Collection of nearly 3,000 stereographs published and distributed in or of Philadelphia. The photographs mainly portray commercial and residential street scenes, particularly Market and Chestnut streets; religious, public, financial, and industrial buildings and institutions; and historic and prominent landmarks as well as a small selection of non-Philadelphia views.

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Liberty Bell, State House, Philadelphia.
Interior view showing the Liberty Bell on a pedestal in the State House. State House built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley., Title printed on mount., Publisher's imprint printed on mount., Stamped on verso: 198, Gray curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel., Presko Binocular Company bought negatives from photographers and published stereographs between 1910 and 1920 in Chicago.
[Library Company of Philadelphia, southeast corner Fifth and Chestnut streets, Philadelphia]
Shows the first permanent building of the subscription library, organized by Benjamin Franklin and his Junto in 1731, built 1789-1790 after the designs of Dr. William Thornton at Fifth and Library streets. View includes the Benjamin Franklin statue sculpted by Francesco Lazzarini and installed in 1792 in the niche above the entrance of the Palladian building., Half-stereographic prints including one on white paper mount with square corners., Title supplied by cataloguer., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of the National Endowment for the Humanities: Democracy demands wisdom (PW-285234-22), 2023-2025.
Library, Union League, Philad[elphi]a
View of room with floor to ceiling bookcases. Man seated in chair at round table. Library was located on second floor on east end of building. Union League was established to raise funds and recruits for the Union cause. Building constructed 1864-1865 based on designs by Philadelphia architect John Fraser., Yellow mount with square corners., Title from pencil inscription on mount., Retrospective conversion record: original entry, edited., Originally part of McAllister scrapbook of views relating to Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Light house and fog horn.
Exterior view of a lighthouse and a nearby horn, bell, and other equipment built as part of the Centennial exhibition in Philadelphia's Fairmount Park., Printed on mount in decorative scrollwork: Centennial Exhibition, Philadelphia, 1876., Title from printed series list on verso with sixty-three other titles., Yellow mount with rounded corners., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Lily pond]
Landscape view showing a lily pond surrounded by plants and ferns., Title supplied by cataloger., Photographer's label pasted on verso., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Lincoln Market
View of Lincoln Market, erected in 1871, at Broad Street and Fairmount Avenue. The building, designed with a tower and clock, served as a market and contained a second floor hall for public meetings. Also includes signage for "George Voltz, basketmaker and dealer in home furnishing goods" displayed under an awning adorning the market., Yellow mount with rounded corners., Publisher's imprint printed on mount., List of over 50 Philadelphia views published by the firm printed on verso., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Lincoln Monument, foot of Lemon Hill.
View showing the Lincoln Monument at the entrance (Kelly and Lemon Hill Drives) of Fairmount Park surrounded by men who stand and look at the viewer, including white men spectators and three men guards, one possibly African American, attired in caps with insignia pinned to their lapels, and holding swords. In the right, two white men sit within a horse-drawn carriage. Sculpted by Randolph Rogers, Abraham Lincoln is depicted seated with a quill in his hand after just signing the Emancipation Proclamation. The statue rests upon a pedestal adorned with sculpted garland, bronze eagles, and the City of Philadelphia’s Coat of Arms. The granite base is adorned with four panels inscribed with a dedication to and quotes from Lincoln of which two are visible. Unveiled in September 1871, the monument was commissioned by the Lincoln Monument Association, one of the first such associations formed in the country to raise funds for a city monument in memory of Lincoln. City Park Hotel is seen in the background., Artist from duplicate print., Title from manuscript note on mount., Stamped on verso: Copyrighted by Kiralfy Bros., Phila., 1876., P.9299.100 on pink mount with rounded corners., P.2011.47.932 on orange mount with rounded corners., Monument described in Fairmount Park Association's Sculpture of a city: Philadelphia's treasures in bronze and stone (New York: Walker Publishing Company, 1974) p. 46-52. (LCP Print Room Uy 8, 3208.F)., Monument described in Penny Balkin Bach's Public art in Philadelphia (Philadelphia: Temple University Press, 1992) p. 49-50, 198. (LCP Print Room Is 4, 9379.Q)., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Jane Carson James, 1990 [P.9299.100]; gift of Raymond Holstein [P.2011.47.932].
