Collection of nearly 3,000 stereographs published and distributed in or of Philadelphia. The photographs mainly portray commercial and residential street scenes, particularly Market and Chestnut streets; religious, public, financial, and industrial buildings and institutions; and historic and prominent landmarks as well as a small selection of non-Philadelphia views.

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Warner Miskey & Merrill's show room, 718 Chestnut St. Phil. [graphic] / Langenheim.
Interior view of the gas fixture store. Gas light fixtures and chandeliers line the walls and ceilings above shelves lined with merchandise wrapped in paper. A store catalog is displayed in front of banister surrounding an opening in the floor. Also includes a stairwell in the background., Photographer's imprint blindstamped on mount., White paper mount with square corners., Title printed on mount., Accompanied by advertising label titled "Philadelphia Gas Fixture works. " Promotes the Philadelphia and New York branch (Warner, Peck & Co.) of the fixture manufactory and the company's line of products of "gas fixtures, lamps, girandoles, Bronzes, &c." designed by French artists. Also contains a one-line promotion for the photographic firm Langenheim, Philadelphia., Retrospective conversion record: original entry, edited., Published in Kenneth Finkel’s Nineteenth century photography in Philadelphia (New York: Dover Publications, Inc. in cooperation with the Library Company of Philadelphia, 1980), entry #109., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Warner Miskey & Merrill's show room, 718 Chestnut St. Phil.
Interior view of the gas fixture store. Gas light fixtures and chandeliers line the walls and ceilings above shelves lined with merchandise wrapped in paper. A store catalog is displayed in front of banister surrounding an opening in the floor. Also includes a stairwell in the background., Photographer's imprint blindstamped on mount., White paper mount with square corners., Title printed on mount., Accompanied by advertising label titled "Philadelphia Gas Fixture works. " Promotes the Philadelphia and New York branch (Warner, Peck & Co.) of the fixture manufactory and the company's line of products of "gas fixtures, lamps, girandoles, Bronzes, &c." designed by French artists. Also contains a one-line promotion for the photographic firm Langenheim, Philadelphia., Retrospective conversion record: original entry, edited., Published in Kenneth Finkel’s Nineteenth century photography in Philadelphia (New York: Dover Publications, Inc. in cooperation with the Library Company of Philadelphia, 1980), entry #109., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Washington Fire Engine Company steam engine in front of the company fire station at Lombard Street below Eleventh Street, Philadelphia]
View includes a section of a hose laying on the ground. Company founded January 3, 1796., Attributed to Robert Newell., Title supplied by cataloguer., Yellow mount with square corners., Originally part of a McAllister scrapbook., Paper backing pasted on verso., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Washington Monument and Independence Hall, Philadelphia, Pa.
View of the marble statue designed by Joseph Bailly erected in front of the State House by the "Washington Monument Association of the First School District of Pennsylvania July 4, 1869." The base of the statue is adorned in patriotic bunting. In the background, shields depicting state seals hang from windows on the upper stories of the state house below flags and shields. Original statue removed to City Hall in 1908 and bronze cast erected in its place., Additional places of publication printed on mount. Includes Liverpool, Toronto-Canada and Ottowa-Kansas., Title, photographer's, publisher's and distributor's imprint on mount. Mount includes two small circular stamps on the left-hand side: "Grand diamond badge prize" and "Eleven first prize medals.", Title printed in six languages on verso., Curved cream mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel., George Barker was a prolific New York stereographer in the 1860s whose gallery catered to the tourist trade in Niagara Falls.
Washington Monument, Baltimore, Md.
View looking east from West Monument Street showing the Washington Monument constructed 1815-1829 after designs by Robert Mills in the Mount Vernon neighborhood of Baltimore, Maryland. The 178-foot doric column is visible from the street flanked by large brownstone mansions., Title printed on mount., Photographer's blind stamp on mount., Publisher's label pasted on verso., Distributor's label pasted on verso: From James W. Queen & Co., opticians, No. 921 Chestnut St., Philadelphia, White mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim Brothers copyrighted a series of stereographs with labels inscribed: "American Stereoscopic Co., Langenheim, Loyd & Co., Philadelphia" in 1858. They continued to produce stereographs until 1865, when they withdrew from the American Stereoscopic Co.
Washington Monument, Baltimore, Md. [graphic] / Langenheim.
