The Philadelphia on Stone Digital Catalog contains over 1300 lithographs, related ephemera, and prints documenting Philadelphia commercial lithography between 1828 and 1878 derived from the surveys conducted at eight collaborating institutions between May 2007 and May 2010. Lithographs listed in Nicholas Wainwright’s Philadelphia in the Romantic Age of Lithography (1958), lithographs not listed in Wainwright portraying the built environment of Philadelphia, and advertisements for and printed views of Philadelphia lithographic establishments form the core content of the records and images contained in this catalog.

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Girard-college
View of Girard College at Girard Avenue facing northwest from Corinthian Avenue including Founder's Hall and the eastern and western outbuildings. Street scene in the foreground includes an omnibus drawn by a team of six horses, a man on horseback, and a carriage. Elegantly dressed men, women, children, and couples stroll, and an African American man leans against a pole smoking a pipe. The college buildings, designed by Philadelphia architect Thomas Ustick Walter in the Greek Revival style, were constructed 1833-1847. Girard College was established through a bequest from Stephen Girard, a Philadelphia financier and philanthropist, for the creation of a school for "poor white orphans.", Title from item., Copyrighted by Augustus Kollner in New York., Plate 9 of series of fifty-four views published by Goupil, Vibert and Company from 1848 to 1851 that were drawn by Kollner and lithographed by Deroy, and later bound under the title "Views of American Cities.", Philadelphia on Stone, POS 316, Accessioned 1982., Description revised 2021., Access points revised 2021.
The Girard College
Exterior view of Girard College at Girard Avenue including Founder's Hall and the eastern and western outbuildings. The school buildings, designed by Philadelphia architect Thomas Ustick Walter in the Greek Revial style, were constructed 1833-1847. Girard College was established through a bequest from Stephen Girard, a Philadelphia financier and philanthropist, for the creation of a school for poor white male orphans., Copyrighted by J.T. Bowen in 1840., Originally issued as plate 5 in Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and in 1848 with hand coloring., Philadelphia on Stone, POS 304.4, Synder, Martin. "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Girard-college
View of Girard College at Girard Avenue facing northwest from Corinthian Avenue including Founder's Hall and the eastern and western outbuildings. Street scene in the foreground includes an omnibus drawn by a team of six horses, a man on horseback, and a carriage. Elegantly dressed men, women, children, and couples stroll, and an African American man leans against a pole smoking a pipe. The college buildings, designed by Philadelphia architect Thomas Ustick Walter in the Greek Revival style, were constructed 1833-1847. Girard College was established through a bequest from Stephen Girard, a Philadelphia financier and philanthropist, for the creation of a school for "poor white orphans.", Title from item., Plate 9 of a series of fifty-four views published by Goupil, Vibert & Company from 1848 to 1851 that were drawn by Kollner and lithographed by Deroy, and later bound under the title "Views of American Cities.", Philadelphia on Stone, POS 305, Accessioned 1982., Description revised 2021., Access points revised 2021.
Girard College
View of Founder's Hall at Girard College constructed 1833-1847 from designs by Philadelphia architect Thomas U. Walters. The Hall occupied a site between what became Girard Avenue and Ridge Avenue at Corinthian Avenue. Girard College was established through a bequest from Stephen Girard, a Philadelphia financier and philanthropist, for the creation of a school for poor white male orphans., Issued as one of two annual "pictorial illustrations" for the Philadelphia Saturday Courier., Philadelphia on Stone, POS 311.1, LCP copy lacking title, imprint, and vignette., Historical Society of Pennsylvania: Bb 46 G 518c. Image of HSP copy also attached.
Girard College for Orphans, at Philadelphia, Pa.
View of Girard College at Girard Avenue facing northwest from Corinthian Avenue including Founder’s Hall and the eastern and western outbuildings. Shows several figures walking the grounds of the school in addition to street and pedestrian traffic including horse-drawn carriages and coaches, men on horseback, promenaders, and a laborer pushing a hand cart. The college buildings, designed by Philadelphia architect Thomas Ustick Walter in the Greek Revival style, were constructed 1833-1847. Girard College was established through a bequest from Stephen Girard, a Philadelphia financier and philanthropist, for the creation of a school for "poor white orphans.", Not in Wainwright., Philadelphia on Stone, POS 307/308, Library of Congress: DLC PP 2001: 068 Girard College
Girard college. Main building. Now erecting near Philadelphia under the superintendence of T.U. Walter Esq.
