Collection of nearly 3,000 stereographs published and distributed in or of Philadelphia. The photographs mainly portray commercial and residential street scenes, particularly Market and Chestnut streets; religious, public, financial, and industrial buildings and institutions; and historic and prominent landmarks as well as a small selection of non-Philadelphia views.

Pages

Views of Mount Washington, New Hampshire.
Winter views of snow-capped rocks on Mount Washington and Tuckerman's Ravine in the White Mountains of New Hampshire. One view depicts two men sitting on the rocks in the foreground., Title supplied by cataloger., Photographer's imprint printed on verso., Yellow mounts with square corners., Gift of Mr. Saul Koltnow., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bierstadt Brothers were active ca. 1860-1867 in New Bedford, Massachusetts. Sold their gallery to S.F. Adams in 1867.
Views of Niagara Railway Suspension Bridge spanning the Niagara River.
Views depict the Niagara Railway Suspension Bridge spanning the Niagara River constructed 1851-1855 after John A. Roebling to connect the railroads of New York Central and Great Western Railway of Canada. One image shows the large stone pylons and two decks of the bridge from the river bank and another depicts the enclosed wooden carriage level with two men standing on the sides near the lattice work., Photographer's stamp pasted on versos., Yellow mounts with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Views of Ocean Grove, New Jersey.
Series of titled views depict Ocean Grove, New Jersey. One image depicts a crowd of men, women and children standing and sitting with parasols on the beach. Swimmers are visible in the ocean in the background. Another view shows Wesley Lake from the southwest at Whitefield Avenue. Includes boats docked and on the lake, nearby buildings, and pedestrians strolling on the narrow boardwalk in the foreground. Another image depicts the town of Ocean Grove from the tower of the Ocean Grove Camp Meeting Association Building. The Arlington Hotel (i.e., Arlington House), Day's Ice Cream Garden, and Pilgrim Pathway are visible in the foreground. A flag flies from the top of Sheldon House in the distance background., Title supplied by cataloger., Photographer's imprint printed on mount., Manuscript note on verso of item P.9022.19: Muschamp, 33., Manuscript note on verso of item P.9022.20: Wesley Lake, Ocean Grove., Orange mounts with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gustavus Pach operated a photographic studio at 841 Broadway in New York City from 1877 to 1881. His brothers Gotthelf & Oscar joined the firm in 1881 and the style changed to G.W. Pach & Brothers.
Views of Pennsylvania Hospital, 801-849 Pine Street, Philadelphia.
Exterior views showing the hospital built 1755-1805. East wing built 1755-1757 after the designs of Samuel Rhoads. West wing built 1794-1796 and the center house built 1794-1805 after the designs of David Evans, Sr. and David Evans, Jr. Building altered between 1846-1853 after the designs of John McArthur and John McArthur, Jr. Views include the William Penn statue attributed to British sculptor John Cheere or John Bacon., Yellow paper mounts with square corners and manuscript titles., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Views of the Delaware Water Gap.
Views of individuals recreating near the Delaware River, Caldeno Creek, and Rebecca's Bath in the area of the Delaware Water Gap. Includes a man sitting on a rock and reading near railroad tracks overlooking the river, a distant view of Kittatinny Hotel on Mount Minsi, and children sitting on rocks and benches near the river and streams., Yellow cardboard mounts with rounded corners. Photographer's printed labels pasted on versos., Distributor's stamp on verso of P.9168.4: William Y. McAllister, Phila. Jul. 31, 1868., Stamped on verso of P.8484.9: J.W. Deane., Manuscript note on verso of P.8484.10: Seely., Manuscript note on versos of P.8484.11-12: Bartlett & French; William C. Darrah coll., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1869.
Views of the Delaware Water Gap, Pennsylvania.
