Collection of nearly 3,000 stereographs published and distributed in or of Philadelphia. The photographs mainly portray commercial and residential street scenes, particularly Market and Chestnut streets; religious, public, financial, and industrial buildings and institutions; and historic and prominent landmarks as well as a small selection of non-Philadelphia views.

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Greatest rosin market in the world, Savannah, Ga.
View of a large number of neatly arranged barrels, probably on a dock, with a sailing ship in the background. Several African American men workers are visible moving the barrels by rolling them., Title from item., Date inferred from photographic medium and content., View is numbered 193 in a series., Purchase 1998., Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Greenwood Cemetery.
View showing a man sitting on a bench near a pond and a little girl standing behind him in the cemetery founded in 1838 in Kings County, New York. They look in the direction of the mausoleums and headstones built into the hill in the distance., Title on negative., Publisher's imprint printed on mount., Orange mount with rounded corners., Gift of Aaron Wunsch., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Grey wolf, (canus occidentalis)]
Depicts a wolf in its holding area at the Philadelphia zoo., Yellow mount with rounded corners., Publisher's and photographer's imprints, series title and copyright statement printed in red on mount., A brief advertisement for the zoo printed on verso., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
A group of natives, Chipigana. Tropical Scenery. Darien Expedition.
Stereoview depicting a group of Panamanian Black men and boys posed in front of huts and next to their half-made canoes. View from T.O. Selfridge's 1870-1871 naval expedition of the Isthmus of Darien. Authorized by the U.S. Government, Selfridge explored and surveyed the area as a possible route for a ship canal in Panama. He was accompanied by photographer T.H. O'Sullivan in 1870 and Philadelphia photographer John Moran in 1871., Title from item., Publication information supplied by Darrah., Manuscript note on verso: Bessie J. Smith., J.F. Jarvis was the largest manufacturer of stereoviews in Washington D.C. during the late 19th century. He published his own trade list and numerous views of government surveys., Gift of Eleanor Smith, 1977., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[Group on beach, Cape May, New Jersey]
[Group on beach, Cape May, New Jersey]
View showing a group of people gathered on the beach in Cape May, New Jersey with large hotel buildings in the background. Several men and women wear bathing suits and are stretched out in the sand in the foreground. Others sit in chairs or stand with parasols. In the background, a large building with tall columns, probably Congress Hall, is partially visible., Title supplied by cataloger., Photographer's imprint on verso with printed list of fifty-three unnumbered views in the series., Buff mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Retrospective conversion record: original entry, edited., Samuel C. Chester and Levin Corbin Handy partnered together in the 1880s.
Guarantee Trust Co., Philadelphia.
Exterior view of building at 316-320 Chestnut Street, built 1873-5, designed by Furness & Hewitt., Title inscribed in negative., Yellow mount with rounded corners., Printed in red on mount: Stereoscopic views., Gift of Robert M. Vogel., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 95., Arcadia caption text: The Guarantee Trust and Safe Deposit Company, established in 1872, provided safe storage for securities, currency, jewelry, silver plate, and other valuables. Safe depositories became more common during the Civil War when the threat to personal possessions in battleground states was very real, and they continued to grow in number and popularity in the years after the war. Frank Furness, the architect of this eclectic brick structure located on the 300 block of Chestnut Street, was commissioned to create plans for almost a dozen financial and trust company buildings in Philadelphia. His idiosyncratic designs provided his clients with visually distinctive structures and also tended to generate a great deal of publicity., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Guard house, entrance to Fairmount Park.
View of a man, presumably a guard, standing in front of a small guard house at an entrance to Fairmount Park. Row houses are visible in the left background., Title printed on mount below image., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Raymond Holstein.
Guess - who is it?
Genre photograph showing two women, one standing and grinning at the photograher and holding the other's eyes shut, while the other woman, seated at a desk, attempts to write a letter., Title from photographer's manuscript note on verso., Photographer's imprint on mount., Buff mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
Gulf Saw Mill
View showing the mill, at the base of a large hill, possibly the Gulf Mill on Gulf Creek near Bebel Hill in Lower Merion. Near the mill, stand a residence, outhouse, and wood shack. Also shows a man standing on the creek bank in the foreground., Title printed on mount., Orange mount with rounded corners., Gift of Francis J. Dallett., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Guns in front of Gov't B'l'd'g.