View of Founder's Hall, Girard College based on designs by Philadelphia architect Thomas Ustick Walter, issued separately as a souvenir of the building while it was still under construction. Constructed 1833-1847, the hall occupied a site between what became Girard Avenue and Ridge Avenues at Corinthian Avenue. Girard College was established through a bequest from Stephen Girard, a Philadelphia financier and philanthropist, for the creation of a school for poor white male orphans., Philadelphia on Stone, POS 309
Girard College; Merchant's exchange
Lettersheet containing views of two Greek Revival buildings: Girard College at Girard Avenue near Corinthian Avenue and the Merchants' Exchange at 3rd and Walnut Streets. College buildings, designed by Thomas Ustick Walter, were constructed 1833-1847 as a school for orphans. Merchants' Exchange, designed by William Strickland and constructed 1832-33, was one of the earliest stock exchanges in the United States., Philadelphia on Stone, POS 310
The Girard College, Philadelphia.
Exterior view of Girard College at Girard Avenue including Founder's Hall and the eastern and western outbuildings. The school buildings, designed by Philadelphia architect Thomas Ustick Walter in the Greek Revival style, were constructed 1833-1847. Girard College was established through a bequest from Stephen Girard, a Philadelphia financier and philanthropist, for the creation of a school for poor white male orphans., Copyrighted by J. T. Bowen., Originally published as plate 5 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and in 1848 with hand coloring., Philadelphia on Stone, POS 304.3, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: in Print Room *Am 1838 Wild 3008.Q (Rush)., Historical Society of Pennsylvania:, Synder, Martin. "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
The Girard College, Philadelphia.
Exterior view of Girard College at Girard Avenue including Founder's Hall and the eastern and western outbuildings. The school buildings, designed by Philadelphia architect Thomas Ustick Walter in the Greek Revival style, were constructed 1833-1847. Girard College was established through a bequest from Stephen Girard, a Philadelphia financier and philanthropist, for the creation of a school for poor white male orphans., Copyrighted by J.C. Wild and J.B. Chevalier in 1838., Issued as plate 5 in Views of Philadelphia, and its vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838) a series of Philadelphia views originaly published as five numbers of four prints each in 1838, and later sold as a bound volume of twenty views., Philadelphia on Stone, POS 304.2. Digital image shows fourth state of print., Synder, Martin. "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
The Girard College, Philadelphia.
Exterior view of Girard College at Girard Avenue including Founder's Hall and the eastern and western outbuildings. The school buildings, designed by Philadelphia architect Thomas Ustick Walter in the Greek Revival style, were constructed 1833-1847. Girard College was established through a bequest from Stephen Girard, a Philadelphia financier and philanthropist, for the creation of a school for poor white male orphans., Issued as plate 5 in Views of Philadelphia, and Its Vicinity. (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838), a series of views originally published as five numbers of four prints each in 1838, and later sold as a bound volume of twenty views., Philadelphia on Stone, POS 304.1. Digital image shows fourth state of print., Synder, Martin. "J.C. Wild and His Philadelphia Views," Pennsylvania Magazine of History and Biography (January 1953, Vol. LXXXVII), p. 32-53.
Girard College, south front of the main building
South front elevation of Founder's Hall, Girard College located between Girard and Ridge Avenues at Corinthian Avenue in Philadelphia. Designed by Philadelphia architect Thomas Ustick Walter in the Greek Revival style, the hall was constructed 1833-1847. Girard College was established through a bequest from Stephen Girard, a Philadelphia financier and philanthropist, for the creation of a school for poor white male orphans., Philadelphia on Stone, POS 312
Girard House
Vignette view of the Girard House hotel built 1851-1852 after the designs of John McArthur, Jr., at 823-835 Chestnut Street. Pedestrians walk at the street corner near the hotel while a horse-drawn carriage and omnibus travel near a coach parked in front of the building., Not in Wainwright., Date from manuscript note on recto: Philada. 1872., pdcp00006, Philadelphia on Stone, Free Library of Philadelphia: Philadelphiana – Streets – Chestnut - 8th-9th
Girard House Polka
Cover illustration is a lithograph, hand-colored, showing the Girard House hotel built 1851-1852 after the designs of John McArthur, Jr., at 823-835 Chestnut Street. Several pedestrians, including men, women, and children, walk in front of the hotel and neighboring buildings on the block. Men stand on the verandah of the hotel and in the doorway of an adjacent building. Also shows horse-drawn carriages parked in the street. A number of the women carry parasols., Printer: T. Sinclair's lith., Phila., Philadelphia on Stone, POS 315, Historical Society of Pennsylvania: Bb 38 G 517, Gift of David Doret.
Gloria Dei,
Exterior view of the Episcopalian, former Lutheran, church known as Gloria Dei Church, built 1700-1703 by master builder John Harrison I at 929 South Water Street in Southwark. Shows a couple walking past the gravestones in the church cemetery and up the path to the entrance of Gloria Dei. Also includes neighboring buildings, trees on the cemetery grounds, and masts of ships in the background., Philadelphia on Stone, POS 317, Gift of David Doret.
Gloucester Iron Works, Gloucester, N.J. on the river Delaware nearly opposite Philadelphia, Pa. David Matthew, superintendent.
