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- Title
- Rev. Christopher Rush
- Description
- Half-length portrait of the New York African Methodist Episcopal Reverend, Superintendent of the Zion Connexion of the New York and Philadelphia conferences, and the author of "A Short account of the rise and progress of the African M.E. Church in America,...(1843, republished 1866)." Rush, attired in white shirt, a black waistcoat, and a black jacket, faces the viewer., Title from item., Date inferred from presented age of sitter., Variant of (2)5750.F.26c. Facial expression and features, as well as attire have been altered, including additional buttons added to coat., Purchase 2001., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1845]
- Location
- Library Company of Philadelphia | Print Department Portrait Prints - R [P.9975.1]
- Title
- James K. Polk
- Description
- Bust-length portrait within an ornate border of the U.S. president responsible for the statehood of Texas. Polk, attired in a white collared shirt, a black cravat, waistcoat, and jacket, faces to the right and tucks his left hand into his waistcoat. Border includes the figure of the American eagle, and a vignette titled "Annexation of Texas" depicting a trio of military officers reading the declaration of annexation to a crowd of civilians, including a cheering African American man. Border also includes angelic male torsos, flourishes, scrolls, and ornaments., Title from printed signature of sitter below image., Date inferred from content., Gift of Dr. Milton and Mrs. Joan Wohl, 1991., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Edwards, an English engraver, worked with New York publishing firms in the mid-19th century.
- Creator
- Edwards, W. Joseph, active 1843-1867, engraver
- Date
- [ca. 1856]
- Location
- Library Company of Philadelphia | Print Department portrait prints - Polk [P.9363.81]
- Title
- The Union Sons, of Johnson Society, of Philadelphia
- Description
- Ribbon illustrated with a half-length portrait of the Methodist clergyman Revd. Edward Johnson attired in a jacket and neckerchief. His right hand rests atop of a text, possibly a Bible, marked "Revd. Edward Johnson. Born March 1, 1781" on the front cover. Johnson, a sailmaker by trade, was one of a group of parishioners who seceded from Richard Allen's Bethel A.M.E. Church in 1820 to form the First Colored Wesley Methodist Church (incorporated in 1826). He was placed in charge of the congregation in 1822 for which he also served as a trustee. Johnson was listed as a Methodist clergyman residing in New Market Ward, Philadelphia in the 1850 census, as well as cited at 21 Hurst Street in Philadelphia city directories between circa 1841 and 1853., Date inferred from attire of sitter., Title from item., Purchased with funds from the Albert M. Greenfield Foundation., Purchase 2012., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Lib. Company. Annual report, 2012, p. 59-60.
- Date
- [ca. 1830]
- Location
- Library Company of Philadelphia | Print Department Textiles [P.2012.49]
- Title
- Brother Gardner addresses the Lime Kiln Club on the virtues of Dixon's Stove Polish
- Description
- Racist, satiric trade card promoting Joseph Dixon Crucible Company's stove polish and depicting a caricature of an African American man presenting Dixon’s Stove Polish to the African American men members of the Lime Kiln Club. Shows Brother Gardner, the white-haired, African American man, in the left with spectacles on his forehead and attired in a white collared shirt with a red bowtie, an orange jacket with a sunflower on the lapel, red and white checked pants, and black shoes. He stands holding a blue box of Dixon’s in his left hand and a gavel in his right hand. In the left is a wooden table with a blue pitcher and a top hat on top of it and a sign that reads, “Dixon’s Carburet of Iron Stove Polish.” Brother Gardner addresses the men in the vernacular, who are identified by number with the key of their names on the verso of the card. In the right, the man, attired in a striped white collared shirt, a red tie, a white and blue striped jacket, yellow and red striped pants, and black shoes, sits on a wooden chair and examines a blue box of Dixon’s in his hands. Beside him another man, balding with tufts of white hair on the sides of his head and a white beard and attired in a red jacket and blue striped pants, kneels down and carries a brush in his right hand. Behind them two men sit on chairs and an additional nine men stand and listen to Brother Gardner. In the background, the wall reads, “Lime Kiln Club, Paradise Hall.” A horseshoe and framed prints that read “Beautify your homes” and “Rules of the Lime Kiln Club” hang on the wall. In the center is a large, black stove., The African American "Lime Kiln Club" caricatures originally were devised by Charles Bertrand Lewis (i.e., M. Quad) in the Detroit Free Press. The Joseph Dixon Crucible Company, established by Joseph Dixon in Salem, Mass. in 1827, produced graphite pencils, crucibles and stove polish, and relocated to Jersey City, N.J. in 1847. In 1868, the firm name changed from Joseph Dixon & Co. to the Jos. Dixon Crucible Co. In 1870 the firm won a trademark case against a Philadelphia competitor selling J.C. Dixon Stove Polish., Title from item., Date from copyright statement: Copyright 1886., Advertising text printed on verso: The Lime Kiln Club, Brother Gardner in the Chair. “Dis Club hab ebery reason to be proud of de Stove Committee. We has tried all de other stove polishes. We has been stunk out wid so-called peperahuns and seen de piping rust to pieces, till de stove-pipe wus a tumbled down disgrace to de good name of de Lime Kiln Club. De honah of dis occashun belongs to Brudder Shindig, who has made a name for hisself, by introducing Dixon’s Big cake of Stove Polish, and has covered hisself wid shine. Stand up, Brudder Shindig, and let us gaze upon your countenance. Now, my frens, let us draw a lesson from dis: Seek and find out for yerselves, and when you’s got a good ting stick to it, so dat, like DIXON’S STOVE POLISH, you may not only be a use to de community in which yer libes, but a shining example for de rest of mankind. “De club owes a vote of thanks to de Stove Committee, an’ to Brudder Shindig in particular, an’ extend de heartfelt thanks of de Lime Kiln Club to DIXONS for de valuable addition to de comfits of dis life through their CARBURET OF IRON STOVE POLISH. Wid one drawback, Brudder Shindig—you orer haf found dis outen befo’ for de DIXON’S STOVE POLISH has bin in de market SINCE 1827,--58 YEARS.” (Signed) No. 1. Bro. Gardner, 2. Old Man Jenkins, 3. Bro. Shindig, 4. Give-A-Dam Jones, 6. Sundown Davis, No. 7. Accordingly Davis, 8. Stepoff Johnson, 9. Trustee Pullback, 10. Sickles Smith, 11. Sir Isaac Walpole, 12. Layback Jones, Committee., Advertising text printed on verso: Fifty-eight years in market! The oldest, the best, the neatest, the quickest. Ask your dealer for Dixon's Stove Polish. Jos. Dixon Crucible Co., Jersey City, N.J. Illustration showing a box of "Dixon's Prepared Carburet of Iron (Trademark) For Polishing Stoves, Grates, Ranges, and Every Kind of Cast and Sheet Iron work.", Purchased with funds from the Walter J. Miller Trust for the Visual Culture Program., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- 1886
- Location
- Library Company of Philadelphia | Print Department *trade card - J [P.2012.54.2]
- Title
- "I'm a farder"
- Description
