Collection of nearly 3,000 stereographs published and distributed in or of Philadelphia. The photographs mainly portray commercial and residential street scenes, particularly Market and Chestnut streets; religious, public, financial, and industrial buildings and institutions; and historic and prominent landmarks as well as a small selection of non-Philadelphia views.

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View on the Wissihicken [sic] near Philla. [sic]
View showing a stretch of Lincoln Drive including Maple Spring Hotel, the roadhouse and picnic resort established around 1865. The hotel was known for proprietor Joseph Smith's prominently displayed hand-carved curios created from laurel root that he gathered along the Wissahickon Creek. The hotel fell into ruin following the loss of its liquor privileges and was razed in the late 19th century. A horse-drawn carriage travels down the wooded road., Yellow mount with rounded corners., Title from manuscript note on verso., Name of photographer from duplicate. (3)1322.F.137h., Gift of Ivan Noble., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Views at De Silverwood. Near Holmesburg, Pa.
Series of views of the estate in Northeast Philadelphia. Shows "The Piazza; "The Mansion"; "The Pond"; and "The Park." Images include posed individuals, including two seated women near a lounging bearded man in a turban and a horse-handler with a horse; potted plants and trees adorning the piazza; posed horse-drawn carriages; and a foot-bridge near the pond., Cream paper mounts with square corners., Four of images contain photographer's imprint and are accompanied by labels., Originally part of a McAllister scrapbook of Pennsylvania views & political miscellany., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Views from the Reading Railroad near Reading, Pa.
Views of the rocky landscape adjacent to railroad tracks near Reading, Pa., including the Lebanon Valley Railroad Bridge spanning the Schuylkill River. Includes a man standing in front of a steep, rocky hill and a horse-drawn coach resting near the river. The bridge, completed in 1857, was burned down during the Great Railroad Strike of 1877., Yellow cardboard mounts with rounded corners. Photographer's printed labels pasted on versos., Manuscript note on versos of P.8484.19 and P.8484.21: Bartlett & French; William C. Darrah coll., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1869.
Views in the garden of J.R. Evans.
Shows "The Fountain" and "The Walk" in the rear garden of the residence of gentleman Joseph R. Evans at 329 Pine Street in Society Hill. Views also include trellises, ornamental urns, and three young ladies and two gentlemen., Cream paper mounts with square corners., Photographer's imprint stamped on mount., Title from accompanying labels., Originally part of McAllister scrapbooks of views of Philadelphia and Pennsylvania views & political miscellany., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 23., Arcadia caption text: Many Center City rowhouse residents made use of their “postage stamp” yards to create small private gardens hidden from view from the street. Behind his residence at 329 Pine Street, Joseph R. Evans took advantage of a double back lot to create a fenced garden complete with walkways, trellises, statuary, urns, and a large ornamental fountain. These two views from the early 1860s document the elaborate design and landscaping of his garden., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Views of a U.S. Army Hospital Department No. 9 ambulance in a lumber yard, probably in Washington, D.C
Series of views showing the two-wheeled Finley ambulance wagon displayed in front of a draped pile of lumber; while attended by an ambulance driver and occupied by men posed as casualties; and parked with closed flaps near medics carrying a stretcher between one of the "causalities" on a flat gurney and a second one on a folded bed. Also shows piles of exposed lumber and nearby buildings in the background., One of images [ 5779.F.17c] accompanied by label with manuscript note: U.S. Army Ambulance., Created postfreeze., Originally part of McAllister scrapbooks of materials related to the Cooper Shop and Union Volunteer Saloons and Hospitals and Civil War views., Contains four stereographic prints on yellow mounts with square corners, 3 unmounted halves of stereographic prints and one half of a stereographic print on a white mount., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Views of a wedding ceremony.
Series of titled wedding photographs include "Kissing the bride," "The wedding march," and "The blessing". Images depict a bride and groom with a bridal party in a room full of plants and shows the groom leaning in to kiss the bride; the entire group posing for the photographer; and everyone kneeling and praying in a circle., Copyrighted 1897 on negative by William H. Rau., Additional places of publication printed on mount, including Chicago; London; Hamburg, Ger.; and Milan, Italy., Title supplied by cataloger., Photographer's imprint printed on mount., Distributor's imprint printed on mount., Buff curved mount with rounded corners., Griffith & Griffith, established in Philadelphia in 1896, expanded in 1908 to included offices in St. Louis and Liverpool. The non-Philadelphia offices were relocated in 1910., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Views of Brandywine Creek, Delaware.
