327 Main Street, Manayunk., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Series of illustrated trade cards entitled, "Marrying for money," "Working for money," "Dealing for money," and "Begging for money," depicting vignettes surrounded by paper and coin currency. One vignette shows an older man and a young woman. As he mischievously twists his mustache, she is posed in a childlike manner, seated and playing with his pocketwatch. Others depict a woman bringing food or drink to an older blacksmith working with a hammer and anvil; a woman seated at a table and a man standing at her side; and an older man seated and begging for money with his hat and a woman standing next to him with her hand open., Copyrighted 1881 by W.W. Chew., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Illustrated trade card depicting pink and gilt flowering vines., Advertising text printed on verso: Monday, March 15, Grand Opening of silks, dress fabrics, grenadines, by Darlington, Runk & Co. at which time they will have the pleasure of exhibiting the very newest styles and colorings for the spring and summer 1880., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Series of illustrated trade cards depicting children, cats, cherubs, and ornately attired couples. Also shows a Japanese woman dressed in traditional garb playing a shamisen; a man painting on canvas as his female companion watches; three women shooting with bows and arrows at a heart-shaped target; two women reading a letter as a male admirer watches unnoticed; and men and women gathered around a drinking fountain., Title supplied by cataloger., One print [1975.F.284] printed by J.H. Bufford's Sons, Boston and six prints signed J. Bognard, Paris., One print [1975.F.279] contains advertising text printed on verso: Darlington, Runk & Co., importers and retailers of silks, dress-goods, mourning-goods, hosiery, gloves, india shawls, laces &c. Nos. 1126 and 1128 Chestnut Street, Philadelphia., Ten prints contains image titles, including "Dos a dos," "Fi dono!" "La gourmandisi," "La cholere," "La paresse," "Brouillés," "La rencontre," "Pardonne-moi," "L'orgueil," and "La promenade"., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Illustrated trade cards depicting hauling and hoisting equipment in a wagon hitched to a horse., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Illustrated sample trade card depicting a sailboat and its passengers in the foreground and large rock formations and palm trees on the beach in the background., Title from imprint printed on verso., Price list for printer David Heston's illustrated cards printed on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Illustrated trade card depicting the patriotic figure of Liberty wearing a headdress and a dress cinched at the waist with a "U.S." buckle. She holds an American flag in her right hand and a sword in her left., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized., George S. Harris started his printing business in 1847 and relocated in 1852 to Fourth and Vine Streets. In 1872, he partnered with his son George T. Harris and renamed the business George Harris & Son.
Title from item., Date from copyright statement: Copyrighted 1887 by Day & Frick., Racist metamorphic trade card showing a caricaturized Chinese man laundry worker washing a sheet on a wash board in a washtub. Includes a tab that when pulled lifts the washer's arms up and down to reveal the text "Day Soap" on the wash board. The man wears his hair in a queue and is attired in a long-sleeved, blue collared shirt with buttons down the front, blue pants, and slip-on, cloth shoes. He smiles and looks to the right. The tub rests on a table beside a bar of soap, labeled “Day’s Soap.” On the ground behind the table is a basket of laundry. Sheets hang on a drying line. In the background, the wall has Chinese-stylized decorations including a gold wallpaper depicting birds and fish and a purple and gold wall hanging that reads, “Day’s Soap.” Peter Day founded the Day & Frick soap manufactory firm in 1886. He retired as president of the firm in 1917., Purchased with funds from the Walter J. Miller Trust for the Visual Culture Program., RVCDC, John D. Avil founded the Avil Printing Company (also known as John D. Avil & Co.) in West Philadelphia and managed it from the early 1860s until his death in 1918.