View looking east from West Monument Street showing the Washington Monument constructed 1815-1829 after designs by Robert Mills in the Mount Vernon neighborhood of Baltimore, Maryland. The 178-foot doric column is visible from the street flanked by large brownstone mansions., Title printed on mount., Photographer's blind stamp on mount., Publisher's label pasted on verso., Distributor's label pasted on verso: From James W. Queen & Co., opticians, No. 921 Chestnut St., Philadelphia, White mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim Brothers copyrighted a series of stereographs with labels inscribed: "American Stereoscopic Co., Langenheim, Loyd & Co., Philadelphia" in 1858. They continued to produce stereographs until 1865, when they withdrew from the American Stereoscopic Co.
Washington Monument, front of Independence Hall, Philadelphia.
View of the marble statue designed by Joseph Bailly erected in front of the State House by the "Washington Monument Association of the First School District of Pennsylvania July 4, 1869." The base of the statue is adorned in patriotic bunting. In the background, shields depicting state seals hang from windows on the upper stories of the state house below flags and shields. Original statue removed to City Hall in 1908 and bronze cast erected in its place., Title and photographer's imprint on mount., Curved orange mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., George Barker was a prolific New York stereographer in the 1860s whose gallery catered to the tourist trade in Niagara Falls.
Washington monument, Richmond, Va.
Shows the monument sculpted by Thomas Crawford and Randolph Rogers installed at Capitol Square in 1850. Sculpture includes figure of Washington on horseback and six smaller figures of important Virginians including Patrick Henry and Thomas Jefferson. View includes church steeples in the background., Unmounted stereographic print with paper backing pasted on verso., Title inscribed on image., Originally part of a McAllister scrapbook of views of Virginia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Washington Senate Chamber.
Interior view of the United States Senate Chamber in the Capitol building in Washington, D.C. Shows desks and chairs arranged in a half-circle facing a platform, the galleries lining the perimeter of the room, and a partial view of the skylights in the ceiling. The Senate relocated to this chamber in 1859., Title on negative., Distributor's imprint on mount., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Washington statue--front of Independence Hall.
View showing the George Washington marble statue sculpted by Joseph A. Bailly enclosed in ironwork fencing in front of Independence Hall. Statue rests on pedestal inscribed "Erected by the Washington Monument Association of the First School District of Pennsylvania July 4, 1869." Also shows spectators in the background., Title printed on verso with eighty-one other numbered titles in the series (No. 356-437)., Photographer's imprint printed on verso., Buff mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
Washington's statue--Philadelphia.
View showing the George Washington marble statue sculpted by Joseph A. Bailly enclosed in ironwork fencing in front of Independence Hall. Statue rests on pedestal inscribed "Erected by the Washington Monument Association of the First School District of Pennsylvania July 4, 1869." Also shows a crowd of spectators in the foreground and patriotic bunting, most likely for the Centennial celebrations, covering the State House in the background., Title printed on mount below image., Series titles in ornate columns with graphic vignettes., Orange mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
The Water Babies.
View of the statue "The Water Babies," designed by M.S. Gould, on display in the Art Gallery Annex. Depicts two nude young children, cuddling together inside an oversized seashell. One child sits awake with its arm around a smaller child with its eyes closed. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., White curved mount with rounded corners., Gift of David Doret., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Water works.