View showing Rodman guns and carriages lined up near the entrance to the U.S. Government Building, designed by James Windrim, looking southeast along Belmont Avenue. Also shows a train next to the covered platform across the street and the music pavilion in the middle of the intersection of Belmont and Fountain Avenues. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., White curved mount with rounded corners., Gift of Robert M. Vogel., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Gurnsey's Rocky Mountain Views.
Series of titled views from Gurnsey's Rocky Mountain Views include, "The gateway, entrance to the Garden of the Gods, and Pike's Peak ten miles distant," "Rainbow Fall," "The Cliff House, and Soda Springs, Shurtleff & Webster, proprietors, Manitou, Colorado," "U.S. Signal Station and Observatory," "Glen Eyrie". Images depict large rock formations, mountains and hills, a frozen waterfall, a hotel or inn, a signal station at the summit of Pike's Peak, and a residence, all near Manitou and Colorado Springs, Colorado., Title from printed labels pasted on versos., Photographer's imprint printed on labels pasted on versos., Contains five stereographic prints mounted on curved cardboard with rounded corners, three yellow and two buff. All contain photographer's pasted labels on verso. Most include facts about the sites under the titles., Gurnsey operated a photography studio in Colorado Springs, Colorado from 1872 until his death in 1880., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Mrs. E. Paul DuPont.
[Hamm monument, Woodlands Cemetery, Philadelphia, Pa.]
View showing a standing angel sepulchral monument with a bench at its base surrounded by an iron fence., Attributed to Robert Newell., Title supplied by cataloger., Manuscript note on verso: Monument in Woodland Cemetery, Philadelphia, Pa., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Hampton Place - Residence of Lt. Gen. Winfield Scott - Elizabethtown, N.J.
Exterior view of the front elevation of Hampton Place in Elizabeth, New Jersey, the residence of soldier and statesman Winfield Scott and his wife Maria Mayo, who are depicted standing in the gateway leading to the front entrance of the home. Colonel John Mayo, Maria's father, purchased the property in the early nineteenth century., Title printed on mount., Publisher's imprint printed on mount., Creme mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Hand-in-Hand Fire Company fire fighters and steam engine in front of the company fire station at Ninth Street above Poplar Street, Philadelphia]
Depicts fire fighters, including an African American man, posed near a pump engine in front of the station adorned with the signage "1741 Hand In Hand 1741." A rooster stands on the pump. Hand-in-Hand Fire Company, one of the city's first volunteer fire companies, was organized on March 1, 1741 or 1742., Title supplied by cataloger., Date based on content and attire of the people., Originally part of a McAllister scrapbook. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Happy days at Fairmount.
View showing a group of women and children assembled on the grass on Lemon Hill estate. The Philadelphia Girls' Rowing Club boathouse, built 1860-1861 after designs by James C. Sidney for the Philadelphia Skating Club and Humane Society, is visible on the east bank of the Schuylkill River in the background., Written on negative: 75, Title from manuscript note on mount., Photographer's imprint printed on mount., Stamped on verso: Copyrighted Kiralfy Bros., Philadelphia, 1876., Pink curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
The happy family going to market.
Genre scene showing a group of girls posing in a yard with a dog that grasps a basket in its mouth. One of the little girls pushes her doll in a carriage. A woman stands in the background watching the group., Title on negative., Photographer's imprint printed on mount., Distributor's imprint printed on mount., Buff curved mount with rounded corners., Griffith & Griffith, established in Philadelphia in 1896, expanded in 1908 to included offices in St. Louis and Liverpool. The non-Philadelphia offices were relocated in 1910., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler.
[Harmer's Cornucopia, 3 Vine Street, Philadelphia]
View looking east showing Vine Street between New Market and Front Streets including J.J. Harmer & Son's produce or commercial merchants at 3 Vine. Includes streetcar tracks on Vine Street., Pale green mount with square corners., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Harris'es monument in Woodland Cemetery, Philadelphia, Pa.
