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Lafayette's headquarters, West Chester County [graphic].
Drawing depicting the Joseph Gilpin House, occupied by the Marquis de Lafayette during the Battle of Brandywine in 1777. Shows a pathway leading up to front facade of the two-story house with a front porch. In the right is an adjacent wing with a stone wall around it. Also visible are an out building and a wooden fence. The original portion of the house was constructed circa 1695. Wings were added to the north of the original frame house in 1745 and to the west in 1782. Quaker farmer Gideon Gilpin occupied the house when it was used by Lafayette. The house was reconstructed by George Edwin Brumbaugh and purchased by the State of Pennsylvania in 1949., Title from item., Date inferred from content and active dates of the artist., Gift of David Doret and Linda G. Mitchell, 2019.
Landscape. Evening [graphic].
Drawing depicting an evening, landscape view. Shows a grassy bank of land with brush and trees near an inlet of water out of which rocks jut in the right., Artist and title from manuscript note on verso: Original Sketch - Landscape - by V. de V. Bonfield. Evening. V de V. Bonfield., Date inferred from artist's exhibition record at the Pennsylvania Academy of the Fine Arts., Gift of David Doret and Linda G. Mitchell., William Van de Veld Bornfield was a Pennsylvania artist who specialized in coastal marine, landscape, and winter scene paintings. He exhibited at the Pennsylvania Academy of the Fine Arts between 1861 and 1869 and intermittently between 1876 and 1885. Bornfield also worked in New Jersey.
[Manuscript map showing lots of land along the Delaware River and near Point House, Philadelphia] [cartographic material].
Manuscript map showing landowner's names and lots southwest of Point House in Moyamensing. Lot owners include Eve Graffrey, "T. Walter & others," "T. Walter &c," and John Hunter. Lots to the north of those inscribed with names of landowners are marked (l-r): "C. No. 10"; "D. No. 11"; "B. No. 9"; "A. No. 8"; "No. 4"; "No. 5"; "No. 6.", Title supplied by cataloger., Includes compass., Includes "30 Ft Lane.", Includes "Ditch" lane., Gift of David Doret and Linda G. Mitchell.
[Manuscript map showing lots of land along the Delaware River north of the Gloucester Point Ferry, Philadelphia] [cartographic material].
Manuscript map showing landowner's names, lots, creeks, low water marks, and "road made thru the swamp & cripple in 1719 or 1720" in the area near the Point House in Moyamensing. Lot owners include Jones, Bankson, Lisle and Morris, Hockley, Hill and Morris, and Hamilton and Keith. Also contains lots marked: "15 Acres";"Proprietors till 1796 than Marshall"; "Flats not alluvial to low w[ater] m[ark]"; "Swedes in 1664." Low water marks are dated 1765, 1760, 1753. Creeks depicted include Hay Creek and L. Hollander Creek. Michael Freytag received the patent for the depicted lot from the commonwealth of Pennsylvania in 1830. In 1875, the land was at the center of a suit brought against the commonwealth for having granted the patent through a fraudulence act. Freytag had claimed the premises in question were vacant, unimproved, and not previously patented, when older patents had been granted to "the Swedes" and Anthony Morris., Title supplied by cataloger., Upper edge trimmed., Includes key: Yellow is the land patented by M. Freytag/Green is the meadow bank/Pink is the ditch made by Penn in 1741., Includes partial key: North line to low water 122p/ Hamiltons --- on the road 103p/North line 50p South 1. 70p/Morris--- on the road 37p/North line 56p---South 1. 47p., Gift of David Doret and Linda G. Mitchell.
[Market building, Market and Fifteenth Streets] [graphic] / Frank H. Taylor from photo.
Street view of the market sheds at 15th and Market Streets, Philadelphia. Depicts men vendors selling their goods, including meats and produce, under covered stalls and from a wagon as customers, primarily women, walk and shop along the market. Also shows a Conestoga wagon parked by the market in the right, barrels and baskets of goods displayed near some of the stalls, and a fire hydrant at the corner. In the left foreground, a horse-drawn omnibus travels down tracks in the street. In the background, a row of building, including the Western Exchange Hotel is visible. The market sheds were removed April 1859 following the completion of the Western Market House at Sixteenth and Market Streets. The Western Exchange Hotel, a resting spot for many of the farmers who rented at the market, was demolished circa 1860., Title from print in the series., Date inferred from content and active dates of the artist., Signed by the artist in the lower right., Manuscript note written on recto: Masonic. Show to Masonic Hall get label., Inscribed in lower right corner: 5.00, Manuscript written on verso: The market sheds, extending two squares West of fifteenth street, were removed in 1862. The old Western Exchange building and the row of dwellings west from it were removed in 1880 to make room for the Pennsylvania R.R. first terminal. The arched front of the Western Market house is shown in the back ground., Contains series number written on sticker label in upper left corner: 336. Written in manuscript on the bottom left corner: 336. Number corresponds to the series, Old Philadelphia: Artistic reproductions from drawings by Frank H. Taylor depicting old structures and scenes of historic interest., See also: photo - McClees - Hotels, Inns, and Taverns [(9)1322.F.49b], Gift of David Doret and Linda G. Mitchell, 2019.