Series of titled landscape views include, "View on Broadhead's Creek," "Little Bushkill Creek, above the Falls," "Buttermilk Falls," "Buttermilk Falls, vicinity of Delaware Water Gap, Pennsylvania," "Caldeno Falls," "Delaware River, from Prospect Rock," "The Gap, Blockhead Mountain," "The Gap, from the bed of the river," "Gap, from Table Rock, Delaware Water Gap, Pennsylvania," "Marshall's Falls, Marshall's Creek," and "Mossy dell". Images depict tree-lined creeks, waterfalls, rocks, dams, a mossy dell and a snake in the Delaware Water Gap. Many of the views contain posed male figures, possibly John Moran and John Storey., Titles printed on labels pasted on versos., Photographer's labels pasted on versos., Imprint of distributor, Johnson & D'Utassy, photographers, printed on verso of two items in series: 952, 954, 956 Broadway, New York, corner Madison Square, opposite Fifth Avenue Hotel, and Kittatinny House, Delaware Water Gap, Pa. All branches of the photographic art executed in the most skillful manner and with despatch. Photographs colored in oil or water colors or india ink. N.B. A large and choice collection of stereoscopic views, taken from nature, on hand. John H. Johnson. Fred. George D'Utassy., Imprint of distributor, J.W. Queen & Co., 924 Chestnut Street, stamped on verso of one items in series., Buff and yellow mounts with square and rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Moran and Storey was a short-lived partnership between Philadelphia photographers John Moran and John Storey in the early 1860s.
Views of the estate of George Washington, Mt. Vernon, Va.
Views showing the residence of Washington, known as the Mansion, in a dilapidated condition and the gate to the Washington family tomb (erected 1831). Also shows men posed on the grounds, including a man raising his hat and a young boy holding a basket in front of the tomb. Mount Vernon Ladies Association started restoration of the Mansion in 1860., Manuscript notes on versos of stereographs., Stereographs on yellow mounts with square corners., One of images [5737.F.6c] possibly by William and Frederick Langenheim., Originally part of a McAllister scrapbook of views of Virginia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Views of the House of Refuge, Philadelphia.
Views show the House of Refuge site that opened in 1850 between Parrish and Brown Streets between Twenty-second and Twenty-fourth Streets. Exterior views depict the front lawn of the White Boys Department, designed by John McArthur, Jr., facing west and south, showing men and women standing, sitting, and lying on the landscaped lawn near the ivy-covered building. Views includes dogs, flower beds and planters. Another view shows boys in uniform belonging to the drum and flute corps of the brass band standing on the entrance stairs to the five-bay, ivy-covered White Boys Department. Men and boys are visible in the windows on the first floor. Interior views of the White Boys Department depict rows of single beds in the dormitory, the stark wide hallway of the "B" division, the kitchen, and the dining room with long rows of tables covered with place settings in preparation for a meal., Photographer's imprint on versos in decorative font. Includes vignette of painting palette with brushes extending through the hole., Descriptions of images written in manuscript notes on versos., Yellow curved mounts with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Views of the Wilson family on their estate.
Views show the Wilson family recreating on their estate. Depicts the family reading, picnicking, sitting and lounging in their yard, walking and working in their gardens, harvesting corn, playing with family dogs, posing near a small footbridge, and eating on their porch. Several members of the family are seated on their horses in a few of the images. One image includes an African American man, attired in a white chef’s hat and apron, overseeing a meal under a tent. Also shows exterior views of the family's two-and-a-half story residence with porches on the first two levels, a stone barn, and outbuildings. American flags are included in several of the images., Title supplied by cataloger., Date based on content and attire of the people., Photographer's labels pasted on versos., Stereograph [P.9439.17] contains manuscript note on verso: "For Mr. Wilson with compliments of the artist.", Contains twenty-two photographs, seventeen printed on yellow mounts with square corners and five printed on mint green mounts with square corners., Purchase 1993., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Views of Tuckerman's Ravine and Mount Washington, White Mountains, New Hampshire, 1861-1862.
Series of titled views documenting the landscape of the White Mountains in New Hampshire include, "Pillar of snow, Tuckerman's Ravine, August 28, 1861," "Mt. Washington Carriage Road, at ledge--looking down," and "Interior of snow arch--Tuckerman's Ravine, August 14, 1862". The mountains, spilt by the Crawford Notch, comprise two ranges named Presidential (east) and Franconia (west). The scenic mountains inspired the 19th-century "White Mountain School" of painting and the publication of several series of stereographic views in the mid to late nineteenth century., Views show Mount Washington, part of the Presidential Range, and Tuckerman's Ravine, located on the east side of Mount Washington. They include three men surveying a large block of ice in the ravine; a horse-drawn carriage pulling a man up an inclined dirt-road; and an expedition party sitting and standing with walking sticks from the interior of a cave filled with rocks., Title supplied by cataloger., Titles of individual stereographs printed on mounts., Photographer's imprint printed on versos., Pale yellow mounts with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Soule maintained photographic studios on Washington Street in Boston, Massachusetts ca. 1861 to 1882 before relocating to Seattle, Washington.