- Set of four collecting cards depicting racist caricatures of African Americans to satirize fatherhood and the question of paternity. Titles are in the vernacular. Includes "I'm a Farder" showing a dapperly-dressed African American man, attired in a white collared shirt, a red tie, a gray waistcoat, a blue jacket, and blue-and-white striped pants. He talks to his "Aunty," an African American woman, attired in a red and yellow head kerchief, hoop earrings, a green and red shawl, a red dress, and a white apron, and holding her hands to her chest; "Aunty Says Der Am Two" showing the man with a sheepish look and his hands in his pockets while "Aunty" smiles; "And Dat One Am kinder White" showing the man aghast and standing straight up as "Aunty" holds out her hands in a near gesture of comfort; and "If Dat Chile Dont Change Color Der'l Be Trouble in Dis Yer Fam'ly" showing the man forlorn, hands in pockets, and looking down at this two infants being held by "Aunty" in her lap, while she sits in a chair under a placard reading "Bless Our Home." The baby in the left has a dark skin tone, and the baby in the right has a light skin tone., Copyrighted., Title from item., Date inferred from content., Purchase 2012., RVCDC, Description revised 2021., Access points revised 2021., Purchased with funds from the Albert M. Greenfield Foundation., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department GC - Genre [P.2012.23.1-4]
- Title
- [Old Log Cabin, Wissahickon]
- Description
- View showing the Wissahickon Creek hostelry, reconstructed out of the log cabin built during William Henry Harrison's 1840 presidential campaign, operated by Tommy Llewellyn. The hotel, containing a dining room, drinking room, and ladies saloon, also displayed wildlife as a novelty attraction. A white woman and an African American man with a horse stand in front of the hotel. The creek is visible in the foreground. The hotel was razed in 1872., Title supplied by cataloger., Pink mount with rounded corners., Photographer's imprint printed on mount., Publisher's imprint printed on verso., Inscribed in negative: 76., Printed on mount: No. 4., Reissue of circa 1870 view entitled "Old Log Cabin" by R. Newell & Son of Philadelphia from the series Stereoscopic views. Fairmount Park views., Gift of Robert M. Vogel, 1984., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Creator
- R. Newell & Son, photographer
- Date
- 1876
- Location
- Library Company of Philadelphia | Print Department stereo - Newell - Hotels [P.9047.95]
- Title
- Revd. Richard Allen Bishop of the First African Methodist Episcopal Church of the U.S
- Description
- Half-length portrait of abolitionist and first African American bishop, Richard Allen. Allen, born enslaved in Philadelphia, founded and was ordained the first bishop of the denomination, the African Methodist Episcopal Church, in 1816. Allen, attired in a white tie, a black waistcoat, and a black jacket, faces slightly right., Title from item., Probably drawn on stone by deaf and mute Philadelphia lithographer Albert Newsam., Purchase 2001., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1850]
- Location
- Library Company of Philadelphia | Print Department portrait prints - Allen [P.9968]
- Title
- James K. Polk
- Description
- Bust-length portrait within an ornate border of the U.S. president responsible for the statehood of Texas. Polk, attired in a white collared shirt, a black cravat, waistcoat, and jacket, faces to the right and tucks his left hand into his waistcoat. Border includes the figure of Liberty, depicted as a white woman, and a vignette titled "Annexation of Texas" depicting a trio of military officers reading the declaration of annexation to a crowd of civilians, including a cheering African American man. Border also includes angelic male torsos, flourishes, scrolls, and ornaments., Title from printed signature of sitter below image., Date inferred from content., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Andrews and Babson, Boston engravers, collaborated in the 1850s.
- Creator
- J. Andrews & R.E. Babson, engraver
- Date
- [ca. 1855]
- Location
- Library Company of Philadelphia | Print Department portrait prints - Polk [P.8911.790]
- Title
- The first reading of the Emancipation Proclamation before the cabinet
- Description
- Commemorative print after the historical painting by New York portrait painter Francis Bicknell Carpenter based on Lincoln's account of the event, and individual portrait studies of the President and the cabinet secretaries. Depicts Lincoln, a draft of the emancipation proclamation in his hand, seated at the head of a long table covered by papers, books, and maps, surrounded by his Cabinet officers in the Cabinet Room. Officers include Edward M. Stanton, Salmon P. Chase, Gideon Welles, Caleb Smith, William H. Seward, Montgomery Blair, and Edward Bates. Contains the names of the sitters below the image. Carpenter resided and completed the painting in the White House between February and July 1864 and wrote about the experience in his 1866 memoir "Six Months at the White House.", Title from item., Date inferred from content., Original painting in the collections of the U.S. Capitol, Washington, DC., Accessioned 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Ritchie, Alexander Hay, 1822-1895, engraver
- Date
- [ca. 1864]
- Location
- Library Company of Philadelphia | Print Department **GC - Emancipation [P.2002.1]
- Title
- Emerson
- Description
- Bust-length portrait commissioned by Furness's father, Unitarian minister and abolitionist William H. Furness, as a tribute to his friend Ralph Waldo Emerson, and his deceased son who was the original artist. Depicts the transcendentalist, preacher, and abolitionist, attired in a white collared shirt, a black bowtie, and a black jacket, facing slightly right. Sartain's father, engraver John Sartain, was a family friend of Furness and a supporter of the abolition movement., Title from item., Date from copyright statement: Entered according to act of Congress in the year 1871 by W.H. Furness D.D. in the office of the Librarian of Congress Washington D.C., Printed below title: (Private Plate)., See a description of the commission of the portrait print in Phyllis Peet's "Emily Sartain: America's first woman mezzotint engraver," Imprint 9 (Autumn 1984), p. 22., Purchase 2001., Description revised 2021., Access points revised 2021.
- Creator
- Sartain, Emily, 1841-1927, engraver
- Date
- 1871
- Location
- Library Company of Philadelphia | Print Department *portrait prints - Emerson [P.9966]
- Title
- The International Exposition 1876 at Philadelphia, PA. U.S.A View from George's Hill
- Description
- Allegorical commemorative print celebrating the internationalism and historic significance of the Centennial Exhibition. Depicts a bird's-eye view of the active exhibition grounds including the Agricultural Building, Horticultural Building, Main Building, and Machinery Hall. In the foreground, figures representing various races, ethnicities, and cultures convene and interact with one another. An African American woman and man sit on a bench. An African American man, attired in a black suit, tips his top hat and greets a white woman sitting on a bench. Groups of people stand in clusters to converse and walk including Native Americans, attired in feather headdresses, and Chinese women and men. Middle Eastern and Russian men ride on horseback. Contains ghost-like imagery visible in the sky depicting significant historic American moments, figures, and buildings, including William Penn's Treaty with the Indians, George Washington, and the White House. Contains the names of the prominent exhibition halls below the image., Copyrighted by George H. Ellsbury & J. Hayward., Philadelphia on Stone, POS 390, Accessioned 1983., Description revised 2021., Access points revised 2021.
- Creator
- Ellsbury, George H., lithographer
- Date
- 1876
- Location
- Library Company of Philadelphia | Print Department **BW - Centennial [P.8966]
- Title
- Gerit Smith abolitionist
- Description
- Half-length portrait of the ardent philanthropist, social reformer, and abolitionist, who was actively involved as a "station master" in the Underground Railroad. Smith, attired in a white collared shirt, a black bowtie, waistcoat, and jacket, faces slightly left., Title from manuscript note on recto., Date based on presented age of the sitter., Originally part of a McAllister scrapbook of engravings. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Sartain, the premier 19th-century Philadelphia portrait engraver, was a member of the Pennsylvania Anti-Slavery society.