Mauch Chunk, PA canal [graphic] / E.S.H.
Sketch depicting a bird’s eye view probably of the Lehigh Canal in Mauch Chunk, Pa. Depicts two boats, each with one man, being pulled with ropes by mules along the canal that runs through a valley. The boats also hold material that is probably coal. View also shows trees growing on the hillside bordering the canal, and in the left background, rail cars moving on the tracks towards wooden buildings along the waterway. Mauch Chunk was founded in 1818 and changed its name to Jim Thorpe in 1955. The Lehigh Canal opened in 1829 and ran until the 1930s., Title and date from manuscript note written on verso: Mauch Chunk, PA Canal, Augt 15th, 1859., Artist’s initials written on verso: E.S.H., Gift of David Doret and Linda G. Mitchell, 2019.
Mouth of the Wissahickon Creek [graphic] / Henry F. Graeff.
Drawing depicting the Philadelphia & Reading Railroad bridge, also known as the Wissahickon Creek Viaduct or High Stone Bridge, which began construction in 1874 and was completed in 1882. The Wissahickon Creek flows in the foreground. There are several buildings and trees along the bank. The stone arched bridge spans across the water, and more buildings are visible in the background., Title from item., Date inferred from content and active dates of the artist., Signed by the artist in lower right., Gift of David Doret and Linda G. Mitchell, 2019.
No. 173 (now 509) Chestnut St. owned and occupied by the Company from 1817 to 1826. [graphic] / Geo. E. Essig.
Watercolor of the Pennsylvania Company for Insurances on Lives and Granting Annuities’ office building on the 500 block of Chestnut Street, Philadelphia. Shows the four-story building with an awning extending from the first story of the building to the outer edge of the sidewalk and a sign above the front entrance that reads, “Pennsylvania Company.” Also shows partial views of the adjacent buildings. The Pennsylvania Company for Insurances on Lives and Granting Annuities was founded in 1812. In 1872, it was renamed as the Pennsylvania Company for Banking and Trust. The firm merged with the Bank of North America and Trust Company in 1929. The Company occupied the building at 173 Chestnut Street, Philadelphia from 1817 to 1826., Title from item., Date inferred from content and active dates of the artist., Signed by the artist in the lower center., Gift of David Doret and Linda G. Mitchell, 2019., George Emerick Essig (1838-1923), a Philadelphia-born painter, watercolorist, and etcher, specialized in marine scenes, particularly of the New Jersey coast. He exhibited his work at the Pennsylvania Academy of the Fine Arts from 1876 to 1888.
No. 304 Walnut St. owned and occupied by the Company from 1859 to 1873. [graphic] / Geo. E. Essig.
Watercolor of the front façade of the Pennsylvania Company for Insurances on Lives and Granting Annuities’ office building constructed in 1859 at 304 Walnut Street, Philadelphia. Shows the two-story building with a sign above the front entrance that reads, “304.” Signs in windows to the left and right of the entrance advertise the Company’s name. Two men stand on the front steps and converse, and several pedestrians walk on the sidewalk. Also shows partial views of adjacent buildings. The Pennsylvania Company for Insurances on Lives and Granting Annuities was founded in 1812. In 1872, it was renamed as the Pennsylvania Company for Banking and Trust. The firm merged with the Bank of North America and Trust Company in 1929. The Company occupied the building at 304 Walnut Street, Philadelphia from 1859 to 1873., Title from item., Date inferred from content and active dates of the artist., Signed by the artist in the lower center., Gift of David Doret and Linda G. Mitchell, 2019., George Emerick Essig (1838-1923), a Philadelphia-born painter, watercolorist, and etcher, specialized in marine scenes, particularly of the New Jersey coast. He exhibited his work at the Pennsylvania Academy of the Fine Arts from 1876 to 1888.
[Nude figure studies] [graphic].