Views of William F. Murphy's Sons' stationery, steam-power printing, ruling and blank book manufacturing establishment, no. 509 Chestnut Street, (nearly opposite Independence Hall,) Philadelphia.
Interior view showing shelves and display cases containing a variety of blank books and ledgers, and other stationery items. Murphy's Sons moved to this location in 1872. View probably created as part of a series celebrating the opening of the new store., Photographer's imprint on verso., Buff mount with rounded corners., LCP AR [Annual Report] 1996, p. 40-41., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Views of Woodlands Cemetery, 3900 Woodland Avenue, Philadelphia.
Views of tombs and mausoleums in the cemetery chartered in 1840 on the former estate of botanist William Hamilton in West Philadelphia. Shows the Drexel family mausoleum (completed 1863 after the designs of Collins & Autenrieth), the Edward Alexander Orme monument, the Commodore David Porter obelisk; and the tomb of optician John McAllister, Jr. and his wife Eliza Young McAllister. Views also include trees and iron work and marble fencing., Three of images originally part of a McAllister scrapbook of views of Philadelphia., Stereographic prints mounted on yellow mounts with square corners, including one [(5)1322.F.80a], hand-colored. Two also contain labels printed with titles, including the series title: Views in Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Views on Tacony Creek, Philadelphia]
Views include a water fall, trees, and brush near the creek. Majority of views depict the creek during the winter., Title supplied by cataloguer., Contains five stereographic prints mounted on white or yellow mounts with square corners and accompanied by labels, including four stamped with the photographer's imprint., Series numbers include: 1, 3, 17., Two originally part of McAllister scrapbooks of Pennsylvania views & political miscellany and views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Views on the Delaware.
Rooftop view of a landscaped park with walkways adjacent to the Delaware River. A man drives a horse-drawn cart in the street in the foreground., Title from printed unnumbered series lists on verso., Distributor's imprint printed on verso., Orange curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
Views on the Estate of S.B. Waugh, Bordentown, N.J.
Exterior and interior views of portrait painter Samuel Bell Waugh's residence in Bordentown, N.J., including group portraits of the family on the lawn of the property. The only interior view depicts a young woman playing a piano in an ornately decorated parlor. Two young girls, possibly Samuel Bell Waugh's daughters, are depicted in six of the seven images., Photographer's stamp on versos of mounts., Yellow mounts with square corners., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Views on the Tohickon Creek, Point Pleasant, Bucks County, Pa.]
Views showing the rocky hillsides; the Geddes Brook, a tributary to the creek; and the creek. Tohickon Creek runs from the Nockamixon Dam to confluence with the Delaware River., Title supplied by cataloguer., Contains four stereographic prints mounted on yellow or white mounts with square corners and accompanied by labels, including three stamped with the photographer's imprint and one containing a distributor's stamp on the verso., One of images originally from a McAllister scrapbook of Pennsylvania views & political miscellany., Series numbers include: 80, 88., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Views on the Wissahickon Creek, Fairmount Park, Philadelphia, Pa.
Landscape views showing the creek, creek bed, Wissahickon Road (i.e., Wissahickon Drive), public drinking fountain, and a bucolic area near the Wissahickon Valley residence, the Hermitage. Many of the views also include posed figures., Contains nine stereographic prints mounted on yellow or white mounts with square corners, including seven with titles, one with the photographer's imprint, and one with the distributor's imprint (The London Stereoscopic Company). Also contains one stereographic print mounted on paper., Six of the images originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Village of Point Pleasant, Delaware River and canal in the distance.
View showing the river and mill village near New Hope, Pa. Includes a covered bridge. Village was developed to service rafters and canal men transporting materials on the river and canal., Attributed to John McAllister., Title from accompanying label., Yellow paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Pennsylvania views & political miscellany., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Viti's alabaster vases M.B.
View of alabaster vases and urns created by Viti Brothers of Philadelphia on display in the Main Building designed by Henry Pettit and Joseph M. Wilson. Also shows chandeliers and candelabra on display behind the Viti Brothers' exhibit. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., White curved mount with rounded corners., Gift of Charles Isaacs., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Benevolent institutions.