Advertisement containing an exterior view of the works at which laborers work on the grounds and in the many workshops. In the foreground, a laborer shovels coal from a long rectangular bin into one of two wheelbarrows. He works across from crates, a wheel, and other engine parts strewn on the ground. Behind him, workers inspect and haul large pieces of machinery by horse-drawn truck, in addition to push a wheelbarrow, and lead a horse-drawn cart in the direction of a large workshed in the background. Workers are visible toiling at stations inside through the open entry. In the right, other factory employees use a hoist to load a cylinder onto a docked sailing ship. A flat carrying another piece of machinery to be loaded is stationed nearby. In the left of the image, a steam boat moored next to a furnace and piles of wood is visible. Also shows neighboring buildings., Not in Wainwright., Letters of title illustrated with leaf details., Philadelphia on Stone, POSP 93
The gold & silver artificers of Phila. In civic procession 22 Feb 1832.
Event lithograph showing the gold and silver artificers of Philadelphia on procession past the Second Bank of the United States (420 Chestnut) for the centennial celebration of the birth of George Washington. Government officials and prominent citizens led the parade order, followed by the tradesmen, then the volunteer fire companies, and lastly the military. Shows the craftsmen, all attired in top hats and sashes, led by a parade marshall on horse-back. He is followed by a six-horse mounted team pulling a float carrying men operating and protecting a coin press. Two other men, probably the marshall's aids, on horseback, one on a rearing horse, flank the rear of the vehicle. Several rows of marching artisans follow the float led by an artificer carrying a large banner adorned with a bust portrait of Washington. The portrait is encircled by a wreath and bordered by an eagle that clasps a banner in his beak reading "Pater Patriae" [design on distributed coin]. Along the parade route, throngs of spectators watch from the steps of the bank, along the street, and from the second floor windows of businesses adjacent to the financial institution. Signage for "Thomas Fletcher, Manufacturer of Silver Plate and Jewelry"; "Fletcher & Gardiner"; and "Browne & Robb 132" adorn the storefronts. Merchandise is displayed in the windows of Fletcher & Gardiner. Spectators along the street include well-attired men, women, and children, including several boys who run to and gather in front of the float to retrieve freshly pressed coins being thrown from the vehicle. Many raise their arms and retrieve coins from the ground. Also shows two dogs in a tug of war over something in their jaws, trees flanking the bank, and partial views of surrounding buildings in the background., Sketches of the recto and obverse of the coin "Struck & Distributed to Civic Procession Feby. 22 1832. The Centennial anniversary of the Birthday of Washington by the Gold & Silver Artificers Philada." printed below the image. One side of die cut by Albert Bird and the other by Mr. Folwell., Philadelphia on Stone, POS 318, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania:
Good Intent Hose, Hook & Ladder Company of Philadelphia.
Fire company certificate containing a large central vignette of fire fighters with fire fighting vehicles in front of the State House in Philadelphia surrounded by six smaller vignettes depicting the company's three fire stations (dating 1804, 1848, and 1860); fire fighters battling blazes at T. Morris Perot's drug store (located on 600 block of Market Street, burned December 3, 1868) and at a block of rowhouses; and fire engines. Different era company firemen in uniform stand to either side of the central scene. At the top an eagle holds an empty oval frame and a bundle of fire fighting equipment including ladders, axes, and a bullhorn., Issued to Thaddeus L.Butcher [who] was duly elected a member...April 5th, 1859. Signed by W.B.R. Selly, president, and Frank Gallen, secretary., Philadelphia on Stone, POS 318/319, Duval and Hunter was a partnership between Stephen C. Duval (P.S. Duval's son) and Thomas Hunter that lasted from P.S. Duval's retirement in 1869 until 1874., Gift of Maxwell Whiteman., Free Library of Philadelphia: Philadelphiana - Fire Companies. FLP copy contains portrait photograph.
Good Will Fire Company of Philadelphia.
Fire company certificate containing vignettes depicting fire fighters extinguishing a blaze at the Union League of Philadelphia (burned September 7, 1866); the Good Will fire station; and a horse-drawn fire engine. Fire fighting equipment including a fire hat, a ladder, an axe, and other tools are drawn bundled together to form decorative elements on both sides. Pictorial elements are divided by a twisting fire hose. A company ambulance resting upon two intertwining American flags appears above the text., Not in Wainwright., Issued to William H. Urian on October 12, 1868. Signed by Lewis B. Heins, president, and John M'Cullough, secretary., Philadelphia on Stone, POS 319, Gift of Maxwell Whiteman., Free Library of Philadelphia: Philadelphiana - Fire Companies. FLP copy tinted with two stones.
