Collection of nearly 3,000 stereographs published and distributed in or of Philadelphia. The photographs mainly portray commercial and residential street scenes, particularly Market and Chestnut streets; religious, public, financial, and industrial buildings and institutions; and historic and prominent landmarks as well as a small selection of non-Philadelphia views.

Pages

Rising mist after rain. Juniata River.
Landscape view showing a man standing on railroad tracks running parallel to the Juniata River. Also shows mountains in the distance., Attributed to John Moran., Title from manuscript note on verso., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Rittenhouse Square fountain.
Views depict an ornate drinking fountain adorned by a column with sea horses and the bearded face of Neptune surmounted by a classical male figure balancing his body with one foot. Also shows a detail of an open iron gate., Title in manuscript notes on mount of P.9299.117 and verso of P.9299.116., Photographer's imprint printed on mounts., Stamped on versos: Copyrighted Kiralfy Bros., Philadelphia, 1876., Pink curved mounts with rounded corners., One item, P.9299.117, reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 118., Arcadia caption text: Donated in 1872 to the Philadelphia Fountain Society by prominent Philadelphia civil engineer and art collector J. Gillingham Fell, the ornate fountain at the northwest corner of Rittenhouse Square (at Walnut and Rittenhouse streets) mirrored the wealth of nearby residents. Although beautiful, the fountains contained faulty plumbing, which caused muddy conditions intolerable to visitors, and the structures were removed by the early 1880s., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
River Drive, east park.
Landscape view looking north at the winding dirt road flanked by steep, jagged rocks and trees on the east and the Schuylkill River on the west., Written on negative: 1008, Title from manuscript note on mount., Photographer's imprint mostly obscured by photograph pasted on mount., Stamped on verso: Copyrighted Kiralfy Bros., Philadelphia, 1876., Pink curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
River Road and park carriage, Phila. park.
View showing a horse-drawn coach with two male passengers parked on River Road in Fairmount Park. Also shows a tree-lined sidewalk running parallel to the road., Title from label pasted on verso., Photographer's imprint on label pasted on verso., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
River Road at Fairmount Park.
View of River Road running parallel to the Schuylkill River. Shows a gazebo in the distance, along with a dwelling on the opposite bank., Title from photographer's label pasted on verso., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1869.
River Road at Fairmount Park. Phil. Pa.
Landscape view of River Road running parallel to the Schuylkill River. Shows a pavilion in the distance, along with dwellings on the opposite bank., Title and series number on negative., Orange mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
River scene.
View showing the Schuylkill River near the terrace of the new mill house at the Fairmount Water Works. Also shows a decorative urn near an ornamental railing in the foreground and the Philadelphia Girls' Rowing Club boathouse (built in 1860 after designs by James C. Sidney) lining the riverbank in the far right background. The waterworks, originally built between 1812 and 1822, were expanded in 1862 to include a new mill house built after the designs of Philadelphia engineer Henry P.M. Birkinbine., Photographer's imprint printed on mount., Title from manuscript note on verso., Yellow mount with rounded corners., Description of "Fairmount Park and Water Works, Philadelphia" printed on verso., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
River scene from Girard Avenue.
River view looking through an arch of the Old Girard Avenue Bridge spanning the Schuylkill River in Fairmount Park. The bridge, completed in 1855, was razed circa 1871 and replaced. Shows cliffs near the riverbank., Title from manuscript note on mount., Yellow mount with rounded corners., Photographer's imprint printed on mount., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
River scene upper east park.