Depicts handicrafts and other goods for sale at a table with a "Benevolent Institutions" signboard. Patriotic bunting hangs from the rafters., Originally part of McAllister scrapbook on the Sanitary Commission., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 54., Arcadia caption text: Local businesses and benevolent institutions donated products and staffed booths at the Sanitary Fair, held in Philadelphia’s Logan Square in June of 1861 to raise money for the benefit of Union soldiers. Displays featured the latest technology and tools, along with relics, art work, and plant specimens from all over the world., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Wall Street Ferry Terminal, foot of Montague Street, Brooklyn, New York]
Elevated view of the Wall Street Ferry Terminal, built ca. 1853 at the foot of Montague Street in Brooklyn, showing two ships with bare masts near a docked ferry boat in the foreground. Shows other vessels on the Hudson River and a partial view of Manhattan in the background. Ferry operated 1853-1912 by the Union Ferry Company., Title supplied by cataloger. Identified from ca. 1884 photograph., Manuscript note on verso: View on the Delaware, Philada., Printed list of three series, "Philadelphia Centennial Views," "Philadelphia City and Park," and "Miscellaneous" on verso. Below lists of series on verso: Philad'a Stereo. Publishing Company., Publisher's imprint on mount., Orange curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Walnut St. Theatre.
View showing the Walnut Street Theatre at 827-833 Walnut Street (corner of Ninth and Chestnut streets). The theater, originally built as a circus in 1809, was altered to a theater in 1816, and remodeled from 1827-1828 after the designs of Philadelphia architect John Haviland. Also shows adjacent buildings, including a lager beer saloon. Street traffic includes a horse-drawn omnibus and several carriages., Yellow mount with square corners., Title from manuscript note on mount., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Walnut Street Theatre, Philada.
View showing the Walnut Street Theatre at 827-833 Walnut Street (corner of Ninth and Chestnut streets). The theater, originally built as a circus in 1809, was altered to a theater in 1816, and remodeled from 1827-1828 after the designs of Philadelphia architect John Haviland. Also shows men sitting and standing near the corner of the building, along with adjacent row homes on the north side of the block looking east., Title from inscription on mount., Inscribed on mount: No. 1486., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 17., Arcadia caption text: The rowhouses on the north side of the 800 block of Walnut Street shown here c. 1865 no longer exist, but the Walnut Street Theatre still stands, holding the title of America’s oldest theater. Built by Victor Pepin and Jean Breschard, circus promoters who brought their equestrian and human acts to the United States from Europe, the theater has operated continuously since opening in 1809 as the New Circus. Architect John Haviland made extensive alterations in 1828, when it permanently changed its name to the Walnut Street Theatre., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Wanamaker's great store, Phila.
View of Wanamaker's Grand Depot from the northeast showing the Market Street facade between 12th and 13th Streets. Wanamaker opened the depot, designed by Theopilius P. Chandler, in 1876 in the old Pennsylvania Railroad Company train sheds. Demolished 1902., Buff mount with rounded corners., Title inscribed in negative., Series title stamped on mount., Gift of Robert M. Vogel., Duplicate view published by Alfred S. Campbell of Elizabeth, New Jersey (P.9047.92)., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Wanamaker's store, Phila.
View of Wanamaker's Grand Depot from the northeast showing the Market Street facade between 12th and 13th Streets. Wanamaker opened the depot, designed by Theopilius P. Chandler, in 1876 in the old Pennsylvania Railroad Company train sheds. Demolished 1902., Buff mount with rounded corners., Title inscribed in negative., Stamped on mount: Copyrighted 1896 by Alfred S. Campbell, Elizabeth, N.J., U.S.A., Printed label on verso contains text describing the store., Gift of Robert M. Vogel., Duplicate view published by J.S. Johnston of Philadelphia (P.9047.91)., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 66., Arcadia caption text: Having outgrown his original men’s and boy’s clothing store at Sixth and Market streets, John Wanamaker purchased an abandoned Pennsylvania Railroad freight depot at Thirteenth and Market streets in 1874 and remodeled it into Philadelphia’s first department store. Known as the Grand Depot, the store attracted thousands of customers daily. By the time of this 1896 photograph, the store had electric lights, telephones, elevators, a large restaurant, and “many waiting, reading and toilet rooms” for the comfort of the customers. In the early 20th century a new Wanamaker’s store was constructed on the same site., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Warerooms of Baird's monumental works.
