Collection of nearly 3,000 stereographs published and distributed in or of Philadelphia. The photographs mainly portray commercial and residential street scenes, particularly Market and Chestnut streets; religious, public, financial, and industrial buildings and institutions; and historic and prominent landmarks as well as a small selection of non-Philadelphia views.
Landscape view showing a woman reading in the grass near a tree-lined path leading up to a rustic foot bridge in the background. Also shows two people standing on the bridge., Title from manuscript note on verso., Photographer's imprint in red text on mount., Explicative paragraph of text providing brief history of Fairmount Park entitled, "Fairmount Park and Water Works, Philadelphia" printed on verso. Text surmounted by vignette of state seal of Pennsylvania and surrounded by decorative border., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
View showing a man seated on a concrete stump with an iron back on a tree-lined path near a pool of water in West Fairmount Park., Title from manuscript note on verso., Publisher's imprint in red text on mount., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
View showing the south side of the 500 block of Market Street. Businesses include: A. Hirsch & Brothers, umbrellas and parasols (500 Market); Charles Hirsch & Brothers , clothiers, and Samuel Vendig, shirt manufacturer (502 Market); F. Paxson & Co., fancy and white goods (504 Market); C.D. McClees & Co., auctioneers (506 Market); Jacob Goldsmith, Jr., clothing (508 Market); Capitol Clothing House (510 Market); Graff Watkins & Co., boots and shoes (512 Market); Bennett's Tower Hall, clothier (518 Market); and Wanamaker and Brown's Oak Hall, clothiers (534 Market). Businesses are heavily adorned with signage. Also includes horse-drawn wagons lining the street, crates lining the sidewalk, individuals standing in front of the shops, and a telegraph pole on the corner., Title supplied by cataloguer., Manuscript note on verso: 5th & Market looking west., Photographer's imprint printed on mount., Publisher's imprint printed on verso., Inscribed on negative: 218., Pink mount with rounded corners., Printed on mount: No. 4., Reproduced in Joseph Jackson's America's most historic highway Market Street, Philadelphia, New ed. (Philadelphia: John Wanamaker, 1926), p. 153., Retrospective conversion record: original entry, edited., Gift of Jane Carson James., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Newell & Son, a partnership between Robert and his son, Henry, was active from around 1870 until 1897 and the death of the elder Newell.
Shows the ivy-covered church built circa 1861-1863 at 1801-1803 Spring Garden Street. Also shows the adjacent residence. Congregation organized as the Sansom Street Baptist Church by Rev. William Staughton in 1811., Title from accompanying photographer's label., Green mount with rounded corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Genre scene showing two girls looking at a bird's nest on top of rocks next to a picket fence. One girl, attired in bloomers, kneels on the ground to observe the nest., Title from manuscript note on verso., Publisher's imprint on mount., Distributor's label pasted on verso: From James Cremer's stereoscopic emporium, 18 South Eighth St., Philadelphia. Stereoscopes and views, wholesale and retail., Manuscript note on verso: Muschamp, 15., Orange mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Unmounted stereograph shows the walls of the Fine Art Gallery corridor covered in framed artwork. Male spectators stand, sit, and observe the art. Benches line the corridor. The Great Central or Sanitary Fair held June 7-28, 1864 on Logan Circle was one of several national fairs that displayed art, craft, and historical exhibits to benefit the U.S. Sanitary Commission, a soldier relief organization., Title from manuscript note on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Unmounted stereographs show the walls of the Fine Art Gallery corridor covered in framed artwork. Sculptures are displayed on tables in the hall. Benches line the corridor. The Great Central or Sanitary Fair held June 7-28, 1864 on Logan Circle was one of several national fairs that displayed art, craft, and historical exhibits to benefit the U.S. Sanitary Commission, a soldier relief organization., Titles from manuscript notes on mount of one item [5781.F.166f] and paper label below image of other [5781.F.157f]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Unmounted stereographs show framed paintings covering the walls, sculptures on pedestals, and empty benches in the Fine Art Gallery. The Great Central or Sanitary Fair held June 7-28, 1864 on Logan Circle was one of several national fairs that displayed art, craft, and historical exhibits to benefit the U.S. Sanitary Commission, a soldier relief organization., Title from manuscript note on paper label below image of one item [5781.F.171f]: Fine Art Gallery., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Unmounted stereograph shows framed paintings covering the walls, sculptures on pedestals, male spectators viewing the exhibition, and benches in the Fine Art Gallery. The Great Central or Sanitary Fair held June 7-28, 1864 on Logan Circle was one of several national fairs that displayed art, craft, and historical exhibits to benefit the U.S. Sanitary