Views of Brandywine Creek in Delaware, showing men, women and children sitting on rocks near the banks of the creek, in canoes, and near a mill race. Includes sunset views, rocky glens, tangles of bare trees, and a partial view of a mill building., Contains seven stereographic prints mounted on yellow cardboard mounts, five of which have square corners, two rounded corners. All contain photographer's printed labels pasted on versos., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1869.
Views of Catawissa Creek.
Views of men steadying or rowing canoes on the tree-lined creek near Stranger Hollow and Catawissa Island. Catawissa Creek is a tributary of the North Branch Susquehanna River in east central Pennsylvania., Yellow cardboard mounts, three with square corners, two with rounded corners. Photographer's printed labels pasted on versos. Includes one hand-colored stereograph (P.8484.6)., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1869.
Views of Chatham Island, South Pacific during United States Transit of Venus expedition.
Series of expedition views from photographer William H. Rau's Transit of Venus expedition to Chatham Island in December 1874 depict crude wooden structures in a rural landscape., Title supplied by cataloger., Photographer's imprint on mounts., Orange mounts with rounded corners., Manuscript note on verso of item P.9517.1: "Rear view of one observatory", Manuscript note on verso of item P.9517.2: "Cabin built by the wrecked crew of the American whaler "Alabama" 1868"., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Philadelphia photographer William H. Rau was included in one of eight observation parties sponsored by the United States government to gather information about the December 8, 1874 Transit of Venus. His party travelled to the Chatham Islands, an archipelago off the coast of New Zealand, to view the astronomical phenomenon, but inclement weather there prevented Rau from collecting decent images of the event.
Views of construction of New City Building, Philadelphia, John McArthur, Jr., architect.
Progress photographs of the early construction of City Hall built 1871-1901 on Penn Square after the designs of John McArthur, Jr. Photographs show different stages of the construction of the foundation and lower floor of the building between 1873 and 1875. Includes images of the dirt sub-basement; construction materials, equipment, and workers; and partially completed walls and abutments. Several of the views include scaffolding; horse-drawn carts; pulleys; piles of construction debris; and workers and well-dressed men, probably the commissioners, reviewing and posed on or near constructed parts of the building and construction materials. Views also show surrounding cityscape, including the west and south elevations of Masonic Temple (Broad and Filbert); the Pennsylvania Railroad freight depot (13th and Market); the towers of the gothic-style St. John the Evangelist Church (23-25 South 13th); West Penn Square Academy (s.w. corner of Market and Merrick); the spire of the Arch Street Methodist Episcopal Church (s.w. corner Broad and Arch); La Salle College High School (n.e. corner Broad and Filbert); and dwellings facing Penn Square. Also shows broadsides posted to the fence surrounding the construction site advertising Pugh & Creauthers furniture manufacturers and dealers (228 So. 2nd St.); Fox's New American Theatre; Arion Pianos (1308 Chestnut); and Secor Sewing Machines (Eighth and Walnut)., Six are from the Views of construction in sub-basement series and eight are from the Views of construction series., Series titled "Views of construction in sub-basement" (P.9840.3-7) copyrighted 1873 by James Cremer., Photographer's imprint on mounts., Dates on versos., Printed text on versos list names of architects and the Board of Commissioners., Yellow mounts with rounded corners., See also albums - Cremer [(1)23455.D and (2)23455.D], Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., From 1873 to 1875, Cremer documented the construction of Philadelphia's City Hall in a series of stereographs produced for the Commissioner for the Erection of the Public Building.
Views of Independence Hall, 520 Chestnut Street, Philadelphia.