Interior view of warehouse on Spring Garden Street above Ridge Road [i.e. Avenue] showing carved marble monuments including ornate gravestones, a fountain, and statues. The marble works, founded by John Baird in 1841 specialized in monumental art, principally of Italian marble. The firm was the first marble works of the city to use a steam powered mill., Pale yellow mount with square corners., Published in Kenneth Finkel's Nineteenth-Century photography in Philadelphia (New York: Dover Publications Inc., 1980), plate 117., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Warner Miskey & Merrill's show room, 718 Chestnut St. Phil.
Interior view of the gas fixture store. Gas light fixtures and chandeliers line the walls and ceilings above shelves lined with merchandise wrapped in paper. A store catalog is displayed in front of banister surrounding an opening in the floor. Also includes a stairwell in the background., Photographer's imprint blindstamped on mount., White paper mount with square corners., Title printed on mount., Accompanied by advertising label titled "Philadelphia Gas Fixture works. " Promotes the Philadelphia and New York branch (Warner, Peck & Co.) of the fixture manufactory and the company's line of products of "gas fixtures, lamps, girandoles, Bronzes, &c." designed by French artists. Also contains a one-line promotion for the photographic firm Langenheim, Philadelphia., Retrospective conversion record: original entry, edited., Published in Kenneth Finkel’s Nineteenth century photography in Philadelphia (New York: Dover Publications, Inc. in cooperation with the Library Company of Philadelphia, 1980), entry #109., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Warner Miskey & Merrill's show room, 718 Chestnut St. Phil.
Interior view of the gas fixture store. Gas light fixtures and chandeliers line the walls and ceilings above shelves lined with merchandise wrapped in paper. A store catalog is displayed in front of banister surrounding an opening in the floor. Also includes a stairwell in the background., Photographer's imprint blindstamped on mount., White paper mount with square corners., Title printed on mount., Accompanied by advertising label titled "Philadelphia Gas Fixture works. " Promotes the Philadelphia and New York branch (Warner, Peck & Co.) of the fixture manufactory and the company's line of products of "gas fixtures, lamps, girandoles, Bronzes, &c." designed by French artists. Also contains a one-line promotion for the photographic firm Langenheim, Philadelphia., Retrospective conversion record: original entry, edited., Published in Kenneth Finkel’s Nineteenth century photography in Philadelphia (New York: Dover Publications, Inc. in cooperation with the Library Company of Philadelphia, 1980), entry #109., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Washington Fire Engine Company steam engine in front of the company fire station at Lombard Street below Eleventh Street, Philadelphia]
View includes a section of a hose laying on the ground. Company founded January 3, 1796., Attributed to Robert Newell., Title supplied by cataloguer., Yellow mount with square corners., Originally part of a McAllister scrapbook., Paper backing pasted on verso., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Washington Monument and Independence Hall, Philadelphia, Pa.
View of the marble statue designed by Joseph Bailly erected in front of the State House by the "Washington Monument Association of the First School District of Pennsylvania July 4, 1869." The base of the statue is adorned in patriotic bunting. In the background, shields depicting state seals hang from windows on the upper stories of the state house below flags and shields. Original statue removed to City Hall in 1908 and bronze cast erected in its place., Additional places of publication printed on mount. Includes Liverpool, Toronto-Canada and Ottowa-Kansas., Title, photographer's, publisher's and distributor's imprint on mount. Mount includes two small circular stamps on the left-hand side: "Grand diamond badge prize" and "Eleven first prize medals.", Title printed in six languages on verso., Curved cream mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel., George Barker was a prolific New York stereographer in the 1860s whose gallery catered to the tourist trade in Niagara Falls.
Washington Monument, Baltimore, Md.
View looking east from West Monument Street showing the Washington Monument constructed 1815-1829 after designs by Robert Mills in the Mount Vernon neighborhood of Baltimore, Maryland. The 178-foot doric column is visible from the street flanked by large brownstone mansions., Title printed on mount., Photographer's blind stamp on mount., Publisher's label pasted on verso., Distributor's label pasted on verso: From James W. Queen & Co., opticians, No. 921 Chestnut St., Philadelphia, White mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim Brothers copyrighted a series of stereographs with labels inscribed: "American Stereoscopic Co., Langenheim, Loyd & Co., Philadelphia" in 1858. They continued to produce stereographs until 1865, when they withdrew from the American Stereoscopic Co.
Washington Monument, front of Independence Hall, Philadelphia.
