Collection of nearly 3,000 stereographs published and distributed in or of Philadelphia. The photographs mainly portray commercial and residential street scenes, particularly Market and Chestnut streets; religious, public, financial, and industrial buildings and institutions; and historic and prominent landmarks as well as a small selection of non-Philadelphia views.

Pages

J. Paul Jones, from a bust in the Atheneum. Boston
Shows the bust sculpted by Jean Antoine Houdon exhibited at the library in 1852-1855 and 1864-1867., Title printed on mount., Yellow mount with square corners., Originally part of a McAllister scrapbook of collection of portraits., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Jacob and George A. Binder lumber yard after the freshet of September 4, 1861]
View showing the wrecked lumberyard at the southeast corner of 6th and Oxford streets destroyed by a flood that developed from a violent thunderstorm of hail. In the foreground, lay several lopsided piles of lumber. In the background, the chemical and pharmaceutical manufactory of Crew, Rogers, and Crew at 1601 North 6th Street stands unscathed next to a destroyed building., Buff mount with square corners., Title supplied by cataloguer., Attributed to Philadelphia photographer John Moran., Gift of E. Perot Walker., See Daily Evening Bulletin, September 4, 1861, p.3 for description of the flood., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
A "jam" on Dock Street, Philadelphia's produce market place. [graphic].
View of street traffic at the produce market on the 200 block of Dock Street. Horse-drawn carts and wagons packed with sacks, barrels, and crates crowd the cobblestone street lined with storefronts, including C.G. Justice & Co. (123 Dock St.); Rosskam, Gerstley & Co. (133 & 135 Dock Street); Carstairs & McCall Co (139 Dock St.); and J. M. Morris & C. H. Peacock warehouse. Signs advertising "Carstairs & McCall Co. fine rye whiskies," "Rosskam, Gerstley & Co. fine whiskies," and "Fruits" adorn the buildings. Produce dealers C.G. Justice & Co. was established in 1871. Isaac Rosskam and Henry Gerstley founded the whiskey wholesale firm Rosskam, Gerstley & Co. in circa 1869 and continued until 1921. Brothers Charles and James Carstairs, Jr. and John C. McCall founded the whiskey company Carstairs & McCall Co. in 1868., Title printed on mount., Date from copyright statement: Copyrighted 1903 by William H. Rau., Curved buff mount with rounded corners., Distributor's imprint printed on mount: Sold only by Universal View Co., Publisher's imprint printed on mount., Gift of Raymond Holstein.
James E. Caldwell & Co., jewelers, no. 902 Chestnut Street, Philadelphia.
Interior view of shop showing display cases, cabinets and tables containing boxes of jewelry, sculptures, and object d'art. Caldwell at this address 1868-1916., Buff mount with square corners., Title printed on verso., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[James Green and Nephew display]
View showing the glass tableware, dessert pieces, and candelabra made by the English company James Green and Nephew. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title supplied by cataloger., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., White curved mount with rounded corners., Gift of Robert M. Vogel., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[James S. Earle & Son, looking glasses, 816 Chestnut Street, Philadelphia.]
Interior view of the first floor of Earle's shop. Walls are lined with elaborately framed mirrors and works of art, and several statues. Includes staff and customers, and the stairway to the upper gallery. Earle dealt in looking glasses and picture frames, and sold original works of art and prints., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[James S. Earle & Son, looking glasses, 816 Chestnut Street, Philadelphia.]
Interior view showing the upper gallery of Earle's store. Earle dealt in looking glasses and picture frames, and sold original works of art and prints. Image shows four men standing around the mezzanine railing. Framed paintings and other works of art are displayed on the walls., Buff paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook., Reproduced in Kenneth Finkel's Nineteenth-century Photography in Philadelphia (New York: Dover Publications, Inc., 1980.), plate 110., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[James S. Earle & Son, looking glasses, 816 Chestnut Street, Philadelphia.]