[Lincoln Monument, Kelly and Lemon Hill Drives, entrance to East Fairmount Park, Philadelphia]
View showing the Lincoln Monument at the entrance (Kelly and Lemon Hill Drives) of Fairmount Park surrounded by male and female spectators. Sculpted by Randolph Rogers, Abraham Lincoln is depicted seated with a quill in his hand after just signing the Emancipation Proclamation. The statue rests upon a pedestal adorned with sculpted garland, bronze eagles, and the City of Philadelphia's Coat of Arms. The granite base is adorned with four panels inscribed with a dedication to and quotes from Lincoln of which two are visible. Unveiled in September 1871, the monument was commissioned by the Lincoln Monument Association, one of the first such associations formed in the country to raise funds for a city monument in memory of Lincoln. A horse-drawn coach is visible under the shade of trees in the right background., Title supplied by cataloger., Yellow printed label pasted on verso contains explicative paragraph of text describing the history of Fairmount Park and the Lincoln Monument., Buff mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Monument described in Fairmount Park Association's Sculpture of a City: Philadelphia's Treasures in Bronze and Stone (New York: Walker Publishing Company, 1974) p. 46-52. (LCP Print Room Uy 8, 3208.F)., Monument described in Penny Balkin Bach's Public Art in Philadelphia. (Philadelphia: Temple University Press, 1992) p. 49-50, 198. (LCP Print Room Is 4, 9379.Q).
Lincoln Monument, Phila. Park
View showing the Lincoln Monument at the entrance (Kelly and Lemon Hill Drives) of Fairmount Park surrounded by men who stand and look at the viewer, including white men spectators and three men guards, one possibly African American, attired in caps with insignia pinned to their lapels, and holding swords. In the right, two white men sit within a horse-drawn carriage. Sculpted by Randolph Rogers, Abraham Lincoln is depicted seated with a quill in his hand after just signing the Emancipation Proclamation. The statue rests upon a pedestal adorned with sculpted garland, bronze eagles, and the City of Philadelphia's Coat of Arms. The granite base is adorned with four panels inscribed with a dedication to and quotes from Lincoln of which two are visible. Unveiled in September 1871, the monument was commissioned by the Lincoln Monument Association, one of the first such associations formed in the country to raise funds for a city monument in memory of Lincoln. City Park Hotel is seen in the background., Manuscript note written on verso: K. Duefor? Oct. 21, 1871., Photographer's imprint stamped on verso., Distributor's label on verso: E. Borhek & Son, Opticians, No. 628 Chestnut St., Monument described in Fairmount Park Association's Sculpture of a City: Philadelphia's treasures in bronze and stone (New York: Walker Publishing Company, 1974) p. 46-52. (LCP Print Room Uy 8, 3208.F)., Monument described in Penny Balkin Bach's Public art in Philadelphia. (Philadelphia: Temple University Press, 1992) p. 49-50, 198. (LCP Print Room Is 4, 9379.Q)., Purchase 1989., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
A little too thin.
Comic genre scene set in a parlor depicting a young man courting a young woman as he shows her a bolt of fabric. An older woman, possibly the man's mother, sits at a table to the side of them and inspects the cloth and the young woman. Bolts of cloth surround them., Distributor's imprint printed on mount: Sold by Underwood & Underwoood, Baltimore, Md. - Ottawa, Kas., Buff mount with rounded corners., Negative number printed on mount: 541., Copyrighted by F. G. Weller., Gift of Jesse Randall., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Loading a Mississippi steamer, New Orleans U.S.A.
Scene showing a steamship, named New Orleans, pulled up to a wooden dock covered with barrels and sacks. African American men carry sacks up gangplanks to the ship. In the foreground, an African American man lies on his stomach across a pile of sacks. Several men stand near him., Title from item., Date inferred from content and photographic medium., View is numbered 188 in a series., Purchase 1998., Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Locomotive "Samson Junior," Philadelphia Gas Works.]