- Creator
- Sartain, John, 1808-1897, engraver
- Date
- [ca. 1850]
- Location
- Library Company of Philadelphia | Print Department portrait prints - S [5306.F.11a]
- Title
- The battle at Bunker's Hill near Boston June 17, 1775
- Description
- Book illustration after John Trumbull's historical painting based on his eyewitness account of the battle while serving as a commissioned officer during the American Revolution. Dramatically depicts the scene of American Major General Joseph Warren's death proceeding the Americans' retreat from the hill. Amidst a melee of activity, Warren lies dying in the arms of an American militiaman who fends off a bayonnet pointed down over his body by an English soldier. British Major John Small restrains the bayonnet of his soldier as Americans Captain Thomas Gardner, holding a musket, Major Andrew McClary, and Colonel William Prescott stand guard over their fallen compatriot. Behind Small, British Major John Pitcairn, mortally wounded, is held up by Lieutenant William Pitcairn and to the far right American Lieutenant Thomas Grovesnor stands en garde shielding Peter Salem, an armed African American soldier who discharged the fatal shot at Pitcairn. British Generals William Howe, Henry Clinton, and Lieutentant Francis Lord Rawdon, flag in hand, continue the charge in the background. Other American soldiers involved in the battle include: Colonel Israel Putnam who gallantly leads the retreat; Rev. Samuel McClintock; Major Willard Moore, as well as several other free African American soldiers. American Lieutenant Colonel Moses Parker and British Lieutentant Colonel Sir Robert Abercromby lay dying., Published in John Howard Hinton's The history and topography of the United States of North America,... [LCP *Am 1834 Hinto, 11860.Q.1] and later editions., Printed below title: Vol. I. page . 226., Original painting at Yale School of Fine Art, New Haven, Connecticut., Described in Theodore Sizer's The works of Colonel John Trumbull (New Haven: Yale University Press, 1967), p. 95., Described in The Library of Congress' An album of American battle art, 1755-1918. (Washington, D.C.: The U.S. Printing Office, 1947), p. 27-30., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Access points revised 2021., Description revised 2021., Gift of Dolly Maass, 2002.
- Creator
- Archer & Boilly, engraver
- Date
- [1834]
- Location
- Library Company of Philadelphia | Print Department GC - American Revolution [P.2002.14]
- Title
- Daniel Webster addressing the United States Senate In the great debate on the compromise measures 1850
- Description
- Commemorative print depicting Daniel Webster's noted "Seventh of March Speech" delivered in support of Henry Clay's proposed legislation to prevent Southern secession and to address the extension of slavery, known as the Compromise of 1850. The amended compromise, passed in September 1850, included the admittance of California as a free state and the strengthening of the Fugitive Slave Law in favor of the South. Shows the U.S. Senate chamber with Webster, in the right, standing with his right hand raised. Each Senator from 1850 is depicted facing toward Webster and the viewer, including Stephen Douglas (to the right of Webster), John C. Calhoun (seated in the left), Vice President Millard Fillmore (presiding at center), Secretary of the Senate Asbury Dickins (below Fillmore), Henry Clay (to the right of Webster’s upraised hand), and Jefferson Davis. White men and women spectators fill the visitors' galleries above. Fillmore and Dickins sit at raised desks, and behind them is a draped curtain. Above the valance is an American flag crest with arrows and a bald eagle with outstretched wings. A framed portrait of George Washington hangs in the center. Also visible is the coffered, domed ceiling and a chandelier., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1860 by James M. Edney in the Clerk’s Office of the District Court of the Southern District of New York., Gift of David Doret, 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- 1860
- Location
- Library Company of Philadelphia | Print Department **GC - Slavery [P.2002.2.2]
- Title
- Facsimile of the signatures to the Declaration of Independence
- Description
- Commemorative print containing facsimiles of the signatures of the signers of the Declaration of Independence within an ornamental border. In the top of the border are allegorical figures of Justice, depicted as a white woman carrying scales and a sword, and Liberty, depicted as a white woman attired in a liberty cap and carrying a spear and shield. An eagle stands between them next to a crest of an American flag. Along the sides of the border are the state seals of the original thirteen colonies. At the bottom is a vignette, “The Capitol, Washington,” showing the Capitol building. Vigettes also includes several white men standing with a dog and an African American woman caregiver with a white child who holds a hoop., Title from item., Date inferred from the aesthetics of the content., Contains printed statement by John Quincy Adams, Department of State, dated April 19, 1819 declaring the signatures "Exact Imitations.", McCabe, a New York engraver, was active in the mid-19th century., Purchase 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Allen, J. W., engraver
- Date
- [ca. 1855]
- Location
- Library Company of Philadelphia | Print Department GC - Declaration of Independence [P.9999]
- Title
- Williams Ogle, coach & harness maker No. 280, Chesnut [sic] Street, above 10th south side, Philadelphia Premium coach
- Description
- Advertisement showing an elegant coach parked in front of the ground floor of "Ogle's. Coach Manufactory" on the 1000 block of Chestnut Street. An African-American coachman stands behind the lively two-horse team hitched to the coach that is adorned with fringe on the drivers' seat, a lamp, and window shades. Two gentlemen converse in the street at the rear wheels of the vehicle and a couple admires if from the sidewalk. The figure of an animated horse adorns the "280" sign displayed above the entrances to the building. Ogle, previously of Ogle & Watson, operated as a sole proprietor from the address 1847-1850., Date supplied by Wainwright., Philadelphia on Stone, Wainwright retrospective conversion project, edited.
- Creator
- Rease, W. H., artist
- Date
- [ca. 1847]
- Location
- Library Company of Philadelphia | Print Department *W457 [P.2243]
- Title
- [Wine & liquor store. Charles Egner 10 North Third Street, Philadelphia]
- Description
- Advertisement showing the busy four-story storefront for "Charles Enger Wine & Liquor Store." Two white gentleman converse near a row of stacked barrels within the store and two male workers, including an African American man, hoist a barrel at the second entranceway. In front of the open cellar to the building, a white man employee rolls one of several barrels lined on the sidewalk. To the left of the worker, three barrels stand upright and a white gentleman approaches. Also shows boxes in the first-floor store window; the shutters and windows of the upper floors in various states of being open; and partial views of the adjacent buildings., Poulson inscription on recto: N. Third St. Third Street. Oct. 1846., Title supplied by cataloger., Philadelphia on Stone, POS 845, Wainwright retrospective conversion project, edited., LCP copy trimmed and lacking title., Accessioned 1982., Description revised 2021., Access points revised 2021.
- Creator
- Breton, William L., approximately 1773-1855, artist
- Date
- [ca. 1837]
- Location
- Library Company of Philadelphia | Print Department W460 [P.2244]
- Title
- Ethnographic tableau Specimens of various races of mankind
- Description
- Chart showing racist depictions of fifty-four, bust-length, portraits of men and one woman of different "races" from eight geographic regions to emphasize contrived differences in cranial characteristics. The “Geographical Distribution” includes I. Arctic, II. Asiatic, III. European, IV. African, V. American, VI. Polynesian, VII. Malayan, and VIII. Australian. With each region, six depictions of individuals of that race are shown, some facing forward and some in profile. Many of the individuals are depicted as racist stereotypes. Many are attired in hats, turbans, or headdresses custom to their country of origin. In the left, under the caption “Cranioscopic Examples,” nine different skulls in right profile are depicted. In the right, chart sections include “Mankind, Grouped Physiologically” and “Linguistic Distinctions.”, Title from item., Folded plate removed from Josiah C. Nott and George R. Gliddon's Indigenous races of the earth (Philadelphia: J.B. Lippincott & Co.; London: Trubner & Co., 1857) (LCP *Am 1857 Nott (1)2733.Q (Rush)). See "Explanations of the tableau" pages 618-638., Captions below images on recto: Artic: Eskimo, Tchucktchi, Koriak, Aleoutian, Aino, Samoyede. Asiatic: Kamtschadale, St. Laurent Islander, Tartar, Chinese, Kalmuck, Tuda. Euro[pean]: Finn, Icelander: Cuvier, Bulgarian, Greek, Caucasian. [Euro]Pean: Syrian, Arab, Fellah, Berber, Uzbek Tatar, Affghan (sic). African: Ababdee, Sahara Negro, Yeboo Negro, Mozambique Negro, Caffr, Hottentot. American: Kutchin Indian, Stone Indian, Ottoe Indian, Yucatan Indian, Boroa Indian, Fuegian. Polynesian: New Zealander, Samoa Islander, Tikopia Islander, Vanikoro Islander, Tana Islander, Viti Islander. Malayan: Malay, Javanese, Marianne Islander, Hindoo, Mintira, Negritto. Australian: North Australian, West, Australian, South Australian, Tasmanian, Tasmanians (Men, Women)., Bequest of Dr. James Rush, 1869., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Kramer, Peter, 1823-1907, artist
- Date
- 1857
- Location
- Library Company of Philadelphia | Print Department ***BW-Natural history [(1)2733.Q.1]
- Title
- Robt Adrain
- Description
- Half-length portrait of the mathematician, professor, and author. Adrain, attired in a white shirt and scholarly black robes, faces the viewer with his right hand on an open book. Adrain was born in Ireland and left due to his revolutionary beliefs. He taught at Queens College (later Rutgers), Columbia, and University of Pennsylvania where for a short while he was also Vice-Provost., Title from printed signature of sitter below image., Appears in "The United States magazine and Democratic review" (June 1844), 24: frontis., Accessioned 1884., Description revised 2021., Access points revised 2021., Reason was an African American artist, engraver and lithographer working in New York City in the 1830s and 1840s.