Interior view of the first floor of Earle's shop. Walls are lined with elaborately framed mirrors and works of art, and several statues. Includes staff and customers, and the stairway to the upper gallery. British-born James S. Earle (nephew of glazier and gallery owner James Earle) established his looking glass, frame making, and picture dealing business in 1832 on the 100 block of South Fifth Street. Earle relocated to the 800 block of Chestnut Street by 1840 and the business was renamed James S. Earle & Son by 1858 and James S. Earle & Sons by 1860., Buff paper mount with square corners., Retrospective conversion record: original entry, edited, Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Janes & Kirtland fountain, Agricultural Hall nave, 1876]
Views showing the ornamental fountain designed by the New York firm Janes & Kirtland in the nave of the Agricultural Building. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title supplied by cataloger., Photographer's imprint printed on mounts and on versos. Imprint on versos contains initials "CPC" in decorative border surmounted by date range 1776-1876., One print [P.2011.47.276] contains manuscript note on verso: H.E.L., White curved mounts with rounded corners., One print [P.9047.170] gift of Robert M. Vogel., One print [P.2011.47.276] gift of Raymond Holstein., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Japanese Com. Dwelling.
Exterior view of the front elevation of the Japanese Commissioner's Dwelling designed by Matsuo-Ehe for the Centennial Exhibition in Philadelphia. Shows the front entrance and porch, wooden lattice-work on the first floor, and wooden panels on the second floor. Also shows an ornate folding screen in the front doorway. The dwelling was used to house Japanese workers. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Date from item., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Series number on negative illegible., White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Japanese Com.'s Dwelling.
Oblique, exterior view of the front and side elevations of the Japanese Commissioner's Dwelling designed by Matsuo-Ehe for the Centennial Exhibition in Philadelphia. Two men sit on the ground in front of the building. The walkway leading to the building is visible in the foreground. The dwelling was used to house Japanese workers. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Date from item., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Series number on negative illegible., White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The Jayne Building, 7th & Chestnut Sts. Philada. [graphic]
View looking east showing the north side of the 600 block of Chestnut Street depicting Jayne's Marble Building (615-619 Chestnut), an office buildings constructed in 1860 for patent medicine manufacturer Dr. David Jayne and tenanted by Atwood, Ralston & Co.; Yard, Gilmore & Co., silk goods; Furness, Brinley & Co.; and M.L. Hallowell & Co.. Also includes adjoining businesses to the east., Yellow paper mount., Title from pencil inscription on mount., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[The Jayne Building, 7th & Chestnut Sts. Philada.] [graphic]
View looking east showing the north side of the 600 block of Chestnut Street depicting Jayne's Marble Building (615-619 Chestnut), an office buildings constructed in 1860 for patent medicine manufacturer Dr. David Jayne and tenanted by Atwood, Ralston & Co.; Yard, Gilmore & Co., silk goods; Furness, Brinley & Co.; and M.L. Hallowell & Co.. Also includes adjoining businesses to the east and street railroad tracks., Pale yellow paper mount., Title from duplicate (8)1322.F.25b., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The Jayne Building, 7th & Chestnut Sts. Philada. [graphic]
View looking west showing the north side of the 600 block of Chestnut Street depicting two office buildings constructed for patent medicine manufacturer Dr. David Jayne. Image includes Jayne's Marble Building (615-619 Chestnut Street), constructed 1860 and tenanted by Atwood, Ralston & Co.; Yard, Gilmore & Co., silk goods; Furness, Brinley & Co.; and M.L. Hallowell & Co.; and Jayne's Hall (625-631 Chestnut), constructed 1856., Title from manuscript note on mount of stereograph., Stereograph on yellow mount with square corners., Originally part of a McAllister scrapbook of views of Philadelphia., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Jayne's Hall, Chestnut St., below 7th.
View looking east showing the north side of the 600 block of Chestnut Street depicting two office buildings constructed for patent medicine manufacturer Dr. David Jayne. Image includes Jayne's Marble Building (615-619 Chestnut), constructed in 1860 and tenanted by Atwood, Ralston & Co.; Yard, Gilmore & Co., silk goods; Furness, Brinley & Co.; and M.L. Hallowell & Co.; and a partial view of Jayne's Hall (625-631 Chestnut), constructed 1856. Also includes adjoining businesses to the east and street railroad tracks., Yellow mount with rounded corners., Title from label on verso., Printed label on verso containing a list of 39 views of Philadelphia offered for sale by George O. Bartlett., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Jaynes' Hall, Chestnut Street below Seventh
View showing Jayne's Hall, an office building built in 1856 for patent medicine manufacturer Dr. David Jayne, at 625-631 Chestnut Street. Also shows Jayne's other office building, Jayne's Marble Building (615-619 Chestnut, built 1860) and adjacent businesses, including Rockhill & Wilson, clothiers (603-605 Chestnut) and the Bulletin Building (607 Chestnut, built 1866). Jayne buildings tenanted by: Atwood, Ralston & Co., carpet manufacturers and merchants; Farrel, Herring & Co., safes; Furness, Brinley & Co., auctioneers and merchants; Keystone Collar Company; Lafourcades Bros. & Irwin, importers of cloths, cassimeres, and vestings; Lynch & Fisher, dry goods; Merchant's Express Company; M.L. Hallowell & Co., merchants; Van Deusen, Boehmer & Co., men's furnishing goods; Yard, Gilmore & Co., silk goods. Street railroad tracks run down the street., Orange mount with rounded corners., Title from label on negative., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Jobo.
