Collection of nearly 3,000 stereographs published and distributed in or of Philadelphia. The photographs mainly portray commercial and residential street scenes, particularly Market and Chestnut streets; religious, public, financial, and industrial buildings and institutions; and historic and prominent landmarks as well as a small selection of non-Philadelphia views.

Pages

Cave of Cupica Bay Isthmus.
Landscape view showing a short, wide cave entrance at the bottom of a large rock formation near Cupica Bay. Also shows a man squatting inside the entrance of the cave. View from T.O. Selfridge's 1870-1871 naval expedition of the Isthmus of Darien. Authorized by the U.S. Government, Selfridge explored and surveyed the area as a possible route for a ship canal in Panama. He was accompanied by photographer T.H. O'Sullivan in 1870 and Philadelphia photographer John Moran in 1871., Title from manuscript notes on mount and verso., Attributed to John Moran., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Cedar Glenn [sic], Laurel Hill Cemetery.
View showing a man standing in a grove of trees and bushes near a headstone in the rural cemetery built 1836-1839 after the designs of John Notman at 3822 Ridge Avenue. Also shows several residential buildings in the distant background and fencing in the foreground., Title from label on verso., Yellow mount with rounded corners., Attributed to Bartlett & French., Duplicate of P.9058.147., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1868.
Cedar Glenn [sic], Laurel Hill Cemetery.
View showing a man standing in a grove of trees and bushes near a headstone in the rural cemetery built 1836-1839 after the designs of John Notman at 3822 Ridge Avenue. Also shows several residential buildings in the distant background and fencing near a gravestone in the foreground.., Title from label on verso., Yellow mount with square corners., Attributed to Bartlett & French., Duplicate of P.8484.16., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1868.
Cedar Grove chapel.
Exterior view, with parishioners standing in front of the church., Title from manuscript note on verso., Photographer's imprint printed on mount., Gray mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Centennial anniversary of the Lutheran Church, southeast corner 4th and Cherry streets.
Interior views showing the heavily adorned altar of the New Lutheran Church also known as Zion Church (i.e. Zion-St. Michael's Lutheran Church) during the centennial celebration of the church built 1766-1769 after the designs of Robert Smith. Decorations include a large banner, garland, flowers, and wreathes. One view also shows pews., Yellow mounts with square corners., Originally part of a McAllister scrapbook of views of Philadelphia., One of images [(4)1322.F.24a] accompanied by label misidentifying location., One of images [1332.F.24b] reproduced in Kenneth Finkel's Nineteenth century photography in Philadelphia (New York: Dover Publications, Inc. in cooperation with the Library Company of Philadelphia, 1980), entry #172., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Centennial Exhibition grounds, Philadelphia, 1876.
Views of the Centennial grounds showing state buildings from Belmont Avenue near the reservoir with the U.S. Government Building and the Main Exhibition Building in the background; an oblique view looking northeast at the Main Building with stagecoaches, horsecars and pedestrians converging on Elm Avenue near the passenger railway concourse in front of the Centennial National Bank; a view looking northwest at Centennial National Bank and the main entrance to the grounds showing coaches and spectators; and a view of the grounds looking along the Avenue of the Republic from George's Hill, including the west elevation of Machinery Hall. Many of the buildings were designed by Herman Schwartzmann, Henry Pettit, Joseph M. Wilson, and James H. Windrim. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., P.9299.32 numbered 253 with title on negative: "South from George's Hill.", Photographer's imprint printed on mounts., Photographer's manuscript note in ink on verso of P.9260.20: "Centennial National Bank.", Yellow mounts with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., P.9047.148 gift of Robert M. Vogel; P.9299.32 gift of Ms. Jane Carson James
Centennial Exhibition, Philadelphia.
View looking southeast from the reservoir near Belmont Avenue at the fair grounds, showing several state buildings along State Avenue, Centennial Lake bordered by trees and smaller exhibition buildings, and partial views of the colossal Main Exhibition Building and Machinery Hall designed by Henry Pettit and Joseph M. Wilson. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title from unnumbered, untitled series list on verso with sixty-seven other titles., Photographer's imprint printed on mount., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The Centennial - George's Hill from Elm Avenue.