Collection of nude figure studies by lithographer Augustus Kollner. Most, if not all, of the studies were likely executed for the life class at the Pennsylvania Academy of the Fine arts. Includes two female studies and two male studies. The first female study [P.2017.8.18] shows a nude woman seated on her side, her legs outstretched, and leaning on her left hand. Her right hand stretched down to her calf. Her light-shaded hair is pulled back Grecian-style and she lies in front of a draped stand. The second female study [P.2017.8.19] shows a woman lying on her back, her head resting on her right hand that is bent at the elbow, and with her eyes closed. Her dark-shaded hair is worn in a low bun, her legs are crossed at the ankles, and her left hand rests on her left thigh. A less-detailed, ink-drawn, vignette-size, bust-length study of the woman is visible in the lower left corner. The first male study [P.2017.8.20] shows a nearly nude man, a loin cloth at his waist, sitting with his legs open on a draped seat. He is slightly hunched over and rests the left side of his face on his left hand curled into a fist with his left elbow resting on his knee. His right arm is bent at the elbow with his right hand resting on his right knee. His dark-shaded hair is parted to the right. The second male study [P.2017.8.21], a profile, shows a nude man, semi-seated on a platform, with his upper body leaning to his left and with his left leg extended behind him. He rests his arms on the edge and side of the platform. He has short, dark-shaded hair and a mustache. The genitalia of the three figures without a loin cloth is shaded in shadow., Dates of two of the drawings [P.2017.8.18-19] inferred from the accompanying dated drawings., P.2017.8.21 inscribed in lower right: Jany 1867., P.2017.8.22 inscribed in lower left: Pennsylvania Academy of Fine Arts; Kollner Feby 4, 1867 Phila., Drawings are trimmed., Gift of David Doret and Linda G. Mitchell., Augustus Kollner (1813-1906) a German-born and trained Philadelphia lithographer began to focus his career more on drawing and painting in the 1860s. In 1861 Kollner enrolled in the Pennsylvania Academy of the fine arts life class and continued to take the class until at least 1867. Kollner also exhibited genre, historical, and landscape drawings at the Pennsylvania Academy of Fine Arts in 1865 and 1868.
Old Browning home, Pea Shore, De Lair Bridge [graphic] / Duffield.
Pencil drawing showing the two-and-one-half-story residence of George Browning who settled near Pea Shore (later Stockton Township) during the mid 1700s. Residence includes a covered porch. Two rocking chairs are visible on the porch. A tree stands on the property to the right of the dwelling., Title written on recto., Date inferred from inscription on recto: 1890., Gift of David Doret and Linda G. Mitchell., See complementary drawings depicting Camden views, Doret & Mitchell Collection - Drawings & Watercolors [P.2018.62.7 and 9-12].
Old Diamond Cottage [graphic] / D. Haines.
Pencil drawing showing the two-story wooden cottage with shingle roof, double entryway, and diamond-paned windows at Penn Street below Seventh street, Camden, N.J. A horse is bridled near one of three trees (in the right) adorning the property. The building was torn down in 1891 and was a part of the pleasure garden Diamond Cottage Garden, later Diamond Cottage Park., Title written on recto., Date inferred from inscription on recto: 1890., Gift of David Doret and Linda G. Mitchell., See complementary drawings depicting Camden views, Doret & Mitchell Collection - Drawings & Watercolors [P.2018.62.7-8 and 10-12].
Old Federal Street Ferry [graphic] / Max Miller.
Pencil drawing showing the Federal Street Ferry house with a mansard roof. The Federal Street Ferry was established circa 1764 by Daniel Cooper. A new ferry house and ships were built about 1863 and about 1900., Title written on recto., Date inferred from complementary dated drawings., Contains incomplete pencil sketch depicting part of a building and a tree on verso. Similar to Old Browning House image [P.2018.62.8]., Gift of David Doret and Linda G. Mitchell., See complementary drawings depicting Camden views, Doret & Mitchell Collection - Drawings & Watercolors [P.2018.62.7-11].
"Old Swedes, Phila." [graphic] / Donald C. Taber.
Impressionistic drawing showing the exterior and cemetery of the oldest church in Pennsylvania at 929 South Water Street. Includes headstones and foliage. The church, also known as Gloria Dei, was built 1698-1700 after designs by John I. Harrison and Reverend Andrew Rudman. Betsy Ross married her second husband Joseph Ashburn at Gloria Dei in 1777., Title inscribed on drawing., Signature of artist in lower left corner., Accompanied by label: The oldest church in Philadelphia is "Olde Swedes", [sic] on Swanson Street below Christian Street. It was built in 1700 and has been in continuous use ever since. It was in this church that Betsy Ross was married. An original drawing by Donald C. Taber, 1934., Gift of David Doret and Linda G. Mitchell., Donald C. Taber, born in New York, was a commercial artist in Philadelphia by 1930.
