Collection of nearly 3,000 stereographs published and distributed in or of Philadelphia. The photographs mainly portray commercial and residential street scenes, particularly Market and Chestnut streets; religious, public, financial, and industrial buildings and institutions; and historic and prominent landmarks as well as a small selection of non-Philadelphia views.

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Wissahickon Creek.
Elevated view, possibly from upper floors of a nearby mill building or bridge, of a dam on Wissahickon Creek., Title from photographer's label pasted on verso., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1869.
Wissahickon Creek.
Landscape view showing a rocky hillside adjacent to the Wissahickon Creek., Title printed on mount., Photographer's name in manuscript note on verso., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Wissahickon Creek.
Landscape view showing the stone arch Bells Mill Road Bridge on the tree-lined Wissahickon Creek. Includes a mill building, part of Bishop's Mills at time of photograph, behind the bridge in the background. Two girls stand at the creek's edge in the foreground. Named after former mill owners James and John Bell, the bridge was constructed in 1820., Title printed on mount., Photographer's name in manuscript note on verso., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Wissahickon Creek
View showing the Kitchen's Lane Bridge over the Wissahickon Creek. The bridge was removed circa 1925. A man stands on the bank of the creek in the foreground., Yellow mount with rounded corners., Title printed on mount., Reissue of circa 1868 view entitled "On the Wissahickon" by Bartlett & French of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1868.
Wissahickon Creek at Valley Green.
View of the calm waters of Wissahickon Creek near Valley Green. Shows the reflection of trees flanking the creek., Photographer's imprint partially visible on label on verso., Title from photographer's label pasted on verso., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1869.
[Wissahickon Creek near Wissahickon Hall, Philadelphia] [graphic] / Bartlett & Smith, photographers.
View showing Wissahickon Creek near the Wissahickon Hall erected circa 1849 by Harry Lippen at Wissahickon Drive (i.e., Lincoln Drive) below Gypsy Lane. Hotel only partially visible., Title supplied by cataloguer., Photographer's imprint embossed on mount., Yellow mount with square corners., Paper backing pasted on verso., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The Wissahickon Drive crowded with one-horse sleighs, Philadelphia, Penna.
Winter view looking north along Wissahickon Drive (i.e., Lincoln Drive) showing horse-drawn sleighs transporting people through the snow in both directions. Wissahickon Hall, erected below Gypsy Lane circa 1849 by Harry Lippen, is visible in the background., Additional places of publication printed on mount, including New York, N.Y.; Chicago, Ill.; and London, Eng., Title printed on mount., Attributed to William H. Rau., Publisher's imprint printed on mount., Gray curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
Wissahickon Hall.
Views depict the calm waters of Wissahickon Creek flanked by trees and the dirt drive looking north toward Wissahickon Hall erected circa 1849 by Harry Lippen at Wissahickon Drive (i.e., Lincoln Drive) below Gypsy Lane. View from drive shows stables facing the creek and a hand-made sign for Hoofland's German bitters. Hotel only partially visible., Title from photographer's labels pasted on versos., Yellow mounts with rounded corners., P.9047.24 gift of Robert M. Vogel., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1869.
Wissahickon Hall.
View showing the hostelry erected circa 1849 by Harry Lippen at Wissahickon Drive (i.e., Lincoln Drive) below Gypsy Lane near the Wissahickon Creek. Also shows an upside-down canoe laying near one of the hotel stables., Photographer's imprint printed on mount., Title from manuscript note on verso., Yellow mount with rounded corners., Gift of Robert M. Vogel., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Wissahickon Lane.
View of a rocky, dirt road (now Forbidden Drive) flanked by trees leading up to the trellised Kitchen's Lane Bridge spanning Wissahickon Creek. Bridge removed ca. 1925., Photographer's imprint partially trimmed from label on verso., Yellow mount with square corners., See Bartlett & French P.9047.21 (Vogel) for similar view., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1869.
Wissahickon Lane.
View of a rocky, dirt road (now Forbidden Drive) flanked by trees leading up to the trellised Kitchen's Lane Bridge spanning Wissahickon Creek. Bridge removed ca. 1925., Yellow curved mount with rounded corners., See Bartlett & French P.9466.7 for similar view., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1869.
Wissahickon Lane above Ridge Av.
View of a man sitting on a fence running along a winding dirt road flanked by trees below Gypsy Lane near Wissahickon Creek. The stables for Wissahickon Hall, the hostelry erected circa 1849 by Harry Lippen, are also visible in the distance., Photographer's imprint on label partially visible on verso., Title from photographer's label pasted on verso., Yellow mount with square corners., See Bartlett & French P.8953.1 for similar view., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1869.
Wissahickon Lane above Ridge Avenue.
View of a man leaning against the fence of a winding dirt road flanked by trees below Gypsy Lane near Wissahickon Creek. The stables for Wissahickon Hall, the hostelry erected circa 1849 by Harry Lippen, are also visible in the distance., Title from manuscript note on verso., Yellow mount with rounded corners., See Bartlett & French P.9466.6 for similar view., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1869.
Wissahickon rapids.
