Collection of nearly 3,000 stereographs published and distributed in or of Philadelphia. The photographs mainly portray commercial and residential street scenes, particularly Market and Chestnut streets; religious, public, financial, and industrial buildings and institutions; and historic and prominent landmarks as well as a small selection of non-Philadelphia views.

Pages

McAllister & Brother, 728 Chestnut Street, Philadelphia.
Interior view of optician's store showing display cases, cabinets, a variety of stereoscopes, and a globe. Depicts seven men including the proprietor John McAllister, clerks and customers. Sign at the back of the store advertises microscopes, spy glasses, opera glasses, magic lantern & dissolving views, spectacles, magnifying glasses, stereoscopes, globes, camera lucidas, and camera obsuras., Pale yellow mount with square corners., Title printed on mount., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
McAllister & Brother, 728 Chestnut Street, Philadelphia.
Interior view of optician's store from the rear. Foreground shows a table on which a variety of stereoviewers and stereographs are displayed. Two customers view stereographs at the table while others are assisted by store employees at counters in the front of the store. The proprietor John McAllister Jr. stands at the far right., Title printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in Kenneth Finkel's Nineteenth-century Photography in Philadelphia: 250 Historic Prints from The Library Company of Philadelphia (New York: Dover Publications, Inc., 1980), plate 112., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
McCarthy's wake.
Series of titled satirical, anti-Irish genre scenes include, "A bully good fellow was he," "May he rest in peace," "The free for all," and "McCarthy comes back to life". Images depict a group of men, women, and children sitting around a coffin at a wake where the alcohol is flowing. As the adults continue to drink a fight breaks out, then proceeds to McCarthy's resurrection. Religious art work hangs on the walls., Copyrighted 1897 on negative by William H. Rau., Additional places of publication printed on mount, including Chicago; London; Hamburg, Ger.; and Milan, Italy., Title supplied by cataloger., Photographer's imprint printed on mount., Distributor's imprint printed on mount., Buff curved mount with rounded corners., Griffith & Griffith, established in Philadelphia in 1896, expanded in 1908 to included offices in St. Louis and Liverpool. The non-Philadelphia offices were relocated in 1910., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
McCauley Bridge, McCauley Mountain R.R., Pa.
Depicts tracks leading to the Catawissa Railroad bridge which passes over a farm residence near Maineville. Four men sit and stand on the tracks. The railroad, organized in 1831 and opened in 1854, traveled through the mountains near Blue Ridge connecting Port Clinton and Williamsport, Pennsylvania., Title from manuscript note on verso., Attributed to John Moran., Buff mount with square corners., Contains distributor's stamp on verso: James W. Queen & Co., 924 Chestnut Street Phila., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[McCauley Mountain Rail Road]
Depicts tracks leading to the McCauley Mountain Railroad bridge on the Catawissa Railroad near a farm residence in Maineville. Four men sit and stand on the tracks. The railroad, incorporated in 1831 and opened in 1854, traveled through the Blue Ridge Mountains connecting Port Clinton and Williamsport, Pennsylvania., Manuscript note on verso: MCauly Mtn. R.R., Attributed to John Moran., Yellow mount with rounded corners., Series title from duplicate stereograph., Duplicate entitled McCauley Bridge, McCauley Mountain R.R., Pa. (P.8992.3)., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
McClellan Hospital, ward 14.
Shows a heavily decorated patient ward at the Civil War hospital established in February 1863 at Germantown Avenue and Cayuga Street in Nicetown. Two rows of recovering soldiers seated next to their beds line both sides of the ward. Decorations include streamers, flags, lace bedspreads, flowers, framed pictures, and patriotic statements of affirmation painted on the walls. Also shows a row of heaters down the middle of the floor., Title from manuscript note on verso., Attributed to John Moran., Distributor's label pasted on verso: From M.S. Hagaman's photograph & ivorytype rooms, No. 936 Arch Street, Philadelphia., Yellow mount with square corners., Retrospective conversion record: original entry, edited., Hagaman operated from 936 Arch Street from 1863 to 1868., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
M.E. Church Broad and Arch Sts., Philada.
