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Collection of nearly 3,000 stereographs published and distributed in or of Philadelphia. The photographs mainly portray commercial and residential street scenes, particularly Market and Chestnut streets; religious, public, financial, and industrial buildings and institutions; and historic and prominent landmarks as well as a small selection of non-Philadelphia views.

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Landsdown Drive looking north.
View showing a horse-drawn coach approaching two men standing on Lansdowne Drive near Sweet Briar Mansion in West Fairmount Park. A trestle railroad bridge spans the drive in the background., Title from manuscript note on mount., Photographer's imprint obscured by photograph pasted on mount., Stamped on verso: Copyrighted Kiralfy Bros., Philadelphia, 1876., Pink curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
Landsdown Farm.
View showing two farm buildings adjacent to a wide dirt road in West Fairmount Park. A horse-drawn dray rests in between the two buildings, along with piles of lumber. Referred to as "the oldest house in Lansdown" in Newell album [P.9062.63a]., Title one of sixty-eight views in numbered series list printed on label pasted on verso (No. 58-125)., Publisher's imprint printed on label pasted on verso., Buff mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
Landsdown rustic bridge.
Landscape view showing rustic foot bridge spanning a creek or depression in West Fairmount Park., Title one of eighty-eight views in numbered series list printed on label pasted on verso (No. 1-57; 126-138; 1000-1018)., Publisher's imprint printed on label pasted on verso., Buff mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
Landsdown rustic bridge.
Landscape view showing rustic foot bridge spanning a creek or depression in West Fairmount Park., Written on negative: 23, Title from manuscript note on mount., Photographer's imprint obscured by photograph pasted on mount., Stamped on verso: Copyrighted Kiralfy Bros., Philadelphia, 1876., Pink curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
Landsdown [sic] entrance looking south
View showing Lansdowne Avenue in West Fairmount Park under the old Girard Avenue Bridge. The bridge, completed at the Schuylkill River in 1855, was razed circa 1871 and replaced by the new Girard Avenue Bridge. Shows a horse-drawn carriage traveling on Lansdowne under an arch of the bridge. Also shows the New York Connecting Railway Bridge, completed in 1867, in the background., Title from manuscript note on verso., Grey mount with rounded corners., Inscribed in negative: 136., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Landsdown valley.
Landscape view showing two rustic benches near a tree-lined path in West Fairmount Park., Written on negative: 13, Title from manuscript note on mount., Photographer's imprint and series number obscured by photograph pasted on mount., Stamped on verso: Copyrighted Kiralfy Bros., Philadelphia, 1876., Pink curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
Landsdown Valley. Fairmount Park, Philadelphia.
Landscape view from a hill looking down at a rustic foot bridge connecting two tree-lined paths in Landsdowne (i.e., Lansdowne) Valley in West Fairmount Park. A mans stands on the bridge., Title from manuscript note on verso and printed on mount., Photographer supplied from duplicate photograph created by James Cremer: stereo - Cremer - Parks [P.9022.25], Orange mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Landsdown walk.
View showing a group of men and women standing and sitting on a paved walkway near the Schuylkill River in the Lansdowne section of Fairmount Park., Title printed on verso in numbered list with one hundred other titles in the series (No. 1-100)., Publisher's imprint printed on series label pasted on verso., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of David Doret.
Landsdowne Valley.
Landscape view from a hill looking down at a rustic foot bridge connecting two tree-lined paths in Landsdowne (i.e., Lansdowne) Valley in West Fairmount Park. A mans stands on the bridge., Title from manuscript note on verso., Photographer's imprint in red text on mount., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Large dining room.
Unmounted stereograph shows tables set and prepared for patrons in the large dining room. American flags and garland adorn the columns in the large hall. The Great Central or Sanitary Fair held June 7-28, 1864 on Logan Circle was one of several national fairs that displayed art, craft, and historical exhibits to benefit the U.S. Sanitary Commission, a soldier relief organization., Title from manuscript note on mount., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Laurel Hill Cemetery.