View of small coal powered steam locomotive in front of a stone building., Title from Darrah., Buff paper mount with rounded corners., See William C. Darrah's The World of Stereographs (Gettysburg, Pennsylvania: W.C. Darrah, 1977), page 185 for similar view., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Locomotive "Samson Junior," Philadelphia Gas Works.]
View of small coal powered steam locomotive in front of a stone building., Title from Darrah., Buff paper mount with rounded corners., See William C. Darrah's The World of Stereographs (Gettysburg, Pennsylvania: W.C. Darrah, 1977), page 185 for similar view., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Locomotive "Samson Junior," Philadelphia Gas Works.] [graphic]
View of small coal powered steam locomotive in front of a stone building., Title from Darrah., Buff paper mount with rounded corners., See William C. Darrah's The World of Stereographs (Gettysburg, Pennsylvania: W.C. Darrah, 1977), page 185 for similar view., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Locomotive "Samson Junior," Philadelphia Gas Works.]
View of small coal powered steam locomotive in front of a stone building with three men., Title from Darrah., Buff paper mount with rounded corners., See William C. Darrah's The World of Stereographs (Gettysburg, Pennsylvania: W.C. Darrah, 1977), page 185 for similar view., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Locomotive "Samson Junior," Philadelphia Gas Works.]
View of small coal powered steam locomotive in front of a stone building with three men., Title from Darrah., Buff paper mount with rounded corners., See William C. Darrah's The World of Stereographs (Gettysburg, Pennsylvania: W.C. Darrah, 1977), page 185 for similar view., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Locomotive "Samson Junior," Philadelphia Gas Works.] [graphic]
View of small coal powered steam locomotive in front of a stone building with three men., Title from Darrah., Buff paper mount with rounded corners., See William C. Darrah's The World of Stereographs (Gettysburg, Pennsylvania: W.C. Darrah, 1977), page 185 for similar view., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Locust St. east from Sixteenth.
View looking east from Sixteenth Street showing brick row houses on the south side of Locust Street and the Gothic-style Presbyterian church built 1851-1853 after the designs of John Notman (1508-1514 Locust Street). a pile of rubble sits in the street in the foreground. The church was completed for a dissenting congregation that included locomotive industrialist Matthias Baldwin who contributed $10,000 to the over $100,000 construction and land fees., Title on negative., Manuscript note on verso: 16th St. looking E. on Locust, Calvary Presbyterian Ch., Orange curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Lodore cascade, Derwentwater.
Landscape view of Lodore Falls surrounded by trees near Derwent Water, England. A man stands behind two women that sit in the grass in the foreground., Title printed on mount below image., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Log cabin in "Ye olden times."
Views of Colonial-style log cabin (i.e., the New England Log House) with a sign reading "Ye olden time" on the roof. Female reenactors dressed in Colonial garb sit and stand in the fenced-in front yard. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negatives., Photographer's imprint printed on mounts and on versos. Imprint on versos contains initials "CPC" in decorative border surmounted by date range 1776-1876., One print [P.9229.12] contains manuscript note on verso: Laura C. Bumpus., One print [P.2011.47.219] contains manuscript note on verso: H.E.L., White curved mounts with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., One print [P.2011.47.218] gift of Raymond Holstein.
Looking toward the city
View looking south from East Fairmount Park showing the Wire Suspension Bridge at Fairmount. The bridge, the first suspension bridge in the United States, was built from 1841-1842 after the designs of engineer Charles Ellet, Jr. It was removed in 1874. View also shows the old engine house at the Fairmount Water Works, factory buildings lining the west bank of the river, and cityscape., Title from manuscript note on verso., Photographer's imprint printed on mount., Orange mount with rounded corners., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Looking west from Reservoir Hill at Fairmount Water Works]
Copy stereograph of a view looking west from Reservoir Hill at the Fairmount Water Works on the Schuylkill River. Shows the terrace of the new mill house (built 1859-1862 after the designs of engineer Henry P.M. Birkinbine), a paddleboat at the nearby boat landing, and boat houses, including University boat house, on the east bank of the river in the distance. Also shows a section of ornate railing and a decorative urn in the foreground. The waterworks, built between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, were altered and expanded until 1872., Title supplied by cataloguer., Yellow mount with rounded corners., American Scenery was a popular series of copy stereographs issued between 1874 and 1877., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Looking west [sic] from Colosseum. Philadelphia, Pa.