Views predominately showing exteriors of the front and rear of the State House built 1732-1748 after the designs of Andrew Hamilton and Edmund Woolley. Also shows the old City Hall built 1790-1791 after the designs of David Evans, Jr. adorned with lettering reading "Mayors Office" (500 Chestnut); views of Congress Hall built 1787-1789 (540-558 Chestnut), including the building adorned with broadsides; partial views of the construction site for and the completed Public Ledger Building (built 1866-1867, 600-606 Chestnut), the rear gate entrance to Independence Square and the square; pedestrian traffic; horse-drawn wagons; and a guard. Also includes a view of a queue of people in mourning clothes at the rear of the hall, probably during the funeral of President Lincoln and an interior view showing the Assembly Room when utilized as an exhibit gallery. Interior view includes William Rush's wood statue of George Washington (carved 1815); the Liberty Bell; a stuffed bald eagle; framed artwork, predominately from the Charles Wilson Peale portrait collection, and the "Rising Sun" chair (used by George Washington as he presided over the Constitutional Convention) displayed on top of a desk., Contains eight stereographic prints mounted on yellow, cream, or orange mounts, including six with square corners and two with rounded corners. Four of images contain manuscript titles. One of images published as series number 352. Independence Hall. New Excelsior Series. Fine American Views. Philadelphia, Penn'a., Six of the images were originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Views of Milestown, Philadelphia along Old York Road, north of Branchtown, and above Oak Lane.]
Series of views of the Philadelphia neighborhood. Shows a rundown cottage near a row of trees; a mill; and a creek. Views also include boys posed near the sites, including boys with a rowboat and holding fishing nets., Attributed to John Moran., Cream mounts with square corners., Three of images accompanied by labels., Series numbers include: 22., Originally part of McAllister scrapbooks of American views and Pennsylvania views & political miscellany., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Views of Mount Peace, Philadelphia.
Views depict the Ralston estate known as "Mount Peace" located near St. James the Less and the junction of Nicetown Lane and Lamb Tavern Road. One image shows an open field and farm building in the foreground and larger dwellings and outbuildings in the distant background. The other depicts a man sitting in the grass next to a winding tree-lined path. Probably photographed before the Odd Fellows Cemetery Company purchased the land to build Mount Peace Cemetery (adjacent to Mount Vernon Cemetery) on the site in 1865-66., Title supplied by cataloger., Attributed to Robert Newell., Manuscript note on verso of item 7992.F.2: Mount Peace near Philadelphia., Manuscript note on verso of item 7992.F.13: View at Mount Peace (near Phila.)., Yellow mounts with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Views of Mount Washington, New Hampshire.
Winter views of snow-capped rocks on Mount Washington and Tuckerman's Ravine in the White Mountains of New Hampshire. One view depicts two men sitting on the rocks in the foreground., Title supplied by cataloger., Photographer's imprint printed on verso., Yellow mounts with square corners., Gift of Mr. Saul Koltnow., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bierstadt Brothers were active ca. 1860-1867 in New Bedford, Massachusetts. Sold their gallery to S.F. Adams in 1867.
Views of Niagara Railway Suspension Bridge spanning the Niagara River.
Views depict the Niagara Railway Suspension Bridge spanning the Niagara River constructed 1851-1855 after John A. Roebling to connect the railroads of New York Central and Great Western Railway of Canada. One image shows the large stone pylons and two decks of the bridge from the river bank and another depicts the enclosed wooden carriage level with two men standing on the sides near the lattice work., Photographer's stamp pasted on versos., Yellow mounts with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Views of Ocean Grove, New Jersey.
Series of titled views depict Ocean Grove, New Jersey. One image depicts a crowd of men, women and children standing and sitting with parasols on the beach. Swimmers are visible in the ocean in the background. Another view shows Wesley Lake from the southwest at Whitefield Avenue. Includes boats docked and on the lake, nearby buildings, and pedestrians strolling on the narrow boardwalk in the foreground. Another image depicts the town of Ocean Grove from the tower of the Ocean Grove Camp Meeting Association Building. The Arlington Hotel (i.e., Arlington House), Day's Ice Cream Garden, and Pilgrim Pathway are visible in the foreground. A flag flies from the top of Sheldon House in the distance background., Title supplied by cataloger., Photographer's imprint printed on mount., Manuscript note on verso of item P.9022.19: Muschamp, 33., Manuscript note on verso of item P.9022.20: Wesley Lake, Ocean Grove., Orange mounts with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gustavus Pach operated a photographic studio at 841 Broadway in New York City from 1877 to 1881. His brothers Gotthelf & Oscar joined the firm in 1881 and the style changed to G.W. Pach & Brothers.