Illustrated trade card depicting rolling wood matting on the floor bordering an ornate bar., Advertising text printed on verso: J. Kile & Co. 450 N. Twelfth St., Philadelphia. Wood turning, sawing, planing and cabinet mill, hotel, saloon, store & office fixtures, bars, bar rails, foot rests, counters, tables, beer backs, shelving, &c. Tile floors, plumbing, mirror plates, &c., furnished. Newel posts, balusters, hand rails, mouldings, &c. J. Cross, manager., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Illustrated trade card depicting a portrait of a woman grasping the branch of a flowering tree with her right hand. Includes a vignette on verso of a piano. Brothers David and John Decker began prducing pianos in New York in 1865., Contains advertising text printed on verso: Decker Brothers, grand, upright & square pianos. Incomparable in workmanship, matchless in tone, artistic in design, unequalled in durability, moderate in price. 33 Union Square, New York. W. G. Fischer, 1210 Chestnut Sts., Philadelphia, Pa., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Series of illustrated trade cards for Dell & Joseph C. Noblit & Co., importers and manufacturers of furniture covers and curtain materials, established in 1849. Illustrations depict a shield, laurel wreath and monogrammed "N"; an interior window dressed with drapes; and a spray of daisies, leaves and twigs entitled "Easter Greeting"., Title supplied by cataloger., Printers and engravers include Matthews & Co., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Illustrated souvenir trade card depicting two full-length figures of men modeling period clothing, one attired in Colonial dress and the other attired in a plaid suit, popular in the 1870s. Patriotic symbols separate and surround the figures, including stars, banners and an American eagle with a shield on its breast, clutching flags and the banner "E pluribus unum" in its talons., Contains advertising text (partially illegible after removing from scrapbook) printed on verso for Devlin & Co.'s leading American clothing house in two locations in New York City: Broadway and Grand St. and Broadway and Warren St., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Illustrated trade card depicting a vignette of a winter snow scene inset into a bouquet of flowers., Copyrighted 1882 by Frank Vernon, N.Y., Series title printed on recto in lower left corner., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Illustrated trade card depicting a bunch of roses., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Series of trade cards promoting Joseph Dixon Crucible Company's stove polish and depicting a racist caricature of an African American woman nanny at work. Shows the nanny smiling, holding, and scrubbing an unclothed white girl, who is coated in black stove polish along her right side. The long, brown haired girl wears a red headband and is partially covered by a white cloth draped around by the nanny. The nanny uses a scrub brush under the right arm of the girl. The girl stands, her right leg raised, upon a table covered with a yellow tablecloth and stained by the polish. She looks down and touches the nanny's face with her right hand. She places her left hand over the woman's hand on her left side. The nanny is attired in a white head kerchief with red polka dots; a yellow short-sleeved shirt with red stripes; and a blue skirt. On the table is a plate; a brush; and boxes labeled Dixon's Stove Polish. Image also includes, in the left background, a stove with a steaming copper kettle and a partial view of a stove pipe and checkered flooring. The Joseph Dixon Crucible Company, established by Joseph Dixon in Salem, Mass. in 1827, produced graphite pencils, crucibles and stove polish, and relocated to Jersey City, N.J. in 1847. In 1868, the firm name changed from Joseph Dixon & Co. to the Jos. Dixon Crucible Co. In 1870 the firm won a trademark case against a Philadelphia competitor selling J.C. Dixon Stove Polish., Title from item, Printers and engravers include Major & Knapp Engraving, Manufacturing & Lithographic Co. (New York) and A. Gast & Co. (New York and St. Louis)., Advertising text printed on verso: Advertising text printed on verso: Established 1827. Dixon's stove polish; over