Good Will Hose and Steam Fire Engine Company of Philadelphia [membership certificate]
Fire company certificate containing five vignettes bordered by patriotic and firefighting iconography. Vignettes depict the Fairmount Waterworks, including boys fishing on the canal lock; a circular industrial building, possibly the Spring Garden Water Works; company volunteers rushing hand pumps through Fairmount past Reservoir Hill; the station dog sleeping near the company steam engine in front of the firehouse on the 2200 block of Wood Street; and volunteers, surrounded by a crowd of spectators, fighting the fire at a large city building. Iconography includes helmets with the company number "25," fire hoses, trumpets, and belts as well as the American eagle holding the U.S. shield and flanked by flags over the company motto "Our Motto is Our Name, Always Ready for Public Good." Also contains the company institution and incorporation dates (1834 and 1851, respectively)., Signed Quintin Todd, Secy., Philadelphia on Stone, POS 320, Historical Society of Pennsylvania: Certificates - Fire Companies - Good Will Hose and Steam, P.S. Duval & Son was a core partnership between Peter S. Duval and his son Stephen that operated under various names and incarnations between 1857-1869. The firm name P.S. Duval, Son & Co. was cited in city directories 1868-1869.
Goodyears Rubber-Packing & Belting Company.
Advertisement showing the five-story offices and storefront known as the Girard Building (102-104, i.e., 306-308 Chestnut) tenanted by Goodyears, i.e., the Philadelphia warehouse of the New York Belting and Packing Company (104), "Peterson's Book Establishment," i.e., the store of publisher T.B. Peterson & Brothers, and C. J. Peterson, publisher of Peterson' Ladies national magazine (102). Lettering reading "Goodyears Rubber Packing & Belting Company" adorns the roof of the building. Through the open entryways and large display windows, clerks, patrons, and merchandise displays are visible in both stores. At Peterson's, clerks assist patrons with items from bookshelves surrounding the room in addition to a centrally located U-shaped display counter labeled "Peterson's Magazine." Stacks of books are displayed near the windows that contain promotions "Subscriptions for all Magazines" and "Chas. Dickens Complete Works." At Goodyears, a white man clerk stands at a counter in front of rows of shelves as he attends to a customer. Other patrons, including a white man and woman couple and a white man, converse and depart with rubber belting. A large model boot, shoes, and rubber toys adorn the display windows that are adorned with the company trademark and read "Goodyears Patent." A white man with a cane and an excited white boy, near his mother, peer at the displays from the busy sidewalk., Other activity, on opposite ends of the sidewalk, includes a white man paying a white newsboy for a paper, gentlemen in conversation, and a white man, a book under his arm, strolling by. Between the storefronts, a white man descends stairs within a central entryway. In the street, a coach with turned-down roof, occupied by a white lady, and driven by an African American coachman travels past a mounted First Troop Philadelphia City Calvary member in full regalia in the direction of a drayman. The white man laborer transports rubber belting on his horse-drawn dray. Two dogs greet each other in the street near his vehicle. Also shows shadowy figures, a man and two women, in upper floor windows of the buildings. Charles Goodyear patented the process to vulcanize rubber in 1844 and oversaw the factory where vulcanized rubber was practically manufactured at Newtown, Connecticut. Peterson established his magazine Peterson's Ladies national magazine in 1840 at 102, i.e., 306 Chestnut Street. Both establishments operated at the pre-consolidated address in 1856. Building razed to first floor by fire in 1857., Title from item., Date from Wainwright., Philadelphia on Stone, POS 322, Wainwright retrospective conversion project, edited., Accessioned 1982., Description revised 2021., Access points revised 2021.
Goodyears Rubber, Packing & Belting Company.
Advertisement showing the five-story offices and storefront known as the Girard Building (102-104, i.e., 306-308 Chestnut) tenanted by Goodyears, i.e., the Philadelphia warehouse of the New York Belting and Packing Company (104) "Peterson's Book Establishment," i.e., the store of publisher T.B. Peterson & Brothers, and C. J. Peterson, publisher of Peterson' Ladies national magazine (102). At Peterson's, shadowy rows of books and folios, including one titled, "A. Kollner View Philadel," adorn the display windows flanking the closed entry. At Goodyears, a white man and woman couple is visible through the open entry, standing at a counter. A large model boot, and other shadowy merchandise adorn the display windows that are marked with the company trademark and read "Goodyears Patent." A white man with a cane and an excited white boy, near his mother, peer at the displays from the busy sidewalk., Other activity, on opposite ends of the sidewalk, includes a white man paying a white newsboy for a paper, gentlemen in conversation, and a white man, a book under his arm, strolling by. Between the storefronts, a white man descends stairs within a central entryway. In the street, a fancy coach occupied by a white lady and driven by an African American coachman travels past a mounted First Troop Philadelphia City Calvary member in full regalia in the direction of a drayman. The women passenger looks with an expression of disdain at the horse of the cavalryman and the white man laborer transporting rubber belting on his horse-drawn dray. Two dogs greet each other in the street near the vehicle. Also shows shadowy figures, a man and two women, in upper floor windows of the buildings. Charles Goodyear patented the process to vulcanize rubber in 1844 and oversaw the factory where vulcanized rubber was practically manufactured at Newtown, Connecticut. Peterson established his magazine Peterson's Ladies national magazine in 1840 at 102, i.e., 306 Chestnut Street. Both establishments operated at the pre-consolidated address in 1856. Building razed to first floor by fire in 1857., Title from item., Manuscript note on recto: Wood Oct. 10 56., Date supplied by Wainwright who suggests an alternate date of 1857 as well., Artist and publication information inferred from color variant. See **W158., Title annotated with correction in pencil. Comma between "Rubber" and "Packing" crossed out., Philadelphia on Stone, POS 321, Wainwright retrospective conversion project, edited., Accessioned 1982., Description revised 2021., Access points revised 2021.