View showing the Schuylkill River from a small recess shaded by trees on the east bank. Includes rocks and an empty barrel floating in the water in the foreground, a docked rowboat, and a building on the west bank in the background., Title from manuscript note on verso., Photographer's imprint in red text on mount., Explicative paragraph of text providing brief history of Fairmount Park entitled, "Fairmount Park and Water Works, Philadelphia" printed on verso. Text surmounted by vignette of state seal of Pennsylvania and surrounded by decorative border., Manuscript note on verso: Stuart., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Roberts' Mill, Germantown, Philadelphia]
View of the first grist mill in Philadelphia built in 1683 by Richard Townsend in Germantown at Church Lane and Wingohocking Street. Named for its early 19th-century owner, Hugh Roberts, the mill was razed in 1873. Shows the wheelhouse, waterfall, and stone wall of the mill. Five boys and men sit on the wall., Title supplied by cataloguer., Photographer's imprint printed on mount., Publisher's imprint printed on verso., Printed on mount: No. 4., Pink mount with rounded corners., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Newell and Son, a partnership between Robert and his son Henry, was active from around 1870 until 1897 and the death of the elder Newell.
Rockland Mansion.
Detail of dwelling built ca. 1810, showing side elevation of house covered in branches and the front porch. Sold to Isaac Cooper Jones, another merchant, in 1815. Jones' family owned it until it was sold to Fairmount Park in 1870., Title printed on mount below image., Yellow mount with rounded corners., Retrospective conversion record: original entry, edited., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of F.J. Dallet.
[Rooftop view from New York University on Washington Square looking northeast toward Grace Church, New York]
Includes two men seated on rooftop in foreground and church tower in background., Photographer's imprint stamped on mount., Pale yellow paper mount with square corners., Title supplied by cataloguer., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
[Rooftop view from New York University on Washington Square looking northeast toward Grace Church, New York]
Includes two men seated on rooftop in foreground and church tower in background., Photographer's imprint stamped on mount., Pale yellow paper mount with square corners., Title supplied by cataloguer., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
[Rooftop view from New York University on Washington Square looking northeast toward Grace Church, New York] [graphic] / Langenheim.
Includes two men seated on rooftop in foreground and church tower in background., Photographer's imprint stamped on mount., Pale yellow paper mount with square corners., Title supplied by cataloguer., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
[Row houses, Philadelphia]
Shows a row of vernacular-style dwellings, including one with closed window shutters. Also shows a small crate on the sidewalk and basement cellar doors., Attributed to John Moran., Buff mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Row of buildings with funeral decorations for President Lincoln, Philadelphia, April 1865]
View showing mourners on the sidewalk in front of buildings, including a hardware store and the business of "H.R. Miller," decorated in black bunting in memory of the assassinated president., Title supplied by cataloguer., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Row of buildings with funeral decorations for President Lincoln, Philadelphia, April 1865] [graphic].
View showing mourners on the sidewalk in front of buildings, including a hardware store and the business of "H.R. Miller," decorated in black bunting in memory of the assassinated president., Title supplied by cataloguer., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Ruins of Gilbert Stuart's studio, rear of 5410 Germantown Avenue, Philadelphia]
Shows the ivy-covered ruins of the barn used as a studio by the Philadelphia painter during the summers of 1796 to 1799. Barn was located on the property of Samuel Bringhurst, later William Wister, before being razed in 1900., Green paper mount with square corners., Title supplied by cataloguer., Label misidentifying view pasted on mount., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Ruins of St. George's Church, Rutherford Place, N.Y. Rector, Stephen H. Tyng.