Old Tun Tavern.
David Doret and Linda G. Mitchell Collection, 2018., Label on the front reads: Old Tun Tavern, Philadelphia, Where the First Grand □ of F. & A.M. was Held in America. Tun Tavern stood at the intersection of King (later Water) Street and Wilcox (later Tun) Alley. It was the location of the first lodge of Free and Accepted Masons in the colonies as early as 1732. The June 26, 1732 Pennsylvania Gazette contains an announcement of William Allen being chosen Grand Master. The Tavern is also regarded as the location where the United States Marines held their first recruitment drive in 1775. In 1781, Tun Tavern burned down. A reproduction was built on the grounds of the 1926 Sesquicentennial and demolished after the exposition ended.
Fourth and Chestnut Phila. [graphic] / Phil Kassel.
Impressionistic drawing from a raised vantage point showing the 400 block of Chestnut Street. Includes the Provident Life and Trust Company Bank and Office Building at 401-411 Chestnut (built 1876-1879, altered 1888-1902, demolished 1959-60); the Philadelphia Trust Company at 413-417 Chestnut (built 1873-1874, demolished 1959); Philadelphia National Bank at 419-423 Chestnut (built 1857-1859, altered between 1892-1908); Farmers and Mechanics Bank at 425-429 Chestnut (built 1884-1885, altered 1917); and the Pennsylvania Company for Insurances on Lives and Granting Annuities at 431 Chestnut (built 1871-1873). Also shows street and pedestrian traffic, including automobiles., Title inscribed in pencil on mount., Signature of artist in lower right corner., Date inferred from drawing style and depiction of automobiles., Gift of David Doret and Linda G. Mitchell., Philip Kassel, born in Germany, was a commercial artist and illustrator in Philadelphia by 1910. Between the 1910s and 1950, he was listed in city directories with offices on the 300 and 400 blocks of Walnut Street.
P. & R. Ry. Bridge Fair Mount Park [graphic].
Drawing depicting the Philadelphia & Reading Railroad bridge, also known as the Wissahickon Creek Viaduct or High Stone Bridge, which began construction in 1874 and was completed in 1882. Shows the waterfall of the Wissahickon Creek flowing in the foreground. The stone arched bridge spans across the water. Trees are visible in the background., Title from item., Date inferred from content and active dates of the artist., Gift of David Doret and Linda G. Mitchell, 2019.
[Panoramic view of Center City, Philadelphia looking east from non-existing suburban perspective] [graphic] / Edwin F. Bayha '28.
Panoramic view of Philadelphia from an imagined, suburban perspective. In the foreground from a raised viewpoint are suburban houses with landscaped lawns and trees. Cars travel down the street. A stylized view of Philadelphia is depicted including industrial and office buildings, Broad Street leading to City Hall, the Benjamin Franklin Bridge, and the Delaware River., Title supplied by cataloger., Signed and dated by the artist in lower right corner., Gift of David Doret and Linda G. Mitchell, 2022., Edwin Frank Bayha (1880-1937) was born in Philadelphia to German immigrants. He graduated from the Pennsylvania Museum and School of Industrial Art in 1899 and was a member of the Pennsylvania Academy of the Fine Arts from 1898 to 1933. He worked as an illustrator and commercial artist.
[Pencil study and corresponding prints showing the storefront of C. & N. Jones, stockings, N. W. cor. 2nd & Chestnut St., 1832] [graphic].
Series containing a pencil study, engraving, and wood-engraved periodical illustration of the stocking store that was razed circa 1832. Images show a wood-frame house with a large front window, outside cellar door, two stacked small side windows, and gambrel roof with chimney. The building is adorned with signage reading "Stockings. C & N. Jones." All of the graphics contain shading around the foot of the building. Ann Jones purportedly operated a stocking store from the same location during the 1750s., Attributed to James Queen by Marion Carson., Title supplied by cataloger., Manuscript notes below image of P.2017.8.29: N.W. Corner of 2nd & Chestnut; Original of plates; M3727., P.2017.8.30 titled: N.W. Cor. 2nd & Chestnut St., P.2017.8.31 is clipping with letter-press text on verso., Gift of David Doret and Linda G. Mitchell., LCP duplicate copy of engraving [(1) 1525.F.17g] does not include manuscript note attributing print to Queen as noted by Snyder., See LCP Poulson's Scrapbooks vol. 5, p. 28 and p. 31 and vol. 7, p.21.