Views of Pennsylvania Hospital, 801-849 Pine Street, Philadelphia.
Exterior views showing the hospital built 1755-1805. East wing built 1755-1757 after the designs of Samuel Rhoads. West wing built 1794-1796 and the center house built 1794-1805 after the designs of David Evans, Sr. and David Evans, Jr. Building altered between 1846-1853 after the designs of John McArthur and John McArthur, Jr. Views include the William Penn statue attributed to British sculptor John Cheere or John Bacon., Yellow paper mounts with square corners and manuscript titles., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Views of the Delaware Water Gap.
Views of individuals recreating near the Delaware River, Caldeno Creek, and Rebecca's Bath in the area of the Delaware Water Gap. Includes a man sitting on a rock and reading near railroad tracks overlooking the river, a distant view of Kittatinny Hotel on Mount Minsi, and children sitting on rocks and benches near the river and streams., Yellow cardboard mounts with rounded corners. Photographer's printed labels pasted on versos., Distributor's stamp on verso of P.9168.4: William Y. McAllister, Phila. Jul. 31, 1868., Stamped on verso of P.8484.9: J.W. Deane., Manuscript note on verso of P.8484.10: Seely., Manuscript note on versos of P.8484.11-12: Bartlett & French; William C. Darrah coll., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1869.
Views of the Delaware Water Gap, Pennsylvania.
Series of titled landscape views include, "View on Broadhead's Creek," "Little Bushkill Creek, above the Falls," "Buttermilk Falls," "Buttermilk Falls, vicinity of Delaware Water Gap, Pennsylvania," "Caldeno Falls," "Delaware River, from Prospect Rock," "The Gap, Blockhead Mountain," "The Gap, from the bed of the river," "Gap, from Table Rock, Delaware Water Gap, Pennsylvania," "Marshall's Falls, Marshall's Creek," and "Mossy dell". Images depict tree-lined creeks, waterfalls, rocks, dams, a mossy dell and a snake in the Delaware Water Gap. Many of the views contain posed male figures, possibly John Moran and John Storey., Titles printed on labels pasted on versos., Photographer's labels pasted on versos., Imprint of distributor, Johnson & D'Utassy, photographers, printed on verso of two items in series: 952, 954, 956 Broadway, New York, corner Madison Square, opposite Fifth Avenue Hotel, and Kittatinny House, Delaware Water Gap, Pa. All branches of the photographic art executed in the most skillful manner and with despatch. Photographs colored in oil or water colors or india ink. N.B. A large and choice collection of stereoscopic views, taken from nature, on hand. John H. Johnson. Fred. George D'Utassy., Imprint of distributor, J.W. Queen & Co., 924 Chestnut Street, stamped on verso of one items in series., Buff and yellow mounts with square and rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Moran and Storey was a short-lived partnership between Philadelphia photographers John Moran and John Storey in the early 1860s.
Views of the estate of George Washington, Mt. Vernon, Va.
Views showing the residence of Washington, known as the Mansion, in a dilapidated condition and the gate to the Washington family tomb (erected 1831). Also shows men posed on the grounds, including a man raising his hat and a young boy holding a basket in front of the tomb. Mount Vernon Ladies Association started restoration of the Mansion in 1860., Manuscript notes on versos of stereographs., Stereographs on yellow mounts with square corners., One of images [5737.F.6c] possibly by William and Frederick Langenheim., Originally part of a McAllister scrapbook of views of Virginia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Views of the House of Refuge, Philadelphia.
Views show the House of Refuge site that opened in 1850 between Parrish and Brown Streets between Twenty-second and Twenty-fourth Streets. Exterior views depict the front lawn of the White Boys Department, designed by John McArthur, Jr., facing west and south, showing men and women standing, sitting, and lying on the landscaped lawn near the ivy-covered building. Views includes dogs, flower beds and planters. Another view shows boys in uniform belonging to the drum and flute corps of the brass band standing on the entrance stairs to the five-bay, ivy-covered White Boys Department. Men and boys are visible in the windows on the first floor. Interior views of the White Boys Department depict rows of single beds in the dormitory, the stark wide hallway of the "B" division, the kitchen, and the dining room with long rows of tables covered with place settings in preparation for a meal., Photographer's imprint on versos in decorative font. Includes vignette of painting palette with brushes extending through the hole., Descriptions of images written in manuscript notes on versos., Yellow curved mounts with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Views of the Wilson family on their estate.