Landscape view showing rapids in the shallow, rocky section of the tree-lined creek., Title on negative., Publisher's imprint on mount., Tan curved mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William Schaeffer., Webster & Albee, formed by Charles R. Webster and Josephus Albee, were known for their pirated views.
Wissahickon stone bridge.
View of the stone arch Bells Mill Road Bridge spanning Wissahickon Creek, constructed in 1820 and named after former mill owners James and John Bell. A mill building, belonging to Bishop's Mills at the time of this photograph, is partially visible in the right foreground., Written on negative: 80, Title from manuscript note on mount., Photographer's imprint printed on mount., Stamped on verso: Copyrighted Kiralfy Bros., Philadelphia, 1876., Pink curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
Wissahickon Valley.
Rooftop view, probably from a building in the Monastery complex, showing a man standing with a horse-drawn cart on a dirt road leading to the trellised Kitchen's Lane Bridge. Bridge removed ca. 1925., Photographer's imprint on label partially visible on verso., Title from photographer's label pasted on verso., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1869.
The wolves, Landsdown [sic] Drive.
Depicts the bronze statue, Hudson Bay Wolves Quarreling over the Carcass of a Deer, created by Edward Kemeys in 1872 and installed on the east side of Lansdowne Drive in West Fairmount Park. First purchase of the Fairmount Park Art Association., Title from manuscript note on mount., Stamped on verso: Copyrighted by Kiralfy Bros., Philadelphia, 1876., Attributed to Robert Newell., Pink curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
Women's Pavilion.
Exterior view of the Women's Pavilion designed by Hermann J. Schwarzmann. Two women and a man stand on a path near the gardens in the foreground. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Women's Pavilion and Gov't B.
View showing the Women's Pavilion and U.S. Goverment Building from Fountain Avenue looking southwest. Also shows fountains, gardens, and decorative planters in the landscaped strip between the paved paths of the thoroughfare. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Distributor's stamp on verso: S.B. Moyer, finest line of stereoscopic views of all parts of the world. Pottstown, Pa. Best views of the Johnstown Disaster., White curved mount with rounded corners., Gift of Charles Isaacs., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Woodlands Cemetery, 3900 Woodland Avenue, Philadelphia]
Shows the mansion built for botanist William Hamilton in the 1780s on the West Philadelphia estate converted to a cemetery in 1840. Mansion was used as the residence of the cemetery superintendent., Attributed to William and Frederick Langenheim., Title supplied by cataloguer., Manuscript note on mount of stereograph: Woodland Cemetery., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Contains one stereographic print on pale yellow paper mount with square corners, one unmounted stereographic print; and one unmounted half-stereographic print., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Woodlands Cemetery, 3900 Woodland Avenue, Philadelphia]
Shows the mansion built for botanist William Hamilton in the 1780s on the West Philadelphia estate converted to a cemetery in 1840. Mansion was used as the residence of the cemetery superintendent., Attributed to William and Frederick Langenheim., Title supplied by cataloguer., Manuscript note on mount of stereograph: Woodland Cemetery., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Contains one stereographic print on pale yellow paper mount with square corners, one unmounted stereographic print; and one unmounted half-stereographic print., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Worthington duplex engine. Belmont Works.
View showing the duplex direct-acting pump engine, designed by Henry R. Worthington, in the engine house at the Belmont Water Works at West River and Montgomery drives. The pumping station, designed by Frederick Graff in the late 1860s, supplied water to the 24th Ward Reservoir at George's Hill in Fairmount Park. The station was abandoned in 1895. A man stands near the engine., Date and title from manuscript note on verso., Publisher's imprint printed on mount., Yellow mount with rounded corners., Worthington, a hydraulic engineer, built the first, widely-used duplex waterworks engine in 1857. He was an associate of Frederick Graff in waterworks engineering in the 1870s., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Wrecked engines at Conemaugh.
Shows several Pennsylvania Railroad engines overturned near railroad tracks in a valley full of debris after the devastation of the flood on May 31, 1889. Buildings on higher ground are visible in the distant background., Title on negative., Publisher's and distributor's imprint printed on mount., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
"You brazen huzzy! You shall leave at this hour! And the least of your fault is the wasted flour."
Genre scene from a comic stereograph series satirizing the exploits of an adulterous husband. Shows the lady of the house confronting the servant in the kitchen. The cook rolls pie dough on a table under which boxes of flour have fallen and spilled. The husband peers from around the corner. Scene also includes a calendar on the wall illustrated with the portrait of a bare-shouldered woman., Copyrighted by B. L. Singley., Additional places of publication printed on mount, including Louisville, Mo.; San Francisco; New York; and London., Warped pink mount with rounded corners., Title printed on mount., Gift of Jesse Randall., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Young girl leaning on book and chair]
Shows very young girl attired in a dress and leaning on a book on a chair. A stack of books on a table is partially visible in background., Title supplied by cataloger., Retrospective conversion record: original entry, edited., Gift of Jane Carson James., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The young housekeepers.
Genre photograph showing two girls playing house, one with a coffee grinder, the other at table., Title from photographer's manuscript note on verso., Photographer's imprint on mount., Buff mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.

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