Rooftop view looking south from the tower observatory of the Colosseum at the southeast corner of Broad and Locust Streets showing a partial view of the Beth Eden Baptist church built circa 1869 after designs by Edward Tuckerman Potter; a partially obscured view of the Pennsylvania Institution for the Deaf and Dumb (i.e., Deaf & Dumb Asylum) built 1824-26 after designs by John Haviland; and brick row houses facing Broad Street and Spruce Street. Originally constructed in 1873 in New York City, the Colosseum was dismantled and rebuilt in Philadelphia to exhibit cycloramas during the Centennial celebration in 1876. Removed to Boston in 1883 and stables built on the site by John Wanamaker., Title printed on mount., Publisher's imprint printed on mount., White mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Lore Mountain, from Dinis Road, Killarny [sic], Ireland.
Landscape view showing men and women sitting in a beached rowboat on a rocky shore. A strip of tree-covered land juts into the water in the background., Title from manuscript note on verso., Photographer's imprint in black text on mount., Buff mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Love on a tub.
Comic genre scenes depict a man standing outside on a wooden tub courting a woman who stands inside at a window. The man hands the woman flowers, then falls into the tub., Additional places of publication printed on mounts, including Chicago; London; Hamberg, Ger.; and Milan, Italy., One item [P.9319.1] series of 1903 by George W. Griffith., One item [P.9319.2] series of 1904 by George W. Griffith., Title printed on mounts., Publisher's imprint printed on mounts., Distributor's imprint printed on mounts., Buff and gray curved mounts with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Col. Gatter.
Lover's Lane, Fairmount Park, Philadelphia, Pa.
View of a man and presumably a woman standing on a shaded tree-lined path in Fairmount Park. They stand close together in the shadows on the side of the path in the foreground., Additional places of publication printed on mount, including Dallas, Tex. and Augusta, Ga., Title printed on mount below image., Gray curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
Lover's retreat, Fairmount Park, Phila., Pa.
Elevated landscape view looking down at bare trees in the ravine partially obscuring the view of the Schuylkill River north of Horticultural Hall in West Fairmount Park. Includes men and women standing on a path in the foreground., Title on negative., Publisher's imprint printed on mount., Orange curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Sandra Markham.
A lumber yard after the freshet of Sep[tember 4,] 1861.
View showing the wrecked lumber yard of Jacob and George A. Binder, lumber dealers, at the southeast corner of 6th and Oxford streets. Workers stand in front of lopsided piles of lumber near a dray. Unscathed buildings are visible in the background, including the business of Schoening & Harm, morroco manufacturers at 1528 North 5th Street., Cream mount with square corners., Title from manuscript note on verso., Photographer's label pasted on verso., Gift of E. Perot Walker., See Daily Evening Bulletin, September 4, 1861, p. 3 for description of the flood., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Machinery Hall.
Views looking southwest at the east and north elevations of Machinery Hall designed by Henry Pettit and Joseph M. Wilson for the Centennial fair. Two men work on the railroad tracks while another man stands on the platform under an umbrella in the foreground. Includes a partial view of the landscaped walkways radiating out from Bartholdi's Fountain of Water and Light (not depicted) situated between the Main Exhibition Building and Machinery Hall. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negatives., Photographer's imprint printed on mounts and on versos. Imprint on versos contains initials "CPC" in decorative border surmounted by date range 1776-1876., One print [P.9260.46] includes stamp on mount: Grade 2., White curved mounts with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., One print [P.2011.47.235] gift of Raymond Holstein.