View looking northwest through the observatory tower arch at the basin of the Fairmount Water Works on the Schuylkill River. Shows the path with ornate iron railing leading to the terrace of the new mill house built on the mound dam between 1859 and 1862 after the designs of engineer Henry P.M. Birkinbine. Also shows a pavilion of the old mill house and the pavilion on the pier of the mound dam. The waterworks, originally built between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, were altered and expanded after the designs of Philadelphia engineers, Henry P.M. Birkinbine and Frederick Graff, Jr., Trimmed yellow mount with rounded corners., Title from manuscript note on verso., Photographer's imprint printed on mount., Duplicate of P.9260.17., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Water works
View looking northwest through the observatory tower arch at the basin of the Fairmount Water Works on the Schuylkill River. Shows the path with ornate iron railing leading to the terrace of the new mill house built between 1859 and 1862 on the mound dam after the designs of engineer Henry P.M. Birkinbine. Also shows a pavilion of the old mill house and the pavilion on the pier of the mound dam. The waterworks, originally designed by Philadelphia engineer Frederick Graff, were altered and expanded by Philadelphia engineers Henry P.M. Birkinbine and Frederick Graff, Jr., Photographer's imprint printed on mount., Yellow mount with rounded corners., Description of "Fairmount Park and Water Works" printed on verso., Title from manuscript note on verso., Duplicate of 8353.F.9., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Water works
Winter view looking northwest through the observatory tower arch at the basin of the Fairmount Water Works on the Schuylkill River. Shows the path with ornate iron railing leading to the terrace of the new mill house built on the mound dam between 1859 and 1862 after the designs of engineer Henry P.M. Birkinbine. Also shows a pavilion of the old mill house and the pavilion on the pier of the mound dam. The waterworks, originally designed by Philadelphia engineer Frederick Graff, were altered and expanded after the designs of Philadelphia engineers Henry P.M. Birkinbine and Frederick Graff, Jr., Title from manuscript note on verso., Photographer's imprint printed on mount., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Water works and dam
View looking from the west bank of the Schuylkill River showing the Fairmount Water Works, originally built between 1812 and 1822 after the designs of engineer Frederick Graff. Includes the old engine house, old mill house, new mill house (completed 1862), pavilion on the pier of the mound dam (built 1835); and the observatory tower arch (built 1860), stand pipe (built 1852), and pavilion on Reservoir Hill. Also shows the dam and nearby boat landing for local paddle steamboats. The waterworks were altered and expanded after the designs of Philadelphia engineers, Henry P.M. Birkinbine and Frederick Graff, Jr., Yellow mount with rounded corners., Title from manuscript note on verso., Photographer's imprint printed on mount., Description of "Fairmount Park and Water Works, Philadelphia" printed on verso., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Water works. B
View looking north from Reservoir Hill at the Fairmount Water Works on the Schuylkill River showing the forebay. Includes a promenade on Reservoir Hill; a park guard standing near a handcart and leaning on a fence lining the mill race; and the ascending main pipe connected to the old mill house during renovations between 1867 and 1872. Also shows the race bridge in the background. The waterworks, originally constructed between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, were altered and expanded after the designs of Philadelphia engineers Henry P.M. Birkinbine and Frederick Graff, Jr., until 1872., Publisher's imprint printed on mount., List of over 50 views of Fairmount Park issued by publisher printed on verso., Yellow mount with rounded corners., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Water Works, general view.
View looking north from the forebay showing the race bridge at the Fairmount Water Works on the Schuylkill River. Also shows the ascending mains connected to the old mill house after the designs of Philadelphia engineer Frederick Graff, Jr. during the replacement of the house's water wheels by turbines between 1867-1872. The waterworks, originally constructed between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, were altered and expanded until 1872., List of over fifty views of Fairmount Park issued by publisher printed on verso., Publisher's imprint printed on mount., Yellow mount with rounded corners., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Wells on Clarion River
View showing derricks on the bank of the Clarion County river. Also shows a man on a dirt path lined by brush and trees near the derricks., Buff mount with rounded corners., Manuscript note on mount: Mrs. S.M. Fox., List of over one-hundred views published by photographer printed on verso., Digitized for AMD: Global Commodities., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Wenderoth, Taylor & Brown Fine Art Gallery]
Depicts the elegantly decorated interior of the photographic studio operated at 914 Chestnut Street from circa 1865 to circa 1871. The large waiting room is adorned with sofas, chairs, framed photos, framed artwork, and a skylight. Also includes stairwells decorated with signage; a piano advertisement; and a counter adorned with the photographic studio's pricesheet (effective January 1865). William H. Dutton sold pianos at 914 Chestnut Street in 1869., Photographer and publication information from duplicate in private collection., Title supplied by cataloguer., Pale yellow mount with square corners., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
West Arch Street Presbyterian Church, 18th & Arch St., Philadelphia.
Exterior view showing the church also known as Arch Street Presbyterian Church built by Joseph DeNegre in 1855 after the designs of Joseph C. Hoxie at 1726-1732 Arch Street. Also includes the rear facades of adjacent buildings., Attributed to John Moran., Title from label pasted on mount on stereograph., Stereograph on pale yellow paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
West entrance, Main Building.
Exterior view looking northeast at the entrance and main gates to the exhibition, including a partial view of the Main Exhibition Building designed by Henry Pettit and Joseph M. Wilson in the background. The fair celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title from series list printed on verso, including twenty-five other views in the series and thirty-eight views from series "Philadelphia City and Park" and "Miscellaneous"., Manuscript note on mount: Entrance to exhibition grounds., Orange curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
West side of Triumph Hill, near Tidioute, Pa.