Incomplete series showing five exterior and interior views of the ruins of the St. George's Episcopal Church (founded 1749) at 209 E. 16th Street at Stuyvesant Square. The Romanesque-style church built 1846-1856 after the designs of Blesch and Edlitz was damaged by fire in 1865. Images also show views of Stuyvesant Square, pedestrians, and a horse-drawn wagon. Titles include Front View from the S.E. corner of Stuyvesant Square; Front View from the Fountain, Stuyvesant Square; Front View from the East Fountain, Stuyvesant Square; S.W. View from the corner of E. 16th St. and 3rd Avenue; and Interior View from the Chancel., Series numbers: 4598; 4600-4602; 4609., Publisher's labels pasted on versos., Yellow mounts with square corners., Partial distributor's imprint stamped on versos: [McAllister Optician 627 Broadway New York]., Series numbers inscribed in negatives., Originally from a McAllister scrapbook of views of New York, The Anthony firm, established in 1859, operated as a partnership from 501 Broadway between 1863 and 1871., Thomas H. McAllister, brother of Philadelphia antiquarian, John A. McAllister, established an optician shop in New York in 1855., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Ruins of William C. Patterson & Co.'s bonded warehouse, South Front and Lombard Streets, Philadelphia]
Rooftop view looking east showing men standing on rubble and ruins, formerly the bonded warehouse complex of William C. Patterson & Co. built in 1854 at Front and Lombard Streets, after a fire on August 4, 1869 destroyed thousands of barrels of whiskey stored there. Intact row houses facing Penn Street are visible in the background, including the rear of Denison, Kelly & Co. at 424 South Delaware Avenue (i.e. 425 South Penn Street). The bare masts of a ship on the Delaware River are also visible in the right background., Title supplied by cataloger., Advertisement printed on verso: Richmond & Co. first-class furniture, warerooms, 45 South Second St., Philadelphia., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Rustic boat landing. Central Park, N. Y.
Landscape view of two boys recreating near a small rustic boat landing on a lake or pond in New York City's Central Park. One boy fishes in the foreground and the other sits on a rock looking down at the water., Title printed on mount below image., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Mr. Saul Koltnow.
Rustic bridge. Fairmount Park. Philadelphia.
Landscape view of a tree-lined rustic footbridge carrying a trail or path in Fairmount Park., Title printed on mount below image., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of F.J. Dallet.
[Rustic footbridge in Fairmount Park, Philadelphia, Pa.]
View of tree-lined path leading to a rustic foot bridge in Fairmount Park. A man stands near the bridge looking toward the photographer., Written on negative: 1013, Title supplied by cataloger., Manuscript note on mount: View of mineral spring and flower bed., Photographer's imprint printed on mount., Stamped on verso: Copyrighted Kiralfy Bros., Philadelphia, 1876., Pink curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
[Rustic pavilion on Reservoir Hill at Fairmount Water Works, Philadelphia]
View showing one of the thatch-roof rustic pavilions installed at the waterworks between 1864-1866 as a decorative improvement. View also shows the promenade leading to the pavilion. The waterworks, originally constructed between 1812 and 1822, were altered and expanded until 1872., Photographer's imprint printed on mount., Title supplied by cataloguer., Green mount with rounded corners., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Calves crossing the stream
View of four women walking through water with their dresses pulled up to their knees., Inscribed on mount: 1169, Name of distributor stamped on mount: Sold only by Griffith & Griffith, Philadelphia, Chicago, London, Hamburg, Ger., Milan, Italy., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Sailing ship near an ocean coast]
Green mount with rounded corners., Attributed to Robert Newell., Title supplied by cataloguer., Originally part of a McAllister scrapbook of American views., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Sailors from North Atlantic Squadron. G.A.R. Encampment Phila'da.
View looking northeast along Filbert Street, showing sailors marching in uniform with rifles slung over their shoulders during the Grand Army of the Republic's National Encampment held in Philadelphia September 5-6, 1899. A man, possibly a police officer or parade participant, stands in the foreground looking at the marchers. View includes the south flank of Masonic Temple, spectators gathered on the north sidewalk, and brick row houses on the north side of Filbert Street. The Grand Army of the Republic, a society of Union veterans was organized in 1866 to promote fraternity, charity, and loyalty among its members, including camp fires, encampments, the establishment of veteran relief funds, and the preservation of civil war sites and financing of memorials., Title printed on mount below image., Publisher's imprint printed on mount., Decorative printed floral pattern flanks image., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
Salle du Trour [?]
Interior view of the ornate Tuileries Palace, showing a bust statue situated on a pedestal in front of a large mirror and flanked by candelabra. Includes rows of footstools lining the wall in front of the statue. The Tuileries Palace, constructed beginning in 1564 after designs by Philibert de L’Orme at the request of Catherine de' Medici, sat adjacent to the River Seine until its demolition in 1883., Title from manuscript note on label pasted on verso., Distributor's stamp pasted on verso., White mount with square corners. Cardboard cut out behind images. Embossed lines around images., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Sanitary Fair, Engine Department, Phila., June '64.