View from the Centennial Exhibition of 1876 depicting an African American man standing next to an occupied horse-drawn passenger cart decorated with flags and posters in front of George's Hill in Fairmount Park. The observation tower upon the hill, and several sheds, pavilions, and tents are seen in the background., Title and photographer's imprint on mount., Number 1017 in a series of views entitled: The Centennial., Manuscript note on verso: No. 21., Manuscript note on verso: Isaac Sterns Burlington, VT., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel, 1984., George Barker was a prolific New York stereographer in the 1860s whose gallery catered to the tourist trade in Niagara Falls.
Centennial grounds from Judges' Pavilion.
Centennial grounds from Judges' Pavilion.
View looking north from the rear of the Judges' Hall showing four men standing on a path flanked by trees. A small bridge spanning a stream is visible in the distance. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Centennial grounds looking east.
View showing the landscaped Centennial grounds looking east, including the lake and the Main Exhibition Building and Machinery Hall designed by Henry Pettit and Joseph M. Wilson. In the foreground, a tower surmounted by a flag is attached to a cart. A man stands on a platform at the top. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Stamped on mount: Grade 2., White curved mount with rounded corners., Gift of Robert M. Vogel., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Centennial opening - the choristers. 1876.
Views show a large crowd of visitors gathered around and on top of the Main Exhibition Hall (designed by Henry Pettit and Joseph M. Wilson) on Opening Day on May 10, 1876. Pedestrians, many with parasols, gather near the orchestra and choir stands set up in front of the hall. Two sets of railroad tracks are partially visible in one image. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negatives., Photographer's imprint printed on mounts and on versos. Imprint on versos contain initials "CPC" in decorative border surmounted by date range 1776-1876., One print [P.2011.47.170] contains manuscript note on verso: 354, White curved mounts with rounded corners., Gift of Robert M. Vogel., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., One print [P.2011.47.170] gift of Raymond Holstein.
Centennial opening - the orators. 1876.
View showing a large crowd of visitors gathered around and on top of Memorial Hall (i.e., Art Gallery, built 1874-1876 after designs by Hermann J. Schwarzmann) on Opening Day on May 10, 1876. Pedestrians, many with parasols, walk toward the speakers' stands to hear President Ulysses S. Grant speak. Includes two West End Passenger Railway Company streetcars in the foreground. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contain initials "CPC" in decorative border surmounted by date range 1776-1876., White curved mount with rounded corners., Gift of Robert M. Vogel., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Central High School, Broad and Green Streets.
View looking southeast showing the west front and north flank of the second building of the Central High School for Boys (established 1838), the first public high school in the city, built 1853 at the southeast corner of North Broad and Green Streets. Also shows the Swedenborgian Church of the New Jerusalem, constructed in 1854 after designs by Collins & Autenreith, situated immediately north of Spring Garden Institute, built 1851-1852 after designs by Stephen Decatur Button at the northeast corner of Broad and Spring Garden Streets., Title from photographer's label on verso. Also lists forty-one other views in the series (No. 140-180)., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Central Park, N. Y. The lake, from terrace.
Landscape view of the lake from Bethesda Terrace in New York City's Central Park. Shows row boats on the water and a small boat landing in the distance., Title on negative., Manuscript note on verso: Muschamp, 34., White mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Mr. Saul Koltnow.
Central Park, N.Y., the oak bridge.
Landscape view of the pedestrian bridge built ca. 1860 after designs by Calvert Vaux spanning a tree-lined Bank Rock Bay in New York City's Central Park. Bridge replaced in 1935., Title on negative., Manuscript note on verso: Muschamp, 37., Mint green mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Mr. Saul Koltnow.
Chamouny, Fairmount Park - formerly owned by Topliff Johnson.
View of front facade, including the semi-circular bow on the south side, of the country retreat built circa 1802 for wealthy merchant George Plumsted. Also shows a man reclining in the grass in the foreground. The house was purchased by Topliff Johnson in 1853 and the property altered to almost twice its size. Chamounix Mansion was acquired by the city of Philadelphia in 1871 and was used as a restaurant and boarding house. Also known as Montpelier., Title printed on mount., Publisher's imprint printed on mount., Orange mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The chapel in Oak Hill, cemetery. Georgetown, D.C.