Machinery Hall.
Interior view of Machinery Hall under construction. Hall designed by Henry Pettit and Joseph M. Wilson. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title from manuscript note on mount., Orange curved mount with rounded corners., Retrospective conversion record: original entry, edited., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
Machinery Hall, S. Avenue looking east.
View showing engines and machines flanking South Avenue in Machinery Hall, including those created by Chas. P. Gladwin, Lovegrove & Co. and Hickford Knitters. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., White curved mount with rounded corners., Variant of Holstein stereo - P.2011.47.288., Gift of Robert M. Vogel., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Machinery Hall, W. view.
Exterior view of the west elevation of Machinery Hall designed by Henry Pettit and Joseph M. Wilson for the Centennial fair, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title from note inscribed in negative., Photographer's imprint printed on mount., Yellow mount with rounded corners., Retrospective conversion record: original entry, edited., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
Main aisle, Horticultural Hall, Nov. 26, 1901.
Interior view showing a man observing a plant from the main aisle in Horticultural Hall. Large fern trees flank the main aisle. Hall built 1875 after designs by Hermann J. Schwarzmann for the Centennial Exhibition, demolished in 1955 even though the 383' long, 193' wide building was supposed to remain a permanent botanical conservatory, showcasing exotic plant species and Victorian gardens. The Centennial fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title from manuscript note on verso., White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
Main building, central pavillion, east.
Exterior view of the central portion of the Main Building at Philadelphia's Centennial exhibition held in Fairmount Park. A horse-drawn buggy stands in front of the multi-arched entryway., Title from paper series label pasted on verso with twenty-seven other numbered, titled views in the series (No. 1-28)., Yellow mount with rounded corners., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Main Building, from east end.
View showing the east elevation of the Main Exhibition Building designed by Henry Pettit and Joseph M. Wilson for the Centennial fair, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Main Building from southwest]
View showing the display cases and arrangements representing the manufactures of Germany in the foreground and Great Britain and Ireland in the background in the Main Exhibition Building designed by Joseph M. Wilson and Henry Pettit. Banners with the countries' names hang from the rafters. Also shows a soda fountain in the wide aisle in the foreground. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title supplied by cataloger; abbreviated title on negative: M.B. from S.W., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Distributor's stamp on verso: S.B. Moyer, finest line of stereoscopic views of all parts of the world. Pottstown, Pa. Best views of the Johnstown Disaster., White curved mount with rounded corners., Gift of Charles Isaacs., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Main Building--from west gallery looking n[orth]
Elevated, interior view looking north at displays in the Main Exhibition Building designed by Henry Pettit and Joseph M. Wilson. Includes the dome of the "Republica de Chile" exhibit and signs for "Victoria" and "South Australia". The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title printed on mount below image., Series title from decorative scrollwork on mount., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Main Building Front.
Exterior view looking north at the entrance and main gates to the Main Exhibition Building designed by Henry Pettit and Joseph M. Wilson. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title from series list printed on verso, including twenty-five other views in the series and thirty-eight views from series "Philadelphia City and Park" and "Miscellaneous"., Manuscript note on verso: Clara & Egbert #8., Orange curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
Main building, International Exhibition. Fairmount Park, Philadelphia, 1876.
Photograph of a lithograph showing the Main Exhibition Building designed by Henry Pettit and Joseph M. Wilson for the Centennial fair, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art. View includes heavy visitor traffic by foot, carriage, and omnibus in the foreground. Couples stroll the landscaped grounds, enter the hall, converse, and are transported by carriage. Landscaping includes clusters of bushes., Title from inscription on print., Photographer's imprint printed on mount., Green mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Retrospective conversion record: original entry, edited., Gift of Ms. Jane Carson James.
Main Building, S.E.
Main Building, S.E.
Exterior view of the Main Building at the World's Industrial and Cotton Centennial Exhibition in New Orleans. Shows the building before the land around it was landscaped, and includes planks of wood lying in the grass., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by "1776. Philadelphia. 1876.", White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

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