View showing rows and clusters of monuments and gravestones in the rural cemetery built 1836-1839 after the designs of John Notman at 3822 Ridge Avenue., Title from manuscript note on verso., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Laurel Hill Cemetery.
View looking toward South Laurel Hill showing the connecting bridge (built 1864) over Hunting Park Avenue between South and Central Laurel Hill. View includes fenced plots, monuments, headstones, and mausoleums. Laurel Hill Cemetery, built 1836-1839 after the designs of John Notman at 3822 Ridge Avenue, acquired the central property in 1863., Title from manuscript note on verso., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Laurel Hill Cemetery.
View showing a man leaning on fencing surrounding a plot in the rural cemetery built 1836-1839 after the designs of John Notman at 3822 Ridge Avenue. Also shows several surrounding monuments and headstones in fenced plots including headstones in the foreground dedicated to Joseph Cake and Margaret Bishop., Title from label on verso., Yellow mount with square corners., Attributed to Bartlett & French., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1868.
Laurel Hill Cemetery.
View looking from the connecting bridge (built 1864) over Hunting Park Avenue between South and Central Laurel Hill showing South Laurel Hill. View includes fenced plots, monuments, headstones, and mausoleums. Laurel Hill Cemetery, built 1836-1839 after the designs of John Notman at 3822 Ridge Avenue, aquired the central property in 1863., Title from manuscript note on verso., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Laurel Hill Cemetery, 3822 Ridge Avenue, Philadelphia] [graphic].
View showing an iron-work bench, headstones, and a sepulchral monument in the cemetery built 1836-1839 after the designs of John Notman. Also shows a section of the Falls Bridge over the Schuylkill River in the distant background., Title supplied by cataloguer., Yellow mount with square corners., Attributed to Bartlett & French., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1868.
[Laurel Hill Cemetery, 3822 Ridge Avenue, Philadelphia]
Shows two men walking on a path in the cemetery built 1836-1839 after the designs of John Notman. View also shows a partial view of a chapel and several trees., Manuscript note on mount: Laurel Hill., Orange mount with square corners., Originally part of a McAllister scrapbook ov views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Laurel Hill Cemetery, Maria Miles Heyward monument, 3822 Ridge Avenue, Philadelphia]
Shows the tomb for the wife of U.S. Representative William Drayton. Reads "Maria Miles Heyward of South Carolina. Widow of William Drayton. Born October XX MDCCLXXXIV (i.e. October 20, 1784), Died January XVII MDCCCLXII (i.e. January 17, 1863)." Also shows surrounding plots. Laurel Hill Cemetery was built 1836-1839 after the designs of John Notman., Title supplied by cataloguer., Trimmed yellow paper mount., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Laurel Hill Cemetery, Philadelphia.
View showing the sheltered sculpture, "Old Mortality," completed by sculptor James Thom circa 1836 in the central courtyard of the cemetery at 3822 Ridge Avenue. The sculpture, inspired by Sir Walter Scott's novel "Old Mortality," depicts Scott conversing with the main character of his novel, an elderly itinerant Scotsman who re-carved names on gravestones, seated on a tombstone near his horse. Laurel Hill Cemetery was built 1836-1839 after the designs of John Notman., Photographer's label pasted on verso., Yellow paper mount with rounded corners., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Laurel Hill Cemetery, view looking north from ridge, 3822 Ridge Avenue, Philadelphia]
Shows a partial view of a monument and a horse-drawn wagon. Also shows the Falls Bridge over the Schuylkill River in the distant background. Laurel Hill Cemetery was built 1836-1839 after the designs of John Notman. Falls Bridge was erected by mason Christian Swartz in 1853., Title supplied by cataloguer., Unmounted trimmed stereograph., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Laying corner stone of public building, July 4, 1874, Philadelphia, Penn'a.