Shows the Gothic Revival-style chapel built in 1850 after the designs of James Renwick in the Washington, D.C. cemetery established by William Corcoran in 1848., Title printed on verso., Photographer's imprint printed on verso., Pink mount with rounded corners., Originally part of a McAllister scrapbook of views of District of Columbia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bell & Bro was operated by Charles Milton Bell and his brothers from the 1860s to early 1870s.
Cheat River, Rowlesburg, W. Va.
Landscape view showing the Cheat River in Rowlesburg, West Virginia. The river is flanked by tree-covered hills., Title from manuscript note on verso., Attributed to John Moran., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Chesnut [sic] St. east from Nineteenth.
View looking east on Chestnut Street from Nineteenth Street, primarily showing the north front and west flank of Dr. David Jayne's corner residence built 1865-66 after designs by John McArthur, Jr.. Trees in the foreground obscure upper stories of dwellings east of the Jayne residence. A lamppost in the foreground has "Nineteenth" and "Chestnut" inscribed in the fixture. Residence demolished 1922., Title on negative., Copy photograph attributed to James Cremer based on imprint on duplicate photograph in the collections (stereo - Cremer - Streets [P.9212.16])., Manuscript note on verso: Chesnut St. east from 19th, Orange curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Chest. St. Theatre, Phila. Pa.
View looking northwest at the north side of the 1200 block of Chestnut Street showing the Chestnut Street Theater built in 1863 after designs by John Crump. Includes signs for Allen's furniture store (i.e., Joseph Allen, cabinet maker, 1209 Chestnut) and a concert hall north of the theater building. All of the properties have awnings shading the street level, except for the theater, which has street lamps lining the sidewalk and a broadside advertising "E.L. Davenport's Theatre...A Dream of Life" near the entrance. Also includes trolley tracks, pedestrians on the sidewalks, and a few horse-drawn carts and coaches travelling in the street., Title from photographer's manuscript note on verso., Manuscript notes in red pen appear on mount., Manuscript note in red pen on verso: Mrs. Mihesell Vane 11/3/63 270/10.00 (3), Yellow mount with rounded corners., Davenport managed the theater from 1869-1873. "A Dream of Life" played there un 1872., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bell began his photographic career in 1848 working for his brother-in-law's daguerreotype studio in Philadelphia and thereafter was associated with many commercial studios as partner or sole proprietor. He served as the chief photographer for the U.S. Army Medical Museum in 1865 and replaced Timothy O'Sullivan on George M. Wheeler's survey of the territories west of the 100th meridian in 1872. He returned to Philadelphia, went into business with his future son-in-law William Rau in 1875, and was active in the photography community until his death in 1910.
Chestnut above Fourth, North side.
View of Chestnut Street, between 4th and 5th Streets, north side, looking west depicting a variety of commercial establishments including Walker & Co.'s cigar store; Kromer's news and patent medicine depot displaying advertisements for Wright's Great Consumptive Cure and Wright's Tar Syrup; William E. Harpur, chromometers; Philip Wilson & Co., gun dealers displaying a rifle three stories high; and Traubel's lithographic establishment., Reissue of a circa 1868 view entitled "Chestnut St., above Fourth, North side" by Bartlett & French of Philadelphia., Orange mount with rounded corners., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French ca. 1867-1869.
Chestnut Hill Depot.
Rooftop view showing the frame building of the Chestnut Hill Railroad Depot situated at Chestnut Hill and Spring House Turnpike and New Street (i.e., Bethlehem Pike and Newton Street). Also shows fenced-in yards and outbuildings of nearby properties. The Chestnut Hill Railroad completed a line from Germantown to Chestnut Hill in 1857, with the depot as its terminus. In 1870, the Philadelphia and Reading Railroad leased the Chestnut Hill Railroad and in 1872 the depot was replaced with a stone structure., Title and date from manuscript note on verso., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Chestnut St. above 4th St.