Commission, a soldier relief organization., Title from manuscript note on mount., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Unmounted stereograph shows a wall in the Fine Art Gallery covered in framed artwork. Two men sit on the benches lining the corridor and another man stands looking at the photographer from the railing separating patrons from the artwork on the wall. The Great Central or Sanitary Fair held June 7-28, 1864 on Logan Circle was one of several national fairs that displayed art, craft, and historical exhibits to benefit the U.S. Sanitary Commission, a soldier relief organization., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Unmounted stereograph shows paintings covering the walls of the Fine Art Gallery. Also includes sculptures on pedestals surrounded by benches in the foreground. Two men lean against the railing in the background. The Great Central or Sanitary Fair held June 7-28, 1864 on Logan Circle was one of several national fairs that displayed art, craft, and historical exhibits to benefit the U.S. Sanitary Commission, a soldier relief organization., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Unmounted stereograph show items on display, including portraits, candles, patriotic bunting, and a churn, in a Firemen's Department booth on the main thoroughfare, Union Avenue. The Great Central or Sanitary Fair held June 7-28, 1864 on Logan Circle was one of several national fairs that displayed art, craft, and historical exhibits to benefit the U.S. Sanitary Commission, a soldier relief organization., Title from printed paper label below image., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Unmounted stereographs show items on display, including portraits, candles, patriotic bunting, and a churn, in a Firemen's Department booth on the main thoroughfare, Union Avenue. The Great Central or Sanitary Fair held June 7-28, 1864 on Logan Circle was one of several national fairs that displayed art, craft, and historical exhibits to benefit the U.S. Sanitary Commission, a soldier relief organization., Title from printed paper label below one image [5781.F.159g]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Unmounted stereograph shows firefighting memorabilia in the Firemen's Department. Identifiable items include portraits, helmets, a fire horn and a churn collected and displayed in a booth. The Great Central or Sanitary Fair held June 7-28, 1864 on Logan Circle was one of several national fairs that displayed art, craft, and historical exhibits to benefit the U.S. Sanitary Commission, a soldier relief organization., Title from manuscript note on mount., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
View looking northwest from Market Street showing the church built 1856 after the designs of Stephen D. Button on the 100 block of North Broad Street. Includes adjacent buildings and parked horse-drawn wagons., Photographer's imprint stamped on mount., Title printed on mount., Buff mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
View looking northwest from Market Street showing the church built 1856 after the designs of Stephen D. Button on the 100 block of North Broad Street. Includes adjacent buildings and parked horse-drawn wagons., Photographer's imprint stamped on mount., Title printed on mount., Buff mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
View looking northwest from Market Street showing the church built 1856 after the designs of Stephen D. Button on the 100 block of North Broad Street. Includes adjacent buildings and parked horse-drawn wagons., Photographer's imprint stamped on mount., Title printed on mount., Buff mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Exterior view from the southwest of church designed by Philadelphia architect William Strickland. Built 1828. Demolished 1885., Publisher's imprint on verso., Inscribed in negative: church at Trenton N.J. [sic], Advertisements for Uriah Mattis, provision dealer; Upper Jones, dry goods; Win S. Brook, hatter; Andrew Blum, merchant tailor; and Parker's Combination Store all of Philadelphia on verso., Retrospective conversion record: original entry. edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
View of the four-story building at the southeast corner of Clark and Washington Streets in Chicago that housed the First Methodist Episcopal Church on its upper floors from about 1857 until 1871. A signboard for the church is visible along with signs for a dentist and millinery & strawgoods store on the ground floor of the building. Businesses situated at the northeast corner of Clark and Washington Streets, including Bryant & Stratton's business college and Fifth National Bank, are also visible. Also depicts a large gas lamp in front of the Clark Street entrance to the church with "First Methodist Church" inscribed onto the glass panes. Building destroyed by the Great Fire of Chicago in 1871., Title and photographer's imprint printed on mount., Distributor's label pasted on verso: From James Cremer's stereoscopic emporium, 18 South Eighth St., Philadelphia. Family groups taken for the stereoscope, and photography in all its branches., Manuscript note on verso: Muschamp - 17, Yellow mount with rounded corners., Gift of Mr. Saul Koltnow., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., John Carbutt operated a photography studio and resided in Chicago from 1861-1870.