View showing the trunk of a large jobo tree (Spondias momben ; Spondias lutea) in Cuba. Members of the Amateur Photographic Exchange Club distributed their own prints with homemade labels to all other members for review. The club operated from 1861-63., Title on printed label pasted on verso., Photographer's imprint on printed label pasted on verso., Description printed on label pasted on verso: Amateur Photographic Exchange Club ; Negative, Wet Collodion. ; (Pronounced in Spanish, Hobo.) This tree is formed by the natural intertwining of a number of vines which adhere to each other at various points of contact, leaving a hollow space in the centre., Buff mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[John B. Stevenson, flaxseed and linseed oil manufactory, 439-441 York Avenue, Philadelphia]
View shows the four-story flaxseed and linseed oil manufactory at the northeast corner of York Avenue and Willow Street. Signs reading "John B. Stevenson, flaxseed & linseed oil," "brimstone & soda ash," "oil cake & cake meal," "oil cake, cake meal, linseed oil & flaxseed," span the west front and south facades of the corner brick building. Men stand and sit outside of the front entrance of the manufactory and on the steps of the adjacent property (441 York Avenue). The row house occupied by John B. Stevenson (443 York Avenue) in the mid-to-late 1860s is also visible. In the foreground, trolley tracks span Willow Street., Title supplied by cataloger., Photographer's imprint from embossed stamp on recto., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
John Stevens' first steamboat.
Unmounted stereograph shows a model of the steamboat, propellors and engine John Stevens purportedly built ca. 1804 and navigated in the Hudson River. Includes a framed portrait of Stevens, who also invented the first steamboat that navigated the ocean, in the model boat. Located in the Machinery and Heavy Wheeled Vehicles section of the fair building. The U.S. Sanitary Commission organized the Great Central Fair in Logan Square from June 7-28, 1864. The fair was one of several national fairs that displayed art, craft, and historical exhibits to benefit the U.S. Sanitary Commission, a soldier relief organization., Title from manuscript note on paper label below image., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The Johnstown disaster. Main and Bedford sts., site of Hurlbut house.
Shows site of the Hurlbut House, one of Johnstown, Pennsylvania's leading hotels, after the devastation of the flood on May 31, 1889. View shows debris scattered around an empty lot. A group of people stand in the background., View is numbered 6300 in a series., Stamped on mount: Sold only by Giffith & Griffith, Philadelphia., Image reproduced in reverse and without attribution in Paula and Carl Degen's The Johnstown Flood of 1889 (New York: Eastern Acorn Press, 1984) page 45., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Joseph B. Cowperthwait's residence, 31 Summit Street, Chestnut Hill, Philadelphia]
Exterior view of home of Cowperthwait, a Philadelphia publisher and bookseller. Built circa 1860., Yellow mount with square corners., Manuscript note on verso: 41 Copperswites Chestnut Hill 1866., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Joy.
View of the statue "Joy," designed by Raimondo Pereda, on display in the Italian section of the Art Gallery Annex. Depicts a young child grasping a small animal in its hand. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., White curved mount with rounded corners., Gift of David Doret., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The joys of winter on the Wissahickon Drive, Philadelphia.
Winter view showing a man in the foreground observing traffic on Wissahickon Drive on the opposite side of Wissahickon Creek. Traffic includes horse-drawn sleighs, horses, and pedestrians walking in the snow that blankets the drive and trees in the park., Title on printed label pasted on verso., Photographer's imprint printed on mount., Gray curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Judge Peter's farm.