Unmounted stereograph shows a long aisle in the Engine Department flanked by displays, patriotic bunting, garlands, and flags. The Great Central or Sanitary Fair held June 7-28, 1864 on Logan Circle was one of several national fairs that displayed art, craft, and historical exhibits to benefit the U.S. Sanitary Commission, a soldier relief organization., Title from manuscript note on mount., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Sarcophagus in cemetery, probably Laurel Hill Cemetery, 3822 Ridge Avenue, Philadelphia]
View includes a man standing by the sarcophagus. Laurel Hill Cemetery was built 1836-1839 after the designs of John Notman., White paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
African American dandy
Stereograph, possibly published in London, depicting a scene satirizing race relations in America. Shows the dandy standing and with one foot on the boy's shoe shine box in front of a back drop depicted as a wall adorned with broadsides referencing abolition, slavery, and emancipation. The dandy is attired in striped and checkered pants, a jacket with tails, a ruffled shirt, and top hat. He holds a walking stick under one arm and a cigarette in his other hand. The boy kneels and shines the dandy's shoes with his shining supplies and tools by his box. Broadsides include a "playbill" reading "Adelphi. Tonight The White Slave. Octoroon Farce" and an advertisement for "Fast Clipper. Clyde. For New Orleans." Other posts read "No Slavery. Freedom" and "Great Meeting. Negro Emancipation. Poor Slaves.", Place of publication and date inferred from image content containing a reference to the "Octoroon" at the "Adelphi." Adelphi is a London theater where The Octoroon was performed 1861-1862., Grey mount with square corners., Purchased with the Davida T. Deutsch African American History Fund., See similar visual trope "I say Billy, do you know why I'm doing this? Cause, I'm going to run for Congress soon!" [Political cartoons - 1863-13W, 8033.F.3]
Scene during G.A.R. encampment, July 1880.
Shows throngs of people within a fenced enclosure crowded in front of a row of tents near an observatory tower, probably during a state meeting of the veteran's organization in Gettysburg. Also shows individuals seated in horse-drawn carriages outside of the fence on which a few men sit. The Grand Army of the Republic, a society of Union veterans was organized in 1866 to promote fraternity, charity, and loyalty among its members, including camp fires, encampments, the establishment of veteran relief funds, and the preservation of civil war sites and financing of memorials., Title printed on mount., Yellow mount with rounded corners., Gift of Jessy Randall., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Scenery at West West Falls, Schuylkill County, Pa.
Views of small waterfalls surrounded by large boulders and trees. All of the images show men and a boy sitting and lounging on the rocks., No. 89; 90; and 92, Photographer's imprint from labels pasted on versos., Photographer's imprint printed on mounts., Orange and yellow mounts with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift from the heirs of Paul D.I. and Anna S. Maier: James H. Maier, Anthony M. Maier, Marianna M. Thomas, and Cynthia C. Maier., A.M. Allen, born in Deerfield, Mass., relocated to Pottsville, Pa. ca. 1852 and set up his studio at the southwest corner of West Market and North Centre Streets. He retired from the business in 1894.
Scenery of Pennsylvania. Cattawissa Rail Road.