[Philadelphia street scene with gas station] [graphic] / Dull.
Watercolor of a street scene in Philadelphia, probably with the United States Custom House in the background. Shows pedestrians walking on the sidewalks down the street. In the right, shows the front entrance to the three-story, brick building. In the left, a black car is parked near two, red gas pumps at a gas station. Behind the station is a large, near block-long, four-story building. View also shows a large skyscraper, probably the United States Custom House constructed from 1932 to 1934 after the designs of Ritter and Shay at 200 Chestnut Street, towering in the background., Title supplied by cataloger., Date inferred from content and active dates of the artist., Signed by artist in lower right corner., Verso contains a rough sketch of a landscape of hills., Gift of David Doret and Linda G. Mitchell, 2019., John J. Dull (1859-1949), an architect and artist, was born in Philadelphia and studied at the Pennsylvania Academy of the Fine Arts., An instructor at Drexel University and the Pennsylvania Museum School of Industrial Arts, he was also a member of the Philadelphia Sketch Club, the Philadelphia Watercolor Club, the Philadelphia Art Alliance, and the T-Square Club.
Plan of Auburn Farm belonging to the Cresson estate, Twenty-fifth ward. Philadelphia. [cartographic material].
Map showing the Cresson estate (likely Sarah Emlen Cresson) including Erie, Venango, Tioga, Ontario, G, H, and I Streets. Shows the property bordered and shaded in red. Several rectangles, probably symbolizing buildings, are depicted between G and H Streets and Venango Street. Shows the total acreage and railroad acreage., Title from item., Date inferred from content., Text on recto: Note-copy of a survey and plan made by Isaac E. Shallcross with location and area of rail road added., Gift of David Doret and Linda G. Mitchell, 2020.
Plan of Auburn Farm belonging to the estate of Sarah Emlen Cresson, decd. Twenty Fifth Ward Philadelphia. [cartographic material] / Isaac Shallcross, Sur. and reg. 10th dist.
Map showing the estate of Sarah Emlen Cresson including Erie, Venango, Tioga, Ontario, Westmoreland, F, G, H, I, and J Streets. Shows the property divided into plots numbered 1 through 7 and labeled with the acreage. Depicts the mansion located in plot 5 and the tenant house and two barns located in plot 7., Title and date from item., Scale statement on map reads, “scale-80 feet to an inch.", Text on recto: Note-All areas extend to middle of streets. Blue figures represents confirmed curb elevation. Red [figures represents] present surface [elevation]., Table in the lower right depcited as a scroll and listing the seven plots with monetary valuations on the acreage., Gift of David Doret and Linda G. Mitchell, 2020.
Plan of Cresson's land in the 23d ward, Philadelphia [cartographic material] / Isaac Shallcross, Sur 10th Dist, 1860.
Map showing the Cresson property and including Erie, Venango, Tioga, Ontario, F, G, H, and I Streets. Shows the border lines of the property in red ink. Several rectangles, probably symbolizing buildings, are depicted between G and H Streets and Venango Street. Beneath the map is an American flag on a pole., Title and date from item., Text written on recto: Established Curl heights at corners in red ink. Grade per 100 feet in blue. Surface heights in black., Stamped on the verso: Alfred Fitler, Conveyancer, Phila., Jan. 13, 1869., Gift of David Doret and Linda G. Mitchell, 2020.
Plan of the town of Blue Rock situate in Manor Township, Lancaster County on the eastern shore of Susquehanna River [cartographic material].
Manuscript map showing lots of land near and between Bitner, George, Elizabeth and Water Streets. Also includes the "Road from Columbia to Safe Harbor"; public grounds; a barn; ice house; and dwelling house., Title from item., Manuscript note on verso: Plan of Blue Rock. Filed in the Recorder's Office., Date inferred from reference to "Road from Columbia to Safe Harbor" Columbia was renamed from Wright's Ferry in 1788., Gift of David Doret and Linda G. Mitchell.
[Portrait of an unidentified bull] [graphic] / Schreiber. 1880.
Portrait of an unidentified bull. The bull has a ring in its nose and stands in left profile in a field. The landscape view around the bull has been added with watercolors., Title supplied by the cataloger., Date from item., Signed by the artist in the lower right., Attributed to Schreiber Studio., Gift of David Doret and Linda G. Mitchell, 2019.
[Portrait of an unidentified horse] [graphic].
Portrait of an unidentified horse. The horse stands in left profile in a field. The landscape view around the horse has been added with watercolors., Title supplied by the cataloger., Date inferred from content., Possibly by Schreiber Studio., Gift of David Doret and Linda G. Mitchell, 2019.
