Collection of nearly 3,000 stereographs published and distributed in or of Philadelphia. The photographs mainly portray commercial and residential street scenes, particularly Market and Chestnut streets; religious, public, financial, and industrial buildings and institutions; and historic and prominent landmarks as well as a small selection of non-Philadelphia views.

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Horticultural Hall.
View of the west front and south flank of Horticultural Hall, designed by Hermann J. Schwartzmann, showing flower beds, trees, bushes and decorative planters. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Stamped on mount: Grade 2., White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Horticultural Hall.
View looking northwest at the front elevation of Horticultural Hall, the Pennsylvania Horticultural Society's headquarters on South Broad Street. Gas lamps flank the entrance stairs and broadside posters adorn the front of the building. A crowd pf people stand near the entrance stairs and near a gas lamp in front of the hall. Samuel Sloan designed the hall in 1867. A fire destroyed this hall in early 1881, and it was rebuilt in 1882 after designs by Addison Hutton., Title on negative., White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Horticultural Hall.
View looking northwest on Broad Street from Spruce Street showing the east fronts of Beth Eden Baptist Church, built ca. 1869 after designs by Edward Tuckerman Potter; Horticultural Hall, the Pennsylvania Horticultural Society's headquarters on South Broad Street, built after designs by Samuel Sloan in 1867; and the Academy of Music built 1855-1857 after designs by Napoleon LeBrun and Gustave Runge., Title printed on mount below image., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Horticultural Hall.
View of the front elevation of Horticultural Hall, the Pennsylvania Horticultural Society's headquarters on South Broad Street. Broadside posters adorn the front of the building and can be seen along the fence separating the hall from the Academy of Music. Gas lamps flank the entrance stairs and stones are piled in the street in front of the building. Samuel Sloan designed the hall in 1867. A fire destroyed this hall in early 1881, and it was rebuilt in 1882 after designs by Addison Hutton., Title and photographer from series list printed on blue paper and pasted on verso with thirty-one other titles (No. 1-31)., Photographer's printed label pasted on verso., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Horticultural Hall.
View showing Horticultural Hall designed by Henry Schwartzmann. Also shows the landscaped grounds flanking Fountain Avenue, including flower beds, trees, bushes, and decorative planters. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Distributor's stamp in pink ink on verso: S.B. Moyer, finest line of stereoscopic views of all parts of the world. Pottstown, Pa. Best views of the Johnstown Disaster., White curved mount with rounded corners., Gift of Charles Isaacs., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Horticultural Hall and Academy of Music, South Broad Street, Philadelphia]
View looking northwest showing the front facades of Horticultural Hall and the Academy of Music on the 200 block of South Broad Street. Also shows row houses north of Locust Street on the west side of the block in the right background. Horticultural Hall, the Pennsylvania Horticultural Society's headquarters on South Broad Street, was constructed after designs by Samuel Sloan in 1867. A fire destroyed this hall in early 1881, and it was rebuilt in 1882 after designs by Addison Hutton. Architects Napoleon LeBrun and Gustav Runge formed a short-lived partnership to win the design competition to build the sandstone Italaniate Academy of Music, constructed from 1855-1857., Title supplied by cataloger., Manuscript note on verso: South Broad St., Orange curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
Horticultural Hall, Broad St.
View of the front elevation of Horticultural Hall, the Pennsylvania Horticultural Society's headquarters on South Broad Street. Broadside posters adorn the front of the building and can be seen along the fence separating the hall from the Academy of Music. Gas lamps flank the entrance stairs. Samuel Sloan designed the hall in 1867. A fire destroyed this hall in early 1881, and it was rebuilt in 1882 after designs by Addison Hutton., Title printed on mount., Publisher's imprint printed on mount., Orange mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
Horticultural Hall, Broad Street, below Locust. [graphic].
View of the front elevation of Horticultural Hall, the Pennsylvania Horticultural Society's headquarters on South Broad Street. Broadside posters adorn the front of the building and can be seen along the fence separating the hall from the Academy of Music. Gas lamps flank the entrance stairs and large stones are piled in the street south of the building. Samuel Sloan designed the hall in 1867. A fire destroyed this hall in early 1881, and it was rebuilt in 1882 after designs by Addison Hutton., Titles from printed label on paper mount., Yellow paper mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Retrospective conversion record: original entry, edited., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1869.
Horticultural Hall, east end.
View showing the fountain created by J.L. Mott Iron Works from New York at the east entrance of Horticultural Hall on the Centennial grounds. In the background, the east front of the hall, designed by Hermann J. Schwarzmann, is visible. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., White curved mount with rounded corners., Variant of Holstein stereo - P.2011.47.267., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Horticultural Hall in course of erection.