Exterior views of the church constructed 1869-70 after designs by Addison Hutton, including one looking southeast on Broad Street at the north and west elevations of the church and the other looking northwest from a construction site, with a horse-drawn dray, in front of Masonic Temple. Both views include the west front of the adjacent Masonic Temple built 1868-1873 after the designs of James H. Windrim, the cobblestone tree-lined street in the foreground and the liquor store operated by Charles P. Collins at the northeast corner of Broad and Arch Streets., Title on mounts., Photographer's imprint on mounts., Yellow mounts with rounded corners., Charles P. Collins moved his liquor business from 1627 Market Street to the northwest corner of Broad and Arch Streets in 1872., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., P.9047.56 gift of Robert M. Vogel.
Medical Department Building.
View showing a group of seven men and two women standing on a path leading to the Medical Department Building designed by Herman J. Schwarzmann. Trees surround the building and obscure views of other fair buildings in the background. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Advertisements printed on verso for twelve businesses including Centennial Photographic Company, Gilbert & Bacon, Partridge's Dining Rooms, The Crosscup & West Wood and Photo-Engraving Co., Starkey & Palen, Amos Hillborn & Co., A. & G. Taylor, Hale & Kilburn Mfg. Co., Wm. J. Dornan, I.H. Wisler, Eichmann & Meier, and R. Levick, Son & Co., White curved mount with rounded corners., Gift of Mr. Saul Koltnow., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Memorial Hall.
Oblique view showing the front and west flank of the exhibition hall, also known as the Art Gallery, built 1874-1876 after designs by Hermann J. Schwarzmann. In the foreground, a locomotive pulls open-air coaches west, parallel to the Avenue of the Republic. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Stamped on mount in black ink: Grade 2, White curved mount with rounded corners., Gift of Robert M. Vogel., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Memorial Hall Annex, Am. Dept.
View of paintings and sculptures on display in a room in the American section of the Art Gallery Annex. Signs on the entrance door read "Do not point at the works with canes, parasols, etc." A sculpture in the center of the room is surrounded on four sides by benches and situated under a large skylight. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Memorial Hall, Centennial, Philadelphia]
Oblique, exterior view of south elevation of hall built 1874-1876 after designs by Hermann J. Schwarzmann. A locomotive travels west on railroad tracks in the foreground. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., On negative: 566., Title supplied by cataloger., Manuscript note on verso: Isaac Sterns, Burlington, Vt.; No. 32, Pink curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
Mercantile Library. [graphic].
Views showing the library built 1844-45 after the designs of William Johnston at 125 South Fifth Street. Demolished circa 1925. Image includes the Library Company of Philadelphia, a partial view of Philadelphia Dispensary, four horse-drawn carriages, and the block of Fifth Street between Market and Chestnut streets in the background., Yellow mounts, including two with rounded and one with square corners., Title from labels on versos of P.9260.9 and P.9573.14., One of images originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1868.
Merchant's Exchange
Exterior view of the exchange building built between 1832 and 1833 after the designs of William Strickland at the intersection of Dock, Third, and Walnut streets. A horse-drawn wagon stands in front of the building., Publisher's imprint stamped on verso., Title from manuscript note on mount., Photographer's imprint printed on mount., Pink mount with rounded corners., Inscribed on negative: 256., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Newell & Son, a partnership between Newell and his son Henry, was active from around 1870 until 1897 and the death of the elder Newell.