View showing the large monument in the cemetery at 3900 Woodland Avenue. The monument is comprised of a stone canopy enshrining a sculpted figure kneeling at a cross atop a pedestal. The canopy is adorned by an urn and the monument is surrounded by a stone enclosure. Also shows the Woodlands Mansion, built 1742, remodeled and enlarged between 1787 and 1790 for William Hamilton, in the right background. The estate was purchased in 1840 by the Woodlands Cemetery Company., Attributed to Robert Newell., Title from manuscript note on verso., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
"Have dinner at one dear."
Genre scene satirizing the "new woman" and the role of women in the home. Shows the lady of the house dressed in bloomers (bicycle garb) with her back to her children who play with toys on the floor. With her bicycle by her side, she tells her husband, who is washing clothes, to have dinner ready by one., Copyrighted 1897 by William H. Rau on negative., Additional places of publication printed on mount, including Chicago; Hamburg, Germany, and Milan, Italy., Title on negative., Distributor's imprint printed on mount., Buff curved mount with rounded corners., Griffith & Griffith, established in Philadelphia in 1896, expanded in 1908 to included offices in St. Louis and Liverpool. The non-Philadelphia offices were relocated in 1910., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Erika Piola.
[Hearse and coffin in Philadelphia]
View showing the procession of Lincoln's catafalque. Military guards escort the hearse passed mourners crowding the sidewalks and the rooftops and balconies of buildings and businesses lining the 1000 block of South Broad Street. Businesses include commission merchant, M.S. Myer, and the Union House and Dining Saloon., Attributed to Schreiber & Glover., Title supplied from duplicate in private collection., Yellow mount with square corners., Manuscript note on verso:The funeral of Mr. Lincoln, Broad St., Phila., April 22, 1865., Reproduced in Kenneth Finkel's Nineteenth century photography in Philadelphia (New York: Dover Publications, Inc., 1980), plate 174., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Henry Clay sarcophagus in Struthers marble yard
Shows a man standing next to the inscribed Clay sarcophagus, constructed for the vault of the monument at Clay's former estate, Ashland, in the marble yard of John Struthers & Son at 1022 Market Street, Philadelphia. Also shows a section of the shipping crate lid inscribed H.T. Duncan, Esq. President of the Clay Monument Association Lexington Kentucky. Care of Mess. Clarke & Co. Pittsburg PA. Box No. 1. Includes partial views of other marble pieces in the yard., Photographer, title, and date from manuscript note on accompanying label., Buff paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Historical Society's building, cor. 2d Ave. and 11th Street.
Exterior view of the building of the historical society (organized 1804) built in 1857. Also shows an adjacent church and a street lamp with letterbox in the foreground., Publisher's label pasted on verso., Yellow mount with square corners., Partial distributor's imprint stamped on verso: [Mc]Allister [Opti]cian [627 Broad]way [New York]., Inscribed in negative: 4401., Originally from a McAllister scrapbook of Views of New York, The Anthony firm, established in 1859, operated as a partnership from 501 Broadway between 1863 and 1871., Thomas H. McAllister, brother of Philadelphia antiquarian, John A. McAllister, established an optician's shop in New York in 1855., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
A homestead gate, Fisher's Lane, near Philada.
Winter view showing the entrance gate and snow-covered drive to an estate on Fisher's Lane in the Feltonville neighborhood of Philadelphia. Also shows a man and boy standing next to the open gate in the foreground and a man walking on the drive in the background. Drive flanked by bare trees. Dwelling visible in the distant background., Duplicate photograph, #37 entitled "Avenue leading to Mr. Dixon's Mansion," in Moran album, "Old Philadelphia Views, 1861." See albums - Moran [P.9265]., Title from label pasted on verso., Photographer's blind stamp on mount., Creme mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Hood Cemetery, Germantown
Shows the marble gateway and entrance to the cemetery built 1849 by marble mason William Struthers after the designs of William Johnston at 4901 Germantown Ave. Gateway commissioned by Germantown resident William Hood in exchange for a vault in the cemetery (organized 1690). Cemetery rechartered as the Hood Cemetery Company in 1866., Title from label pasted on mount., Attributed to John Moran., White paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Hood's Cemetery entrance.