Views show the Wilson family recreating on their estate. Depicts the family reading, picnicking, sitting and lounging in their yard, walking and working in their gardens, harvesting corn, playing with family dogs, posing near a small footbridge, and eating on their porch. Several members of the family are seated on their horses in a few of the images. One image includes an African American man, attired in a white chef’s hat and apron, overseeing a meal under a tent. Also shows exterior views of the family's two-and-a-half story residence with porches on the first two levels, a stone barn, and outbuildings. American flags are included in several of the images., Title supplied by cataloger., Date based on content and attire of the people., Photographer's labels pasted on versos., Stereograph [P.9439.17] contains manuscript note on verso: "For Mr. Wilson with compliments of the artist.", Contains twenty-two photographs, seventeen printed on yellow mounts with square corners and five printed on mint green mounts with square corners., Purchase 1993., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Views of Tuckerman's Ravine and Mount Washington, White Mountains, New Hampshire, 1861-1862.
Series of titled views documenting the landscape of the White Mountains in New Hampshire include, "Pillar of snow, Tuckerman's Ravine, August 28, 1861," "Mt. Washington Carriage Road, at ledge--looking down," and "Interior of snow arch--Tuckerman's Ravine, August 14, 1862". The mountains, spilt by the Crawford Notch, comprise two ranges named Presidential (east) and Franconia (west). The scenic mountains inspired the 19th-century "White Mountain School" of painting and the publication of several series of stereographic views in the mid to late nineteenth century., Views show Mount Washington, part of the Presidential Range, and Tuckerman's Ravine, located on the east side of Mount Washington. They include three men surveying a large block of ice in the ravine; a horse-drawn carriage pulling a man up an inclined dirt-road; and an expedition party sitting and standing with walking sticks from the interior of a cave filled with rocks., Title supplied by cataloger., Titles of individual stereographs printed on mounts., Photographer's imprint printed on versos., Pale yellow mounts with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Soule maintained photographic studios on Washington Street in Boston, Massachusetts ca. 1861 to 1882 before relocating to Seattle, Washington.
Views of William F. Murphy's Sons' stationery, steam-power printing, ruling and blank book manufacturing establishment, no. 509 Chestnut Street, (nearly opposite Independence Hall,) Philadelphia.
Interior view showing shelves and display cases containing a variety of blank books and ledgers, and other stationery items. Murphy's Sons moved to this location in 1872. View probably created as part of a series celebrating the opening of the new store., Photographer's imprint on verso., Buff mount with rounded corners., LCP AR [Annual Report] 1996, p. 40-41., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Views of Woodlands Cemetery, 3900 Woodland Avenue, Philadelphia.
Views of tombs and mausoleums in the cemetery chartered in 1840 on the former estate of botanist William Hamilton in West Philadelphia. Shows the Drexel family mausoleum (completed 1863 after the designs of Collins & Autenrieth), the Edward Alexander Orme monument, the Commodore David Porter obelisk; and the tomb of optician John McAllister, Jr. and his wife Eliza Young McAllister. Views also include trees and iron work and marble fencing., Three of images originally part of a McAllister scrapbook of views of Philadelphia., Stereographic prints mounted on yellow mounts with square corners, including one [(5)1322.F.80a], hand-colored. Two also contain labels printed with titles, including the series title: Views in Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Views on Tacony Creek, Philadelphia]
Views include a water fall, trees, and brush near the creek. Majority of views depict the creek during the winter., Title supplied by cataloguer., Contains five stereographic prints mounted on white or yellow mounts with square corners and accompanied by labels, including four stamped with the photographer's imprint., Series numbers include: 1, 3, 17., Two originally part of McAllister scrapbooks of Pennsylvania views & political miscellany and views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Views on the Delaware.