View of the First National Bank building located at 315 Chestnut Street, designed by Philadelphia architect John McArthur, built 1865-67. Shows Chestnut Street between 3rd and 4th, north side, looking east. Includes the printing offices of Stein & Jones lithographers at 321 Chestnut., Photographer's imprint stamped on recto., Yellow mount with square corners., Manuscript note on mount: First National Bank., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
April's Fools Day interior genre scene showing a man attired in a dressing gown holding the limp body of cat upside down by its tail. His wife, daughter, and a boy in uniform, possibly his son, observe nearby. The boy crouches near wicker baskets from which the man pulled the cat's body., Title from printed label pasted on verso., Distributor's label pasted on verso: From James Cremer's stereoscopic emporium, 18 South Eighth St., Philadelphia. Stereoscopes and views, wholesale and retail., Manuscript note on verso: Muschamp, No. 31., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Interior view of 1874 Exhibition of American Manufactures at the Franklin Institute, showing prize-winning gas fixtures designed by Cornelius & Sons, 1332 Chestnut St. The Exhibition was held in the John Haviland-designed building on South Seventh Street., Title from inscription on mount., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 13., Arcadia caption text: Incorporated in 1824, the Franklin Institute promoted knowledge in mechanic arts among its science-minded members. The Institute provided for its members a library and reading room, lectures, classes, a monthly journal, and it periodically held displays of American made products. This view of the 1874 Exhibition of American Manufactures highlighted prize-winner Cornelius & Sons, maker of gas fixtures and lamps. The Institute, today an educational science and technology museum open to the public, was located on Seventh Street just below Market Street, in the John Haviland-designed building now occupied by the Atwater Kent Museum of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
View showing a model of the steamboat, propellors and engine John Stevens purportedly built ca. 1804 and navigated in the Hudson River. Includes a framed portrait of Stevens, who also invented the first steamboat that navigated the ocean, in the model boat. The U.S. Sanitary Commission organized the Great Central Fair in Logan Square from June 7-28, 1864. The fair was one of several national fairs that displayed art, craft, and historical exhibits to benefit the U.S. Sanitary Commission, a soldier relief organization., Title from publisher's label pasted on verso., Photographer's imprint on label pasted on verso., Yellow mounts with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Exterior view showing front entrance way and columns. Designed by Philadelphia architect William Strickland, the church was built in 1828 and demolished in 1885., Title from manuscript note on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
View of a man fishing in a pond from a small mound shaded by a large tree., Title and date from manuscript note on verso., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
View showing a stone fountain at the base of a marble entrance stairway in Fairmount Park east of the Lemon Hill estate at the Brown Street entrance. Men, women, and children sit on benches and stand on tree-lined paths near the fountain., Title printed on verso in numbered list with fifty-seven other titles in the series (No. 1-57)., Publisher's imprint printed on series label pasted on verso., Buff mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
View of tree stumps, trees, and residences scattered throughout the rolling hills in the northwest suburb of Pottsville, Pa. known as Fishbach (i.e., Fishback)., Title and photographer's imprint from label pasted on verso., Photographer's imprint printed on mount., Orange mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift from the heirs of Paul D.I. and Anna S. Maier: James H. Maier, Anthony M. Maier, Marianna M. Thomas, and Cynthia C. Maier., A.M. Allen, born in Deerfield, Mass., relocated to Pottsville, Pa. ca. 1852 and set up his studio at the southwest corner of West Market and North Centre Streets. He retired from the business in 1894.