Shows a side view of the marble gateway and entrance to the cemetery built 1849 by marble mason William Struthers after the designs of William Johnston at 4901 Germantown Ave. View includes a street lamp, possibly a fire hydrant, and adjacent buildings. Gateway commissioned by Germantown resident William Hood in exchange for a vault in the cemetery (organized 1690). Cemetery rechartered as the Hood Cemetery Company in 1866., White paper mount with square corners., Title from manuscript note on mount., Photographer's stamp embossed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Hope Fire Company horse-drawn ambulance in front of the company fire station on Sixth Street below Bainbridge Street, Philadelphia]
Shows ambulance, probably used to transport wounded, Civil War soldiers, adorned with patriot images and slogans including an eagle, flags, and "Union For Ever." Three boys stand near the ambulance. Company founded November 22, 1796., Attributed to Robert Newell., Title supplied by cataloguer., Manuscript note on mount: Hope Ambulance Phila., Yellow mount with square corners., Originally part of a McAllister scrapbook., Paper baking pasted on verso., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Hope Fire Company steam engine and fire fighters in front of the company fire station on Sixth Street below Bainbridge Street, Philadelphia]
View includes a small crowd of spectators in the background. Company founded November 22, 1796., Attributed to Robert Newell., Title supplied by cataloguer., Manuscript note on mount: Hope Steam Fire Engine Phila., Yellow mount with square corners., Originally part of a McAllister scrapbook., Paper backing pasted on verso., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The Horse-shoe Fall, Niagara, as viewed from Goat Island.
Landscape view depicts a man walking toward the Terrapin Rocks and Terrapin Tower from Goat Island over a boardwalk bridge spanning the Niagara River. Depicts the Horseshoe Falls, one of three falls that form Niagara Falls on the Niagara River along the border of the United States and Canada. Boardwalk bridge removed in 1887., Title printed on verso., Quote printed on verso by N.P. Willis describes the scene depicted in the photograph. Also includes a poem by the Earl of Carlisle below the quote. A vignette of eagle clutching "United States of America" banner, arrows and a shield in its talons surmounts text. Text and vignette enclosed within decorative border., Creme mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Saul Koltnow.
Horseshoe Curve
View of a train going around the Horseshoe Curve on a double set of railroad tracks. A steep embankment drops down from either side of the tracks and a forested mountain rises up in the background. The Horseshoe Curve opened to train traffic on February 15, 1854 and allowed trains to travel over Pennsylvania's Allegheny Mountains., Image is made from the same negative as P.9644.22., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., William T. Purviance became an official photographer for the Pennsylvania Railroad in 1867.
Horseshoe Curve
View of a train going around the Horseshoe Curve on a double set of railroad tracts. A steep embankment drops down from either side of the tracks and a forested mountain rises up in the background. The Horseshoe Curve opened to train traffic on February 15, 1854 and allowed trains to travel over Pennsylvnia's Allegheny Mountains., View is made from the same negative as P.9644.20., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Horseshoe machine.
Unmounted stereograph shows a horse shoeing machine on display on the main thoroughfare, Union Avenue. The Great Central or Sanitary Fair held June 7-28, 1864 on Logan Circle was one of several national fairs that displayed art, craft, and historical exhibits to benefit the U.S. Sanitary Commission, a soldier relief organization., Title from manuscript note on paper label below image., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Horti. Building, portico.
Exterior views showing the horseshoe arch and arabesque designs decorating the portico on the upper stories of Horticultural Hall designed by Hermann J. Schwarzmann. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negatives., Photographer's imprint printed on mounts and on versos. Imprints on versos contain initials "CPC" in decorative border surmounted by date range 1776-1876., White curved mounts with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., One print [P.2011.47.166] gift of Raymond Holstein.
Horti. Hall interior, from W. end.
