Collection of nearly 3,000 stereographs published and distributed in or of Philadelphia. The photographs mainly portray commercial and residential street scenes, particularly Market and Chestnut streets; religious, public, financial, and industrial buildings and institutions; and historic and prominent landmarks as well as a small selection of non-Philadelphia views.

Pages

"The coon" wedding march
Scene showing a young African American girl in a white dress leading the procession of the young African American couple and their attendents. The bride, holds fake flowers and wears a calico shirt, white skirt, and thick cloth veil. Small picture prints and placards written in black dialect adorn the walls., Inscribed on negative: 16974., Copyright by William H. Rau., Stamped on mount: Philadelphia, St. Louis, and Liverpool, Eng. American and Foreign Views., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Cooper's Point, on the Delaware, New Jersey.
Views showing tracts of land near the Delaware River in Camden, New Jersey originally established as a ferry port by William Cooper circa 1689. Includes a marsh, the river bank, and a docked ship near piles of lumber. Also shows men posed on and in front of the ship., Attributed to John Moran., Yellow paper mounts with square corners., Title from labels pasted on mounts., Originally part of a McAllister scrapbook of views of New Jersey., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Corinthian Hall, east, Masonic Temple, Philadelphia, Pa., U.S.A.
Interior view of the unfinished, Greek Corinthian-style Grand Lodge Room in Philadelphia's Masonic Hall, looking toward the east wall. Includes rows of benches and large chandeliers hanging down from the high ceiling. Designed by James H. Windrim, Philadelphia's Masonic Hall, located at Broad and Filbert Streets, was dedicated in 1873, but the Grand Lodge Room was not completed until 1903., Title printed on mount., Photographer's imprint printed on verso., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
[Corn Exchange, Union Avenue, the Great Central Fair, Philadelphia, 1864]
Unmounted stereograph shows a display sponsored by the "Corn Exchange". Includes a portrait of George Washington, drums, and patriotic bunting. The Great Central or Sanitary Fair held June 7-28, 1864 on Logan Circle was one of several national fairs that displayed art, craft, and historical exhibits to benefit the U.S. Sanitary Commission, a soldier relief organization., Title from manuscript note on mount., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Corner [Eighth] and Chestnut Street looking west.
View showing the north side of the 800 block of Chestnut Street. Businesses include: John Stone & Sons, silk merchants (805 Chestnut) and the Girard House (823-835 Chestnut), built 1851-1852 after the designs of John McArthur, Jr. Also includes partial view of Wilson & Marter, watch and jewelery store, (802 Chestnut) on the south side of the block. Awnings adorn the buildings. Several pedestrians crowd the sidewalk and horse-drawn carriages travel the street., Title from manuscript note on mount., Pale yellow mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Cotton field.
Depicts African American women and children picking and collecting cotton in the field. In the center, an African American woman, attired in a short-sleeved dress, stands facing left with a bag slung over her shoulder. In the left, a child looks at the viewer, and an African American woman, attired in a dress with the sleeves rolled to the elbows and an apron, holds cotton in her hands in front of a large basket filled with cotton. In the right, a young girl holds a large basket filled with cotton on her head. Two more women and a child look at the viewer. In the background is a house and trees., Contains paper label on verso printed by Jas. L. Gow, including photographer's imprint and advertisement: A large stock of Views of Negro Groups, Cabins, Teams, Cotton Fields, and Plants, etc. kept constantly on hand. Also, Florida, Georgia, and South Carolina Views., Yellow mount with rounded corners., Advertised in The Philadelphia photographer, March 1875, p. 96., Purchase 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., James A. Palmer (1825-1896) was an Irish American photographer who produced thousands of stereographs about life in Aiken, South Carolina and Georgia, specializing in photographs of the African American community.
Cotton field.