View of the frame of Horticultural Hall designed by Hermann J. Schwarzmann. A man stands in front of the fence surrounding the construction site in the foreground. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title from faint manuscript note on mount below image., Orange curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
Horticultural Hall, Phila.
View looking northwest at the front elevation of Horticultural Hall, the Pennsylvania Horticultural Society's headquarters on South Broad Street. Gas lamps flank the entrance stairs and broadside posters adorn the front of the building. Samuel Sloan designed the hall in 1867. A fire destroyed this hall in early 1881, and it was rebuilt in 1882 after designs by Addison Hutton., Title on negative., Title also from printed "Philadelphia" series list on verso with twenty-three other unnumbered titles. Also includes twenty-nine unnumbered titles in "Baltimore" series. Both series surrounded by decorative border., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Horticultural Hall, Phila.
View looking southwest showing the east front and north flank of Horticultural Hall designed by Henry Schwartzmann. Pedestrians stroll through the landscaped grounds and gardens or sit on benches in the foreground. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Horticultural Hall, Phila.
View looking west at the front elevation of Horticultural Hall, the Pennsylvania Horticultural Society's headquarters on South Broad Street. Gas lamps flank the entrance stairs and broadside posters adorn the front of the building and can be seen along the fence separating the hall from the Academy of Music. Includes a partial view of Lardner Street (i.e. Back Place). Samuel Sloan designed the hall in 1867. A fire destroyed this hall in early 1881, and it was rebuilt in 1882 after designs by Addison Hutton., Title from manuscript note on verso., Publisher's imprint printed on mount., Stamped twice on verso: J.B. Sample., Yellow curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of David Doret.
Hot house views, Philadelphia.
Views of flourishing plants flanking a wooden plank walkway under a sloping glass roof in a greenhouse., Titles from manuscript notes on versos., Photographer's imprint from embossed stamp on rectos., Yellow mounts with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Hotel Aubry [sic], West Philadelphia, Pa.
View showing the "dwelling house" hotel built on Walnut Street between 33rd and 34th streets for the Centennial Exhibition in 1876. The hotel, built on inexpensive land considered undesirable for a permanent hotel, was composed of rows of several houses that were to be later sold or leased as individual dwellings. Guests stand on the porch of the twenty-six house hotel. Horse-drawn carriages travel in the street., Yellow mount with rounded corners., Title from manuscript note on mount., Gift of Robert M. Vogel., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Hotel on Smith Island, Philadelphia]
View of a large wooden building, probably a hotel, built as part of a summer resort on Smith Island on the Delaware River. Two men stand in the foreground., Manuscript note on mount: On Smith's Island Philada., Yellow mount with square corners., Manuscript note on mount: 56., Originally part of a McAllister scrapbook of views relating to Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[House and grounds where the 1st "4th of July" was celebrated]
View showing three men sitting in chairs in the grass in front of the gazebo pavilion on Dr. Edward Enoch's estate in Frankford, where Thomas Jefferson purportedly recited and celebrated the first draft of the Declaration of Independence. Also known as the Womrath estate., Written on negative: 377, Title supplied by cataloger., Photographer's imprint printed on mount., Stamped on verso: Copyrighted Kiralfy Bros., Philadelphia, 1876., Pink curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
House, (tree in front,) where the first U.S. flag was made,
View showing the Betsy Ross House at 239 (formerly 89) Arch Street. House tenanted by tailor Gustavus Franke. View also includes the buildings tenanted by fur dealer Rudolph Reisky (237 Arch) and brass cock manufacturers J. & H. Jones (243 Arch). A horse-drawn carriage stands idle in front of J. & H. Jones's building., Yellow mount with rounded corners., Text explicating the historical significance of the house on verso., Photographer's imprint printed on mount., Title printed on mount., Reproduced in Kenneth Finkel's and Susan Oyama's Philadelphia then and now (New York: Dover Publications, Inc. in cooperation with The Library Company of Philadelphia, 1988), p. 108., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Howell & Bourke,] Union Avenue.
Unmounted stereograph shows various silver items exhibited in display cases on Union Avenue under a banner for "Howell & Bourke, N.E. cor. 4th & Market". Silver most likely not exhibited by Howell & Bourke, who specialized in paper hangings. Patriotic bunting, including flags and swags, hangs on the wall. The Great Central or Sanitary Fair held June 7-28, 1864 on Logan Circle was one of several national fairs that displayed art, craft, and historical exhibits to benefit the U.S. Sanitary Commission, a soldier relief organization., Title from manuscript note on mount., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
"I don't care for signs."