View showing the Venango County region with the highest concentration of productive oil wells in Pennsylvania. The Triumph Hill oil belt, originally developed in 1867, contained over 150 wells. In the foreground, a woman and young girl sit on chairs near a wagon and wooden building on the main road to the oil field. In the background, several closely clustered oil derricks are visible., Title, publisher's imprint, and brief description of the site printed on verso., Buff mount with rounded corners., Digitized for AMD: Global Commodities., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Westtown Boarding School, Chester Co., Pa.
Informal group portrait of male students in front of the main building "in the boys bounds" [i.e. on the boys side]. Includes boys standing in trees. Westtown was established by the Society of Friends as a boarding school for boys and girls., Title from printed paper label on verso., Distributor's imprint stamped on verso: J.W. Queen & Co. Phila. Apr. 186[5] PA., 2 cent internal revenue stamp on verso., Yellow mount with square corners., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Whack it off short Sam.
Depicts a group of African American boys with a dog, its tail placed over a wood block in preparation to cut it with a hatchet. The six boys stand outside next to a brick building and a wooden barrel. The boy in the left holds a small, white dog up. The second boy to the right holds its tail across a wood block. The boy in the center holds the hatchet up in both hands., Title from item., Warped buff mount with rounded corners., Imprint on mount: The Universal Photo Art Co. Offices Philadelphia, Napierville, Ill., New York, London, Paris, Hamburg., Gift of David Long, 2002., Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
What is home without a husband?
Faded genre scene satirizing the "new woman" and the role reversal of men and women in the home. Shows the woman of the house, shawl draped over her arm, who has just entered the room from outside. Her husband sits on a stool doing housework near the fireplace. Their pet cat sits on the floor near his feet., Copyright 1889 by Littleton View Co., Title printed on mount below image., Publisher's imprint printed on mount., Distributor's imprint printed on mount: Sold only by Underwood & Underwood, Baltimore, Md., Ottawa, Kan., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Erika Piola.
When a man's married his trouble begins.
Comic genre photograph set in a kitchen, showing a family gathered around, as the father, with soot all over his face, tries to fix a problem with the stove. His wife stands nearby and holds a flue pipe and their daughter kneels near the stove and watches her parents., Additional places of publication printed on mount, including Chicago; London; Hamberg, Ger.; and Milan, Italy., Title printed on mount., Publisher's imprint printed on mount., Distributor's imprint printed on mount., Gray curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Col. Gatter.
Whirlpool and rapids.
View of whirlpool and rapids in Niagara River near Suspension Bridge (i.e., Niagara Falls Suspension Bridge and International Suspension Bridge), the world's first working suspension railway bridge connecting Niagara Falls, New York and Niagara Falls, Ontario. Bridge partially obscured by tree-covered hill in the background. Bridge completed in 1855 after the designs of John A. Roebling and operated until 1897., Title on mount., Photographer's imprint printed on mount within decorative ribbons flowing from shields. Also printed on verso with four vignettes of two medals, the Vienna Medal of Merit and the American Institute of New York, awarded to Charles Bierstadt in 1873., Photographer's blind stamp included twice on the mount. Stamp consists of his initials, C.B., within an art palette., Distributor's label pasted on verso: James Cremer, publisher of stereoscopic views, 18 South Eighth St., Philadelphia. Stereoscopes and views, wholesale and retail., Manuscript note on verso: Muschamp, No. 26., Orange mount with rounded corners., Gift of Mr. Saul Koltnow., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bierstadt relocated to Niagara Falls, New York from New Bedford, Massachusetts ca. 1863 and opened his own photographic studio.
[White deer exhibition, Zoological Gardens, Philadelphia]
View showing three white deer standing outside of the their rustic habitat in a gated yard., Title supplied by cataloger., Photographer's imprint on mount., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Willcox & Gibbs' sewing machine salesrooms, no. 720 Chestnut Street, Philadelphia
Shows the interior of the showroom with several sewing machines on display. Also shows a sales counter; display cases of sewing machine accessories; two chandeliers hanging from the ceiling; and an ornate floor heating grate. The company, established in 1859 by inventor James E.A. Gibbs and Philadelphia investor James Willcox, produced domestic machines until 1947., Title printed on mount., Yellow mount with square corners., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[William Hill Moore monument, Woodlands Cemetery, Philadelphia, Pa.]