Outdoor scene of crowd of people surrounding a large stone attached to a pulley. A man stands on the stone which is the cornerstone for Philadelphia's City Hall., Title from manuscript note on verso., Publisher's imprint on paper label on verso., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., From 1873 to 1875, Cremer documented the construction of Philadelphia's City Hall in a series of stereographs produced for the Commissioner for the Erection of the Public Building.
Ledger Building.
View of the southwest corner of Sixth and Chestnut Streets showing the newly constructed offices of the Philadelphia newspaper the Public Ledger (designed by Philadelphia architect John McArthur, built 1866-67). Includes the statue of Benjamin Franklin that adorns the corner of the Ledger building. View looks west from 6th Street showing the south side of Chestnut Street between 6th and 7th Streets., Title, photographer's imprint and series number from printed label on verso., Yellow mount with rounded corners., Published in Robert F. Looney's Old Philadelphia in early photographs 1839-1914 (New York: Dover Publications Inc., 1976), plate 123 without attribution., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French ca. 1867-1869.
Ledger Building.
View of the southwest corner of Sixth and Chestnut Streets showing the newly constructed offices of the Philadelphia newspaper the Public Ledger (designed by Philadelphia architect John McArthur, built 1866-67). Includes the statue of Benjamin Franklin that adorns the corner of the Ledger building. View looks west from 6th Street showing the south side of Chestnut Street between 6th and 7th Streets., Title, photographer's imprint and series number from printed label on verso of stereograph., Manuscript note on mount of stereograph: Ledger Building 1867., Stereograph on yellow mount with square corners., Reproduced in Robert F. Looney's Old Philadelphia in early photographs 1839-1914 (New York: Dover Publications Inc., 1976), plate 123, without attribution., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French ca. 1867-1869.
Ledger Building. [graphic] / Photographed by Bartlett & French, Phila.
View of the southwest corner of Sixth and Chestnut Streets showing the newly constructed offices of the Philadelphia newspaper the Public Ledger (designed by Philadelphia architect John McArthur, built 1866-67). Includes the statue of Benjamin Franklin that adorns the corner of the Ledger building. View looks west from 6th Street showing the south side of Chestnut Street between 6th and 7th Streets., Title, photographer's imprint and series number from printed label on verso of stereograph., Manuscript note on mount of stereograph: Ledger Building 1867., Stereograph on yellow mount with square corners., Reproduced in Robert F. Looney's Old Philadelphia in early photographs 1839-1914 (New York: Dover Publications Inc., 1976), plate 123, without attribution., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French ca. 1867-1869.
Ledger Building. [graphic] / Photographed by Bartlett & French, Phila.
View of the southwest corner of Sixth and Chestnut Streets showing the newly constructed offices of the Philadelphia newspaper the Public Ledger (designed by Philadelphia architect John McArthur, built 1866-67). Includes the statue of Benjamin Franklin that adorns the corner of the Ledger building. View looks west from 6th Street showing the south side of Chestnut Street between 6th and 7th Streets., Title, photographer's imprint and series number from printed label on verso of stereograph., Manuscript note on mount of stereograph: Ledger Building 1867., Stereograph on yellow mount with square corners., Reproduced in Robert F. Looney's Old Philadelphia in early photographs 1839-1914 (New York: Dover Publications Inc., 1976), plate 123, without attribution., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French ca. 1867-1869.
Ledger Building, Sixth & Chestnut Streets.
Exterior view from the north east showing the Public Ledger building and other commercial establishments along the south side of the 600 block of Chestnut Street. Depicts the western corner of the State House covered with theater broadsides. The Ledger building was constructed 1866-67, based on designs by Philadelphia architect John McArthur Jr., Paper label on verso listing over one hundred Philadelphia views (139-245) published by the firm., Yellow mount with rounded corners., Gift of Robert M. Vogel., Duplicate view entitled Chestnut Street, Philadelphia, from Sixth to Seventh, south side, published by R. Newell, 724 Arch St. (P.9260.65)., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Ledger Building, Sixth and Chestnut Streets.