- Creator
- Reason, Patrick Henry, 1816-1898, engraver
- Date
- [1844]
- Location
- Library Company of Philadelphia | Print Department Portrait prints - A [52551.O.13a]
- Title
- John Brown. Leader of the Harper's Ferry insurrection
- Description
- Full-length portrait depicting the radical abolitionist with a beard and attired in a white collared shirt, a black waistcoat, a black jacket, and pants. He sits in a chair beside a small table and holds an edition of the "New York Tribune," an abolitionist newspaper, in his right hand. Also shows a map of "Kanzas" adorning the wall in the background to symbolize the controversial extension of slavery., Title from item., Date inferred from content., The Kellogg Firm, brothers Edmund Burke and Elijah Chapman, was a prolific New England lithographic firm that nearly rivaled Currier & Ives in the production of popular prints., Reaccessioned as P.8911.60., Purchase 1969., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- E.B. & E.C. Kellogg (Firm)
- Date
- [ca. 1859]
- Location
- Library Company of Philadelphia | Print Department *Portrait Prints-B [7809.F]
- Title
- Storming of Missionary Ridge
- Description
- Panoramic view showing the Union victory at the Battle of Missionary Ridge near Chattanooga, Tennessee on November 25, 1863. Shows Union troops carrying an American flag as the men break through the Confederate line. An African American Union corps drummer marches behind the soldiers. Shows Union and Confederate soldiers firing and falling in battle near brush and fallen trees, and Confederate troops retreating past a homestead in the background., Title from item., Gift of David Doret, 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Philadelphia Panorama Co., distributor
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department *GC - Civil War - Campaigns & battles - Missionary Ridge [P.2002.50.3]
- Title
- The United States Centennial International Exhibition
- Description
- Share certificate issued by the Centennial Board of Finance containing a series of historical and allegorical vignettes, scenes, and figures. Vignettes depict a view on a coastline showing a white man, attired in colonial dress, reaping with a sickle beside a white man driving a plow in front of a steer-drawn conestoga wagon, a moving train, and sailing ships; the signing of the Declaration of Independence; and a scene depicting a Native American man, attired in pants and moccasins with a feather in his hair and a quiver of arrows on his back, covering his face from the sight of a dilapidated windmill near rows of industrial buildings spewing smoke. Along the sides figures include: tradesmen; laborers; soldiers; frontiersmen; inventors, including Benjamin Franklin; Native Americans; and an African American man reading. In the top center, allegorical figures of Liberty, Art, and Peace, portrayed as white women, accept offerings from representations of people from across the world, including African women; a woman attired in a turban, a person with a parrot on their shoulder, and an Asian man with a queue. Also contains: busts of George Washington and Ulysses S. Grant; an eagle holding an American flag; views of the State House and Capitol; and the printed seal of the Centennial Board of Finance. The Centennial Exhibition of 1876 celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title from item., P.2002.67.77 issued to Margaret R. Bringhurst for one share on October 20, 1875. Signed by Fred. Fraley, Treasurer; and John Welsh, President., 5788.F.10 issued to Mary Norris Logan for one share on November 10, 1876. Signed by Fred. Fraley, Treasurer; and John Welsh, President., Printed on recto: Shares $10. Each. Capital $10,000,000., P.2002.67.66 poor condition., Gift of Helen Beitler, 2002 [P.2002.67.66]., Originally part of a McAllister scrapbook of Centennial and Columbian Exposition views [5758.F.10. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- United States, Bureau of Engraving and Printing
- Date
- [ca. 1872]
- Location
- Library Company of Philadelphia | Print Department *Philadelphia certificates - Centennial [P.2002.67.77], Library Company of Philadelphia | Print Department **Philadelphia certificates - Centennial [5758.F.10]
- Title
- High Street and market shambles
- Description
- View looking east from above Third and High (Market) streets showing the High Street Prison built circa 1723 and the nearby old market stalls during the colonial era. Shows white men in colonial attire walking on the sidewalks and street. In the right of the image, an African American man walks beside a white man. Two African American men are depicted in a stockade and attached to a whipping post near the jail. The man attached to the whipping post is attired in a white cloth that is tied around his waist. The prison operated until the early 1770s when replaced by the Walnut Street Prison. The market shambles were replaced by the permanent Jersey Market circa 1765., Plate published in John F. Watson's Annals of Philadelphia...(Philadelphia: E.L. Carey & A. Hart, 1830), opp. p. 301., Title from item., Philadelphia on Stone, POS 354, Gift of James Rush., Description revised 2021., Access points revised 2021., RVCDC, Free Library of Philadelphia: Philadelphiana - Streets - High (2 copies)
- Creator
- Breton, William L., artist
- Date
- [1830]
- Location
- Library Company of Philadelphia | Print Department BW - Markets [9245.Q.21]
- Title
- William Wilberforce Esq. M.P
- Description
- Bust-length portrait, showing the English philanthropist, politician, and abolitionist, facing slightly right, seated, and reading a book. Wilberforce is attired in a shirt with a ruffled collar and a double-breasted jacket. He was active in the Church Missionary Society; Society for Bettering the Condition of the Poor; and worked in Parliament to abolish the slave trade., Published as frontispiece in Lydia Marie Child's The Oasis (Boston: Benjamin C. Bacon, 1834). (Am 1834 Chi, 70173.D.5)., Originally part of a McAllister scrapbook of portraits., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., McAllister Collection, gift, 1886., Access points revised 2021., Description revised 2021., Andrews, a Boston engraver, who studied and worked in Europe during the mid 19th century, was a prominent line engraver and portraitist.
