| Contributor |
Blaul, Louis, 1854-1909, photographer. |
|
Cheston, Gallo W., approximately 1846-1882, photographer. |
|
DeMorat, Oliver B., approximately 1836-, photographer. |
|
Flett, J. H., photographer. |
|
Forbert, J. E., photographer. |
|
S. George's Ltd., photographer. |
|
Sol Young Studios, photographer. |
|
Suddards & Fennemore, photographer. |
|
Studio di Art, photographer. |
| Title |
[Stevens-Cogdell and Sanders-Venning and Chew families miscellaneous portraits collection] [graphic]. |
| Publisher |
1800-1932 |
| Date |
[ca. 1800-1932] |
| Physical Description |
18 photographs : albumen and gelatin silver prints and tintypes ; 14 x 17 cm (36 x 44 in.) or smaller. |
|
2 paintings : watercolor on ivory ; oval 9 x 7 cm (3.5 x 2.5 in.) or smaller. |
| Description |
Collection of photographs, several unidentified, of members of the African American middle-class Steven-Cogdell and Sanders-Venning
and Chew family of Philadelphia, as well as their extended families and friends. Includes predominantly studio portraiture,
including a portrait of William H. Chew (P.2013.14.10), in addition to two miniatures (possibly members of the Cogdell family)
and a casual group photograph. Also includes a small number of photographs representing the African American expatriate entertainers'
community in Paris in the 1930s; a group portrait of the “Soap Box Minstrels, Musical Fund Hall, December 7, 1909”; and a
group portrait with possibly George Washington Musgrave. Minstrel show photograph depicts performers in black face and African
American musicians on a stage in front of which a row of African American performers, some in costume and some in tuxedoes,
is seated. George Venning and his brother-in-law William Holden were founders of the Soap Box Social in 1908. The Soap Box
Social performed an annual minstrel show in the aughts as a fundraiser for the Citizens Republican Club, a social and political
club of African American elite men started in 1884. The club’s mission focused on the election of African Americans into public
office.
|
|
Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining
in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans,
including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans
as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades,
both on stage and in private homes.
|
|
Identified sitters include Ivan H. Browning, Edward W. Venning, Sallie Venning (Holden), Turner Layton, Clarence Johnstone,
Thomas "Fats" Waller, and Ada "Bricktop" Smith.
|
| Notes |
Title supplied by cataloger. |
|
Date from content. |
|
Various photographers, including L. Blaul, African American photographer G. W. Cheston, Flett, J. E. Forbert, O. B. De Morat,
S. Georges Ltd, Studio di Art, Sol Young Studios, and Suddards & Fennemore.
|
|
P.2013.14.12 contains manuscript note on verso: My Honey, My Wife, My All. |
|
P.2013.14.15 contains manuscript note on recto: To two regular fellows “Bill & Agnes” Ivan Browning, Paris, France, 1932. |
|
P.2013.14.16 contains manuscript note on recto: To The Agnes, Bill, Gene Upshur, With Warmest Wishes, Turner Layton. C.T.
Johnstone.
|
|
P.2013.14.17 contains manuscript note on recto: To Mr. & Mrs. Chew. With Tons of Good Wishes for Every Joy & Oceans of Happiness.
Layton & Johnstone.
|
|
P.2013.14.19 contains manuscript note on recto identifying the sitters: Unknown; [Us.?] Browning; Snow; Unknown; Fats Waller;
Unknown; Bricktop.
|
|
P.2013.14.20 contains manuscript note in ink on recto identifying the sitters: Unknown; Fats; [Mau?]; [Mask?]; Bricktop; Uncle
John; Unknown; Ms. Chew; Susan Williams; Unknown; Maureen Browning; Mr. Anson; Ms. Hinkson; Dr. Hinkson; Mr. Chew; Mr. Browning;
Unknown. Also contains manuscript note on recto: To Uncle John-Don’t get your derby knocked off. Thomas “Fats” Waller; Uncle
John, I think your great & how. Bricktop.
|
|
See Lib. Company Annual Report, 1991, p. 26-31. |
|
Gift of descendants Cordelia H. Brown, Lillie V. Dickerson, Mary Hinkson Jackson, and Georgine E. Willis in honor of Phil
Lapsansky.
|
|
See LCP exhibit catalogue: African American Miscellany p. 45. |
|
Genealogical charts available at repository. |
|
Description of blackface mintrelsy from Dorothy Berry, Descriptive Equity and Clarity around Blackface Minstrelsy in H(arvard)
T(heater) C(ollection) Collections, 2021.
|
|
Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the
Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania,
Tom Corbett, Governor, 2013-2014.
|
|
RVCDC |
|
Description revised 2022. |
|
Access points revised 2022. |
| Subject |
Bricktop, 1894-1984 -- Portraits. |
|
Browning, Ivan, 1891-1978 -- Portraits. |
|
Johnstone, Clarence -- Portraits. |
|
Layton, Turner, 1894-1978 -- Portraits. |
|
Musgrave, G. W. (George Washington), 1804-1882 -- Portraits. |
|
Venning, Edward W., 1806-1886 -- Portraits. |
|
Holden, Sallie Venning, 1872-1959 -- Portraits. |
|
Cogdill family -- Portraits. |
|
Venning family -- Portraits. |
|
Waller, Fats, 1904-1943 -- Portraits. |
|
African Americans -- Pennsylvania -- Philadelphia -- Portraits. |
|
African Americans -- Performance & portrayals. |
|
Blackface entertainers -- Pennsylvania -- Philadelphia. |
|
Entertainers -- France -- Paris. |
|
Expatriation. |
|
Minstrel shows. |
| Genre |
Albumen prints -- 1860-1870. |
|
Gelatin silver prints -- 1900-1940. |
|
Group portraits -- 1900-1940. |
|
Miniatures (paintings) -- 1790-1800. |
|
Portrait photographs -- 1860-1940. |
|
Tintypes -- 1870-1890. |
| Location |
Library Company of Philadelphia| Print Department| Stevens-Cogdell/Sanders-Venning Collection [P.2013.14] |
| Accession number |
P.2013.14 |