[Portrait of an unidentified horse] [graphic].
Portrait of an unidentified horse. The horse wears a bridle and stands in left profile in a field. The landscape view around the horse has been added with watercolors., Title supplied by the cataloger., Date inferred from content and active dates of the artist., Attributed to Schreiber Studio., Gift of David Doret and Linda G. Mitchell, 2019.
A profiled Friends grave yard at Sadsbury in Lancaster County together with an index book of many names of our silent lead designating the several places in which they repose made and presented by John Gest to the preparative meeting of men and women Frie
Plan of the cemetery established in 1725 near the Sadsbury Meeting House established the same year in Sadsbury Township, later Gap, PA. Shows the plots arranged in a grid bordered on three sides by "Samuel Sellers land" and the land of the Sadsbury Friends Meeting. Lands delineated with hand coloring. Also includes a pathway and a border delineated in hand coloring., Title transcribed from manuscript note on item., Includes plot numbers and dimensions., Gift of David Doret and Linda G. Mitchell., John Gest, was son of Joseph Gest (d. 1815), the carpenter of the second Sadsbury meeting house built in 1760.
Proposed stand pipe for Delware Water Works, Water Department, Philada. [graphic] / Henry P.M. Birkinbine
Architectural drawing showing the front elevation of a stone building with a stand pipe adorning a pyramid hip roof proposed for the Delaware Water Works, formerly the Kensington Water Works. Building includes brick details around the doorway and the five windows. Ornamental details adorn the standpipe. The waterworks, completed in 1852, at the foot of Wood Street (i.e., Susquehanna Avenue) near the Delaware River provided water for the district of Kensington. Also includes an inset depicting an interior section of pipe. Chief Engineer of the Water Department H.P.M. Birkinbine recorded the need for a stand pipe at the Delaware Water Works in his 1858 Annual Report of the Chief Engineer of the Water Works of the City of Philadelphia (published 1859). He publically announced proposals for enlarging the Delaware Water Works, including a stand pipe in 1864. A new standpipe was completed in 1865., Title and date from item., Manuscript note below title on recto: Scale 1/8 in. to a foot., Gift of David Doret and Linda G. Mitchell., See Annual report of the chief engineer of the Water Works of the city of Philadelphia (Philadelphia, 1859), p. 10. [Am 1859 Phil Pa Water 52642.O .9 (Hare)]., See also Philadelphia Inquirer, June 4, 1864, p.6 and Public Ledger, January 13, 1865, p. 1.
Pyne Point Mansion [graphic] / Haines.
Pencil drawing showing the one-story residence with two-and-one-half-story addition, known as Cope House, originally built in 1695 in Camden above the Delaware River. Leafless trees line the property. The dwelling was acquired by first Camden settler William Cooper's son Joseph in 1709. The addition was built for Joseph's son Isaac before 1785. William Cooper settled in Camden circa 1680s and named the adjacent land to his residence Pyne Ponte because of the numerous pine trees., Title written on recto., Date inferred from inscription on recto: 1890., Gift of David Doret and Linda G. Mitchell., See complementary drawings depicting Camden views, Doret & Mitchell Collection - Drawings & Watercolors [P.2018.62.7-9 and 11-12].
[Quaker marriage certificate of William and Hannah Fish, May 25, 1780] [graphic].
Title supplied by cataloger., Gift of David Doret and Linda G. Mitchell.
[River House Bar by the Delaware River canal] [graphic].
Drawing depicting the River House Bar by the Delaware River canal in New Hope, Pa. Shows the two-and-a-half-story bar with a sign that reads, "River House, Dining Room, Guest Rooms, Bar." In the left, is a three-and-a-half-story building with an outbuilding behind it. The canal is visible in the foreground. Snow covers the ground., Title supplied by the cataloger., Date inferred from content and active dates of the artist., Gift of David Doret and Linda G. Mitchell, 2019.
[Robeson's Ridge Road, Philadelphia] [graphic].
Watercolor depicting the Robeson House, also known as Shoomac Park, built ca. 1759 at Ridge Ave. and Wissahickon Drive, Philadelphia, PA. Shows the two-and-a-half story house with a gabled roof and chimneys. A white fence lines the road in front of the property. Pedestrians and horse-drawn carts, carriages, and covered wagons travel along the road. A train crosses the Philadelphia & Reading Railroad bridge in the background. Andrew Robeson purchased Shoomac Park in 1690 and operated a flour mill on the land. Rudiman Robeson likely built the house. Peter and Jonathan Robeson bought the park and mill in 1789. The Fairmount Park Commission purchased Shoomac Park in 1872 and demolished the house in 1961. The railroad bridge, known as the Wissahickon Creek Viaduct or High Stone Bridge, began construction in 1874 and was completed in 1882., Title supplied by the cataloger., Date inferred by the active dates of the artist., Gift of David Doret and Linda G. Mitchell, 2022.