fifty years in the market. Neat; quick; brilliant, and lasting. No dust. No odor. Nothing will make a stove so bright and cheerful for so long a time as the Dixon stove polish. It is by far the cheapest in use, in the long run. Buy it. Try it. Take no other. Pressed into a neat quarter-pound packet, absolutely free of adulteration. Six millions sold in 1880. Jos. Dixon Crucible Co., Jersey City, N.J., Gift of Emily Phillips, 1883. Purchase 1998., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Illustrated trade card depicting a winter scene of a rural house, bare trees, and an inset vignette of a rustic footbridge spanning a creek., Contains advertising text printed on verso: "Great dinners" - 25 cents. All the delicasies. Meals at all hours, 25 cts. Ice cream, fruit ices. Board per week, $4.00. Strawberry shortcake. Best meals in the city. Ice cream and cake, 10 cts. A charming place. All the good things. The ladies' delight. The Doan, 238, 240, 242 and 244 Erie St., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Series of trade cards promoting the Domestic Sewing Machine Co. "Make no mistake you buy a domestic" depicts two white women, one tall and the other of short stature, who carry parasols and converse. "Wes don got de "domestic" we has!" depicts a racist, comic genre scene of an African American couple, portrayed in racist caricature with exaggerated features, who have acquired a sewing machine. In the center is a man and woman in a blue-colored cart being pulled by a galloping brown horse. The man, attired in a top hat; a blue jacket; a white collared shirt; and green checked pants, strains and leans forward as he holds the reins. The woman, attired in a yellow dress with black polka dots and a pink bonnet, leans back and exclaims in the vernacular that "wes don got the Domestic, we has!" She raises her left hand in the air and holds a white handkerchief. A sewing machine is visible inside the cart. In the far right a barefooted boy attired in a straw hat; a white collared shirt; and brown pants rolled up to his calves, possibly their displaced son, runs beside the wagon. In the top right corner is an inset illustration of a Domestic Sewing Machine Co.’s sewing machine. "Yes my father was a great antiquarian; where he studied antiquity" depicts a well-dressed, white man and woman couple standing on a veranda conversing. The next panel depicts an older white man carrying a sack on his back and picking through a barrel filled with straw and scrap metal with garbage strewn around on the ground. William S. Mack & Co. and N.S. Perkins founded the Domestic Sewing Machine Company in 1864 in Norwalk, Ohio. The White Sewing Machine Company bought the company in 1924., Title supplied by cataloger., One print [1975.F.229] copyrighted by Frank B. Hine., Includes advertising text printed on versos., Gift of Emily Phillips, 1883. Gift of Helen Beitler, 2001 [P.9983.5]., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Illustrated humorous trade card depicting a man with a long beard toting a bag and hat in his right hand about to open the door to enter a bathroom. The card opens up to reveal a disheveled-looking man in suspenders, perhaps one who has never seen an indoor bathroom, washing his face in the toilet. A sign reading, "Don't blow out the gas," hangs on the opposite wall above the bathtub., Copyright, 1901, by W.H. Carpenter., Title supplied by cataloger., Manuscript note on on verso includes numbers and prices: 500, $7.00 ; 1000, $12.00, Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Selma Kessler.
Postcard depicting a group portrait of African American cotton pickers, predominantly women and children, in a cotton field. Show the workers stopped from their work and posed toward the viewer. One of the women holds a baby. A wooded area is seen in the background., Date inferred from postmark: New Orleans, May 13, 1911, 9AM., Addressed in manuscript to: Miss Ester Wilson, 318 N. Jardin St., Shenandoah, Penna. Signed H.F.M., Contains cancelled one-cent stamp printed in green ink and depicting Benjamin Franklin in profile., Printed on verso: Made in U.S.A., Gift of George R. Allen., Divided back., Lipsher Specialty Co. operated 1909-1914 and published views of and around New Orleans.