View showing the south side of the 400 block of Chestnut Street. Includes the Philadelphia Bank Building (400-408 Chestnut, built 1836); the U.S. Customhouse, (420 Chestnut, formerly the Second Bank of the United States, completed in 1824 after the designs of William Strickland); and the U.S Post Office and U.S. Courts Building (426-428 Chestnut, 1863-1884). Signage adorns the Philadelphia Bank Building, including advertisements for the resident businesses of William M. Clark, engraver on wood, and Boswell & Co., insurance agents. Also includes vendor stands in front of the U.S. Customhouse and pedestrians walking on the sidewalk., Title from manuscript note on verso., Attributed to James Cremer based on other stereographs with same series title and mount, with the photographer's label pasted on verso., Publication information from duplicate and variant stereoviews. (P.9260.49a and P.8931.2)., Orange mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Chestnut St. above 4th St. south side
View showing the south side of the 400 block of Chestnut Street. Includes the Philadelphia Bank Building (400-408 Chestnut, built 1836); the U.S. Customhouse, (420 Chestnut, formerly the Second Bank of the United States, completed in 1824 after the designs of William Strickland); and the U.S Post Office and U.S. Courts Building (426-428 Chestnut, 1863-1884). Signage adorns the Philadelphia Bank Building, including advertisements for the resident businesses of William M. Clark, engraver on wood, and Boswell & Co., insurance agents. Also includes vendor stands in front of the U.S. Customhouse and pedestrians walking on the sidewalk., Title from manuscript note on verso., Attributed to James Cremer based on other stereographs with same series title and mount, with the photographer's label pasted on verso., Publication information from duplicate and variant stereoviews. (P.9260.49a and P.8931.2)., Orange mount with rounded corners., Originally part of a McAllister scrapbook of views of Philadelphia., Mount discolored., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Chestnut St. Bridge, Philada. [graphic].
Views showing the iron arch bridge built over the Schuylkill River between 1861-1866 after the designs of Strickland Kneass. Also shows a sailing ship with her masts down, a pier loaded with lumber, a reinforced ditch filled with water, and cityscape in the background. The bridge, partially funded and utilized by the Chestnut and Walnut Streets Passenger Railway Company, was demolished in 1958., Stereograph on yellow mount with square corners., Title from manuscript note on on mount., One of images originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Chestnut St., E. from 8th, Phila., Pa.
View showing the north side of the 700 block of Chestnut Street. Businesses include The Quaker City National Bank, built in 1888 after the designs of Willis Gaylord Hale (715-719 Chestnut) and the Washington Hotel (709-711 Chestnut). Street and pedestrian traffic include several men wearing bowler hats; horse-drawn carts and wagons; and an omnibus traveling the "Chestnut and Walnut Sts." route. Gas lamps line the street., Title from label on negative., Buff mount with rounded corners., Gift of Robert M. Vogel., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Chestnut St. from 10th.
View looking east from Tenth Street showing the north side of the 800-900 blocks of Chestnut Street. Businesses include: H.P. & W.C. Taylor, perfumery; M.L. Spooner, ladies and children furnishings; and the Girard House hotel (823-835 Chestnut), built 1851-1852 after the designs of John McArthur, Jr. A partial view of the old masonic temple is seen in the distance. Lampposts line the sidewalk., Attributed to Henry B. Odiorne., Date and title from manuscript note on mount., Grey mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Chestnut St. from above 9th.
View looking east from above Ninth Street showing the south side of the 800-900 blocks of Chestnut Street. Businesses include: the Continental Hotel (824-838 Chestnut) completed in 1860 after the designs of John McArthur, Jr.; a millinery, a shirt manufactory, and a clothier. Lampposts line the sidewalk, including one adorned with an advertisement for the Walnut Street Theater. Horse-drawn carts and carriages travel the street. Partial view of a tree with full foliage is visible in the foreground., Attributed to Henry B. Odiorne., Title and date from manuscript note on mount., Grey mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook., Duplicate of (8)1322.31a., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Chestnut St. from above 9th.]
View looking east from above Ninth Street showing the south side of the 800-900 blocks of Chestnut Street. Businesses include: the Continental Hotel (824-838 Chestnut) completed in 1860 after the designs of John McArthur, Jr.; a millinery, a shirt manufactory, and a clothier. Lampposts line the sidewalk, including one adorned with an advertisement for the Walnut Street Theater. Horse-drawn carts and carriages travel the street. Partial view of a tree with full foliage is visible in the foreground., Attributed to Henry B. Odiorne., Title and date from manuscript note on mount., Gray mount with square corners., Attributed to Henry B. Odiorne., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook., Duplicate of (8)1322.31a., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Chestnut St. west from 4th.