Rosenheim, Main Street on the road above Fisher's Lane [graphic] / H.F. Graeff, 1936.
Drawing depicting the house originally built by John Wister as a farm house in 1743 on Main Street (ie. Germantown Avenue) and Fisher's Lane, Germantown, Pa. Shows the front facade of the two-story house with dormers. A wooden fence surrounds the property. Trees grow along the sidewalk, which extends in front of the house. An adjacent house is visible in the right. Charles J. Wister, the grandson of John Wister, called the house the "Castle of Rosenheim.", Title and date from item., Signed by the artist in lower left., Gift of David Doret and Linda G. Mitchell, 2019.
Second St. Phila. PA. [graphic]/
Exterior view showing the Protestant Episcopal church built 1727-1744, including the steeple completed 1754 after the designs of John Harrison and Robert Smith, at 22-34 North 2nd Street. Shows the front facade with a sign that reads, "Christ Church" on the pediment. The steeple rises at the rear of the church. The sidewalk extends in front of the building, and a fence surrounds the property. In the left, trees grow in a line in front of a row of buildings., Title from item., Date inferred from content and active dates of the artist., Gift of David Doret and Linda G. Mitchell, 2019.
[Sketch of an unidentified residence and garden] [graphic].
Sketch depicting an exterior view of an unidentified residence and a garden. Shows a gabled roof and the wall of a building, probably a house. In the foreground is a garden with a square pathway bordering a circle. Trees and shrubs grow on the other side of a wall or fence., Title supplied by cataloger., Date inferred from content and active dates of artist., Gift of David Doret and Linda G. Mitchell, 2019.
[Sketchbook of architecture in England, France, and Belgium] [graphic].
Sketchbook containing pencil drawings of exterior and interior views and architectural features of buildings in England, France, and Belgium. Includes manuscript notes about expenditures and architectural details, such as measurements and colors. Titled sketches include: Farmhouse nr. Chambourg Tourraine; Houses across the Indre at Azay; Old Mill at Azay-le-Rideau, Stone walls - fine slate roof no cornice; Azay-le-Rideau The Indre; Ambulatory of Bouges; Hand latch St. Pierre Coutanc[es], escutcheon beveled esge St. Pierre Countances; Countances 9-16-23; Rouen Choir 8-22-23; Amiens; An Abbeville horse; Home nr. Ashford, Kent; White gate nr. Ashford, Kent; Red tile hip- cemented at angles (Kentish); App. Scheme of truss Charing Church, Kent; Interior of window of porch, Lenham Church, Kent; Old lectern-Lenham Ch., Kent; Brass chandelier, Lenham Ch. Kent like Bruges; Eccleston Ch.; Ext. Section Selby Abbey S. Transept Window (modern); Ch. of St. John Evangelist (Cowley, Fathers); St. Cath. College Entrance Hall., Title supplied by cataloger., Date from manuscript inscription written on interior of front cover: Donald Robb Cochran, Europe 1923., Gift of David Doret and Linda G. Mitchell, 2022., Donald Robb Cochran (1897-1986) was born in Chester, Pa. He graduated from the University of Pennsylvania with a degree in architecture in 1921. From 1921 to 1923, he worked as a draftsman at the Boston firm of Frohman, Robb & Little. He then worked at the Philadelphia firm Mellor, Meigs & Howe until 1932. In 1933, he joined Sun Oil Co. as a staff architect.
[Sketchbook of Europe, Boston, and the Philadelphia area] [graphic].