Illustrated trade card depicting a doctor checking the pulse of a sick man seated in an armchair and attired in a dressing gown and cap. A large bottle of medicine sits on a table next to the doctor., Advertising text printed on verso promotes Dr. Browning's C. & C. cordial for colds, asthmatic coughs, bronchitis croup, and for the relief of consumptives. Also promotes Dr. Browning's tonic and alternative, which "purifies the blood, enriches the blood, [and] improves the appetite." Also informs patrons of Browning's impending move from 1117 Arch Street to 1321 Arch Street after January 1st, 1881., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Series of illustrated trade cards entitled "The morning prayer," "The talking well," "Le dernière mode," "O Nannie, wilt thou gang wi' me?" and "Little Red-riding-hood" depicting a mother praying with her two children and a pet cat; a woman leaning against a well as her lover spies on her from behind a stone wall; a girl playfully wearing a basket on her head; a woman seated with a dog at her feet as a man stands over her and proposes; and a young girl, Little Red Riding Hood, bundled in a red cape with a basket at her feet., Title supplied by cataloger., Advertising text printed on versos promotes Dr. Jayne's "carminative basalm" and "tonic vermifuge" for conditions afflicting the bowels; "sanative pills" for bilious disorders and for worms in children; and "expectorant" and "liniment" for colds and lung issues., Trade cards issued by Lancaster Thomas, Nineteenth and Pine Streets, Philadelphia; Mackeown, Bower, Ellis & Co., Tenth and Market Streets, Philadelphia; Alfred B. Taylor, 31 S. Eleventh Street, Philadelphia; and Wm. McIntyre, 2229 Frankford Avenue, Philadelphia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Series of illustrated trade cards for patent medicines and an almanac created by Dr. J.C. Ayer & Co. in Lowell, Massachusetts. Illustrations depict sirens with an "Ayer's hair vigor" shipping crate, hair brushes, and product bottles near a wrecked ship and stranded sailors; a girl holding flowers under a cherry tree in the countryside; Penn's Treaty with the Indians in 1682 with two men kneeling and presenting an "Ayer's cherry pectoral" scroll to the Native Americans; and two men and an apprentice with a printing press in a scene labeled "The invention of printing". J.C. Ayer & Co. operated in Lowell, Massachusetts from about 1850 to 1930., Title supplied by cataloger., Three prints [1975.F.2; 1975.F.9; 1975.F.11a] contain advertising text on versos for products prepared by J.C. Ayer & Co. including "Ayer's hair vigor" and "Ayer's cherry pectoral"., Printed on verso of print P.9111.11: To Bennie from Aunt Florence George. Eat drink and be merry and now will be happy all of the days of your life., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Illustrated trade card depicting a fly and flowers in front of a framed landscape view of a sea and mountains., Contains calendar for 1882 printed on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Illustrated trade card depicting a sailor steering a boat with his left hand and holding a bottle of Dr. Starkey & Palen's Compound in his right. He wears a red and black striped shirt and a red beret., Title supplied by cataloger., Testimonial printed on verso entitled "The most popular agent" and signed "Birmingham, Ala., Nov. 19. 1886" and "W.H. Worthington"., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler., Digitized.
Series of illustrated trade cards depicting a postcard of a dwelling labeled "new home" tucked into flowers and a beach scene showing siblings (brother and sister) on the beach, a boat with a sail labeled "new home", and a sewing machine in the sky. The boy has a patch with the initials "N.H." sewn onto the back of his pants and a caption under their feet reads: Sister.--What are the wild waves saying? Brother.--This patch was put on by the light running new home sewing machine., One print [P.9737] contains seller's stamp on verso: G.A. Buck, dealer in sewing machines, organs, etc. Weissport, Penna., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Die cut trade card shaped into a painting palette with an illustration in the center depicting a boy wearing a straw hat and shoulder bag with a fishing rod in his left hand. He wades through a pond or lake toward a signboard reading "D.S.B & Co. New York"., Advertising text printed on verso: Presented by D.S. Brown and Company New York who manufacture the largest & most complete line of toilet soaps in the country. Also a fine line of toilet extracts. Lawn lilac a specialty., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Series of illustrated trade cards for Dudley L. Page's "pure candy" and "Boston candy manufactory" at 918 Arch Street in Philadelphia. Illustrations depict hands holding bunches of flowers and a cricket player attired in uniform holding his cricket bat in the air., Title supplied by cataloger., One print [1975.F.673] copyrighted 1881 by O.J. Ramsdell., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Illustrated trade card depicting vignettes of Dueber buildings, including the Dueber Gas Works, surrounded by drapes and divided in the center by a statue with a base that reads, "What is worth doing is worth doing well". The male figure holds a shield with the phrase, "We defy competition". Imagery also includes a clock, peacock, anchor and flowers., Printer's imprint below image partially trimmed off., Advertising text printed on verso for Dueber products sold by Geo. Cohen, dealer in watches, clocks, and jewelry, 177 Smithfield St., Pittsburgh, Pa., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Miriam Levy., Digitized.