Merchant's Exchange, [143 Third Street]
Exterior view of the exchange built between 1832 and 1833 after the designs of William Strickland at the intersection of Dock, Third, and Walnut streets. Also shows men standing near the entranceway of the building and telegraph poles. Lettering for "Bowen and Fox Stock Brokers" adorns the facade. Includes partial views of adjacent streets and buildings., Buff mount with rounded corners., Title from manuscript note on verso., Photographer's imprint printed on mount., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Merchants' Exchange, Philadelphia]
Street scene looking northeast from below the intersection of Walnut and Dock streets showing the semi-circular portico of the exchange. The building was built between 1832 and 1833 after the designs of Philadelphia architect William Strickland. A horse-drawn trolley travels on Dock Street near parked horse-drawn carriages. Also shows surrounding businesses including a partial view of the Girard National Bank (formerly Bank of the United States) at 120 South Third Street and John C. Clark & Sons, stationers and printers, at 230 Dock Street., Trimmed light yellow mount., Title supplied by cataloguer., Originally part of a McAllister scrapbook., Image faded and emulsion damaged., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Methodist Episcopal Church and Masonic Temple.
View looking south from the sidewalk in front of the Pennsylvania Academy of Fine Arts showing buildings on the east side of Broad Street near Arch Street, including the Arch Street Methodist Episcopal Church (1344-48 Arch, built 1869-70, Addison Hutton, architect) and Masonic Temple (1-33 North Broad, built 1868-73, James H. Windrim, architect). In the foreground, a broadside advertising PAFA's exhibition of "engravings, etchings, and mezzotints" stands on the sidewalk and a sign advertising "Dying Lioness, the bronze group," hangs from a nearby building. Also shows a construction site with unhitched coaches and drays across the street. The skeleton of the lower levels of City Hall is partially visible in the background., Title from printed series list on verso. Includes two other series, "Philadelphia Centennial Views" and "Miscellaneous."Printed on verso: Philad'a Stereo. Publishing Company., Publisher's imprint on mount., Orange curved mount with rounded corners., Purchased by the Fairmount Park Art Association, the Dying Lioness statue group arrived in Philadelphia in the fall of 1875, before it was installed on the Centennial Exhibition grounds. It moved to the Philadelphia Zoological Gardens entrance after the fair., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Metropolitan Fair, New York 1864.
Series of views of the New York fair published by William Langenheim to aid the Sanitary Commission. Views predominately show the Arms and Trophies Department, including the model of Washington's Headquarters at Newburgh, N.Y., the uniform of Col. Ellsworth, the first Union fatality, and a suit of armor. Also includes views of the Firemens' Department, the "Two Swords" donated by Tiffany & Co. to be presented to the military and naval officer who received the greatest number of votes by fair visitors; the Welsh Stand; a coconut tree in the middle of several exhibits; and an unidentified exhibit displaying pottery, glassware, and boots. Also shows patriotic bunting, garlands, and flags; framed painting, prints, and photographs; weaponry; and signage. Signs include printed inspirational quotations; department banners; and business advertisements for exhibit sponsors., Originally part of a McAllister scrapbook on the Sanitary Commission., Contains twelve stereographic prints mounted on yellow or white paper mounts with square corners, including six accompanied by labels and six with manuscript titles and two carte-de- visites., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Metropolitan Fair held April 4-23, 1864 on Fourteenth Street and Union Square in New York was one of several national fairs that displayed art, craft, and historical exhibits to benefit, the U.S. Sanitary Commission, a soldier relief organization. The exhibition, the largest of the fairs, raised over $1,000,000 to benefit the commission. Exhibits included an Arms and Trophies Department, Art Gallery, Book Department, Firemens' Department, and Children's Department.
Michigan State Building.
Michigan State Building.
View showing the front of the stick-style state building. The adjacent Wisconsin State Building is partially visible to the east. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Manuscript note on verso: Laura C. Bumpus., White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Mill dam, Darby Creek.
Landscape view of mill dam on tree-lined creek., Title on negative., Photographer and publisher's imprint printed on mount in decorative text., Yellow curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
Mill dam on Mill Creek.
Landscape view showing a tree-lined creek from a dam. Includes a pile of stones in the foreground and a building on the bank of the creek in the right background., Title from manuscript notes on mount and verso., Attributed to John Moran., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Mineral Spring.
View showing the gazebo housing the iron fountain on the Lemon Hill estate in East Fairmount Park. Also shows men, women, and children on the grounds near the fountain, including boys playing an informal game of baseball. The fountain was installed in 1871., Title from manuscript note on verso., Photographer's imprint in red text on mount., Manucript note on verso: Mrs. Wm. B. Higgins, Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Retrospective conversion record: original entry, edited.
