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- Location: Eighteenth and Locust Streets, northeast corner., Published in: Sloan, Samuel. City and Suburban Architecture (Philadelphia: J.B. Lippincott & Co., 1867), plate 107, design XXIV for a suburban mansion., Wainwright retrospective conversion project., Select link below to view a digital image., Library Company of Philadelphia: in *Am 1867 Sloan 7883.F., Historical Society of Pennsylvania: Bb16 H32.
- Attributed to E.W. Clay., Title and publication information supplied by Wainwright., Clay, born in Philadelphia, was the most prolific caricaturist of the Jacksonian era. He became well known for his popular racist series, "Life in Philadelphia," published from 1828 until around 1830, which mocked upwardly mobile African American Philadelphians as ineptly attempting to imitate the white middle class., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era. (PhD. diss., The University of Michigan, 1980), p. 76, 358. (LCP Print Room, Uz A423.O), LCP holds duplicate untrimmed print: *Wainwright 315., Racist caricature simultaneously mocking and condoning the pretentiousness and bigotry of early 19th century Philadelphia Quakers toward their "social inferiors." On a Philadelphia road in front of a small home with an open picket fence and a visitor arriving on horseback, a raggedly dressed dark skinned traveler with buck teeth, possibly an Irishman or African American, asks a rotund Quaker man and his attractive prim and proper daughter, "I say, this isn't the road to Philadelphy, honey, is it?" The father responds indignantly to the "Friend," that he is not only asking a question, but also telling a lie, and of course it is the road.
- Attributed to E.W. Clay., Title and publication information supplied by Wainwright., Clay, born in Philadelphia, was the most prolific caricaturist of the Jacksonian era. He became well known for his racist popular series, "Life in Philadelphia," published from 1828 until 1832, which mocked upwardly mobile African American Philadelphians as ineptly attempting to imitate the white middle class., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era (PhD. diss., The University of Michigan, 1980), p. 76, 358. (LCP Print Room Uz, A423.O)., LCP holds duplicate trimmed print: W315., Gift of William Helfand., Racist caricature simultaneously mocking and condoning the pretentiousness and bigotry of early 19th century Philadelphia Quakers toward their "social inferiors." On a Philadelphia road in front of a small home with an open picket fence and a visitor arriving on horseback, a raggedly dressed dark skinned traveler with buck teeth, possibly an Irishman or African American, asks a rotund Quaker man and his attractive prim and proper daughter, "I say, this isn't the road to Philadelphy, honey, is it?" The father responds indignantly to the "Friend," that he is not only asking a question, but also telling a lie, and of course it is the road.
- Location: Schuylkill River near the Columbia Avenue railroad bridge., Sheet music: Schuylkill Boat Song / Poetry by Thomas Dunn English M.D., music composed and dedicated to the Atlantic Barge Club by P. Blanchor. (Philadelphia: Osbourne's Music Saloon, 30, South Fourth Street, ca. 1842)., Sheet music cover. LCP Print Department copy image only., Wainwright retrospective conversion project., Select link below to view a digital image.
- View of several fishermen, including African American men, most waist deep in the river and all but one in a semi-circle, gathering up their catch into a rowboat. A Philadelphia pier lined with residences, the mills of Gloucester, New Jersey, and sailboats on the river are visible in the foreground and background., Title from item., Date from manuscript note written on recto: April-May 1855., Philadelphia on Stone, POS 691, Accessioned 1982., Description revised 2021., Access points revised 2021., Queen was a premier Philadelphia genre, nature, and advertisement lithographer who with fellow lithographer P.S. Duval, was an early successful chromolithographer.
- Copyrighted by J.T. Bowen., Originally published as plate 19 in Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and in 1848 with hand coloring., Wainwright retrospective conversion project., Select link below to view a digital image., Library Company of Philadelphia: (5)1322.F.70h and in *Am 1848 Wild 3007.Q (Poulson) and in *Am 1848 Wild 1514.F and in *Am 1848 Wild 1515.Q., Historical Society of Pennsylvania:, Exterior view of the Gothic-style Roman Catholic church, St. John the Evangelist, opened for services in April 1832 at 23-25 South Thirteenth Street. Shows parishioners walking up the church steps and two women conversing on the sidewalk. An iron fence protects the building.