Interior view looking from the west end of Horticultural Hall through a large horseshoe arch supported by columns at a display of ferns and other plants flanking the aisle. A statue is visible amidst the plants under a large chandelier. The hall was designed by Hermann J. Schwarzmann for the fair, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Horticultural Department.
Unmounted stereograph shows women sitting behind a booth in the Horticultural Department. Plants are scattered on the table and hang from a bar above their heads. Festoons of laurel, hemlock, and pine boughs from the Allegheny Mountains adorn the columns supporting the booth and travel upward to form tree-like branches. Patriotic bunting, including shields, are posted on each of the columns. The Great Central or Sanitary Fair held June 7-28, 1864 on Logan Circle was one of several national fairs that displayed art, craft, and historical exhibits to benefit the U.S. Sanitary Commission, a soldier relief organization., Title from printed paper label below image., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Horticultural Department.
Unmounted stereograph shows women sitting behind a booth in the Horticultural Department. Plants are scattered on the table and hang from a bar above their heads. Festoons of laurel, hemlock, and pine boughs from the Allegheny Mountains adorn the columns supporting the booth and travel upward to form tree-like branches. Patriotic bunting, including shields, are posted on each of the columns. The Great Central or Sanitary Fair held June 7-28, 1864 on Logan Circle was one of several national fairs that displayed art, craft, and historical exhibits to benefit the U.S. Sanitary Commission, a soldier relief organization., Title from printed paper label below image., Series title inferred from similar printed labels in the collection., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Horticultural Dept.
Unmounted stereograph shows women standing behind a booth in the Horticultural Department. Plants are scattered on the table and hang from a bar above their heads. Festoons of laurel, hemlock, and pine boughs from the Allegheny Mountains adorn the columns supporting the booth and travel upward to form tree-like branches. Patriotic bunting, including shields, are posted on each of the columns. The Great Central or Sanitary Fair held June 7-28, 1864 on Logan Circle was one of several national fairs that displayed art, craft, and historical exhibits to benefit the U.S. Sanitary Commission, a soldier relief organization., Title from manuscript note on mount., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Horticultural Dept.
Unmounted stereograph shows the entrance to the Horticultural Department adorned by patriotic bunting and signage. A man, most likely a guard, stands near the entrance booth in the background. The Great Central or Sanitary Fair held June 7-28, 1864 on Logan Circle was one of several national fairs that displayed art, craft, and historical exhibits to benefit the U.S. Sanitary Commission, a soldier relief organization., Title from manuscript note on mount., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Horticultural Hall.
Oblique view of the front and south elevations of Horticultural Hall, the Pennsylvania Horticultural Society's headquarters on South Broad Street. A group of men and women are gathered near the entrance of the hall. Broadside posters adorn the corners of the building. Samuel Sloan designed the hall in 1867. A fire destroyed this hall in early 1881, and it was rebuilt in 1882 after designs by Addison Hutton., Title on negative., Photographer's imprint printed on mount., Buff mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Horticultural Hall.
View of the west front and south flank of Horticultural Hall, designed by Hermann J. Schwartzmann, showing ornate benches, flower beds, trees, bushes and decorative planters. A man tends to the flowers in one of the flower beds in the foreground. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative borders surmounted by date range 1776-1876., Manuscript note on verso: Laura C. Bumpus., White curved mount with rounded corners., Variant of stereo - P.9047.175 and Holstein stereos - P.2011.47.244-246., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Horticultural Hall.
Views of the west front and south flank of Horticultural Hall, designed by Hermann J. Schwartzmann, showing flower beds, trees, bushes and decorative planters in the foreground. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negatives., Photographer's imprint printed on mounts and on versos. Imprint on versos contains initials "CPC" in decorative border surmounted by date range 1776-1876., One print [P.9047.175] contains stamp on mount: Grade 2., White curved mounts with rounded corners., Variant of stereo - P.9299.11 and Holstein stereos - P.2011.47.245 & 246., One print [P.9047.175] gift of Robert M. Vogel., One print [P.2011.47.244] gift of Raymond Holstein., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

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