Mineral spring fountain.
View showing the canopy or gazebo housing the iron fountain on the Lemon Hill estate in East Fairmount Park. Also shows men and women standing near the fountain, which was installed in 1871., Written on negative: 116, Title from manuscript note on mount., Photographer's imprint partially obscured by print on mount., Stamped on verso: Copyrighted by Kiralfy Bros., Philadelphia, 1876., Pink mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
[Mineral spring fountain, Lemon Hill estate, East Fairmount Park, Philadelphia]
View showing the canopy or gazebo housing the iron fountain on the Lemon Hill estate in East Fairmount Park. Also shows men, women, and children standing near the fountain, which was installed in 1871., Title supplied by cataloger., Publisher's imprint printed on mount., Series title printed on label pasted on verso above explicative paragraph of text providing brief history of Fairmount Park., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Miniature yachts, Fairmount Park, Philadelphia, Pa.
View of model sailboats on Gustine Lake in East Fairmount Park north of the Queen Lane Pumping Station near the confluence of the Wissahickon Creek and the Schuylkill River. A crowd stands around the perimeter of the lake., Title printed on mount below image., White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The misfortunes of a sweet tooth.
Genre scene showing a crying boy sitting on the floor by a disheveled pantry. A toppled chair rests nearby and dishes are scattered on the floor at the boy's feet., Title on negative., Photographer's imprint printed on mount., Distributor's imprint printed on mount., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Carl Getter.
[Mitchell House, southwest corner of Greene Street and Walnut Lane, Germantown, Philadelphia]
View looking southwest at the west and north elevations of the stone country house built ca. 1856 after designs by Samuel Sloan at 200 West Walnut Lane in Germantown., Title supplied by cataloger., Manuscript note on verso: [Walnut Lane + Greene St.], Creme mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Money's scarce
Comic genre scene depicting a frowning female proprietor asking for money from a male customer patronizing her rustic tavern. She holds her hand out to the surprised man seated on a barrel and rummaging in his pants pocket. Another male customer points and laughs at the man from behind the slightly ajar tavern door. In the background, patrons smoke long pipes, play cards, and are served below a sign inscribed "Pay to Day & Trust Tomorrow.", Title from manuscript note on verso., Photographer's label pasted on verso., Yellow mount with rounded corners., Retrospective conversion record: original entry, edited., Gift of Jane Carson James., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Monitor Terror.
View showing the turret of the USS Terror, originally named the USS Agmenticus. Laid down in Portsmouth Navy Yard in Maine in 1862, launched in 1863, commissioned in 1864 at Portsmouth under the command of C. H. Cushman, decommissioned at the Boston Navy Yard in 1865, the monitor's name was changed to "Terror" in 1869. After being recommissioned in 1870, Terror came to the Philadelphia Navy Yard in 1872. The facility, which built, overhauled, stored, and disposed of warships, operated in Southwark until 1876 when the Navy Yard enlarged and relocated to League Island., Title printed on verso in publisher's series list with fifty-three other titles (No. 1-54)., Publisher's imprint in red text on mount., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Monitor Terror, Philadelphia.
View showing the turret of the USS Terror, originally named the USS Agmenticus. Laid down in Portsmouth Navy Yard in Maine in 1862, launched in 1863, commissioned in 1864 at Portsmouth under the command of C. H. Cushman, decommissioned at the Boston Navy Yard in 1865, the monitor's name was changed to "Terror" in 1869. After being recommissioned in 1870, Terror came to the Philadelphia Navy Yard in 1872. The facility, which built, overhauled, stored, and disposed of warships, operated in Southwark until 1876 when the Navy Yard enlarged and relocated to League Island., Title on negative., Orange curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Monitors, League Island, Philada.
Shows out of service ironclad warships docked by the Navy Department at the island at the junction of the Delaware and Schuylkill Rivers. Island opened officially as the Navy Yard in 1876., Publisher's label pasted on verso., White paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in Kenneth Finkel's Nineteenth century photography in Philadelphia (New York: Dover Publications, Inc. in cooperation with the Library Company of Philadelphia, 1980), entry #148., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The Monkey House.