View showing the estate house at the country seat of Judge Richard Peters known as Belmont above Philadelphia (West Fairmount Park). The estate, originally purchased by William Peters in 1742 was used as a working model farm by his son Richard until Richard's death in 1828. Subsequently, the estate was utilized by the railroad, an oil refinery, and a country resort before purchased by the city in 1869 for inclusion in Fairmount Park., Title printed and in manuscript note on verso., Photographer's imprint and publication information from duplicate [(3)1322.F.50d]., Printed on verso: 25 cents each., Yellow mount with square corners., William Peters was a landowner and attorney from Liverpool, England. He held several offices in Philadelphia including Clerk of the Admiralty Court, Notary Public, and Prothonotary of the Superior Court. Belmont Mansion was one of several properties owned by Peters in Philadelphia. He gave the property to his son, Judge Richard Peters, when he returned to England in 1768., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Judge Peter's farm. [graphic].
View showing the estate house at the country seat of Judge Richard Peters known as Belmont above Philadelphia (West Fairmount Park). The estate, originally purchased by William Peters in 1742 was used as a working model farm by his son Richard until Richard's death in 1828. Subsequently, the estate was utilized by the railroad, an oil refinery, and a country resort before purchased by the city in 1869 for inclusion in Fairmount Park., Title printed and in manuscript note on verso., Photographer's imprint and publication information from duplicate [(3)1322.F.50d]., Printed on verso: 25 cents each., Yellow mount with square corners., William Peters was a landowner and attorney from Liverpool, England. He held several offices in Philadelphia including Clerk of the Admiralty Court, Notary Public, and Prothonotary of the Superior Court. Belmont Mansion was one of several properties owned by Peters in Philadelphia. He gave the property to his son, Judge Richard Peters, when he returned to England in 1768., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Judge Peter's farm
View showing the estate house at the country seat of Judge Richard Peters known as Belmont above Philadelphia (West Fairmount Park). The estate, originally purchased by William Peters in 1742 was used as a working model farm by his son Richard until Richard's death in 1828. Subsequently, the estate was utilized by the railroad, an oil refinery, and a country resort before purchased by the city in 1869 for inclusion in Fairmount Park., Title from from manuscript note on mount., Yellow mount with square corners., Attributed to William and Frederick Langenheim., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Judge Peter's farm [graphic].
View showing the estate house at the country seat of Judge Richard Peters known as Belmont above Philadelphia (West Fairmount Park). The estate, originally purchased by William Peters in 1742 was used as a working model farm by his son Richard until Richard's death in 1828. Subsequently, the estate was utilized by the railroad, an oil refinery, and a country resort before purchased by the city in 1869 for inclusion in Fairmount Park., Title from from manuscript note on mount., Yellow mount with square corners., Attributed to William and Frederick Langenheim., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Judge Peter's farm
View showing the estate house at the country seat of Judge Richard Peters known as Belmont above Philadelphia (West Fairmount Park). The estate, originally purchased by William Peters in 1742 was used as a working model farm by his son Richard until Richard's death in 1828. Subsequently, the estate was utilized by the railroad, an oil refinery, and a country resort before purchased by the city in 1869 for inclusion in Fairmount Park., Title from from manuscript note on mount., Yellow mount with square corners., Attributed to William and Frederick Langenheim., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Junc. R.R. tunnel under Market & Chestnut Sts.
Views show two sets of railroad tracks running under the stone arch of the Market Street Tunnel, built by the Junction Railroad and opened on July 1, 1866. One image includes men sitting on the tracks and standing with a stick on the rails., Title from photographer's printed label on versos., Yellow mounts with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1869.
Kaaterskill Falls, Catskill Mts., N.Y. [graphic] / Langenheim.
Shows the falls located in Greene County, New York, on Kaaterskill Creek., Title printed on mount., Photographer's imprint stamped on mount., Buff paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of New York., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Kaaterskill Falls, Catskill Mts., N.Y.
Shows the falls located in Greene County, New York, on Kaaterskill Creek., Title printed on mount., Photographer's imprint stamped on mount., Buff paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of New York., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Kane's boat, deer park, Philada. park.
View of Dr. Elisha Kent Kane's rescue boat "The Faith" enclosed within a wire fence in "Deer Park". Also shows a round shed in the background. Donated to Fairmount Park by George W. Childs., Title from manuscript note on verso., Photographer's printed label pasted on verso., Mint green mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Kiralfy's Alhambra Palace, Philadelphia. The illuminated gardens.