View showing the south side of the 400 block of Chestnut Street. Includes the Philadelphia Bank Building (400-408 Chestnut Street, built 1836); the U.S. Customhouse, formerly the Second Bank of the United States, completed in 1824 after the designs of William Strickland (420 Chestnut Street); and the U.S Post Office and U.S. Courts Building (426-428 Chestnut, 1863-1884). Signage adorns the bank building, including advertisements for the resident businesses of William M. Clark, engraver on wood, and Boswell & Co. insurance agents. Also includes vendor stands in front of the U.S. Custom House and pedestrians walking on the sidewalk., Title and date from manuscript note on verso., Attributed to James Cremer based on other stereographs with same series title and mount, with the photographer's label pasted on verso., Orange mount with rounded corners., Retrospective conversion record: original entry, edited., Duplicate of (8)1322.F.19h., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 92., Arcadia caption text: Designed by William Strickland, the Philadelphia Bank building accommodated commercial tenants at street level while the bank occupied the upper floors. Businesses sharing bank premises were chosen with care. Although bank robberies were extremely rare in the 19th century, burglars tunneling into banks through the ground, or breaking through the adjoining walls of neighboring structures posed a very real threat to bank security., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Chestnut St. west from Fourth.
View showing the north side of the 400 block of Chestnut Street, including Banker's Row. Banker's Row includes three buildings after the designs of John M. Gries: Girard Building (435 Chestnut, built 1857-1859); the Farmers and Mechanics Bank (425-429 Chestnut, built 1854-1855); and the Philadelphia National Bank (419-423 Chestnut, built 1857-1859). Also shows the Philadelphia Trust, Safe Deposit & Insurance Company (413-417 Chestnut, completed 1874, James Hamilton Windrim, archt.) and the Pennsylvania Company for Insurances on Lives & Granting Annuities (431 Chestnut, built 1871-1873, Addison Hutton, archt.). Adjacent businesses include: William E. Harpur, watchmaker (407 Chestnut); Jacob Langsdorf, cigar importer, and Thomas W. Bovell, lithographer (409 Chestnut); McCully & Co., printers (411 Chestnut); and R. Penistan, wine dealer (439 Chestnut). Horse-drawn vehicles line the street, including an ice delivery wagon., Curved orange mount with rounded corners., Title annotated on negative., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Chestnut St. west from Fourth
View showing the north side of the 400 block of Chestnut Street, including Banker's Row. Businesses include: Cooper & Bro., jewelers, and Walker & Co., cigar merchant, (4th and Chestnut); Kromer's News & Patent Medicine Depot (403 Chestnut Street); William E. Harpur, watchmaker (407 Chestnut); Maurice H. Traubel, lithographer,(409 Chestnut, ca. 1861-1872); and two banks built after the designs of John M Gries, the Philadelphia National Bank (419-423 Chestnut, built 1857-1859) and the Farmer and Mechanics Bank (425-429 Chestnut, built 1854-1855). Kromer's patent medicine depot is heavily adorned with advertising text. A horse-drawn wagon rests in front of the lithographic establishment. Also includes partial view of the south side of the block., Title printed on mount., Orange mount with rounded corners., Photographer's imprint printed on mount., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Chestnut Street above Eighth Street, south side, looking west]
View looking west from above Eighth Street showing the south side of the 800-900 blocks of Chestnut Street. Includes the Continental Hotel and the Burd Mansion at the adjacent corners of Ninth and Chestnut streets. The luxury hotel, tenanted by several businesses, was built in 1860 after the designs of John McArthur, Jr. and razed in 1924. The Burd Mansion, built for Joseph Sims in 1807 and later owned by his nephew-in-law, prominent Philadelphia lawyer, Edward Shippen Burd, was razed in 1862 to be replaced by storefronts. Also includes partial view of the building tenanted by jewelers and silversmiths, James E. Caldwell & Co. (822 Chestnut). Lampposts line the sidewalk and a horse-drawn carriage travels the street., Attributed to Henry B. Odiorne., Date from manuscript note on mount., Manuscript note on mount: Chestnut St., Grey mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Chestnut Street, above Fourth, north side.
