Jump to navigation
Main menu
LCP Home
Search
Search All Collections
Search Library Catalog (WolfPAC)
Search Digital Collections
How to Search the Collections
Access Terms Used in Our Catalogs
Finding Aids
Explore
Browse Collections
LCP News
Social Media
Exhibitions
Podcast
Academic Programs
Overview
Fellowships
Fellows Commons
Seminars
Program in African American History
Program in Early American Economy and Society
The Davida T. Deutsch Program in Women’s History
Visual Culture Program
Research
Overview
Subject Guides
Digital Humanities
Finding Aids
Exhibitions
Bookbinding Research
Other Resources
Using the Library
Overview
Hours, Access, & Location
Rights & Reproductions
How to Search Collections
Potentially Harmful Materials and Descriptions Statement
Events
Upcoming Events
Seminars
Exhibitions
LCP News
LCP Press Resources
Projects
Imperfect History
Fireside Chats
Pandemic Reading
What's Cooking?
Talking in the Library
Redrawing History
Support the Library
Overview
Donate Online!
Join & Renew Membership Online
Shareholding
Gifts in Kind
Member and Shareholder Exclusive Content
Membership Benefits
Planned Giving
About LCP
LCP Privacy Policy
Overview and History
LCP FAQ Sheet
Annual Reports
Departments
Staff
Board of Trustees
Employment
Affiliations
LCP News
Press Resources
advanced search
Life in Philadelphia. The cut direct. or getting up in the world. [graphic] / Printed by C. Ingrey, 310 Strand.
You are here
Browse Collections
›
African Americana Collection
›
African Americana Prints and Watercolors and Drawings
Back to top
Details
Contributor
Ingrey, Charles, lithographer.
Title
Life in Philadelphia. The cut direct. or getting up in the world. [graphic] / Printed by C. Ingrey, 310 Strand.
Publisher
London: Pub. by W.H. Isaacs, Charles St. Soho
Date
[ca. 1832]
Physical Description
1 print: lithograph, hand-colored; 21 x 24 cm.(7.75 x 9.5 in.)
Description
Racist caricature portraying nouveau riche African Americans as prejudiced against lower class African Americans. Depicts an African American bootblack greeting an elegantly dressed African American couple who feign ignorance of the man's acquaintance after their return from New York. The raggedly dressed bootblack, while holding his rod of boots in one hand, uses his other hand to grab the hand of "Casar." "Casar" dressed in a hat and overcoat looks suspiciously at their joined hands. He states that the bootblack has mistaken his identity as his wife, dressed in a large bonnet with feathers and a veil and a dark overcoat, confirms the mistake and adds, "we are Guinea People, you Imperdent Nigger."
Notes
Charles Ingrey was one of the premier London lithographic printers of the 1830s.
Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Print Room Uz, A423.O)
Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Subject
African Americans -- Caricatures and cartoons.
African Americans -- Clothing & dress -- Pennsylvania -- Philadelphia.
African American women -- Pennsylvania -- Philadelphia.
Spouses -- Pennsylvania -- Philadelphia.
African American shoe shiners.
Genre
Caricatures -- 1830-1840.
Lithographs -- Hand-colored -- 1830-1840.
Printer
Isaacs, W.H., publisher.
Location
Library Company of Philadelphia| Print Department| Life in Philadelphia (London Set) (P.9718a)
Accession number
P.9718a
In Collections
African Americana Prints and Watercolors and Drawings
Log In