View showing male and female spectators, one holding an open parasol, standing and sitting in front of the monkey house at the Philadelphia Zoo., Title from printed on label pasted on verso., Photographer's imprint on mount., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The monkey house from the south.
Depicts the grounds of the Philadelphia zoo including an exterior view of the monkey house., Title from manuscript note on verso., Yellow mount with rounded corners., Stamped on verso: surplus duplicate from the LIbrary of Congress, Division of Prints., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Montreal and St. Helena from Mount Roya[l]
Bird's-eye view of Montreal from Mount Royal, a mountain in the middle of the city, looking east toward the St. Lawrence River and St. Helen's Island., Title inscribed in negative., Photographer's imprint on mount., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Monuments at Woodlands Cemetery, Philadelphia.
Views showing the monument for Stephen H. Tyng, reverend of the Church of Epiphany and an elaborate sculpture monument, including a reclining female figure, inscribed "Hobson." Views also include iron work fencing and surrounding gravesites., Yellow paper mounts with square corners., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
(8)1322.F.43h
Views showing the monument for Stephen H. Tyng, reverend of the Church of Epiphany and an elaborate sculpture monument, including a reclining female figure, inscribed "Hobson." Views also include iron work fencing and surrounding gravesites., Yellow paper mounts with square corners., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Moravian Cemetery, Bethlehem.
View showing long rows of flat headstones and trees in the Central Moravian Church's cemetery known as "God's Acre" in Bethlehem, Pa. Includes a man sitting against a tree near a grave. Used as a burial place from 1742-1910, only flat gravestones were permitted., Copyrighted by Kiralfy Bros., Philadelphia., Attributed to R. Newell & Sons., Title from manuscript note on mount., Pink mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
Moss Cataract.
View of a downhill stream running over a smooth rock bed covered in green moss in the Delaware Water Gap. Both sides of the stream are flanked by trees and bushes., Title from photographer's label on verso. Also lists eighteen other titles in the series (No. 192-209). Also includes series titled A Trip on the Catawissa (No. 210-235)., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Mount Pleasant, Arnold House, East Fairmount Park, Philadelphia
Exterior views of Mount Pleasant Mansion (i.e. Arnold Mansion) built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. One view shows the east front of the main house. The other view depicts the main house flanked by smaller buildings and trees. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Title supplied by cataloger., Photographer's imprint in red text on mounts., Manuscript notes on versos., Explicative paragraph of text providing brief history of Fairmount Park entitled, "Fairmount Park and Water Works, Philadelphia," printed on verso of P.9462.22. Text surmounted by vignette of state seal of Pennsylvania and surrounded by decorative border., Yellow mounts with rounded corners., Purchase 1994 [P.9462.22]. Gift of J.F. Dallet, 1995 [P.9488.1]., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Mount Pleasant mansion, Fairmount Park, Philadelphia]. [graphic].
View shows Mount Pleasant mansion in Fairmount Park, Philadelphia flanked by outbuildings. The view is somewhat obscured by trees. The Middle-Georgian country house was built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil on Mount Pleasant Drive in Fairmount Park, Philadelphia, Pa. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Title inferred from manuscript note on verso., Date inferred from type of mount., Yellow mount with rounded corners., Gift of Raymond Holstein, 2011., Description revised 2021., Access points revised 2021.
[Mount Pleasant mansion, Fairmount Park, Philadelphia.] [graphic].
Exterior view of the front of Mount Pleasant Mansion (i.e. Arnold Mansion) main house built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. View shows wildflowers in bloom on the front lawn and benches lining the front walk. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Date inferred from type of mount., Orange mount with rounded corners., Series title printed on mount., Title supplied by cataloger., Title printed on mount erroneously identifies site as Washington's Headquarters - Fairmount Park., Gift of Raymond Holstein, 2011., Description revised 2021., Access points revised 2021.

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