- Wainwright retrospective conversion project., Originally part of a McAllister scrapbook of views of Philadelphia., Historical Society of Pennsylvania: Ba 131 S149., Select link below for a digital image., Exterior view of the Roman-style German Catholic church, St. Peter the Apostle, built 1842-1847 at 1015 North Fifth Street after the designs of Napoleon Le Brun. Also shows pedestrian traffic, including two children holding hands.
- Location: vicinity of Thirty-Fifth and Sycamore Streets., LCP exhibit catalogue: Made in America #77., Wainwright retrospective conversion project., See Poulson's scrapbook vol. VII, pg. 119 for clipping concerning the raising of the stand pipe dated December 15, 1853., Designed by the engineering firm of Birkinbine & Trotter.
- Location: Chestnut and Sixth Streets, southwest corner., Originally published as plate 11 in Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). The lithographic stones for the views were acquired by John T. Bowen and reissued in 1838 and in 1848 with hand coloring., Copyrighted by J.T. Bowen. Loose print lacking copyright statement., Wainwright retrospective conversion project., Select link below to view a digital image., Library Company of Philadelphia: P. 2195 and in *Am 1848 Wild 3007.Q (Poulson) and in *Am 1848 Wild 1514.F and in *Am 1848 Wild 1515.Q., Historical Society of Pennsylvania:
- Location: Twenty-first and Fairmount Avenue., Attributed to James Queen., Wainwright retrospective conversion project., Select link below to view a digital image., Historical Society of Pennsylvania:, Membership certificate for the Philadelphia Society for Alleviating the Miseries of Public Prisons containing a view of Eastern State Penitentiary and a portrait of William White.
- Location: New Jersey Shore about two miles north of Camden., LCP exhibit catalogue: Made in America #72., Wainwright retrospective conversion project., Select link below to view a digital image., Library Company of Philadelphia: Snider gift., Historical Society of Pennsylvania: Bc03 Tl53., Gift of Jay Snider.
- Dramatic view of the steamboat engulfed in flames and smoke, the captain still at the helm as the passengers escape into the icy river. Panicked-looking passengers jump into the water already teeming with disaster victims, including an African American man, who thrash, swim, and attempt to stay upon and assist others onto cakes of ice, debris, and a single rowboat. Rescuers from the nearby wharf, including firemen, work in a frantic manner and desperately throw a rope to a white woman standing on an ice floe. Also shows a horse on the fire engulfed deck and a white woman propelled by a flame off of the rear of the boat. A sign for "Baths" is visible on the riverbank in the background. Contains the names of the 107 white and "colored" dead, missing, and saved passengers in three columns below the image. Captained by Ebenezer Corson, the "New Jersey," on mid-voyage to Camden from Philadelphia via an alternate elongated route due to heavy ice, caught fire as a result of defective boilers, a fireplace, and brick work. With the fire spreading rapidly, Corson retreated to Arch Street Wharf in Philadelphia, and came within thirty feet of the pier when the pilot house collapsed leaving the boat unmanned and out of control. Corson survived by leaping ashore before the uncontrolled ship drifted back out on the river., Title from item., Date supplied by Wainwright., Copyrighted by A. Pharazin., Philadelphia on Stone, Purchase 1965., Description revised 2021., Access points revised 2021.
- Copyrighted by A. Pharazin., Date of publication supplied by Wainwright., Dramatic view of the steamboat engulfed in flames and smoke, the captain still at the helm as the passengers, including African Americans, escape for their lives into the icy river. Panicked passengers jump into the water already teeming with disaster victims who thrash, swim, and attempt to stay upon and assist others onto cakes of ice, debris, and a single rowboat. Rescuers from the nearby wharf, including firemen, work frantically and desperately throw a rope to a woman standing afloat a cake of ice. Contains the names of the 107 white and "colored" dead, missing, and saved passengers in three columns below the image. Captained by Ebenezer Corson, the "New Jersey," on mid-voyage to Camden from Philadelphia via an alternate elongated route due to heavy ice, caught fire as the result of defective boilers. With the fire spreading rapidly, Corson retreated to Arch Street Wharf in Philadelphia, and came within thirty feet of the pier when the pilot house collapsed leaving the boat unmanned and out of control. Corson survived by leaping ashore before the uncontrolled ship drifted back out on the river.