Views depict the front facade and interior illuminated gardens of Kiralfy's Alhambra Palace built on Broad Street below Locust Street in 1876 after designs by Frank H. Loenholdt for Hungarian-born brothers Bolossy and Imre Kiralfy. Shows Moorish-influenced architecture, garden sculptures, lights, balconies, and rock formations. The building was purchased by the Broad Street Theatre in 1877. Intended to be a temporary space for musical and dance performances during the Centennial Exhibition, it thrived long after its 100th anniversary, until 1937 when it was demolished for a parking lot., Stamped on rectos: Copyrighted by Kiralfy Bros., Philadelphia, 1876., Title and photographer's imprint printed on versos., Orange curved mounts with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., One item [P.9047.83] gift of Robert M. Vogel.
Kitchen courtship.
Comic genre photograph showing a courtship scene in a kitchen with a woman seated on chair next to a man in uniform, holding a bottle of liquor and a glass., Title from photographer's manuscript note on verso., Photographer's label pasted on verso., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
La Pierre House, Academy of Natural Science, and Union League, Broad Street, below Chestnut. [graphic]
View showing the La Pierre House hotel, the second building of the Academy of Natural Sciences museum, and the Union League on the west side of the 100 block of South Broad Street. The hotel, completed in 1853 after the designs of Philadelphia architect John McArthur, was expanded and renamed Lafayette Hotel in 1876. The second building of the Academy, completed in 1840 after the designs of Philadelphia architect John Notman, and expanded in 1855, housed the museum until 1876. The Union League, established to raise money and recruits for the Union cause, was completed in 1865 after the designs of Philadelphia architect John Fraser. Includes a horse-drawn carriage parked in front of the museum., Title from accompanying label., Yellow mount with square corners., Originally part of a McAllister scrapbook of views of Philadelphia., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
La Pierre House, Academy of Natural Sciences, and Union League, Broad St., below Chestnut, Phila[delphia] Pa.
View showing the La Pierre House hotel, the second building of the Academy of Natural Sciences museum, and the Union League on the west side of the 100 block of South Broad Street. The hotel, completed in 1853 after the designs of Philadelphia architect John McArthur, was expanded and renamed Lafayette Hotel in 1876. The second building of the Academy, completed in 1840 after the designs of Philadelphia architect John Notman, and expanded in 1852, housed the museum until 1876. The Union League, established to raise money and recruits for the Union cause, was completed in 1865 after the designs of Philadelphia architect John Fraser. Includes horse-drawn carriages parked in front of the buildings., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
La Pierre House Philada. [graphic] / Bartlett & Smith, photographers.
View from above Chestnut Street showing the hotel at Broad and Sansom streets opened by George W. and J.G. Edwards in 1853. The hotel built after the designs of John McArthur, Jr. was expanded and renamed the Lafayette Hotel in 1876. View also depicts adjacent buildings, including the Academy of Natural Sciences and the Union League; parked horse-drawn carriages; and broadsides pasted on a brick wall., Title from manuscript note on mount., Photographer's imprint embossed on mount., Yellow mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Lake from Mach. Hall.
Lake from Mach. Hall.
Rooftop view from Machinery Hall looking northwest showing the lake and buildings surrounding it, including the World's Ticket Office designed by Hermann J. Schwartzmann, the U.S. Government Building designed by James Windrim, the Trois Frères Provençaux French Restaurant and the music pavilion in the middle of Belmont and Fountain Avenues. The Avenue of the Republic is visible in the foreground with railroad tracks running parallel to the road on the north side. Also shows a fountain in the middle of the lake and a canoe docked on the opposite shore. State buildings are visible in the left background. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Stamped on mount: Grade 2., White curved mount with rounded corners., Gift of Robert M. Vogel., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Lake, Mt. Auburn Cemetery, Cambridge, Mass.
Elevated, hillside view shows a lake surrounded by trees in the cemetery founded in 1861. Large sepulchral monuments are visible in the left foreground., Title from manuscript note on verso., Photographer's imprint printed on mount., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Aaron Wunsch.
Landing, South Laurel Hill.
View showing two men working at a boat landing on the bank of the Schuylkill River near Laurel Hill Cemetery in East Fairmount Park. Platform steps for disembarking are visible on the landing. Also shows the Old Falls Bridge also known as the Philadelphia and Reading Railroad Bridge near the Falls of Schuylkill in the background. The six-arched bridge, completed in 1853 by mason Christian Swartz, was utilized by the Richmond branch of the Reading Railroad., Title printed on mount., Date inscribed on verso., Orange mount with rounded corners., Woodward, proprietor of the Fine Art Depot in Rochester, was a major publisher of stereoviews during the 1870s., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

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