Comic genre scene showing a woman in masculine clothing sitting on the back of a chair defiantly smoking in front of a "No smoking" sign., Title on negative., Printed on mount: American and Foreign Views sold by canvassers., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Ice scene on the Delaware, Philadelphia
Harbor scene showing a sailing ship with masts down and billowing smoke. Also shows nearby sailing vessels. View does not include ice., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in Kenneth Finkel's Nineteenth-century photography in Philadelphia (New York: Dover Publications, Inc., in cooperation with The Library Company of Philadelphia, 1980), entry # 223., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Ice scene on the Delaware, Philadelphia
Harbor scene showing a sailing ship with masts down and billowing smoke. Also shows nearby sailing vessels. View does not include ice., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in Kenneth Finkel's Nineteenth-century photography in Philadelphia (New York: Dover Publications, Inc., in cooperation with The Library Company of Philadelphia, 1980), entry # 223., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Ice scene on the Delaware, Philadelphia [graphic] / Langenheim.
Harbor scene showing a sailing ship with masts down and billowing smoke. Also shows nearby sailing vessels. View does not include ice., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in Kenneth Finkel's Nineteenth-century photography in Philadelphia (New York: Dover Publications, Inc., in cooperation with The Library Company of Philadelphia, 1980), entry # 223., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Ice scene on the Delaware, Philadelphia.
Harbor scene during the winter showing ships docked at piers on the frozen river. Also shows people ice skating in the background., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 67., Arcadia caption text: Mother Nature suspended commercial and passenger activity on the Delaware River in this c. 1860 winter image. Bare-masted schooners and small boats are docked along the snow-covered piers of Philadelphia harbor in the foreground as people ice skate on the frozen river in the background. Ice skating was a common activity on the impenetrable river before the use of steam-powered icebreakers. Organizations such as the Philadelphia Skating Club and Humane Society provided skating instruction and rescued people who broke through the ice., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Ice scene on the Delaware, Philadelphia.
Harbor scene during the winter showing ships docked at piers on the frozen river. Also shows people ice skating in the background., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 67., Arcadia caption text: Mother Nature suspended commercial and passenger activity on the Delaware River in this c. 1860 winter image. Bare-masted schooners and small boats are docked along the snow-covered piers of Philadelphia harbor in the foreground as people ice skate on the frozen river in the background. Ice skating was a common activity on the impenetrable river before the use of steam-powered icebreakers. Organizations such as the Philadelphia Skating Club and Humane Society provided skating instruction and rescued people who broke through the ice., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Ice scene on the Delaware, Philadelphia. [graphic] / Langenheim.
Harbor scene during the winter showing ships docked at piers on the frozen river. Also shows people ice skating in the background., Photographer's imprint stamped on mount., Buff paper mount with square corners., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 67., Arcadia caption text: Mother Nature suspended commercial and passenger activity on the Delaware River in this c. 1860 winter image. Bare-masted schooners and small boats are docked along the snow-covered piers of Philadelphia harbor in the foreground as people ice skate on the frozen river in the background. Ice skating was a common activity on the impenetrable river before the use of steam-powered icebreakers. Organizations such as the Philadelphia Skating Club and Humane Society provided skating instruction and rescued people who broke through the ice., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Ice scenes after the burning of the Jayne Building on March 5, 1872, Philadelphia.
Series of views entitled "Jaynes building after the fire" and "Scene in street the day after the burning of Dr. David Jayne's building." Views look east showing the rear elevation of the fire-ravaged Jayne building with ice hanging from its exterior. One image also shows buildings on the north and south sides of Carter's Alley, men standing with shovels on a mound of ice in the alley, and in the distant right background, a business sign for "trusses" at 220 Carter's Alley. Dr. David Jayne, a chemist and Philadelphia manufacturer of patent medicines, moved into an eight story building at 84-86 Chestnut Street (i.e., 242-244 Chestnut Street), between 2nd and 3rd Streets in 1850, after it was completed after designs by William J. Johnston and Thomas Ustick Walter. His business occupied the building until his death in 1866. It burned on March 5, 1872., Titles written in manuscript notes on labels pasted on versos., Photographer's label pasted on versos., Initials "H.F.O." and "No. 3" written in manuscript note on verso on one item [P.8548]., Yellow mounts with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Ice scenes at the burning of Jayne's Building, Chestnut Street, Philada.