Gottleib Hartung's wine & lager beer hall and restaurant. Importer of Rhenish and Neckar wines, No. 512 Race St., Philadelphia.
Tradecard containing a view of the three-and-one-half story beer hall and restaurant adorned with signage reading "G. Hartung Hotel." A patron enters the establishment as a man, probably the proprietor, stands near the entrance. A laborer emerges from the cellar holding a keg. Kegs and a case of liquor bottles line the sidewalk near a horse-drawn dray situated in the street for loading. Hartung established his business on Race Street in 1860 and remained proprietor until his death in 1879, after which his wife Susannah assumed operations., Not in Wainwright., Philadelphia on Stone, POS 323, Weiss operated from 600 Chestnut Street in the early 1860s., See Philadelphia Inquirer, October 25, 1879 for Hartung's obituary.
Graf Brothers, lithographers, 125 North Fourth Street, Philadelphia, Pa.
Tradecard depicting an Autumn genre scene with a girl and a pug dog. The girl, attired in a bonnet and dress with a large bow in the back, holds a stick over her shoulder and watches pine cones fall from a tree. Her dog watches from behind. Verso contains advertising text promoting "Graf & Brother, Practical Lithographers, Engravers and Printers, South-East Corner Fourth and Cherry Streets, Philadelphia Pa." Products include bonds, certificates, notes, checks, billheads, diplomas, maps, views, show-cards, architectural drawings, businesss cards, and chromo cards, the "Best Thing For Advertising Medium Extant.", Not in Wainwright., Philadelphia on Stone, POSA 37, Historical Society of Pennsylvania: Tradecard Collection - G
Grand division of the Sons of Temperance Pennsylvania. [membership certificate]
Membership certificate containing a border comprised of vignettes, filigree, and other pictorial details. Vignettes depict "Love for your members in sickness & in health" showing a sick bed scene; "Purity of Heart & Life" showing an allegorical scene with a woman dressed in white standing in the forest near a lake and fountain; "Fidelity to your solemn obligations" portraying a scene of a member taking his oath in a parlor; and a scene of a man sitting in bed and reading. Other pictorial details include vinery, forestry, and rock formations. Also contains the seals of the "Grand Division State of Pennsylvania" and the "National Division, S of T Organized June 14, 1844." in the lower corners. Sons of Temperance, established in New York in 1842, was a fraternal and benevolent organization that espoused total abstinence., Not in Wainwright., Philadelphia on Stone, POSP 94, American Antiquarian Society: Graphic Arts Lithff Chub Gran
Grand lodge room of the new Masonic Hall, Chestnut Street Philadelphia.
Commemorative print showing the ornately decorated grand lodge room on the second floor of the New Masonic Hall built 1853-1855 after the designs of Sloan & Stewart at 713-721 Chestnut Street. Rows of cushioned benches with carved backs line the room adorned with gold vaulting over the turquoise colored walls and ceiling. Two daises with lavish thrones adorned with ornate Gothic-style canopies containing sculpted allegorical female figures interrupt the seating. The larger dais, which predominates the background and over which a large gilt chandelier hangs, contains several Gothic-style chairs, two chests, and sculpture displayed on pedestals and in alcoves. The smaller dais, including a chest, stands in the right of the image. The building was sold circa 1873 following the completion of the new Masonic Temple on North Broad Street and later razed by fire in 1883., Embossed stamp of printer on recto: L.N. Rosenthal Lithographer Publisher Philadelphia., Philadelphia on Stone, POS 324, LCP exhibit catalogue: Made in America #78., Wainwright retrospective conversion project., Historical Society of Pennsylvania: BC 05 S634.