Rooftop view of a landscaped park with walkways adjacent to the Delaware River. A man drives a horse-drawn cart in the street in the foreground., Title from printed unnumbered series lists on verso., Distributor's imprint printed on verso., Orange curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
Views on the Estate of S.B. Waugh, Bordentown, N.J.
Exterior and interior views of portrait painter Samuel Bell Waugh's residence in Bordentown, N.J., including group portraits of the family on the lawn of the property. The only interior view depicts a young woman playing a piano in an ornately decorated parlor. Two young girls, possibly Samuel Bell Waugh's daughters, are depicted in six of the seven images., Photographer's stamp on versos of mounts., Yellow mounts with square corners., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Views on the Tohickon Creek, Point Pleasant, Bucks County, Pa.]
Views showing the rocky hillsides; the Geddes Brook, a tributary to the creek; and the creek. Tohickon Creek runs from the Nockamixon Dam to confluence with the Delaware River., Title supplied by cataloguer., Contains four stereographic prints mounted on yellow or white mounts with square corners and accompanied by labels, including three stamped with the photographer's imprint and one containing a distributor's stamp on the verso., One of images originally from a McAllister scrapbook of Pennsylvania views & political miscellany., Series numbers include: 80, 88., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Views on the Wissahickon Creek, Fairmount Park, Philadelphia, Pa.
Landscape views showing the creek, creek bed, Wissahickon Road (i.e., Wissahickon Drive), public drinking fountain, and a bucolic area near the Wissahickon Valley residence, the Hermitage. Many of the views also include posed figures., Contains nine stereographic prints mounted on yellow or white mounts with square corners, including seven with titles, one with the photographer's imprint, and one with the distributor's imprint (The London Stereoscopic Company). Also contains one stereographic print mounted on paper., Six of the images originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Village of Point Pleasant, Delaware River and canal in the distance.
View showing the river and mill village near New Hope, Pa. Includes a covered bridge. Village was developed to service rafters and canal men transporting materials on the river and canal., Attributed to John McAllister., Title from accompanying label., Yellow paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Pennsylvania views & political miscellany., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Viti's alabaster vases M.B.
View of alabaster vases and urns created by Viti Brothers of Philadelphia on display in the Main Building designed by Henry Pettit and Joseph M. Wilson. Also shows chandeliers and candelabra on display behind the Viti Brothers' exhibit. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., White curved mount with rounded corners., Gift of Charles Isaacs., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Benevolent institutions.
Depicts handicrafts and other goods for sale at a table with a "Benevolent Institutions" signboard. Patriotic bunting hangs from the rafters., Originally part of McAllister scrapbook on the Sanitary Commission., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 54., Arcadia caption text: Local businesses and benevolent institutions donated products and staffed booths at the Sanitary Fair, held in Philadelphia’s Logan Square in June of 1861 to raise money for the benefit of Union soldiers. Displays featured the latest technology and tools, along with relics, art work, and plant specimens from all over the world., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Wall Street Ferry Terminal, foot of Montague Street, Brooklyn, New York]
Elevated view of the Wall Street Ferry Terminal, built ca. 1853 at the foot of Montague Street in Brooklyn, showing two ships with bare masts near a docked ferry boat in the foreground. Shows other vessels on the Hudson River and a partial view of Manhattan in the background. Ferry operated 1853-1912 by the Union Ferry Company., Title supplied by cataloger. Identified from ca. 1884 photograph., Manuscript note on verso: View on the Delaware, Philada., Printed list of three series, "Philadelphia Centennial Views," "Philadelphia City and Park," and "Miscellaneous" on verso. Below lists of series on verso: Philad'a Stereo. Publishing Company., Publisher's imprint on mount., Orange curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Walnut St. Theatre.
View showing the Walnut Street Theatre at 827-833 Walnut Street (corner of Ninth and Chestnut streets). The theater, originally built as a circus in 1809, was altered to a theater in 1816, and remodeled from 1827-1828 after the designs of Philadelphia architect John Haviland. Also shows adjacent buildings, including a lager beer saloon. Street traffic includes a horse-drawn omnibus and several carriages., Yellow mount with square corners., Title from manuscript note on mount., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Walnut Street Theatre, Philada.