Views of the front and rear elevations of the fire-ravaged Jayne building with ice hanging from its exterior. One image shows the front elevation from the northwest, including the Liverpool & London Globe Insurance Co. clock jutting from the company's building at the northeast corner of Third and Chestnut Streets in the foreground and signboards for businesses occupying 242-248 Chestnut Street, including Wernwag & Co. silk importers (242 Chestnut), Shannon teas (244 Chestnut), H.P. & W.P. Smith dry goods (248 Chestnut), and F.S. Hovey, manufacturer of sewing silk (248 Chestnut). Also shows pedestrians gathered on the north sidewalk observing the scene as men, probably firefighters, stand in the street near the unraveled hose of a fire engine. Rear views from Carter's Alley show a thick layer of ice covering the building, low-hanging wires, carts, and lumber in the alley. A saloon fronting on Carter's Alley is partially visible in one image. Dr. David Jayne, a chemist and Philadelphia manufacturer of patent medicines, moved into an eight story building at 84-86 Chestnut Street (i.e., 242-244 Chestnut Street), between 2nd and 3rd Streets in 1850, after it was completed after designs by William J. Johnston and Thomas Ustick Walter. His business occupied the building until his death in 1866. It burned on March 5, 1872., Titles and photographer's imprint printed on mounts., Manuscript notes in pencil on versos describe views., Yellow curved mounts with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
In the goat-carriage at the "zoo" Philadelphia.
View showing two young girls seated in a carriage pulled by two goats at the Philadelphia Zoo. A smiling man stands next to them. Another man standing on an elevated pavilion or gazebo is visible in the background., Title printed on mount., Publisher's imprint stamped on mount., Distributor's imprint and logo stamped on mount., Gray curved mount with rounded corners., C.H. Graves published under the imprint "Universal Photo Art Co." between 1896 and 1904., See Darrah, The World of Stereographs, p. 52., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
In the new park, Phila.
Landscape view showing a winding path flanked by trees in Fairmount Park, which was officially created by an act of the Pennsylvania General Assembly in 1867., Title printed on mount below image., Yellow mount with rounded corners. Mount in two equal pieces held together by paper pasted on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
In the old park, Callowhill St.
View from the southeast showing a walkway flanked by benches and trees leading to the Fairmount Waterworks engine house built 1812-1815 by Frederick Graff. The walkway splits and encircles the Water Nymph and Bittern fountain designed by William Rush in 1809 for the Centre Square Pump House. Also shows a partial view of the monument dedicated to waterworks engineer Frederick Graff commissioned by the city and installed June 1, 1848 in the garden near the engine house. Monument contains a bust of Graff sculpted by Hugh Cannon, Gothic trim, an inscribed dedication, and is surrounded by an ironwork fence. The waterworks, originally built between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, were altered and expanded until 1872., Title from printed label on verso., Photographer's imprint in red text on mount., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Retrospective conversion record: original entry, edited.
[Incomplete series of genre stereographs satirizing the New Woman]
Includes "Yes, Mr. Caught a-tarter! The time is coming when--," "No longer be the poor down-trodden--," "Oppressed," "Weak and helpless being now she is." Scenes depict a stern-looking woman scolding and attacking a cowering, man, presumably her husband, in their living room. Scenes include overturned chairs and broken flower pots and vases on the floor., Title supplied by cataloger., Additional places of publication printed on mounts include: London; Toronto-Canada; Ottawa-Kansas., Printed on mounts: Works and studios. Arlington, N.J.; Littleton, N.H.; and Washington, D.C., Sun sculpture trademark printed on mounts., Copyrighted by Strohmeyer & Wyman., Titles printed on mounts., Publisher's imprint printed on mounts., Titles also printed on versos in five other languages., Buff curved mounts with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Independance [sic] Hall.
View looking southeast at the front of Independence Hall built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley at 520 Chestnut Street. Shows a partial view of Congress Hall built 1787-1789 (540-558 Chestnut) and the Prothonotary Office and Court of Common Pleas. Also includes a group of men standing on the sidewalk and piles of stones lining the street in the foreground., Title from manuscript note on verso., Publisher's imprint printed on mount., Orange mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Independence Hall.
View looking southeast showing the front elevation of the State House built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley. Includes the clock tower and statue of George Washington in the left background., Title on negative., Explicative paragraph of text on verso surmounted by the title "Independence Hall, or "State House," Philadelphia" with a vignette of the seal of Pennsylvania., Yellow trimmed mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William L. Schaeffer.
Independence Hall.
View looking southwest showing the south side of the 500 block of Chestnut Street, including the front of the State House built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley. Also shows a partial view in the left foreground of old City Hall built 1790-1791 after the designs of David Evans, Jr. (500 Chestnut), Congress Hall built 1787-1789 (540-558 Chestnut), and the commercial building at the southwest corner of Sixth and Chestnut Streets where John McArthur would consruct the Public Ledger building 1866-1867 (600 Chestnut Street) in the distant right background., One of 107 titles printed in series list on verso (No. 139-245)., Publisher's imprint on verso., Yellow curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of David Doret.