Depicts African American men, women, and children picking and collecting cotton in the field. In the center, an African American man, attired in a long-sleeved shirt that is open at the chest, holds a handful of cotton that he puts in a bag strapped across his chest as he looks at the viewer. In front of him is a basket full of cotton. In the left, an African American woman, attired in a head kerchief, a plaid, long-sleeved dress, and a dark-colored apron, stands and looks at the viewer. To the left, two people are bent over at the waist picking cotton. Two children and two women stand in the field and look at the viewer. In the background is a house and trees., Yellow mount with rounded corners., Contains paper label on verso printed by Jas. L. Gow, including photographer's imprint and advertisement: A large Stock of Views of Negro Groups, Cabins, Teams, Cotton Fields, and Plants, etc. kept constantly on hand. Also, Florida, Georgia, and South Carolina Views., Advertised in The Philadelphia photographer, March 1875, p. 96. [LCP Per P 81]., Purchase 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., James A. Palmer (1825-1896) was an Irish American photographer who produced thousands of stereographs about life in Aiken, South Carolina and Georgia, specializing in photographs of the African American community.
Cotton mills, Schuylkill River, Manayunk.
View showing the mills of Joseph Ripka erected in 1831, 1835, and 1853 between Main Street and the Schuylkill River in Manayunk. Ripka's mills, one of the largest U.S. textile manufacturers during the 1840s and 1850s, went bankrupt during the Civil War with the loss of the essential patronage of the Southern states. General Robert Patterson purchased and reopened the mills following the war. Includes the Flat Rock Turnpike Bridge, a covered bridge near the mills., Title from manuscript note on verso., Unmounted half of stereoview., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Cotton mills, Schuylkill River, Manayunk.
View showing the mills of Joseph Ripka erected in 1831, 1835, and 1853 between Main Street and the Schuylkill River in Manayunk. Ripka's mills, one of the largest U.S. textile manufacturers during the 1840s and 1850s, went bankrupt during the Civil War with the loss of the essential patronage of the Southern states. General Robert Patterson purchased and reopened the mills following the war. Includes the Flat Rock Turnpike Bridge, a covered bridge near the mills., Title from manuscript note on verso., Unmounted half of stereoview., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Cotton plantation scene.
View of African American men agricultural workers picking cotton. In the foreground, an African American boy, attired in a green hat, a blue shirt, and blue pants, stands in front of a large pile of cotton with cotton in his left hand. In the left is a basket full of cotton. In the right, a young white girl, attired in a pink dress, sits next to the pile of cotton with her right hand shielded over her eyes. In the background, African American men work in the field picking cotton., Title from item., Date inferred from attire of clothes and photographic medium., Purchase 1998., Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
County bridge, Valley Green.
View of the stone arch bridge spanning Wissahickon Creek leading to Springfield Avenue. Built in 1832 and rebuilt in 1915. Also referred to as the Springfield Avenue Bridge., Title from photographer's label pasted on verso., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1869.
The Court of Honor during the Elks' greatest parade, Philadelphia, July 18, 1907.
View of the "Elks Greatest Parade" on South Broad Street during the 21st Annual Benevolent Protective Order of Elks Convention held in Philadelphia in 1907. Depicts a float, a horse-drawn wagon carrying a large stuffed elk and passengers, and several costumed parade participants from various Elk Lodges throughout the country. Participants include a group dressed as minstrels in bowler hats and duster jackets and members attired all in white holding umbrellas. Spectators line the street. The south side of City Hall is visible in the distance., Title from item., Berry, Kelley & Chadwick was an early 20th century prolific publisher and retailer of stereoviews with locations in Philadelphia, Chicago, Dallas, and Atlanta., Purchase 1978., RVCDC, Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Crawford's statue of Washington, Capitol Square, Richmond, Va.
Views showing the equestrian statue sculpted by Thomas Crawford erected in the western portion of the square in 1858. Shows the sculpture on an elaborate stone pedestal and base designed by architect Robert Mills and adorned by bronze figures of prominent Virginians. Views also show neighboring buildings and posed pedestrians, including elegantly attired ladies with parasols and a gentleman with a cane., Titles from accompanying labels., Pale yellow paper mounts with square corners., Photographer's imprint stamped on mount., Originally part of a McAllister scrapbook of views of Virginia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Crescentville - last of winter]
Shows a boy in a pasture in front of possibly a mill. Also shows the bridge near the dam breast at Crescentville in the distant background., Cream mount with square corners., Title and photographer from duplicate in Moran album. [P.9265], Originally part of a McAllister scrapbook of Pennsylvania views & political miscellany., Accompanied by label misidentifying view., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Croquet.