- Creator
- Andrews, Joseph, 1806-1873, engraver
- Date
- [1834]
- Location
- Library Company of Philadelphia | Print Department portrait prints - W [5750.F.150b]
- Title
- The United States Senate A.D. 1850
- Description
- Proof of commemorative print depicting Henry Clay introducing his legislation known as the Compromise of 1850 to the Senate. The legislation aimed to prevent Southern secession and to address the extension of slavery into the territories. Depicts Clay, at the center of the Senate floor, standing with his right arm out from his side and addressing his fellow legislators that surround him, including Vice-President Millard Fillmore seated on a platform as President of the Senate; Daniel Webster, seated behind him and resting his head in his hand; and John C. Calhoun standing beside the seated Fillmore. The gallery is filled with white men and women spectators., Title from item., Date from copyright statement on copy in the collections of the Library of Congress: Entered according to Act of Congress, in the year 1855, by John M. Butler and Alfred Long, in the Clerk's Office of the District Court of the United States in and for the Eastern District of Pennsylvania., Text printed on recto: This engraving from the original picture is respectfully dedicated to the people of the United States by the publishers., Key to engraving in collections of the Library of Congress cites other sitters depicted including Thomas H. Benton, Lewis Cass, William H. Seward, William L. Dayton, Stephen A. Douglas, and Salmon P. Chase., Gift of David Doret, 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Whitechurch, Robert, 1814-approximately 1880, engraver
- Date
- [1855]
- Location
- Library Company of Philadelphia | Print Department ***GC - Slavery [P.2002.26]
- Title
- Gerrit Smith
- Description
- Bust-length portrait of the philanthropist, social reformer, and abolitionist, who was actively involved as a "station master" in the Underground Railroad. Show Smith attired in a white collared shirt, a black tie, a patterned waistcoat, and a black jacket., Title from printed signature of sitter below the image., Published in George W. Bungay's Off-hand takings, or, crayon sketches of the noticeable men of our age (New York: Dewitt and Davenport, 1854), p. 330., Description revised 2021., Access points revised 2021.
- Creator
- Buttre, John Chester, 1821-1893, engraver
- Date
- [1854]
- Location
- Library Company of Philadelphia | Print Department portrait prints - S [10753.D]
- Title
- The colored beauty
- Description
- Bust-length portrait of a young African American woman facing slightly right. Sitter is attired in gold drop earrings with red stones, a three-strand gold necklace with a gold pendant, and a blue dress with a white lace collar., Title from item., Date from copyright statement: Entered according to act of Congress in the year 1872 by Currier & Ives in the office of the Librarian of Congress at Washington., Purchase 2004., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Currier & Ives
- Date
- 1872
- Location
- Library Company of Philadelphia | Print Department Framed graphics [P.2004.25]
- Title
- Goodyears Rubber-Packing & Belting Company Warehouse 104 Chestnut St. Philada. Factory Newtown, Connecticut. Belting, packing, hose, clothing, druggist-articles, etc
- Description
- Advertisement showing the five-story offices and storefront known as the Girard Building (102-104, i.e., 306-308 Chestnut) tenanted by Goodyears, i.e., the Philadelphia warehouse of the New York Belting and Packing Company (104), "Peterson's Book Establishment," i.e., the store of publisher T.B. Peterson & Brothers, and C. J. Peterson, publisher of Peterson' Ladies national magazine (102). Lettering reading "Goodyears Rubber Packing & Belting Company" adorns the roof of the building. Through the open entryways and large display windows, clerks, patrons, and merchandise displays are visible in both stores. At Peterson's, clerks assist patrons with items from bookshelves surrounding the room in addition to a centrally located U-shaped display counter labeled "Peterson's Magazine." Stacks of books are displayed near the windows that contain promotions "Subscriptions for all Magazines" and "Chas. Dickens Complete Works." At Goodyears, a white man clerk stands at a counter in front of rows of shelves as he attends to a customer. Other patrons, including a white man and woman couple and a white man, converse and depart with rubber belting. A large model boot, shoes, and rubber toys adorn the display windows that are adorned with the company trademark and read "Goodyears Patent." A white man with a cane and an excited white boy, near his mother, peer at the displays from the busy sidewalk., Other activity, on opposite ends of the sidewalk, includes a white man paying a white newsboy for a paper, gentlemen in conversation, and a white man, a book under his arm, strolling by. Between the storefronts, a white man descends stairs within a central entryway. In the street, a coach with turned-down roof, occupied by a white lady, and driven by an African American coachman travels past a mounted First Troop Philadelphia City Calvary member in full regalia in the direction of a drayman. The white man laborer transports rubber belting on his horse-drawn dray. Two dogs greet each other in the street near his vehicle. Also shows shadowy figures, a man and two women, in upper floor windows of the buildings. Charles Goodyear patented the process to vulcanize rubber in 1844 and oversaw the factory where vulcanized rubber was practically manufactured at Newtown, Connecticut. Peterson established his magazine Peterson's Ladies national magazine in 1840 at 102, i.e., 306 Chestnut Street. Both establishments operated at the pre-consolidated address in 1856. Building razed to first floor by fire in 1857., Title from item., Date from Wainwright., Philadelphia on Stone, POS 322, Wainwright retrospective conversion project, edited., Accessioned 1982., Description revised 2021., Access points revised 2021.
- Creator
- Luders, E., artist
- Date
- [ca. 1856]
- Location
- Library Company of Philadelphia | Print Department **W158 [P.2080]
- Title
- Goodyears Rubber, Packing & Belting Company Warehouse 104 Chestnut St. Philada. Factory Newtown, Connecticut. Belting, packing, hose, clothing, druggist-articles, etc
- Description
- Advertisement showing the five-story offices and storefront known as the Girard Building (102-104, i.e., 306-308 Chestnut) tenanted by Goodyears, i.e., the Philadelphia warehouse of the New York Belting and Packing Company (104) "Peterson's Book Establishment," i.e., the store of publisher T.B. Peterson & Brothers, and C. J. Peterson, publisher of Peterson' Ladies national magazine (102). At Peterson's, shadowy rows of books and folios, including one titled, "A. Kollner View Philadel," adorn the display windows flanking the closed entry. At Goodyears, a white man and woman couple is visible through the open entry, standing at a counter. A large model boot, and other shadowy merchandise adorn the display windows that are marked with the company trademark and read "Goodyears Patent." A white man with a cane and an excited white boy, near his mother, peer at the displays from the busy sidewalk., Other activity, on opposite ends of the sidewalk, includes a white man paying a white newsboy for a paper, gentlemen in conversation, and a white man, a book under his arm, strolling by. Between the storefronts, a white man descends stairs within a central entryway. In the street, a fancy coach occupied by a white lady and driven by an African American coachman travels past a mounted First Troop Philadelphia City Calvary member in full regalia in the direction of a drayman. The women passenger looks with an expression of disdain at the horse of the cavalryman and the white man laborer transporting rubber belting on his horse-drawn dray. Two dogs greet each other in the street near the vehicle. Also shows shadowy figures, a man and two women, in upper floor windows of the buildings. Charles Goodyear patented the process to vulcanize rubber in 1844 and oversaw the factory where vulcanized rubber was practically manufactured at Newtown, Connecticut. Peterson established his magazine Peterson's Ladies national magazine in 1840 at 102, i.e., 306 Chestnut Street. Both establishments operated at the pre-consolidated address in 1856. Building razed to first floor by fire in 1857., Title from item., Manuscript note on recto: Wood Oct. 10 56., Date supplied by Wainwright who suggests an alternate date of 1857 as well., Artist and publication information inferred from color variant. See **W158., Title annotated with correction in pencil. Comma between "Rubber" and "Packing" crossed out., Philadelphia on Stone, POS 321, Wainwright retrospective conversion project, edited., Accessioned 1982., Description revised 2021., Access points revised 2021.
- Creator
- Luders, E., artist
- Date
- [ca. 1856]
- Location
- Library Company of Philadelphia | Print Department **W159 [P.2079]
- Title
- Mrs. Lena Mason's Chautauqua meetings, Aug. 1st - Sept. Phila, Pa
- Description
- Postcard showing an African American Chautauqua meeting. Depicts African American men, women, and children gathered near several tents. In the foreground, an African American woman and man, possibly Mrs. and Mr. Mason, stand and look at the viewer next to a wooden chair with a hat on top of it. Chautauqua meetings, developed from the Lyceum Movement, were traveling tent shows providing education and entertainment to early 20th-century audiences., Title and date from item., Photographic paper company's imprint on verso: Mermont Photo Paper Co., New York., Purchase 2001., Description revised 2022., Access points revised 2022., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Date
- 1908
- Location
- Library Company of Philadelphia | Print Department LCP postcards - Events [P.9933.9]
- Title
- W. Wilberforce, Esqr. M.P
- Description
- Bust portrait, facing right within oval of the white English philanthropist and Member of Parliament. Wilberforce is attired in a shirt with a ruffled collar and dark colored double-breasted coat. Wilberforce was active in the Church Missionary Society and the Society for Bettering the Condition of the Poor. In Parliament he worked to abolish the transatlantic slave trade., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Description revised 2021., Access points revised 2021.