Exterior view of southeast front of dwelling built circa 1795 for Thomas Fisher and his wife Sarah Logan Fisher. Thomas Fisher founded the Westtown School and managed Pennsylvania Hospital., Retrospective conversion record: original entry, with corrections., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Shows fishing agent James Robinson of Patterson, Mitchell & Co. (Oil City) standing near an oil derrick near tools of his trade, including a bull wheel and spud. Patterson stands on several pipes in front of three other laborers at the base of the derrick. Another laborer stands on an upper plank within the derrick., Title and publisher's imprint printed on verso., Buff mount with rounded corners., Description of "fishing", i.e., the removal of drilling tools immobolized in the wells, printed on verso., Digitized for AMD: Global Commodities., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
View of a flower arrangement adorned with butterflies in a vase on a table covered with a patterned cloth., Title supplied by cataloger., Photographer's imprint printed on mount., Orange mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Mr. Saul Koltnow., E. & H.T. Anthony & Co. was one of the largest suppliers of photographic apparatus in the second half of the nineteenth century. Their business moved from 501 Broadway to 591 Broadway in 1869.
View showing a playground on the Sweetbriar estate in West Fairmount Park, including two tents (one shading a merry-go-round) and a swing set. Men sit and stand on the hillside in the foreground and under the empty tent and near the merry-go-round in the background., Title supplied by cataloger., Incorrect location in manuscript note on mount: Flying horse tents, Lemon Hill., Photographer's imprint obscured by photograph pasted on mount. Series number also partially obsured., Stamped on verso: Copyrighted Kiralfy Bros., Philadelphia, 1876., Pink curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
View looking southeast from the rear terrace of the old mill house showing the forebay of the waterworks on the Schuylkill River. Also shows Reservoir Hill in the background, including William Rush's "Allegory of the Schuylkill River" or "Water Nymph and Bittern" fountain installed in 1827. Water sprays from the statue's base. The waterworks were originally constructed between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff., Title supplied by cataloguer., Orange mount with square corners., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
View showing a simply constructed wood building near the millrace in the Philadelphia neighborhood near Tacony Creek and Wyoming Avenue., Pale yellow paper mount with square corners., Title from accompanying label., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Pennsylvania views & political miscellany., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Construction site for the Union League building showing workers beginning work on the foundation. Academy of Natural Sciences visible in background. Union League established to raise funds and recruits for the Union cause. Groundbreaking for Union League building at Broad and Sansom streets took plance on March 1,1864 and the building opened on May 11, 1865., Buff mount with square corners., Title from manuscript note on verso., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
View looking southwest showing the college building constructed 1833-1847 in the Greek Revival Style after the designs of Philadelphia architect Thomas Ustick Walter. Also shows a partial view of a neighboring building in the background. Girard College was established through a bequest from Stephen Girard, a Philadelphia financier and philanthropist, for the creation of a school for "poor white orphans.", Title supplied by cataloguer., Attributed to John Moran., Originally part of a McAllister scrapbook., Duplicate of (6)1322.F.37c., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
View looking southwest showing the college building constructed 1833-1847 in the Greek Revival Style after the designs of Philadelphia architect Thomas Ustick Walter. Also shows a partial view of a neighboring building in the background. Girard College was established through a bequest from Stephen Girard, a Philadelphia financier and philanthropist, for the creation of a school for "poor white orphans.", Title supplied by cataloguer., Attributed to John Moran., Originally part of a McAllister scrapbook., Duplicate of (6)1322.F.37cx., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
View from a high vantage point showing a few spectators near a fountain with a circular basin near a rock garden and trees. Also shows a fence in the background., Manuscript note on accompanying label: Fountain Basin Fountain, Title supplied by cataloguer., Trimmed yellow mount., Paper backing pasted on verso., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
View from a high vantage point showing a few spectators near a fountain with a circular basin near a rock garden and trees. Also shows a fence in the background., Manuscript note on accompanying label: Fountain Basin Fountain, Title supplied by cataloguer., Trimmed yellow mount., Paper backing pasted on verso., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
View from a high vantage point showing a few spectators near a fountain with a circular basin near a rock garden and trees. Also shows a fence in the background., Manuscript note on accompanying label: Fountain Basin Fountain, Title supplied by cataloguer., Trimmed yellow mount., Paper backing pasted on verso., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
View showing the decorative distribution arch on Reservoir Hill at the Fairmount Water Works. The arch, built in 1860, functioned as a standpipe and observatory tower. Also shows men, women and children standing around a pond with a fountain in the foreground. The waterworks, originally built between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, were altered and expanded until 1872., Title on printed label pasted on verso., Photographer's printed label pasted on verso., Cream mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.