Faded street scene showing commercial establishments on the block including the Public Ledger Building built 1866-67 after designs by Philadelphia architect John McArthur, Jr. Depicts the western corner of the State House covered with theater broadsides., Title and publisher's imprint from series list printed on verso. One of 106 numbered titles in the series (No. 139-245)., Yellow mount with rounded corners., Also published as a half stereoview mounted on paper [(6)1322.F.117d]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of David Doret., Robert Newell's son Henry entered the business in 1872 and the name changed to "R. Newell & Son".
Lehigh Water Gap, Pa.
Landscape view depicting the water gap between the Blue Mountain range near Palmerton created by the Lehigh River. Includes tree-covered mountain sides., Additional places of publication printed on mount, including Chicago; London; Hamburg, Germany, and Milan, Italy., Title printed on mount., Publisher's imprint on mount., Distributor's imprint on mount., Buff curved mount with rounded corners., Griffith & Griffith, established in Philadelphia in 1896, expanded in 1908 to included offices in St. Louis and Liverpool. The non-Philadelphia offices were relocated in 1910., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Lemon Hill.
Oblique view of the west flank and south elevation, divided into five bays, showing the oval pavilion of the mansion built 1799-1800 for businessman Henry Pratt in East Fairmount Park. A group of children sit on the lawn in the foreground. In 1844, several years after Pratt’s death, Lemon Hill became the first mansion acquired by the city of Philadelphia to establish a public park, i.e., Fairmount Park. The residence was used as a lager beer garden following the establishment of the park in 1855., Title from manuscript note on verso., Stamped in blank ink on verso: Fairmount Park 25 cents each., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Lemon Hill mansion.
Oblique, obscured view of the east flank and south elevation, divided into five bays, showing part of the oval pavilion of the mansion built 1799-1800 for businessman Henry Pratt in East Fairmount Park. In 1844, several years after Pratt’s death, Lemon Hill became the first mansion acquired by the city of Philadelphia to establish a public park, i.e., Fairmount Park. The residence was used as a lager beer garden following the establishment of the park in 1855., Title from manuscript note on mount., Gray mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
Lemon Hill mansion.
Oblique view of the west flank and south elevation, divided into five bays, showing the oval pavilion of the mansion built 1799-1800 for businessman Henry Pratt in East Fairmount Park. A man sits in a chair reading the newspaper on the lawn in the foreground. A banner for ice cream hangs from the porch on the west side of the house. In 1844, several years after Pratt’s death, Lemon Hill became the first mansion acquired by the city of Philadelphia to establish a public park, i.e., Fairmount Park. The residence was used as a lager beer garden following the establishment of the park in 1855., Title printed on label pasted on verso., Photographer's imprint on mount., Orange mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Lemon Hill mansion,] Fairmount Park, Phila.
Oblique view from dirt path of the west flank and south elevation, divided into five bays, showing the oval pavilion of the mansion built 1799-1800 for businessman Henry Pratt in East Fairmount Park. In 1844, several years after Pratt’s death, Lemon Hill became the first mansion acquired by the city of Philadelphia to establish a public park, i.e., Fairmount Park. The residence was used as a lager beer garden following the establishment of the park in 1855., Part of title printed on mount., Orange mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
Lemon Hill mansion park.
View of the south elevation, divided into five bays, showing the oval pavilion of the mansion built 1799-1800 for businessman Henry Pratt in East Fairmount Park. In 1844, several years after Pratt’s death, Lemon Hill became the first mansion acquired by the city of Philadelphia to establish a public park, i.e., Fairmount Park. The residence was used as a lager beer garden following the establishment of the park in 1855., Title from manuscript note on photographer's label pasted on verso., Photographer's imprint on label pasted on verso., Photographer's blind stamp on mount: Newell, 724 Arch St., Philadelphia., Mint green mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
Lemon Hill, near the mansion.