View of the marble statue designed by Joseph Bailly erected in front of the State House by the "Washington Monument Association of the First School District of Pennsylvania July 4, 1869." The base of the statue is adorned in patriotic bunting. In the background, shields depicting state seals hang from windows on the upper stories of the state house below flags and shields. Original statue removed to City Hall in 1908 and bronze cast erected in its place., Title and photographer's imprint on mount., Curved orange mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., George Barker was a prolific New York stereographer in the 1860s whose gallery catered to the tourist trade in Niagara Falls.
Washington monument, Richmond, Va.
Shows the monument sculpted by Thomas Crawford and Randolph Rogers installed at Capitol Square in 1850. Sculpture includes figure of Washington on horseback and six smaller figures of important Virginians including Patrick Henry and Thomas Jefferson. View includes church steeples in the background., Unmounted stereographic print with paper backing pasted on verso., Title inscribed on image., Originally part of a McAllister scrapbook of views of Virginia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Washington Senate Chamber.
Interior view of the United States Senate Chamber in the Capitol building in Washington, D.C. Shows desks and chairs arranged in a half-circle facing a platform, the galleries lining the perimeter of the room, and a partial view of the skylights in the ceiling. The Senate relocated to this chamber in 1859., Title on negative., Distributor's imprint on mount., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Washington statue--front of Independence Hall.
View showing the George Washington marble statue sculpted by Joseph A. Bailly enclosed in ironwork fencing in front of Independence Hall. Statue rests on pedestal inscribed "Erected by the Washington Monument Association of the First School District of Pennsylvania July 4, 1869." Also shows spectators in the background., Title printed on verso with eighty-one other numbered titles in the series (No. 356-437)., Photographer's imprint printed on verso., Buff mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
Washington's statue--Philadelphia.
View showing the George Washington marble statue sculpted by Joseph A. Bailly enclosed in ironwork fencing in front of Independence Hall. Statue rests on pedestal inscribed "Erected by the Washington Monument Association of the First School District of Pennsylvania July 4, 1869." Also shows a crowd of spectators in the foreground and patriotic bunting, most likely for the Centennial celebrations, covering the State House in the background., Title printed on mount below image., Series titles in ornate columns with graphic vignettes., Orange mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The Water Babies.
View of the statue "The Water Babies," designed by M.S. Gould, on display in the Art Gallery Annex. Depicts two nude young children, cuddling together inside an oversized seashell. One child sits awake with its arm around a smaller child with its eyes closed. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Water works.
View looking northwest through the observatory tower arch at the basin of the Fairmount Water Works on the Schuylkill River. Shows the path with ornate iron railing leading to the terrace of the new mill house built on the mound dam between 1859 and 1862 after the designs of engineer Henry P.M. Birkinbine. Also shows a pavilion of the old mill house and the pavilion on the pier of the mound dam. The waterworks, originally built between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, were altered and expanded after the designs of Philadelphia engineers, Henry P.M. Birkinbine and Frederick Graff, Jr., Trimmed yellow mount with rounded corners., Title from manuscript note on verso., Photographer's imprint printed on mount., Duplicate of P.9260.17., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Water works
View looking northwest through the observatory tower arch at the basin of the Fairmount Water Works on the Schuylkill River. Shows the path with ornate iron railing leading to the terrace of the new mill house built between 1859 and 1862 on the mound dam after the designs of engineer Henry P.M. Birkinbine. Also shows a pavilion of the old mill house and the pavilion on the pier of the mound dam. The waterworks, originally designed by Philadelphia engineer Frederick Graff, were altered and expanded by Philadelphia engineers Henry P.M. Birkinbine and Frederick Graff, Jr., Photographer's imprint printed on mount., Yellow mount with rounded corners., Description of "Fairmount Park and Water Works" printed on verso., Title from manuscript note on verso., Duplicate of 8353.F.9., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Water works
Winter view looking northwest through the observatory tower arch at the basin of the Fairmount Water Works on the Schuylkill River. Shows the path with ornate iron railing leading to the terrace of the new mill house built on the mound dam between 1859 and 1862 after the designs of engineer Henry P.M. Birkinbine. Also shows a pavilion of the old mill house and the pavilion on the pier of the mound dam. The waterworks, originally designed by Philadelphia engineer Frederick Graff, were altered and expanded after the designs of Philadelphia engineers Henry P.M. Birkinbine and Frederick Graff, Jr., Title from manuscript note on verso., Photographer's imprint printed on mount., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

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