Incomplete collection of the series, published by John Moran between 1862 and 1868, of scenic views along the Catawissa Railroad, including views in Lycoming, Carbon, and Schuylkill County. Two unlabeled views titled "Bridge over the Susquehanna at Williamsport" and "Tunnel at Summit Station" included as part of the series. Incorporated in 1831 and opened in 1854, the passenger and commercial railroad traveled through the mountains near Blue Ridge connecting Port Clinton and Williamsport, Pennsylvania., Views predominately depict Catawissa Island, a retreat on the Susquehanna River below the town of Catawissa. Views include scenes near a farm and the river. Series also contains views of Lycoming Creek; McCauley Mountain and Railroad; Pine Swamp at Ringtown; base of Summit Hill, Quakake Railroad; and head waters of the Schuylkill River, Summit Station. Many of the views contain posed male figures, including possibly John Moran. Two of the views include a railroad car and railroad tracks., Buff and cream mounts with square corners., Photographer's label pasted on verso of sixteen views in the series., Imprint of distributor, James W. Queen & Co., 924 Chestnut Street, Phila. stamped on verso of two of the series., Label of distributor, McAllister & Brother, 728 Chestnut Street, Philadelphia pasted on verso of one of the series., Five of the series are numbered: No. 150, 153, 158, 162 1/2, 174, and 184., Title stamped on mount of sixteen of the series., Three of series originally part of a McAllister scrapbook of Pennsylvania views and political miscellany., Includes accession numbers: 5759.F.9b; 5759.F.3h; 5759.F.1j; P.8546; P.8992.1-.11; P.8979.6-9., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Moran, a Philadelphia photographer, specialized in landscape photography and often took artistic excursions with his painter brothers, Thomas and Edward. The men visited and documented the Catawissa Valley around 1862.
Scenery of the Allegheny Mountains and Pennsylvania Central R[ail] R[oad].
Incomplete collection of the series, published by John Moran circa 1863, showing scenic views of the Allegheny Mountains and Conemaugh and Susquehanna rivers along the Pittsburgh division of the Pennsylvania Railroad. The railroad (incorporated in 1846) traveled from Philadelphia to Pittsburgh through the mountain passage known as the "Horse Shoe Curve," completed in 1854. Three views attrtibuted to Moran titled, "Head Waters of the Susquehanna, Cambria Co., PA.," "Kittaning Point, Allegheny Mountains," and "The pass through Jack's Mountain, Huntingdon, Co." included as part of the series., Views depict: the forest at the summit of the Alleghanies; an overlook and rocky valley at Kittaning Point in the Alleghenies; old bed of the Conemaugh River; sand ridge at Mapleton at the foot of Jack's Mountain; views of the head waters of the Susquehanna River in Cambria County, and a canal lock in "Jack's Narrows" on the Juniata River. Three of the views include posed male figures., Cream mounts with square corners., Photographer's label pasted on verso of six views in the series., Six of the series are numbered: No. 237, 244, 254, 259, 260, and 294., Title stamped on mounts., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Moran, a Philadelphia photographer, specialized in landscape photography and often took artistic excursions with his painter brothers, Thomas and Edward. He resided at 806 Coates Street between 1862 and 1864.
The scenery of the Northern Central Railway. Watkins Glen.
Part of a series of views showing the ravines, waterfalls, rock caverns and formations at Watkins Glen, a popular New York tourist site at the southern end of Seneca Lake along the Northern Central Railway. The railroad, consolidiated and named the Northern Central Railway in 1855, was purchased by the Pennsylvania Railroad in 1863 and provided service from Baltimore to central New York. Watkins Glen, a gorge formed from glaciers, served as a privately operated tourist attraction from circa 1864 -1906 when the site was converted into a state park., Views depict: the Entrance Gorge; Entrance Cascade; Entrance Amphitheatre; the waterfalls and ravine of Glen Alpha; the waterfalls, ravine, and creek near Glen Cathedral; the waterfalls at Minnehaha; Mammoth Gorge; Rainbow Falls; an erosion-sculpted pool at Frowning Cliff; Shadow Gorge; the Artists's Dream Gorge; the Giant's Gorge; and the chalet-style hotel, the Swiss Cottage. Many of the views include the wooden stairways and bridges used to traverse the gorge. Several of the views also include tourists visiting the site., Series title printed on mount., Photographer's imprint printed on mount., Series numbered. Collection contains: 1200; 1202; 1203; 1205-8; 1215; 1218-20; 1222; 1250; 1258; 1261; 1263-64; and 1279., View #1279 contains distributor's label on verso: From James Cremer's Stereoscopic Emporium, 19 South Eighth St., Philadelphia. Family groups taken for the stereoscope, and photographs in all its branches., Gift of Anna S., James H., Anthony M., Cynthia C. Maier and Marianna M. Thomas., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Purviance was commissioned as an official photographer of the Pennsylvania Railroad in 1867.