View showing a white woman standing with a croquet mallet on a lawn in front of a residence obscured by trees. An African American woman, possibly a nanny, sits nearby on a bench with three white children sitting at her feet on the lawn., Title and date from manuscript note on verso., Yellow mount with square corners., Purchase 1995., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Croquet.
View showing a white woman standing with a croquet mallet on a lawn in front of a residence obscured by trees. An African American woman, possibly a nanny, sits nearby on a bench with three white children sitting at her feet on the lawn., Title and date from manuscript note on verso., Yellow mount with square corners., Purchase 1995., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
[Crowd outside the Evening Telegraph Building]
View from the street showing the backs of men and women standing on the sidewalk looking toward the Evening Telegraph building., Title supplied by cataloger., Gray mount with rounded corners., The Public Ledger Company purchased The Evening Telegraph in 1918., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
[Crowd outside the Evening Telegraph office, Betz Building, South Broad Street, Philadelphia]
View looking east from Broad Street showing a crowd gathered on the sidewalk in front of the Evening Telegraph office in the Betz Building (i.e., Lincoln Building) built 1891-1892 after designs by William H. Decker on South Broad Street. Includes a partial view of a car travelling north on Broad Street and a woman walking west toward the photographer. The spectators read hand-written notes on the chalkboard in front of the offices., Title supplied by cataloger., Gray mount with rounded corners., The Public Ledger Company purchased The Evening Telegraph in 1918., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
[Crowd outside the Public Ledger Building, 600-606 Chestnut Street, Philadelphia]
View looking east from Chestnut Street showing a large crowd gathered on the sidewalk spilling over into the street in front of the Public Ledger Building (600-606 Chestnut Street, built 1866-1867 after designs by John McArthur, Jr.). Includes partial views of Congress Hall (1787-1789) and Independence Hall in the background and the Benjamin Franklin statue on the corner of the building. The spectators read hand-written notes on paper pasted to the first floor windows of the offices., Title supplied by cataloger., Gray mount with rounded corners., The Public Ledger Company purchased The Evening Telegraph in 1918., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
Cumberland Island, Georgia
Views showing rocks with hieroglyphics on the the barrier island off the Southern end of Georgia used as a fishing and hunting ground by Native Americans before the 16th century., Title from label accompanying 5739.F.54d., Yellow paper mounts with rounded corners., Originally part of a McAllister scrapbook of American views., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Cumberland, Pa., from Shriver's Hill.
Townscape view depicting a man reclining on the grassy slope in the forergound and the rooftop of buildings in the Pennsylvania town below. Tree-covered mountains are visible in the distance., Title printed on mount., Series number also on negative., Photographer's imprint printed on mount., Orange mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Soule maintained photographic studios on Washington Street in Boston, Massachusetts ca. 1861 to 1882 before relocating to Seattle, Washington.
[Curiosities]
Genre scene shows a room full of relics with items hanging on the wall in the background and scattered religious iconography, including a bible, on the floor. A man (a little person) sits on a desk smoking a pipe. A woman sits on the floor to his left., Title supplied by cataloger., Distributor's printed blue label pasted on verso., Buff mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Curiosity
Promotional stereograph depicting a maid servant attending to her young mistress. The servant combs her mistress's hair and glances at a private letter that her lady reads., Yellow mount with rounded corners., Title from manuscript note on mount., Contains advertisements for six "Philadelphia Leading Business Houses" located on Eleventh and Second streets printed on verso. Includes: Isaac Dixson & Son, watches; E. Paul, furniture warerooms and manufactory; P. Kayser, ladies' French boot and shoe maker; R. Ross Baird, men's fine furnishing goods; John M. Salin, hat and cap store; and D. Jarrett Walton, manufacturer and dealer in looking glasses, portraits and picture frames., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., U.S. Stereo. View Advertising Company was managed by Ed Trust.