- Creator
- Cruikshank, Isaac, 1756?-1811?, engraver
- Date
- 1808
- Location
- Library Company of Philadelphia | Print Department portrait prints - W [1885.F.79]
- Title
- Brig. Gen. Edw. A. Wild
- Description
- Bust-length, front facing portrait of Wild attired in Union uniform. Served in the Union Army during the Civil War achieving the rank of Brigadier General. He commanded several African American brigades., Title from item., Published in Frank Moore, ed. Rebellion record (New York: D. van Nostrand, 1867) vol. 10, opp. p. 450. (LCP Per R 15), Accessioned 1982., Description revised 2021., Access points revised 2021.
- Creator
- Ritchie, Alexander Hay, 1822-1895, engraver
- Date
- [1867]
- Location
- Library Company of Philadelphia | Print Department Portrait prints - W [P.8911.1048]
- Title
- Edwin A. Atlee
- Description
- Half-length portrait of the physician and abolitionist, attired in a white shirt, a waistcoat, and a jacket with spectacles perched on his forehead, facing left. Atlee was a prominent Philadelphia physician and author who was active in the abolition movement., Title from printed signature of sitter below image., Dated based on the presented age of the sitter., Manuscript note on recto: When will this be ready for the press on Monday., Detailed manuscript notes, possibly by artist in a conversation with a hearing person, on verso about background and lightness of a print: John Carlin / I can make you another / Background with trees without / sky/ Without any work on it / any [Back?] I may make / will have much work on / account of the great size of / the Picture if you make / all sky much work / all trees / There is less work on [these?] / than any [other ?] Because / the Building is Light / you are all right / if you intend sending the Letter / you should be quick for else / you will lose much time / waiting, Originally part of a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Albert Newsam (1809-1864) was a respected deaf and non verbal Philadelphia engraver and lithographer who studied under Peter S. Duval. He received early art training at the Pennsylvania Institution for the Deaf and Dumb.
- Creator
- Newsam, Albert, 1809-1864, lithographer
- Date
- [ca. 1850]
- Location
- Library Company of Philadelphia | Print Department Portrait prints - A [(1)5750.F.22a]
- Title
- Portrait of Abraham Lincoln, President elect of the United States of America, with scenes and incidents in his life
- Description
- Periodical illustration containing a central bust-length, profile portrait of a beardless Lincoln and a decorative border comprised of vignettes representative of the 16th president's life. Also contains the text, "President Elect Abraham Lincoln," and the image of a rail, ax, and chain below the portrait., Title from item., Clippings pasted on verso., Published in Frank Leslie's Illustrated newspaper (v. 11, no. 276), March 9, 1861, p. 247-248., Vignette captions: Lincoln's father killed by the Indians; Cap. Abr. Lincoln in the Black Hawk War; Law office; Springfield Capitol; Lincoln cropping corn in Indiana for Mr. Crawford; Lincoln splitting rails for Mr. Crawford; and Lincoln's residence., Originally from a McAllister scrapbook of Lincoln materials. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [March 9, 1861]
- Location
- Library Company of Philadelphia | Print Department **portrait prints- L [5792.F.16]
- Title
- Destruction by fire of Pennsylvania Hall. On the night of the 17th May, 1838
- Description
- Exterior view of Pennsylvania Hall engulfed in flames. A large crowd looks on. Fire fighters spray water on an adjoining building. Pennsylvania Hall was constructed 1837-1838 at Sixth and Haines Streets in Philadelphia as a meeting place for local abolitionist groups. Dedication ceremonies began on May 14, 1838 and continued over several days in a climate of growing hostility. On the night of May 17, 1838, a mob stormed the Hall and set it on fire. Fire companies refused to fight the blaze, and the building was completely destroyed. Bowen issued this print commemorating the event within a few days of the fire., Title from item., Artist and publication information supplied by Wainwright., Philadelphia on Stone, POS 179, Gift of Mrs. S. Marguerite Brenner, 1984., Description revised 2021., Access points revised 2021.
- Creator
- Wild, J. C. (John Caspar), approximately 1804-1846, artist
- Date
- [1838]
- Location
- Library Company of Philadelphia | Print Department *W94 [P.9057.27]
- Title
- View of the department for coloured children of the House of Refuge Looking from the north west
- Description
- Exterior view of department buildings, including the girls' and boys' dormitories; girls' dining and sewing rooms; boys' school rooms; and the superintendent's rooms. A tall brick wall surrounds the rear and sides of the complex of buildings. Two men and a boy convene on the grounds in the foreground. The buildings, located between Parrish and Brown Streets between 22nd and 24th Streets, opened in 1850. The House of Refuge opened in 1828 at 15th and Coates streets, i.e., the 1500 block of Fairmount Avenue. Boy and girl residents attended school and worked at a variety of employments, including book binding and shoe making (boys) and washing and cooking (girls)., Title from item., Frontispiece of the Thirtieth annual report of the Board of Managers of the House of Refuge (Philadelphia: Printed by Henry B. Ashmead, 1858) (LCP Am 1858 Phil Hou 14483.O.7), Philadelphia on Stone, POS 792, Originally part of Charles A. Poulson's scrapbook of illustrations of Philadelphia [(1)1525.F.41a]., Gift of Clarence Wolf, 2013 [P.2013.81.8]., Description revised 2021., Access points revised 2021.
- Date
- [1858]
- Location
- Library Company of Philadelphia | Print Department W426 [(1)1525.F.41a & P.2013.81.8]
- Title
- The Wesleyan Female Collegiate Institute, Wilmington, Del
- Description
- Exterior view showing the buildings and grounds. Two female students stand on the balcony, one reading a book. Two younger girls play in the yard below, one jumping rope and the other playing rings. Several white men and women pedestrians stroll before the front gate. In the street, an African American coachman stands beside a horse-drawn carriage., Title from item., Date inferred from content., See Weaver's diary for April 18, May 11, 12, 23 and 28, 1842 for references to his work on this print., Gwinczewski, a Wilmington artist and drawing instructor, served as teacher of perspective, drawing, painting, &c. at the Institute., Purchased 1972., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Weaver, Matthias S., 1815 or 16-1847, lithographer
- Date
- [1842]
- Location
- Library Company of Philadelphia | Print Department **GC - Education [8035.F.3]
- Title
- Girard-college
- Description
- View of Girard College at Girard Avenue facing northwest from Corinthian Avenue including Founder's Hall and the eastern and western outbuildings. Street scene in the foreground includes an omnibus drawn by a team of six horses, a man on horseback, and a carriage. Elegantly dressed men, women, children, and couples stroll, and an African American man leans against a pole smoking a pipe. The college buildings, designed by Philadelphia architect Thomas Ustick Walter in the Greek Revival style, were constructed 1833-1847. Girard College was established through a bequest from Stephen Girard, a Philadelphia financier and philanthropist, for the creation of a school for "poor white orphans.", Title from item., Copyrighted by Augustus Kollner in New York., Plate 9 of series of fifty-four views published by Goupil, Vibert and Company from 1848 to 1851 that were drawn by Kollner and lithographed by Deroy, and later bound under the title "Views of American Cities.", Philadelphia on Stone, POS 316, Accessioned 1982., Description revised 2021., Access points revised 2021.