View showing the Walnut Street Theatre at 827-833 Walnut Street (corner of Ninth and Chestnut streets). The theater, originally built as a circus in 1809, was altered to a theater in 1816, and remodeled from 1827-1828 after the designs of Philadelphia architect John Haviland. Also shows men sitting and standing near the corner of the building, along with adjacent row homes on the north side of the block looking east., Title from inscription on mount., Inscribed on mount: No. 1486., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 17., Arcadia caption text: The rowhouses on the north side of the 800 block of Walnut Street shown here c. 1865 no longer exist, but the Walnut Street Theatre still stands, holding the title of America’s oldest theater. Built by Victor Pepin and Jean Breschard, circus promoters who brought their equestrian and human acts to the United States from Europe, the theater has operated continuously since opening in 1809 as the New Circus. Architect John Haviland made extensive alterations in 1828, when it permanently changed its name to the Walnut Street Theatre., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Wanamaker's great store, Phila.
View of Wanamaker's Grand Depot from the northeast showing the Market Street facade between 12th and 13th Streets. Wanamaker opened the depot, designed by Theopilius P. Chandler, in 1876 in the old Pennsylvania Railroad Company train sheds. Demolished 1902., Buff mount with rounded corners., Title inscribed in negative., Series title stamped on mount., Gift of Robert M. Vogel., Duplicate view published by Alfred S. Campbell of Elizabeth, New Jersey (P.9047.92)., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Wanamaker's store, Phila.
View of Wanamaker's Grand Depot from the northeast showing the Market Street facade between 12th and 13th Streets. Wanamaker opened the depot, designed by Theopilius P. Chandler, in 1876 in the old Pennsylvania Railroad Company train sheds. Demolished 1902., Buff mount with rounded corners., Title inscribed in negative., Stamped on mount: Copyrighted 1896 by Alfred S. Campbell, Elizabeth, N.J., U.S.A., Printed label on verso contains text describing the store., Gift of Robert M. Vogel., Duplicate view published by J.S. Johnston of Philadelphia (P.9047.91)., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 66., Arcadia caption text: Having outgrown his original men’s and boy’s clothing store at Sixth and Market streets, John Wanamaker purchased an abandoned Pennsylvania Railroad freight depot at Thirteenth and Market streets in 1874 and remodeled it into Philadelphia’s first department store. Known as the Grand Depot, the store attracted thousands of customers daily. By the time of this 1896 photograph, the store had electric lights, telephones, elevators, a large restaurant, and “many waiting, reading and toilet rooms” for the comfort of the customers. In the early 20th century a new Wanamaker’s store was constructed on the same site., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Warerooms of Baird's monumental works.
Interior view of warehouse on Spring Garden Street above Ridge Road [i.e. Avenue] showing carved marble monuments including ornate gravestones, a fountain, and statues. The marble works, founded by John Baird in 1841 specialized in monumental art, principally of Italian marble. The firm was the first marble works of the city to use a steam powered mill., Pale yellow mount with square corners., Published in Kenneth Finkel's Nineteenth-Century photography in Philadelphia (New York: Dover Publications Inc., 1980), plate 117., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Warner Miskey & Merrill's show room, 718 Chestnut St. Phil.
Interior view of the gas fixture store. Gas light fixtures and chandeliers line the walls and ceilings above shelves lined with merchandise wrapped in paper. A store catalog is displayed in front of banister surrounding an opening in the floor. Also includes a stairwell in the background., Photographer's imprint blindstamped on mount., White paper mount with square corners., Title printed on mount., Accompanied by advertising label titled "Philadelphia Gas Fixture works. " Promotes the Philadelphia and New York branch (Warner, Peck & Co.) of the fixture manufactory and the company's line of products of "gas fixtures, lamps, girandoles, Bronzes, &c." designed by French artists. Also contains a one-line promotion for the photographic firm Langenheim, Philadelphia., Retrospective conversion record: original entry, edited., Published in Kenneth Finkel’s Nineteenth century photography in Philadelphia (New York: Dover Publications, Inc. in cooperation with the Library Company of Philadelphia, 1980), entry #109., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.

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