Custom House.
View looking west on Chestnut Street showing the United States Custom House at 420 Chestnut Street. Originally built as the Second Bank of the United States in 1824 after the designs of Philadelphia architect William Strickland, the building served as the U.S. Custom House from 1845 to 1935. Includes two vendor stands and several individuals sitting and standing on the steps of the customhouse., Title from photographer's label pasted on verso., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1869.
Custom House
View looking west from Fourth Street showing the U.S. Customhouse at 420 Chestnut Street, formerly the Second Bank of the United States (1816-1836), built in 1824 after the designs of Philadelphia architect William Strickland. Served as customhouse from 1845 to 1935. Includes partial views of adjacent buildings: the Philadelphia Bank Building (400-408 Chestnut Street, built 1836) and the U.S. Post Office and U.S. Courts building (426-428 Chestnut Street, 1863-1884). Men work on scaffolding attached to the bank building and two street vendors operate near the customhouse., Title supplied by cataloguer., Yellow mount with rounded corners., Negative annotated: Custm[sic] House., Reissue of an earlier view entitled "Custom House, Philadelphia" by James Cremer of Philadelphia. ((8)1322.F.21a), Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Custom House & Post Office Phila, Pa.
View showing the U.S. Customhouse (1845 to 1935) at 420 Chestnut Street, formerly the Second Bank of the United States, and the U.S Post Office (1863-1884) at 426-428 Chestnut Street. Customhouse building built in 1824 after the designs of Philadelphia architect William Strickland. Also shows a lamppost in the foreground; a vendor's stand near the Customhouse; men convening near the post office; and adjacent businesses, including W.F. Warbuton and Son's hat manufactory (430 Chestnut) and Moss & Co., blank books and stationery (432 Chestnut)., Yellow mount with rounded corners., Title annotated on negative., Gift of Francis J. Dallett., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Custom house and post office - Chestnut above 4th
View showing the U.S. Customhouse (1845 to 1935) at 420 Chestnut Street and the U.S. Post Office (1863 to 1884) at 426-428 Chestnut Street. Customhouse building built in 1824 after the designs of Philadelphia architect William Strickland. View includes the adjacent Philadelphia Bank Building also designed by Strickland in 1836 at 400-408 Chestnut. Building tenanted by Aetna Life Insurance Company; Commonwealth Bank; Wood and Garrett, cotton good manufacturers; Edward Borhek, optician (storefront adorned with large spectacles); and Alfred J. Reach, cigar dealer. Also shows vendor stands near the customhouse and a partial view of advertisements for businesses on the north side of the street. Advertisements include a large showpiece rifle promoting gun dealers, Phillip, Wilson & Co. and a billboard promoting "Wright's Tar Syrup" adorning Kromer's Patent Medicine Depot., Orange mount with rounded corners., Title printed on mount., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Custom House and Post Office, Philadelphia, Pa.
Promotional stereograph showing the U.S. Customhouse (1845 to 1935) at 420 Chestnut Street, formerly the Second Bank of the United States, and the U.S. Post Office (1863-1884) at 426-428 Chestnut Street. Customhouse building built in 1824 after the designs of Philadelphia architect William Strickland. In the foreground, street work is visible near three horse-drawn carts and wagons., Orange mount with rounded corners., Title printed on mount., Contains advertisements for six Boston businesses, including a piano showroom, perfumery, ladies hat bleachery, children's carriage manufacturer, a tea company, and William E. Chester, patent medicine dealer, printed on verso., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Custom House, Phila.
Rooftop view looking east showing the government building at 420 Chestnut Street. Originally built as the Second Bank of the United States 1819-1824 after the designs of Philadelphia architect William Strickland, the building served as the U.S. Custom House from 1845 to 1935. Also includes the Philadelphia Bank Building built 1836 after designs by William Strickland at 400-408 Chestnut Street. Several individuals sit and stand on the steps of the customhouse., Title written in manuscript note on verso., Photographer's imprint on label pasted on verso., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of David Doret., Robert Newell's son Henry entered the business in 1872 and the name changed to "R. Newell & Son".