- Creator
- Deroy, Laurent, 1797-1886, lithographer
- Date
- 1848
- Location
- Library Company of Philadelphia | Print Department BW - Education [P.2283.23]
- Title
- Girard-college
- Description
- View of Girard College at Girard Avenue facing northwest from Corinthian Avenue including Founder's Hall and the eastern and western outbuildings. Street scene in the foreground includes an omnibus drawn by a team of six horses, a man on horseback, and a carriage. Elegantly dressed men, women, children, and couples stroll, and an African American man leans against a pole smoking a pipe. The college buildings, designed by Philadelphia architect Thomas Ustick Walter in the Greek Revival style, were constructed 1833-1847. Girard College was established through a bequest from Stephen Girard, a Philadelphia financier and philanthropist, for the creation of a school for "poor white orphans.", Title from item., Plate 9 of a series of fifty-four views published by Goupil, Vibert & Company from 1848 to 1851 that were drawn by Kollner and lithographed by Deroy, and later bound under the title "Views of American Cities.", Philadelphia on Stone, POS 305, Accessioned 1982., Description revised 2021., Access points revised 2021.
- Creator
- Deroy, Laurent, 1797-1886, lithographer
- Date
- [1848]
- Location
- Library Company of Philadelphia | Print Department BW - Education [P.2283.15]
- Title
- Old Log Cabin on the Wissahickon, torn down 1874
- Description
- Depicts the Old Log Cabin Hotel along the Wissahickon Creek in 1874. The Wissahickon Creek hostelry was reconstructed out of the log cabin built during William Henry Harrison's 1840 presidential campaign. Also includes views of the hotel's dining room, drinking room, ladies saloon and ice cream shop. A man stands in front of the hotel and two people walk along the path from the horse stables to the hotel. In the foreground, the creek and a small boat is visible. The hotel was razed in 1872., Title and date from item., Demolished 1872., Description revised 2021., Access points revised 2021., Retrospective conversion record: original entry, with corrections., Accessioned 1975., Lib. Company. Annual report, 1975, p. 6-11., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Evans, B. R. (Benjamin Ridgway), 1834-1891, artist
- Date
- 1874
- Location
- Library Company of Philadelphia | Print Department Evans watercolors [P.2298.60], http://www.brynmawr.edu/iconog/evans/files/plc060.html
- Title
- Associate Presbyterian Mission, Trinidad
- Description
- View of the mission established by the Presbyterian Church in 1842. Shows a white man and woman couple with a dog greeting a Black man in front of two bungalows down the road from a Black man walking with a rifle over his shoulder. In the foreground, a fence surrounds the property from the road, and palm trees are visible. The Presbyterian Church relinquished the mission to the Free Church of Scotland circa 1852., Title from item., Date inferred from content., Illegible partial artist's imprint on recto., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of foreign countries. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1845]
- Location
- Library Company of Philadelphia | Print Department GC - Religion [5754.F.97b]
- Title
- Philadelphia, western & southern trade journal. Illustrated supplement Devoted to the commercial and manufacturing interests of Philadelphia
- Description
- Advertisement supplement containing 23 titled vignettes depicting and promoting prominent landmarks and businesses within Philadelphia. Landmarks include the State House; Girard College; U.S. Mint at Chestnut and Juniper streets; Merchants' Exchange; Chamber of Commerce at Dock and Walnut streets; Custom House at 420 Chestnut Street; Carpenters' Hall; the Navy Yard at Southwark; and Fairmount Water Works. Businesses include George W. Plumly, paper box manufacturer; Harrison, Havemeyer & Co.'s Franklin Steam Sugar Refinery; R. & G.A. Wright, manufacturers of fine perfumery; F. Gutekunst, photographer; Brooke, Colket & Co., commission merchants; McKeone VanHaagen & Co. Soap Works; Henry Disston's Keystone Saw, Tool & Steel works; Seyfert, McManus & Co.'s Reading Iron Works; Charles Magarge & Co., dealers in paper; Howsons' United States & Foreign Patent Offices; Wilson, Childs & Co., Philadelphia Plantation & Road Wagon Works; Dohan & Taitt, tobacco commission merchants; Lafourcades Brothers & Irwin, importers of cloths, cassimeres & vestings; and Lockwood's Paper Collar Factory. Also contains several passages of text recounting the history of the city and describing the depicted landmarks., Title from item., Various delineators and engravers, including Van Ingen & Snyder, Matthias Reiff Longacre, and Lauderbach & Schell., Accessioned 1992., Description revised 2021., Access points revised 2021., Retrospective conversion record: original entry, edited., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1868]
- Location
- Library Company of Philadelphia | Print Department ***Ph Pr - Government Buildings [P.9384a-w]
- Title
- R. & G.A. Wright. Manufacturers of fine perfumery &c. 624 Chestnut Street, Philadelphia, Pa
- Description
- Exterior view of the storefront of the perfumery established in 1860. Building is adorned with an American flag. Also shows street and pedestrian traffic, including: clusters of men, women, and children pedestrians walking on the sidewalk; a horse-drawn carriage traveling down the street; and an African American paper boy running among the crowds., Vignette in the Philadelphia, western & southern trade journal. Illustrated supplement. (P.9384a-w), Accessioned 1992., Description revised 2021., Access points revised 2021., Retrospective conversion record: original entry, edited., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Van Ingen & Snyder, a partnership between William H. Van Ingen and Henry M. Snyder, was active from about 1853 until 1871.
- Creator
- Van Ingen & Snyder, engraver
- Date
- [ca. 1868]
- Location
- Library Company of Philadelphia | Print Department ***Ph Pr - Government Buildings [P.9384l]
- Title
- High Street Prison and Market Shambles
- Description
- View looking east from above Third and High (Market) streets showing the High Street Prison built circa 1723 and the nearby old market stalls during the colonial era. Shows men in colonial attire walking on the sidewalks and street and two African American men in a stockade and attached to a whipping post near the jail. The prison operated until the early 1770s when replaced by the Walnut Street Prison. The market shambles were replaced by the permanent Jersey Market circa 1765., Title from item., Published in John F. Watson's Annals of Philadelphia and Pennsylvania, in the olden time:....Embellished with engravings, by T.H. Mumford (Philadelphia, 1844), vol. 1 and later editions., Originally part of a McAllister scrapbook of views of Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Retrospective conversion record: original entry, edited., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Mumford, Thomas Howland, -1816, engraver
- Date
- [ca. 1844]
- Location
- Library Company of Philadelphia | Print Department Pr Pr - 8x10 - Prisons - H [(7)1322.F.231]
- Title
- International Exhibition Sydney
- Description
- View showing the buildings and grounds near Sydney Harbour of the exhibition to promote New South Wales technology, commerce, and industry. The exhibition, on display from September 17, 1879 to April 20, 1880, commemorated the centennial of the arrival of the First Fleet. Includes the Garden Palace designed by architect James Barnet, the Botanic Gardens, promenades, annexed exhibition halls, and pavilions. In the foreground, a man and woman couple stands at the harbor opposite the palace while a sailboat and rowboat glide on the water. Image surrounded by a border containing palm trees, lush vegetation, and the coat of arms for Sydney depicted with a white man sailor and aboriginal man, attired in a loincloth and holding a spear., Title from item., Printed above image: Supplement to the Illustrated Sydney News, July 1879., Accessioned 1883., Description revised 2021., Access points revised 2021., Retrospective conversion record: original entry, edited., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- 1879
- Location
- Library Company of Philadelphia | Print Department **GC - Exhibitions [5225.F.2]
- Title
- Chew's House, Germantown
- Description
- Exterior view of the colonial residence built 1763-1767 by master carpenter Jacob Knor for Philadelphia attorney Benjamin Chew at 6401 Germantown Avenue. In the foreground, a white man and two white women stand and converse on the walkway in front of the house. Chew House, also known as Cliveden, was the site of the turning point in the Battle of Germantown in 1777. The Chew family enslaved people of African descent in the city of Philadelphia and in Germantown during the 18th and 19th centuries. The estate was the Chew family residence until 1972 when it was acquired by the National Trust for Historic Preservation., Title from item., Published in Ballou's pictorial drawing - room companion, Jan. 27, 1855, vol. 8, no. 4, p. 57., Originally part of a McAllister scrapbook of views of Philadelphia. McAllister Collection, gift, 1886., Description revised 2022., Access points revised 2022., Retrospective conversion record: original entry, edited.