Illustrated metamorphic trade card for the Indianapolis Brewing Co. When folded, a gentleman attired in a suit, top hat, and cane expresses surprise upon viewing what appears to be a nude woman embracing a man. When opened, the trade card reveals that she is attired in a flesh-colored dress and stands on a veranda enjoying a beer with her male companion. Also shows two bottles of "Duesseldorfer" on the the table, a box of beer on the floor, and a servant delivering a silver platter to the couple. Includes a vignette of the company's brewing complex and trademark on verso. The consolidation of the C.F. Schmidt, P. Lieber, and C. Maus breweries resulted in the formation of the Indianapolis Brewing Co. in 1889., Title supplied by cataloger., Contains advertising text printed on verso: "Progress Brand" Duesseldorfer crowned over all others as the finest in the world. Paris Exposition 1900. Progress Brand. Indianapolis Brewing Co. brewers and bottlers of beer, ale & porter, Indianapolis, Ind., U.S.A., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Selma Kessler., Digitized.
Illustrated trade card depicting a business card for Dundas Dick & Co. inset into autumn leaves. Commemorates the Centennial year in 1876., Contains calendars for 1876 and 1877 printed on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Series of illustrated trade cards depicting a bird's eye view of Duryea's manufactory in Glen Cove, New York; facsimilies of prize medals awarded the company, including the obverse and reverse sides of the gold medal awarded at the Paris Exposition in 1878; and a man posting a broadside advertisement for "Duryea's improved cornstarch" on the side of a brick building as two children and a dog stand nearby and watch., Printers and engravers include the Major & Knapp Engraving, Manufacturing & Lithographic Co., Includes advertising text promoting Duryea's improved corn starch and satin gloss starch printed on versos., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Series of illustrated trade cards containing patriotic vignettes. Images include eagles clutching olive branches, arrows, and shields in their talons and a woman, possibly Liberty, clothed in robes. Pictorial details also include an "E plurubus unum" banner., Title supplied by cataloger., Prints (2)5786.F.117d, g-h printed in blue ink on green paper and envelope (2)5786.F.117j printed in green ink on blue paper., Advertising text printed on rectos for E. & H.T. Anthony, 501 Broadway - New York (3 doors from St. Nicholas Hotel), manufacturer, publisher, and importer of photographic materials, carte de visite photographs, stereoscopic views, and card portraits of eminent persons., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized., Edward and Henry Tiebout Anthony operated one of the largest photographic manufacturing and distribution businesses in the United States in the second half of the nineteenth century.
Series of illustrated trade cards for Etienne Burthey's Philadelphia confectionery at 324 South Third Street. Eight prints illustrate the French folksong, "Marlbrough s'en va-t-en guerre". Views show the Duke of Marlborough leaving for war; Marlborough with another man carrying his sabre; Marlborough's wife looking through a telescope from a stone tower; two men with the deceased Marlborough's helmet; his wife's worried page carrying a letter; and his wife seated, with the page crying into a handkerchief nearby, after receiving news of Marlborough's death; and two men carrying his coffin. Additional illustrations depict men and women playing lawn tennis and archery; a group of children performing a variety of activities, including playing with a train, performing magic tricks, and training a dog; naked cherubs in the snow and on a swing; flowers; birds; bees; and butterflies. Burthey's confectionery business occupied 324 South Third Street from 1877 to 1881., Printers and engravers include A. Ponsot (Paris, France), Stafford (Frankford, Pa.), and Thomas S. Dando & Co. (Philadelphia, Pa.), Includes series of five prints by Thomas S. Dando & Co. with advertising text printed on versos: F. Burthey, manufacturer of all sorts of chocolates, bonbons, Parisian style, 324 South Third St., Philadelphia. Prints also contain titles on rectos, including "Royal lawn tennis," "Le petit mencanicien," "Le petit magicien," "Le chien d'education," and "Tir a l'arc.", Includes series of eight prints printed by Ponsot, Paris with imprint, "E. Burthey, maison Francaise de chocolat et confiserie, 324 South Third St., Philadelphia" and various titles in French on rectos including, "Marlborough s'en va-t-en guerre," "L'un portrait son grand sabre," "Madame monte à sa tour," "L'autre portrait son casque," "Elle voit venir son page," "Monsieur Marlborough est mort," "Chacun s'en fut chez soi," and "J' l'ai vu porter en terre.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Illustrated trade card depicting a business card for E. Fonteneau inset into pink roses., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.