Custom House, Philada.
View looking west on Chestnut Street showing the government building at 420 Chestnut Street. Originally built as the Second Bank of the United States in 1824 after the designs of Philadelphia architect William Strickland, the building served as the U.S. Custom House from 1845 to 1935. Also includes the Philadelphia Bank Building at 400-408 Chestnut Street (built 1836). Several individuals sit and stand on the steps of the customhouse., Attributed to Robert Newell., Stereograph mounted on pale yellow mount with square corners., Title from manuscript note on stereograph mount., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Custom House Philada. [graphic].
View looking west on Chestnut Street showing the United States Custom House at 420 Chestnut Street. Originally built as the Second Bank of the United States in 1824 after the designs of Philadelphia architect William Strickland, the building served as the U.S. Custom House from 1845 to 1935. Includes two vendor stands and several individuals sitting and standing on the steps of the customhouse., Title and date from manuscript note on mount., Yellow mount with square corners., Originally part of a McAllister scrapbook of views of Philadelphia., Retrospective conversion record: original entry, edited., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 100., Arcadia caption text: This impressive marble-faced building, constructed between 1821 and 1824 as the Second Bank of the United States after designs by William Strickland, served as the United States Custom House from 1845 to 1935. The entire building from the space under the exterior stairs to the ceiling was constructed with arches “in a bomb-proof manner” intended to discourage attacks on the building by “incendiaries.” This 1867 view of the structure showing the Chestnut Street façade includes two street vendors selling produce., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Custom House Philada. [graphic] / Bartlett & Smith, photographers.
Exterior view showing the United States Custom House at 420 Chestnut Street, formerly the Second Bank of the United States (1816-1836), built in 1824 after the designs of Philadelphia architect William Strickland. U.S. Custom House occupied the site from 1845 to 1935. Includes pedestrian traffic and a partial view of a street vendor's stand near a gate., Title from manuscript note on mount., Photographer's imprint embossed on mount., Yellow mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Custom House, Philadelphia
View looking west from Fourth Street showing the Custom House at 420 Chestnut Street, formerly the Second Bank of the United States (1816-1836), built in 1824 after designs by William Strickland. Served as customhouse from 1845 to 1935. Includes partial views of adjacent buildings: the Philadelphia Bank Building (400-408 Chestnut Street, built 1836) and the U.S. Post Office and U.S. Courts building (426-428 Chestnut Street, 1863 - 1884). Men work on scaffolding attached to the Bank building. Two souvenir booths operate between the Custom House and Bank building., Photographer's imprint printed on mount., Title printed on mount., Yellow mount with square corners., Retrospective conversion record, original entry, edited., Originally part of a McAllister scrapbook., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Custom House, Philadelphia, Pa.
View looking east on Chestnut Street, south side, showing the government building at 420 Chestnut Street. Originally built as the Second Bank of the United States in 1824 after the designs of Philadelphia architect William Strickland, the building served as the U.S. Custom House from 1845 to 1935. Also shows adjacent buildings including the Philadelphia Bank Building (400-408 Chestnut, built 1836) and Healy & Co., glove manufacturers (4th and Chestnut). Several individuals sit and stand on the steps of the customhouse., Title from manuscript note on verso., Attributed to Robert Newell., Yellow mount with square corners., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Cyclorama of Jerusalem and the Crucifixion, Broad and Cherry Sts., Philadelphia.
Series of titled views include "Crucifixion," "Mount Moriah and Tower of Antonia," "Mount Moriah, with Mount Olives as background of Temple," "Lower Part of Mount Zion, with Mountains of Moab in the distance," "Central portion of Mount Zion," "Herod's Palace and Towers," "Western View, Ruins of Caravensary," "Western View," "Northern View, with Shepherd's Cottage and Road to Damascus," "Northern View, with Caravensary and Illuminated Well," and "North-eastern view, with Grotto of Jeremiah". Images depict the crucifixion of Christ on a barren plateau outside of the city and include Roman soldiers, pilgrims, merchant caravans, donkeys and camels, and a cottage., Title and photographer's imprint from series label pasted on verso. Includes eleven numbered titles in the series list (No. 1-11)., Orange curved mounts with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
D & H Canal & coal dock, Honesdale, Pa.