View showing the Gothic monument erected for William Hill Moore, a manager of the Woodlands and an undertaker in Philadelphia., Attributed to Robert Newell., Title supplied by cataloger., Manuscript note on verso: Monument in Woodlands Cemetery, Philadelphia, Pa., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[William Penn Hose Company steam engine and fire fighters in front of the company fire station on Frankford Road near Franklin Avenue, Philadelphia]
View includes a small crowd of boy spectators in the background and a dog sitting on the engine. Company founded February 3, 1830., Attributed to Robert Newell., Title supplied by cataloguer., Yellow mount with square corners., Originally part of a McAllister scrapbook., Paper backing pasted on verso., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[William Penn Hotel, 10 Letitia Street, Philadelphia, Pa.]
View showing the William Penn Hotel on Letitia Street between Market and Chestnut streets. A group of working-class men stands near a fire hydrant in front of the hotel. View also includes the adjacent building incorrectly identified by 19th-century historians as the Letitia Penn House, which was wrongly recorded as built in 1682 by William Penn and given to his daughter in 1701. Signage decorated with a beer keg adorns the misidentified Penn house., Orange mount with rounded corners., Gift of Robert M. Vogel., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[William Penn Parlor, Great Central Fair, Philadelphia, 1864]
Unmounted stereograph shows a parlor south of Union Avenue filled with William Penn's relics. Includes paintings, antique chairs and furniture, a clock, a mirror, and other curiosities arranged on the mantlepiece formerly installed in Carpenter's Hall in 1774 when the First Continental Congress met there. The Great Central or Sanitary Fair held June 7-28, 1864 on Logan Circle was one of several national fairs that displayed art, craft, and historical exhibits to benefit the U.S. Sanitary Commission, a soldier relief organization., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Wills' Ophthalmic Hospital.
Exterior view of the Wills' Eye Hospital building constructed in 1832 after designs by Thomas Ustick Walter on the 1800 block of Race Street, opposite Logan Square. The hospital relocated to 1601 Spring Garden Street in 1932., Photographer's imprint on recto., Title printed on mount., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 52., Arcadia caption text: In 1825 James Wills, Jr. bequeathed a portion of his estate to the city of Philadelphia for an ophthalmic hospital or asylum designated as "The Wills Hospital for the Relief of the Indigent Blind and Lame." The lot on Race Street near Nineteenth Street was purchased for $20,000 and the cornerstone of the building laid in 1832. Thomas Ustick Walter, who won the design competition, purportedly incorporated some of the design features proposed by his competitors into the final plan. In 1932, the expanded institution moved into a larger building at 1601 Spring Garden Street., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Windmill at Torresdale, Philadelphia.
View showing a man standing in front of a windmill with a small building and porch at its base. A dwelling is visible in the background., Title printed on mount., Publisher's printed label pasted on verso., Stamped on verso: G. Pfund, 4731 N. Front St., Phila., Pa., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim Brothers copyrighted a series of stereographs with labels inscribed: "American Stereoscopic Co., Langenheim, Loyd & Co., Philadelphia" in 1858. They continued to produce stereographs until 1865, when they withdrew from the American Stereoscopic Co.
[Winter rooftop view]
Rooftop view from rear of dwelling looking over adjacent, snow-covered roofs and yards in the city., Title supplied by cataloger., Photographer's imprint from embossed stamp on recto., Yellow mount with square corners., Possibly a view from one of George O. Bartlett's studios. He tenanted 602 Poplar Street with John E. Smith in 1867 and 1202 Chestnut Street the following year., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Winter view of icicles and waterfall, Niagara Falls, New York]
Winter view of Niagara Falls, New York. Large icicles hang from boulders in the foreground and a large waterfall is visible in the background., Inscribed in negative: 1278., Title supplied by cataloger., Publisher's imprint from label pasted on verso. Printed on label: These are a few select views taken in the winter of 1860 and '61., Distributor's label pasted on verso., Cream mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., E. & H.T. Anthony & Co. was one of the largest suppliers of photographic apparatus in the second half of the nineteenth century.
Wire Bridge at Fairmount.
Built 1841-1842. Designed by Charles Ellet, Jr. Demolished 1874., Title from manuscript note on verso., Photographer's imprint from duplicate (3)1322.F.123b., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Wire Bridge at Fairmount. [graphic] / Photographed by Bartlett & French, Phila.
Built 1841-1842. Designed by Charles Ellet, Jr. Demolished 1874., Title from printed label on mount., Photographer's imprint printed on label., Image faded. Use duplicate P.9462.24 for reproduction., Originally part of a McAllister scrapbook., Retrospective conversion record: original entry, with corrections.

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