View of Chestnut Street, between 4th and 5th Streets, north side, looking west depicting a variety of commercial establishments including Walker & Co.'s cigar store; Kromer's news and patent medicine depot displaying advertisements for Wright's Great Consumptive Cure and Wright's Tar Syrup; William E. Harpur, chromometers; Philip Wilson & Co., gun dealers displaying a rifle three stories high; and Traubel's lithographic establishment., Title and series number from accompanying printed label., Yellow mount with square corners., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French ca. 1867-1869
[Chestnut Street, above Fourth, south side] [graphic]
View of Chestnut Street, between 4th and 5th Streets, south side, looking west. Primarily depicts the Philadelphia Bank building (400-408 Chestnut, designed by Philadelphia architect William Strickland, built 1836) which served as an office building and displays signage for Aetna Life Insurance Company; Commonwealth Bank; Edward Borheck, optician; and Alfred J. Reach's cigar store. Includes a partial view of the U.S. custom house (formerly the Second Bank of the U.S., also designed by Strickland, built 1818-24) and the U.S. Post Office building (1863-1884). Right hand corner of the image contains a large sign advertising card and job printing probably for the firm of Glessner & Co.; and a sign advertising a patent medicine, Wright's tar syrup. Also contains two horse-drawn carriages and a street vendor's stall., Title from manuscript note on verso., Yellow mount with sqaure corners., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French ca. 1867-1869.
Chestnut Street, above Third. [graphic] / Photographed by Bartlett & French, Phila.
View of Chestnut Street, between 3rd and 4th Streets, south side, looking east. Shows offices of newspaper publishers (the Public Ledger and the Inquirer) and printers (James B. Chandler's steam power printing and Thomas Magee's job printing and stationery); and signage for Watts & Butler silversmiths and Perry & Co. merchant tailors., Title, photographer's imprint and series number from accompanying printed label., Yellow mount with square corners., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French ca. 1867-1869.
[Chestnut Street, above Third] [graphic]
View of Chestnut Street, between 3rd and 4th Streets, south side, looking east. Shows offices of newspaper publishers (the Public Ledger and the Inquirer) and printers (James B. Chandler's steam power printing and Thomas Magee's job printing and stationery); and signage for Watts & Butler silversmiths and Perry & Co. merchant tailors., Title from duplicate image (8)1322.F.19e., Unmounted half of stereoview., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French ca. 1867-1869.
[Chestnut Street between Sixth and Seventh streets; construction]
View showing the north side of the 600 block of Chestnut Street, including Jayne's Marble Building during the final stages of construction (615-619 Chestnut). The office building, completed in 1860, was commissioned by patent medicine manufacturer Dr. David Jayne. In the foreground, women with parasols stand on the sidewalk between a horse-drawn workmen's wagon and a pulley attached to the building. Construction materials line the sidewalk. Also shows adjacent businesses, including J.S. Eshelman, cloths, cassimeres, and trimmings store, tenanting Jaynes other office building, Jayne's Hall, built 1856 (625 Chestnut). Lampposts are visible in the lower right corners of the image., Attributed to Henry B. Odiorne., Title supplied by cataloguer., Pale yellow mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Chestnut Street Bridge, Philadelphia]
View showing the iron arch bridge built over the Schuylkill River between 1861-1866 after the designs of Strickland Kneass. In the foreground, two boys stand on a rock and overlook the Schuylkill River, while a laborer maneuvers an empty wheelbarrow behind them. The Market Street Permanent Bridge, built from 1798-1806 after the designs of Timothy Palmer and expanded around 1850 to accommodate a connection between the city railroad and the Pennsylvania Railroad, is also visible in the background. The Chestnut Street Bridge, partially funded and utilized by the Chestnut and Walnut Streets Passenger Railway Company, was demolished in 1958., Title supplied by cataloger., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Chestnut Street crowded.
View looking along Chestnut Street showing a crowd of spectators packing the street and sidewalks for an unidentified event. A large clock is visible across the street on the sidewalk., Title printed on mount below image., Decorative printed floral pattern flanks image., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.

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