The scenery of the Pennsylvania Central Rail Road.
Scenic views showing the Horse Shoe Curve and Pack Saddle along the Pittsburgh Division of the Pennsylvania Railroad. Views also show locomotives, men posed on rock ledges, including one labeled "Sit Box," railroad tracks, and townscape., Series title printed on mount., Photographer's imprint printed on mount., Three of the series numbered. Collection contains: 341; 517; 703., Two of stereographs inscribed on verso: T.N. Haskill., Gift of Jessy Randall., Created postfreeze., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Purviance was commissioned as an official photographer of the Pennsylvania Railroad in 1867.
[Scenes 6, 7, and 10 from the stereograph comic set "Mr. and Mrs. Newlywed's new French cook"]
Three genre scenes set in a well-decorated parlor from a comic stereograph series satirizing the exploits of an adulterous husband. Scene 6 shows the wife exclaiming "Hands! Hands" What does she mean!" as she discovers floured hand prints on the back of her husband's coat. Scene 7 shows the wife pointing to the shocked cook in the corner as her husband looks in dismay at the back of his stained coat that he has removed and exlaims "Good Heavens!" Scene 10 shows "And they lived happily ever after" as the husband embraces his wife from behind as she sits on a loveseat., Negative numbers: 7258; 7259; and 7262., Additional places of publication printed on mount, including Louisville, Mo.; San Francisco; New York; and London., Warped grey mount with rounded corners., Printed on mount: Works and Studios. Arlington, N.J. Westwood, N.J. Washington, D.C., Sun sculpture trademark printed on mount., Titles printed on mount., Titles printed on verso in six different languages, including French, German, and Spanish., Gift of Jesse Randall., Complete set reproduced in William C. Darrah's The world of stereographs (Gettysburg: William C. Darrah, 1977), p. 66-68., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
School gardens as a practical educational method - showing Boy Scouts and Camp Fire Girls, Philadelphia, Pa.
Earlier and later edition of stereograph issued by the Keystone View Company education department showing a view of a school garden in Philadelphia, showing boys and girls dressed in white uniforms gardening with the help of adults. A young girl in the foreground uses a hoe to loosen the dirt., Titles printed on mount., Additional places of publication printed on mounts, including New York, NY; Portland, Oregon; London, Eng.; and Sydney, Aus., Dates inferred from content of texts printed on verso and format of series number., P.9573.25, ca. 1915, contains explicative paragraph of text printed on verso providing brief history of school gardens and Boy Scouts and Camp Fire Girls. Includes latitude and longitude: Lat. 40 degrees N.; Long. 75 degrees W., P.2024.79, ca. 1920, contains explicative paragraph of text printed on verso also containing questions about the view related to gardening and the Boy Scouts and Camp Fire Girls., Printed above image on mount of P.9573.25: 83., Printed above image on mount of P.2024.79: P237., Gray curved mounts with rounded corners., P.9573.25: cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., P.2024.79 gift of Sarah Weatherwax.
School house of St. Marks. Church Locust St. Philada.
Shows the attached school of the Episcopal church built 1848-1851 after the designs of John Notman at 1607-1627 Locust Street. View includes an ironwork fence in the foreground., Photographer, title, and date from manuscript note on accompanying label., Buff paper mount with square corners., Paper backing pasted on verso., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 103., Arcadia caption text: The parish school of Saint Mark’s Episcopal Church opened in January 1850, only three months after the church held its first service. Built on the western end of the church lot in the Tudor Gothic tradition after the designs of John Notman, the parochial school served the underprivileged members of the community around 1625 Locust Street until the eve of World War I. This view dated c. 1859 shows the L-shaped schoolhouse’s steep roofs and tower with battlements and cross., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

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