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Why dont you take it? [graphic] / Friz del.
Cartoon promoting the existence of a Union stronghold to defend against a Confederate seizure of Washington, D.C. Depicts General Winfield Scott as the bulldog, "Old General U.S.," protecting the cut of meat, "Washington Prime Beef," from the snarling, retreating greyhound "Jeff" (Confederate President Jefferson Davis). Davis, wearing a Confederate flag and broad-brimmed hat, slinks back to his side where a bale of cotton and animal skull lie, a coiled snake hisses, and a palmetto tree stands. Scott sits guard in front of several money bags, a cannon, American flag, and barrels of beans, beef, and "Mess Pork.", Copyrighted by F.T.B. [Frank T. Beard?], Name of artist supplied by Weitenkampf., One of four variant designs that was also used on Civil War patriotic envelopes., Retrospective conversion record: original entry, edited., Originally part of a McAllister Civil War scrapbook of Sumter and Anderson, Scott, Brownlow., Digitized by Alexander Street Press for Images of the American Civil War.
Why don't you take it? [graphic].
Cartoon promoting the existence of a Union stronghold to defend against a Confederate seizure of Washington, D.C. Depicts General Winfield Scott as the bulldog, "Old General U.S.," protecting the cut of meat, "Washington Prime Beef," from the snarling, retreating greyhound "Jeff" (Confederate President Jefferson Davis). Davis, wearing a Confederate flag and broad-brimmed hat, slinks back to his side where a bale of cotton lies and a palmetto tree stands. Scott sits guard in front of several money bags, a cannon, and barrels of corn, flour, and "Mess Beef.", Per Weitenkampf, one of four variant designs after original by cartoonist Frank T. Beard that was also used on Civil War patriotic envelopes., Contains manuscript note lower right corner: Ballard Vale 1861., Contains manuscript note on verso: VA Ballard Vale May 1861., Retrospective conversion record: original entry, edited., Digitized by Alexander Street Press for Images of the American Civil War.
Worship of the North. [graphic]
Graphic cartoon steeped in Confederate bitterness toward the "Republican" North depicting a scene of Northern idolatry of the African American. Worshippers near a mound of skulls surround a blood-stained altar upon which lies the shackled sacrificed body of American youth. The altar, with a bust of Lincoln dressed as a clown overhead, is constructed from Northern principles such as "Puritanism," "Free Love," and "Negro Worship." Behind the altar an African American man idol, barefoot and bare-chested and portrayed in racist caricature, sits upon the "Chicago Platform." Near the idol stands the statue of "St. Ossawattomi" (i.e., John Brown). The worshippers include General Scott, General Halleck and a loot-laden General Butler, as well as Secretary Edwin Stanton, John Fremont, a knife wielding Henry Ward Beecher, a torch carrying Charles Sumner, Horace Greeley with a censer, and Harriet Beecher Stowe, praying and kneeling atop a volume of Uncle Tom's Cabin. Printed in the top corners is "Ego.", Published in: Sketches from the Civil War in North America (London [i.e., Baltimore]: [the author], 1863-1864), pl. 1., Issued as plate 1 in Sketches from the Civil War in North America (London [i.e., Baltimore]: [the author], 1863-1864), a series of pro-Confederacy cartoons drawn and published by Baltimore cartoonist Adalbert John Volck under the pseudonym V. Blada. The "first issue" of 10 prints (numbered 1, 2, 5, 6, 7, 12, 15, 16, 21, 24), with imprint "London, 1863" were printed as etchings. The remaining 20 prints (numbered 4, 8, 9-11, 14, 17-20, 23, 25-27, 29, 30, 32, 33, 40, 45) headed "Second and third issues of V. Blada's war sketches" and dated "London, July 30, 1864" were printed as lithographs., Title and publication information from series at Brown University Library., Accessioned 1979., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Aldabert Volck (1828-1912), i.e., V. Blada, was a prominent Southern cartoonist from Baltimore who is best known for his 1863 work "Sketches from the Civil War," later republished circa 1886 by Porter & Coates in Philadelphia under the title "Confederate War Etchings."
Yankee volunteers marching into Dixie. "Yankee Doodle keep it up, Yankee Doodle Dandy." [graphic] / J.H. Bufford's Lith, Boston.
Shows a Union officer, sword raised in the air, leading a troop of men attired as the Yankee character Brother Jonathan. Civilians and officers on horseback watch as the "troop" passes. Also shows the Potomac River and Washington skyline, including the Capitol, in the background., Copyrighted by C.F. Morse., Retrospective conversion record: original entry, edited., Probably originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Ye Conference [graphic].
Title from below: Thank You, Jeff. Not Amy., Entered ... 1861 ... Ohio., Retrospective conversion record: original entry., Digitized by Alexander Street Press for Images of the American Civil War.
Young England [graphic] : O, shameful England! Greedy puffed with pride, a friend in sore distress, thy false heart hath denied.
Cartoon critical of Great Britain's lack of support of the Union depicting the country as a greedy, pompous, and disingenuous child. Depicts a smiling, well-dressed, plump lad partaking of a lavish table of food in front of an emaciated, begging dog on an outside patio near the ocean. In the background, an American ship sails near the shore and displays a banner labeled, "Coal?" On the shore, near a row of cannons and a pile of coal, soldiers display a British flag labeled "No!", Date of publication supplied by Weitenkampf., Publisher's imprint stamped below title., Retrospective conversion record: original entry, edited., Digitized by Alexander Street Press for Images of the American Civil War.
"Your plan and mine." [graphic]
Racist satire criticizing the 1864 presidential candidates, Democrat General George McClellan's and incumbent Abraham Lincoln's, divergent peace policies depicting each in a scene with Jefferson Davis and an African American Union soldier. The first scene depicts McClellan offering an olive branch, a frightened kneeling African American soldier, and a promise of non-interference to a scowling, armed Jefferson Davis, attired in torn and worn clothing. Davis acknowledges the branch, accepts the soldier, and expresses his satisfaction about the renewed ability for Southern domination of the government. The soldier, whose head Davis clutches, questions with horror McClellan's proposition to send him back to slavery after his service to the Union. The opposite scene depicts Lincoln pointing a bayonet at a cowering Davis who begs for readmission to the Union. Lincoln, on behalf of the nation, demands unconditional surrender and declares the end of slavery. The observing African American soldier replies in the vernacular that Davis will not have anything to do with him anymore., Title from item., Date from copyright statement: Entered according to act of Congress A.D. 1864, by Currier & Ives, in the Clerk's Office of the District Court of the United States, for the Southern District of N.Y., Originally part of a McAllister scrapbook of materials related to George McClellan and Abraham Lincoln. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.

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