View showing a couple seated in the foreground on a landscaped, tree-lined path on the grounds of Lemon Hill estate. Other visitors are visible strolling the grounds in the background., Title from printed label on verso., Photographer's imprint in red text on mount., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Retrospective conversion record: original entry, edited.
Les pilules du Diable.
Hand-colored tissue stereograph depicts interior view of shop where skeletons surround a man who is passed out or dead in a chair. The Devil stands behind a counter holding out a container to the man, presumably containing the substance that cause(d) the man's demise. A skeleton stirs a concoction in a large pot behind the devil figure. Skeletons on the street are visible through the open doorway., Title on negative., Yellow mount with rounded corners and embossed decorative pattern surrounding images., Diables stereographs, also known as Journey into Hell stereographs, were among the most popular tissue stereographs issued from 1868 to 1874. They often depicted earthly sins that could lead one to hell., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William Helfand.
[Letitia Penn House, 8 Letitia Street, Philadelphia]
View showing the building known incorrectly as the Letitia Penn House on Letitia Street between Market and Chestnut streets. The misidentified residence, purportedly built in 1682 by William Penn and given to his daughter in 1701, was relocated to Fairmount Park in 1883. A torn Civil War broadside adorns the side of the house. View also includes the adjacent William Penn Hotel., Trimmed yellow mount with square corners., Title supplied by cataloguer., Originally part of a McAllister scrapbook., Reproduced in Joseph Jackson's America's most historic highway (Philadelphia: John Wanamaker, 1926), p. 32., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Lewis?] Mill, foot of Flying Hill
View showing the stone mill at the end of a dirt road near the base of a small mountain in a rural area. In the foreground, a cart sits on the side of the road near a residence with a picket fence. A man stands in the road in front of the residence. A second residence is visible in the background., Title from partial label pasted on verso., Distributor's label pasted on verso: From James Cremer's Stereoscopic Emporium, 18 South Eighth St., Philad'a. Photo-miniatures in every style. Family groups taken for the Stereoscope., Yellow mount, trimmed., Manuscript note on verso: No. 55[crossed out]; No. 63 Mill, Front of Flying Hill., Cremer, a Philadelphia photographer and leading stereograph publisher, used distributor's labels on competing publisher's views or on his own inferiorly photographed prints., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[The Liberty Bell]
View shows the bell surrounded by patriotic symbols and emblems in iron work, including liberty caps and shields. State House built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley., Copyrighted by Chase & Town in 1872 in Washington, D.C., Title supplied by cataloger., Publisher's imprint printed on verso., Pink mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
[Liberty Bell in the Assembly Room, Independence Hall, 520 Chestnut Street, Philadelphia]
Shows the bell installed in the gallery in 1852 surrounded by patriotic symbols and emblems in iron work, including liberty caps and shields. Iron work fencing encloses the bell., Attributed to John Moran., Title supplied by cataloguer., Unmounted half stereograph., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The Liberty Bell, leaving Philadelphia for Boston, June 15th, 1903.
View showing the Liberty Bell on a float adorned in patriotic bunting in front of Independence Hall on Chestnut Street. Two military escorts stand nearby. The Liberty Bell traveled to Boston in 1903 for the 128th anniversary of the Battle of Bunker Hill., Additional places of publication printed on mount, including Chicago; London; Hamberg, Ger.; and Milan, Italy., Title printed on mount., Publisher's imprint printed on mount., Distributor's imprint printed on mount., Manuscript note in pencil on verso: Mrs. E. B. Dorathy ; Sammy Taylor, Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The Liberty Bell, Phila. Pa.
Interior view showing the Liberty Bell hanging on a chain of thirteen links from the ceiling in the Assembly Room of the State House. The State House built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley., Title on negative., Yellow curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

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