Grand masonic march
Grand masonic march
Sheet music cover containing a street scene with the Gothic-style hall built 1853-1855 after the designs of Sloan & Stewart at 713-721 Chestnut Street. Also shows slight views of adjacent businesses, including Washington House hotel (709-711) and heavy pedestrian and street traffic. On the sidewalk, men and women stroll and convene in conversation. In the street, a horse-drawn omnibus filled with passengers and a carriage with passengers travel past two men on horseback and couples crossing the street near a dog. Building sold circa 1873 following the completion of the new Masonic Temple on North Broad Street., Dedication: Dedicated to the order in commemoration of the opening of the their New Hall in Chesnut [sic] St. Philada., Not in Wainwright., Price printed on recto: 5., Philadelphia on Stone, POS 870, Johns Hopkins University: Levy Collection Box 178, Item 133
Grand reception ball in full regalia in honor of the Grand Lodge of the United States. I. O. of O. F. [invitation]
Invitation containing a scene of a mother with her children and a border containing Independent Order of Odd Fellows iconography. Scene shows the mother holding a baby in her lap and pointing to a temple in the background. Two sons read books, one on the ground, and the other near her lap. A daughter kneels in front of her and hands her a flower. Border contains vinery, a bee hive, the all-seeing eye, American eagle, a hand with a heart in the palm (charity) above a three-link chain (friendship, love, and truth) in which an ax rests in one of the rings. Text of invitation reads: M.__________ compliments to M.___________ and requests the pleasure of her Company at the Chinese Museum on Thursday Evening September 6th, 1859., Not in Wainwright., Philadelphia on Stone, POSP 95, Historical Society of Pennsylvania: Ba 61 D 956c
Grand result. Buying guns, ammunition, and fishing tackle from Paul Meyers, 625 South Second St., and 212 Vine St., Philadelphia, Pa.
Advertisement containing a scene with a hunter and fisherman greeting each other from across a stream. The fisherman carries a fishing rod, and baskets and a a string laden with fish. A net, hook, and pail of bait rests at his feet. The hunter holds a rifle and a strung duck and carries a large basket overflowing with more of the game bird. Dogs mill at his feet. Also contains advertising text that reads "Reparing of All Kinds Neatly and Promptly Done" and "Shells loaded with Care at Short Notice.", Not in Wainwright., Copyrighted by C.A. Meyers., Philadelphia on Stone, POSP 96, Library of Congress: PAGA, no. 161 (B size) Grand Result
Grand Union ball in honor of the recent brilliant victories achieved by the land and naval forces of the United States, at the Academy of Music, Tuesday evening, March 4, 1862.
Advertisement containing a gothic-style ornamental border surrounding text providing the date of the ball, names of sponsors, ticket information, and entertainment details. Border includes vignettes of cherubs; allegorical figures representing the arts including painting, sculpture, and music; a portrait of George Washington; a mythical scene; and a view. Scene shows a bare-chested woman on a horse being attacked by a tiger surrounded by symbols of industry, science, and the humanities. View shows a seventeenth-century landing party aboard a skiff. Sponsors include Alexander Henry, Commodore C.J. Pendegrast, and Capt. W.S. Ogden. Master of Ceremonies was M[iecislaw] Hlasko (a dancing and gymnastics teacher who offered drill classes at his physical institute) and music was under the direction of the Hassler Brothers., Philadelphia on Stone, POSP 97, Originally part of a McAllister scrapbook of Civil War miscellanies.
Grand United Order Odd Fellows America [membership certificate]
Membership certificate for the African American fraternal organization containing an allegorical view that includes Odd Fellow iconography. Shows the female figures of Justice and Truth standing on globes and flanking a framed view of an ark at sea. Justice holds a sword and scale and Truth holds a torch, serpent, and a mirror from which a light shines. Visible within and bordering the view are Odd Fellow symbols, including the sickle and hourglass, dove, skull and crossbones, the lamb, heart-in-hand, and the lion. Above the view the female figure Charity sits and holds children in her lap below the all Seeing Eye in the night sky under a rainbow marked "G.U.O. of O.F." The G.U.O.O.F was established in 1843 with a charter from the Grand Lodge in Manchester, England., Not in Wainwright., Copyrighted by D. B. Bowser, probably the artist., Issued to David B. Bowser, Unity Lodge, No. 711, G.U. O. of O.F. on July 10, 1844. Signed James Needham, N[oble] F[ather], James McCrummill, N[oble] G[rand] and Joshua Campbell, P. S[ecretary]., Philadelphia on Stone, Historical Society of Pennsylvania: Certificates - Odd Fellows, Bowser, was a prominent African American ornamental artist and social activist, who specialized in signs, banners, and paraphernalia in addition to portraiture. Major commissions included volunteer firefighter apparel and equipment, Civil War pictorial banners, and Grand United Order of Odd Fellows regalia.
Grand United States Centennial Exhibition 1876. Main Building. Fairmount Park, Philadelphia.
View showing the Main Building designed by Henry Pettit and Joseph M. Wilson. View includes flags adorning the building and heavy visitor traffic by foot, carriage, and streetcars in the foreground. Couples stroll the landscaped grounds, enter the hall, converse, and are transported by carriage. Landscaping includes clusters of bushes. Also contains the dimensions (length, width, and area in feet and acres), in the lower corners, for the buildings. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Not in Wainwright., Philadelphia on Stone, POS 325
Grandpa's pet.