Independence Hall, Philadelphia, Pa.
View looking north from a tree-lined path in Independence Square at the rear elevation of the State House built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley. Also includes the front facades of buildings on the north side of Chestnut Street., Copyright 1902 by H.C. White Co. on mount below image., Additional places of publication printed on mount, including Chicago; New York; and London., Title and publisher's imprint printed in gold on mount, along with the following numbers and letters: 973; 917.7, 88, A., Explicative paragraph of text describing Independence Hall printed on verso with series title and stereograph title., Stamped on verso: Fresno County Free Library ; 75, 37, Dark gray curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
Independence Hall, where Declaration of Independence was signed 1776, Philadelphia, Pa.
Views look north from Independence Square at the rear elevation of the State House built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley. Show the statue of Commodore John Barry sculpted by Samuel Murray in 1906 and presented to the City of Philadelphia by the Friendly Sons of St. Patrick in 1907. Also include a temporary frame structure adorned with American shields set up behind the statue near the rear entrance and pedestrians walking through the square., Title printed on mounts., Additional places of publication printed on mount, including New York, NY; Portland, Oregon; London, Eng.; and Sydney, Aus., Publisher's imprint printed on mount., Printed above image on mount: T25*, Explicative paragraph of text providing brief history of Independence Hall printed on versos., Gray curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., One of the images gift of Robert M. Vogel [P.9047.154]
Independence Hall, where Declaration of Independence was signed in 1776, Philadelphia, Pa.
View looking northeast from Independence Square at the rear elevation of the State House built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley. Shows the statue of Commodore John Barry sculpted by Samuel Murray in 1906 and presented to the City of Philadelphia by the Friendly Sons of St. Patrick in 1907. Also includes a temporary frame structure adorned with American shields set up behind the statue near the rear entrance and partial views of Old City Hall built 1790-1791 after designs by David Evans, Jr. and the Lafayette Building constructed in 1907 after designs by John T. Windrim (northwest cor. Fifth and Chestnut)., Title printed on mount., Additional places of publication printed on mount, including New York, NY; Portland, Oregon; London, Eng.; and Sydney, Aus., Publisher's imprint printed on mount., Printed above image on mount: H69., Explicative paragraph of text providing brief history of Independence Hall printed on verso. Includes table of numbers indicating "series" and "position"., Gray curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
Independence Hall, which first proclaimed Freedom, as "government by the people," -- Philadelphia.
View of the bell hanging from the ceiling in Independence Hall., Additional places of publication printed on mount include: London; Toronto-Canada; Ottawa-Kansas., Printed on mount: Works and studios. Arlington, N.J.; Westwood, N.J.; and Washington, D.C., Sun sculpture trademark printed on mount., Title printed on mount., Copyrighted 1902 by Underwood & Underwood on recto under title and copyrighted 1904 by Underwood & Underwood on verso., Publisher's imprint printed on mount., Explicative paragraph of text describing the history of the Liberty Bell printed on verso. "Liberty Bell; Philadelphia, Pa." printed in five languages below paragraph., Gray curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
The India Rubber and Gutta-Percha Department.
Unmounted stereograph shows goods made of rubber and pre-plastic materials displayed on a booth in the India Rubber and Gutta-Percha Department on Union Avenue. Items include dolls in the foreground and smaller figurines on shelves in the background. A banner displaying the department title hangs under patriotic bunting on the wall. The Great Central or Sanitary Fair held June 7-28, 1864 on Logan Circle was one of several national fairs that displayed art, craft, and historical exhibits to benefit the U.S. Sanitary Commission, a soldier relief organization., Title from printed paper label below image., Labeled copy at HSP., Originally part of McAllister scrapbook on the Sanitary Commission., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 121., Arcadia caption text: During the Civil War, many benevolent and relief organizations were formed to aid soldiers and their families. One of the largest was the U.S. Sanitary Commission, which held fundraising fairs in a number of major cities in the North, including Philadelphia at Logan Square, June 7-28, 1864. Often temporary buildings, such as this one, built after the designs of H. E. Wrigley, were constructed to house the art, craft, industrial, and historical exhibits. Fair offerings included product displays; a re-creation of an 18th-century German-American kitchen; a horticultural exhibit containing a fishpond; and a miniature model house showcasing the most desirable construction methods of that time. Shown below is one of the product display booths on Union Avenue, the fair’s main thoroughfare., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

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