- Date
- [1855]
- Location
- Library Company of Philadelphia | Print Department Ph Pr - 8x10 - Residences - C [(7)1322.F.12a]
- Title
- Chew mansion, Germantown
- Description
- Exterior view of the colonial residence built 1763-1767 by master carpenter Jacob Knor for Philadelphia attorney Benjamin Chew at 6401 Germantown Avenue. Shows a white woman and girl standing on the front steps before the doorway. A white man stands on the walkway in front of the house. On the grounds are two sculptures, a portrait bust on a pedestal and a classical female nude without a head and arms. Chew House, also known as Cliveden, was the site of the turning point in the Battle of Germantown in 1777. The Chew family enslaved people of African descent in the city of Philadelphia and in Germantown during the 18th and 19th centuries. The estate was the Chew family residence until 1972 when it was acquired by the National Trust for Historic Preservation., Title from item., Originally part of a McAllister scrapbook of views of Philadelphia. McAllister Collection, gift, 1886., Description revised 2022., Access points revised 2022., Retrospective conversion record: original entry, edited.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department Ph Pr - 8x10 - Residences - C [(6)1322.F.80e]
- Title
- Life in Philadelphia. "Dat is bery fine, Mr. Mortimer..."
- Description
- Racist caricature of an African American couple singing and playing guitar in a parlor. In the right, "Mr Mortimer," stands with his right hand over his heart and with his other holding a sheet of music. He wears mutton chops and is attired in a green coat with tails, red collar, blue bow tie, yellow pants, stockings, black slipper shoes, and yellow gloves. His eyes look up and his mouth is open. He sings a love song while the woman seated in the left plays a guitar decorated with pink ribbons. Her head is turned toward the man and she sits on a bench with a pink cushion. She wears a large yellow bonnet adorned with bows and with ribbons tied into a bow under her chin. She is also attired in a blue dress with long puff sleeves, trim, and a laced bodice, ankle-tied slipper shoes, as well as rings on her fingers. She comments that he sings "con a moor as de Italians say!!" The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black hand coloring. Setting also includes a carpet with a decorative pattern., Title from item., Date inferred from content and name of publisher., Contains eight lines of dialogue in the vernacular and dialect above the image: Dat is bery fine, Mr. Mortimer, _ you sing quite con a moor, as de Italians say!! “Take away, take away dos rosy lips, “Rich, rich in balmy treasure!_”Turn away, turn away dose eyes o blub, “Less I die wid pleasure!!!”, Inscribed: Plate 12., Inscribed: Copy right secured., Sarah Hart was a Jewish Philadelphia stationer who with her son, Abraham Hart, a future eminent Philadelphia publisher, assumed the publishing of the "Life in Philadelphia" series in 1829. She, alone, reprinted the entire series of 14 prints in 1830., First edition of print described in Daily Chronicle, December 10, 1829, p. 2., RVCDC, Description revised 2021., Access points revised 2021.
- Creator
- Clay, Edward Williams, 1799-1857, etcher
- Date
- [1830]
- Location
- Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9701.4]
- Title
- Life in Philadelphia. "What you tink of my new poke bonnet...?"
- Description
- Racist caricature depicting an African American woman trying on a bonnet in the company of her African American companion, "Frederick Augustus." Depicts the woman in profile, in front of a standing mirror tilted toward her, trying on a yellow Dunstable bonnet so large that the side of her face is obscured. Her hand rests on the side of the hat adorned with a pink ribbon. Her reflection is not visible in the mirror. She wears a yellow calico dress with a white collar that covers her shoulders, black gloves, patterned stockings, and blue slipper shoes. She asks "Frederick Augustus" what he thinks. He stands behind her with his arms crossed and looks toward the mirror. He holds a walking stick under his left upper arm. A dog with a muzzle sits behind him. He responds that he does not like the style. He wears a beard and is attired in a top hat, long green overcoat with collar, red-striped pants, white gloves, and black slipper shoes. A white woman sales clerk, wearing a large top-knot hairstyle, watches the woman from behind a counter on which another Dunstable bonnet is displayed. Pink bunting is visible above the clerk’s head. The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black hand coloring., Title from item., Date from item., Inscribed: Plate 14., Inscribed: Copy right secured., Contains seven lines of dialogue in the vernacular and dialect above the image: What you tink of my new poke bonnet Frederick Augustus? I don’t like him no how, case dey hide you lubly face, so you can’t tell one she nigger from anoder., Sarah Hart was a Jewish Philadelphia stationer who with her son, Abraham Hart, a future eminent Philadelphia publisher, assumed the publishing of the "Life in Philadelphia" series in 1829. She, alone, reprinted the entire series of 14 prints in 1830., Described in Pennsylvania Inquirer, 17 June 1830, p. 2 and ‘Life in Philadelphia, No. 14. The Dunstable Bonnet’, Pennsylvania Inquirer, 17 June 1830, p. 3., RVCDC, Description revised 2021., Access points revised 2021.
- Creator
- Clay, Edward Williams, 1799-1857, etcher
- Date
- 1830
- Location
- Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9701.5]
- Title
- Life in Philadelphia. "Behold thou art fair Deborah,..."
- Description
- Caricature satirizing the manners of Quakers and depicting a white Quaker couple, Deborah and Timothy, courting in front of a fireplace in a sitting room. In the right, Timothy, depicted in left profile sits stiffly in a wooden, straight back chair with his hat in his lap. He is portrayed with full lips, a pronounced nose, and large ears and with his brown hair in a cowlick at the back top of his head. He wears a brown long coat, brown pants, and tied shoes. He compliments Deborah by reciting verses from the biblical love poem Song of Solomon. In the right, Deborah, portrayed facing the viewer, and looking down, sits stiffly in a wooden, straight back chair with her hands in her lap. She is attired in a brown plain, long-sleeved dress, and a white kerchief over her shoulders. She also wears a white cap out of which sprays of her brown hair are visible on her forehead. Dorothy replies she is overcome by him and recites that his hair is like a flock of goats "from Gilead." A small dog with a curled tail sits between their feet. Also shows, in the background, wooden, straight back chairs flanking the mantelpiece of the fireplace on which two candles rest., Title from item., Date inferred from content., Plate 2 of the original series published in Philadelphia., After the work of Edward W. Clay., Probably published by Anthony Imbert of New York., Contains five lines of dialogue below the image: Behold thou art fair Deborah, thou hast doves eyes! Behold thou art fair Deborah, yea pleasant! Turn away thine eyes from me, Timothy, for they overcome me; thy hair is a flock of goats that appear from Gilead!, Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era (PhD. diss., The University of Michigan, 1980), p. 88. (LCP Print Room Uz, A423.O)., RVCDC, Description revised 2021., Access points revised 2021., Accessioned 1999.
- Date
- [ca. 1830]
- Location
- Library Company of Philadelphia | PRINT. Life in Philadelphia (New York Set) [P.9701.6]