Periodical illustration of a genre scene showing an elderly man watching over his toddling grandchild inside a cottage. The man sits on a bench next to a tankard and blankets. The grandchild wearing a dress and bonnet uses a chair as a balance. Scene also includes a sleeping dog, tools hanging on the wall and resting on the floor, and a plant displayed on a window sill. Lithotint was a lithographic process using different strengths of ink applied to the printing stone to create the appearance of a watercolor. The technique proved too arduous to be marketable and few lithotints were produced in the United States., Published in Miss Leslie's magazine, April 1843., Philadelphia on Stone, POSP 99, Gift of David Doret.
Gray's Ferry
View showing the floating bridge across the Schuylkill River at Gray's Ferry. On the bridge, two men fish, a boy looks out onto the river, and a horse-drawn dray travels. In the background, a residence, possibly the Say family estate, is partially visible behind trees at the top of a rocky cliff rising from the river, and buildings line the Gray's Ferry Road leading to the bridge. Gray’s Ferry was named after the ferry service operated by the Gray family on the lower section of the Schuylkill River during the 18th century. Floating bridge razed 1838., Philadelphia on Stone, POS 326, Historical Society of Pennsylvania: Bb 7 G 795
The great American Centennial Exhibition puzzle blocks, in sectional parts
Collection of 5 chromolithograph puzzle blocks and 5 duplicate unmounted, uncut chromolithographs showing prominent buildings at the Centennial Exhibition of 1876 during different times of the day and weather conditions. Buildings include the Art Gallery, Machinery Hall, Horticultural Hall, Agricultural Hall, and the Main Building. Views include heavy pedestrian traffic, visitors traveling the grounds by carriage, fountains, statuary, and variant skyscapes. Main Building view also shows a troop of marching soldiers and several street cars, including a "Fairmount Park" vehicle. Majority of the buildings were built after the designs of Herman Schwartzmann, Henry Pettit and Joseph M. Wilson. The Centennial celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Puzzle blocks contained in original wooden box [P.2007.21.12k]. Box cover mounted with a chromolithograph showing a view of the Art Gallery not included as a puzzle block. View contains heavy pedestrian traffic., Philadelphia on Stone, Gift of David Doret., Piece missing from "Agricultural Hall" puzzle block. [P.2007.21.12i], LCP copies of Machinery Hall prints contain variant title. Excludes text "Sunset View.", Library of Congress : PGA - Brett Litho. Co.--Centennial building ... (B size) [P&P]. LOC holds "Machinery Hall" and "General View" loose prints., POS 327a-e. POS 327a: 1. Art Gallery. POS 327b: 2. Machinery Hall. POS 327c: 3. Horticultural Hall. POS 327d: 4. Agricultural Hall. POS 327e: 5. Main Building.
Great Central Fair buildings, Philadelphia.
Souvenir card after the chromolithograph of the exhibition grounds at Logan Square printed and for sale daily at the fair. Shows the square from the northwest, including the Cathedral of Saints Peter and Paul in the background. The Great Central or Sanitary Fair of June 1864, displayed art, craft, and historical exhibits to benefit the soldier relief organization, the U.S. Sanitary Commission., Philadelphia on Stone, POS 66 variant, Originally part of McAllister scrapbook on the Sanitary Commission., Housed with chromolithograph 5781.F.1.
Great Central Fair for the Sanitary Commission [certificate]
Certificate of appreciation for work with the "Committee on the Restaurant of the Great Central Fair" containing a border of scenes and vignettes depicting the presence of the Sanitary Commission at the battlefront. Shows commission supply wagons arriving and depositing crates of goods at a campsite; soldiers assisting other soldiers in walking, receiving refreshments, and being transported by a gurney; and an unloaded crate of bottles of beverages, oranges, tins, and bandages. Also contains the seal of "The Great Central Fair for the U.S. Sanitary Commission." Seal depicts the female figure of Charity handing a glass to a soldier attending a wounded soldier., Not in Wainwright., Issued to Rebecca W. English on June 25, 1864. Signed by Jno. Welsh, Chairman of Executive Committee; Mary McHenry, Chairman of Ladies Committee on the Restaurant; Mrs. G. T. Lewis, Vice Chairman; F. P. Steel, Treasurer; Mary P. Norris, Treasurer., Philadelphia on Stone, POS 328, Historical Society of Pennsylvania: Ba 8 D 983, Accompanied by P.S. Duval & Son 's "Great Central Fair Buildings, Philadelphia" souvenir card.
The great conflagration in Philadelphia on Tuesday July 9th 1850.