Sketchbook containing pencil and ink drawings of ships, landscapes, sites in Paris, Boston, and the Philadelphia area, including exterior views of buildings and architectural features, and portraits. Sketches include: [Ships on the water]; Willow Tree, Chester Park 6/13/19; Hunting the Hun; Bridge Chester Park June 13, 1919; Musée de Cluny, Paris 7/17/20; 15th Cent. Well-Head from house near Amboise, Musée de Cluny 7/23/20; Top of Stair Tower, Musée de Cluny, Paris 8-10-20; [Exterior view of the wall with windows, probably Musée de Cluny]; Arc de Triomph Aug. 4, 1920; Musée de Cluny 7/4/20; South Side, Notre Dame, Paris, D.R.C.-Aug. 12-1920; Main Door of Deshong Art Gall., Chester, Pa.; Old Friend's Meeting House, Providence Road, Media, 1682, 11/14/20; Stable-Bartram's Gardens 5/21/21; Palmer's Mills, Crum Creek 11/21/20; Paul Taylor at Bartram's Gardens May 21, 1921; Doorway- Bartram's May 21, 1921; D.R.C. by Paul Taylor Bartram's - May 21-'21; [Portrait of a woman resting her head on her hand] 8/21/21; Park Street Church, Boston, Mass. - 8/25/'21; Hancock L.I. Building from Cloister of Trinity Church, Boston 9/1/'21; [exterior view of an unidentified building] 9/3/'21; Charles St. Church, Boston - Sept. 10-'21; Old House Newton Upper Falls, Mass. - 9/18/21; Hinge & Lock on Central Door Trinity Church - Boston, Boston Library Part 1; Elmus Americanus; Plan Pantheon., Title supplied by cataloger., Date from dates written on individual sketches., Cloth binding with "Sketches" embossed on the front cover and stamped "D.R. Cochran" on the back cover., Label pasted on endpaper: F. Weber & Co. Sketch Book. 9 x 6" - Each 30 cts., Gift of David Doret and Linda G. Mitchell, 2022., Donald Robb Cochran (1897-1986) was born in Chester, Pa. He graduated from the University of Pennsylvania with a degree in architecture in 1921. From 1921 to 1923, he worked as a draftsman at the Boston firm of Frohman, Robb & Little. He then worked at the Philadelphia firm Mellor, Meigs & Howe until 1932. In 1933, he joined Sun Oil Co. as a staff architect.
[Sketchbook of Philadelphia area landscapes and buildings] [graphic].
Sketchbook containing pencil drawings of exterior views of buildings in the Philadelphia area, flowers, trees, tigers and lions, and portraits of men and women. Titled sketches include: Bartram's Barn, May 5th, 1900; Bartram's Gardens May 5, 1900; Bridgwater May 13th, 1900; Poplars, Tree at Folcroft; Ridley Park Lake; Independence Hall Garden Front, the Lunch Counter May 16th, 1900; Fidelity; French Ballet, Carnival May 25, 1900; Settee Phila. Nat'n'l Bank, 421 Chestnut St.; Rocks, Nov. 2, 1901; Cupola for a stable; Tiger; Rock Nov. 2, 1901; The Grist Mill, Nov. 2, 1901; Pusey House, Feb. 15; Dr. Robert's Woods, 12-30-20; Leiper's Quarry Avondale 12/30/20; West Farm 12/30/20., Title supplied by cataloger., Date range from dated drawings., Cloth binding with "Sketch Book" embossed and "E. Donald Robb + Donald Robb Cochran" written in manuscript on the cover., Gift of David Doret and Linda G. Mitchell, 2022., Donald Robb Cochran (1897-1986) was born in Chester, Pa. He graduated from the University of Pennsylvania with a degree in architecture in 1921. From 1921 to 1923, he worked as a draftsman at the Boston firm of Frohman, Robb & Little. He then worked at the Philadelphia firm Mellor, Meigs & Howe until 1932. In 1933, he joined Sun Oil Co. as a staff architect., Eccles Donald Robb (1880-1942) graduated from the architectural department of Drexel Institute in Philadelphia in 1899. He worked at Cram, Goodhue & Ferguson in New York. From 1911 to 1914, he partnered with Clarence Brazer to form Brazer & Robb. He then formed Frohman & Robb and later Frohman, Robb & Little.
South east corner Broad and South Penn Square 1865 [graphic] : Tabernacle Presbyterian Church / Henry B. McIntire.
Exterior view of the Seventh Presbyterian Church built 1842 after the designs of Napoleon LeBrun at 1 South Broad Street, Philadelphia. Shows the front facade of the Greek Revival-style church with several steps leading to a portico. Numerous pedestrians walk in front of and around the church, and horse-drawn carriages travel down the streets. Also shows an adjacent building in the right and a tree at the street corner in the left., Title and date from item., Signed by the artist in the lower right., Manuscript note written on verso: Further reproduction of this drawing reserved by Henry B. McIntire., Gift of David Doret and Linda G. Mitchell, 2019., Henry B. McIntire (1872-1963) was an architectural illustrator active in Philadelphia from the 1930s to 1950s. His 1936 book, Philadelphia Then and Now, contained drawings of no longer extant buildings and contemporary images of those locations. He often used an offset lithographic printing process called aquatone in his work.

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