View showing the Delaware and Hudson Canal Company boat and coal dock on the canal. The Delaware and Hudson canal, constructed from 1825-1828 after the designs of engineer Benjamin Wright, was conceived by Philadelphia merchants, William and Maurice Wurtz, as a means to transport anthracite coal from northeastern Pennsylvania to New York. Depicts in the foreground, workers standing on one of several docked canal boats used to transport coal hauled to Honesdale by the Pennsylvania Coal Company gravity railroad. In the background, a Pennsylvania Coal Company locomotive steams down the tracks past mountains of coal., Orange mount with rounded corners., Title from manuscript note on mount., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Broad Street, showing M.E. church, Philadelphia, Pa., U.S.A.
View looking northeast on Broad Street showing the west elevation and spire of Arch Street Methodist Episcopal Church (built 1869, Addison Hutton, architect) and a partial view of the west front of Masonic Temple in the right foreground (built 1868-1873, James H. Windrim, architect). Also shows a partial view of a Chestnut Street horsecar in the left foreground, a horse-drawn coach in front of the temple, and pedestrians on the sidewalk., Title printed on mount., Photographer's imprint printed on verso., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
Dam, Fairmount.
View looking west across the Schuylkill River from the old mill house at the Fairmount Water Works. Shows the dam as well as construction materials and equipment near the new mill house. The new mill house, built between 1859 and 1862 after the designs of Philadelphia engineer Henry P.M. Birkinbine, was altered between 1867 and 1872 during remodeling of the old mill house. The waterworks, originally built between 1812 and 1822, were altered and expanded after the designs of Birkinbine and Frederick Graff, Jr., until 1872., Yellow mount with rounded corners., Title printed on mount., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
[Dam near the Fairmount Water Works]
View looking south from the west bank of the Schuylkill River showing the dam at the Fairmount Water Works. Shows a boy sitting on the riverbank near the dam. In the background, a boathouse and several other buildings are visible., Attributed to John Moran., Unmounted half of stereoview., Title supplied by cataloguer., Originally part of a McAllister scrapbook., See Moran album [P.9265.73] for similar view., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Darien Expedition. Comd'r Selfridge, comd'g.
Series of titled views from T.O. Selfridge's Darien Expedition include, "Sea, curving Cupica Bay," "U.S.S. Nipsic, Columbia Bay," "Limon River, at the falls," "Santa Maria del Real," "Cliffs, Limon Bay," "Natural Arch, Cupica Bay," "Islands, Cupica Bay," "Family scene, Cartagena," "Mango tree, near Pinogana," "A group of natives, Chipigana," "Scene Chipigana, Gulf of Darien," and "Cocoa Grove, near Turbo." Images depict rock formations, small islands, and waterfalls in various bodies of water, including Cupica Bay, Limon River and Limon Bay; a mango tree near Pinogana and a cocoa grove near Turbo; the steam gunboat U.S.S. Nipsic in the Colombia Bay; the village of Santa Maria del Real from the water; and two group portraits of locals, including a group standing outside of two huts in Chipigana, and a view of a family in their home in Cartagena. Views from T.O. Selfridge's 1870-1871 naval expedition of the Isthmus of Darien. Authorized by the U.S. Government, Selfridge explored and surveyed the area as a possible route for a ship canal in Panama. He was accompanied by photographer T.H. O'Sullivan in 1870 and Philadelphia photographer John Moran in 1871., Titles on mounts., Publication information supplied by William C. Darrah., Contains seven stereographs mounted on yellow stereograph mounts and five on buff stereograph mounts, all curved with rounded corners. All contain manuscript notes on versos: Bessie E. Smith., J.F. Jarvis was the largest manufacturer of stereoviews in Washington D.C. during the late 19th century. He published his own trade list and numerous views of government surveys., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.

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