Disaster scene showing the commotion in front of the partially destroyed stores of John Brock & Co., and Gordon and Berger at 39 (i.e., 100 block) North Water Street. People hold a crowd back as fire fighters attend to the collapsing building spewing a cloud of smoke. A family, including a mother and child, flee past fire fighters rushing to a fallen comrade as debris falls down upon them. Also shows a man kneeling near the Vine Street Wharf as another stands in the center of the view with his arms up in the air. The explosion emanated from a fire started by the friction of a hoisting-machine igniting a large store of gunpowder and saltpeter in the Brock, and Gordon and Berger building. The blaze that spread about one square mile between Front and Callowhill streets destroyed actually about 367 houses and stores. Several people were blown into the Delaware River and residents evacuated as a result of the explosion., Not in Wainwright., Philadelphia on Stone, POS 329, Historical Society of Pennsylvania: Bb 83 P 544, Rosenberg, a landscape, portrait, and figures painter, worked in New York and Philadelphia during the 1850s and 1860s.
The great fertilizer. Whann's raw bone super phosphate. Walton, Whann & Co.'s Works, Wilmington, Del.
Advertisement containing a view of the busy fertilizer factory complex on the riverfront in Wilmington, Delaware. Complex includes three smock stacks. Several workers move, inspect, and use handcarts near rows of crates piled on the dock and in front of the manufactory. Horse-drawn wagons arrive and depart from the site. Ships and barges deliver and receive supplies from the Christina River. Also contains notice about "Descriptive Pamphlets mailed free on application" and the three locations of the manufacturers, including 203 West Front Street, Wilmington, Del.; 57 South Calvert Street, Baltimore, Md.; 28 South Wharves, Philadelphia. Manufactory established in 1861., Printed above title: [Trade Mark Patented, November 22d, 1870]., Not in Wainwright., Philadelphia on Stone, POSP 100, Historical Society of Pennsylvania: Bb 38 W 173, Manuscript note on verso: Library Fund Oct. 28, 1960.
Green's August Flower and Boschee's German Syrup. Portfolio of views in Fairmount Park, Philadelphia.
Eight-page foldout advertisement for George Gill Green's "August Flower" and "Boschee's German Syrup" containing advertising text pages and five views of Fairmount Park including the Fairmount Water Works and Resevoir, originally built between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff. Also shows horse-drawn carriages pulling men and women racing north on East River Drive under the New York Connecting Railway Bridge, built 1866-67 after designs by Joseph A. Wilson for the Pennsylvania Railroad. The Promontory Rock Tunnel, bored in 1871, is visible in the background. Other images include people leisurely rowing on a creek under the bridge to Lansdown Island; park visitors standing on a pathway that overlooks the Schuylkill River from the Fairmount Water Works; and men and women strolling, sitting, and traveling in horse-drawn carriages along Wissahickon Drive. Paragraphs of advertising text promote George Gill Green's "August Flower" as a "natural cathartic" that "corrects the acidity of the stomach," and "it is established fact in every town and village on this continent, that [Boschee's] German Syrup is the only remedy that has given satisfaction in severe cases of Lung Disease." Green was a patent medicine entrepreneur who purchased the rights of these two medicines from his father, Lewis M. Green., Not in Wainwright., Philadelphia on Stone, POS 330
Grigg Block, North Fourth Street, Philadelphia.
View of the active business block containing and named after Grigg, Elliot, & Co., the largest and most prosperous publishing firm in the city that was founded by John Grigg in 1823 and purchased by J. B. Lippincott in 1849. Shows the block of buildings (10-20 North Fourth Street) covered in signage and including Barcroft, Beaver & Co., dry good dealers and S. M. Day, wholesale combs, brush and fancy goods trimmings (10); Goff & Peterson, importers and manufacturers of saddlery, carriage, and harness trimmings (12); Grigg, Elliot & Co. (14); C. H. & Geo. Abbott, dealers and importers of hardware and cutlery and C. Ahrenfeldt & Co., importers of toys & fancy goods (16); C. B. Lassell & Co., hats and caps and Charles Wingate, dealer in shoes, boots, and palm leaf hats (18); and Edwin & John Tams, importers and dealers of china, earthenware, and glass (20). Patrons exit and enter the various storefronts; delivery men, including an African American man, haul, load, and remove goods from horse-drawn and push carts; laborers load goods into shop storage cellars and use a pulley to raise a large cask; store clerks inspect and open newly arrived packages on the sidewalk; a horse-drawn dust settling machine passes in the street; and artisans and merchandise are visible in several of the shops' upper floor windows. Partial views of the adjacent buildings and a nearby alley with a laborer and push cart are also visible., Title from item., Date from Poulson inscription on recto: Dec. 1848., Contains advertisements for six of the depicted businesses below the image., Philadelphia on Stone, POS 331, Accessioned 1982., Description revised 2021., Access points revised 2021., Rease, a prominent mid-19th century Philadelphia trade card lithographer known to highlight details of human interest in his advertisements, partnered with Francis H. Schell in the 1850s and eventually operated his own press until around 1872.

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