Search results

Title: [Naval Parade on the Delaware River during the Peace Jubilee]
Description: Photographs of ten views of the Naval Parade on the Delaware River during the Peace Jubilee on October 25, 1898. The ships depicted are the Tug Philadelphia; Japanese cruiser Kasagi; Texas; Topeka; Columbia; Mayflower; Marblehead; New Orleans; Gloucester; and the Transports Panther and Olivette. The Japanese cruiser Kasagi is depicted with two engine stacks, lines of nautical and national flags, and Japanese flags flying on the masts. Crew men are visible walking and standing on the deck and on the staircase on the side of the ship. Philadelphia honored the end of the Spanish-American War with the Peace Jubilee celebration from October 25-28, 1898. In addition to war ships, the naval procession included yachts, steamers, tugs, barges, and rowboats. The last warship in the line was the Kasagi, recently built at William Cramp & Sons’ shipyard in Philadelphia. Captain Kashiwabara, with the Japanese officers and crew, lined the deck in full dress., Title supplied by cataloger., Date from manuscript note on verso., Gift of Ann L. Wood.
Creator: Butler, Walter L., photographer
Date: October 25, 1898
Location: Library Company of Philadelphia | Print Department albums [P.2016.32.13-22]

Title: General Grant and the Chinese viceroy, Li Hung Chang
Description: Full-length, forward-facing portrait of Ulysses S. Grant and Li Hongzhang, also known as Li Hung Chang, in Tianjin, China in 1879. In the left, Grant, wearing a beard and attired in a white collared shirt, a white bowtie, a black waistcoat with a pocket watch chain, a black jacket, and pants, sits on a chair with his hands curled on his lap and his feet on a footrest. In the right, Li Hongzhang, wearing a beard and attired in a conical hat, a traditional Chinese robe with buttons down the front, and cloth slip-on shoes, sits with his left hand on his lap, his right arm resting on a side table, and his feet on a footrest. On the table between the two men is a vase filled with flowers and two teacups. Ulysses S. Grant and his wife Julia embarked on a diplomatic tour of 19 countries from May 1877 to September 1879. Grant visited China in April to May, 1879 and met with Governor General Li Hongzhang. They discussed China's dispute with Japan over the Ryukyu Islands., Title from item., Date from manuscript note written above the image: 2-10-90., Text printed beneath image: From the original photograph taken in Pekin (1879) and loaned to the Exhibition by Mr. Geo. W. Childs., The original photograph was taken by photographer Liang Shitai also known as See Tay., Part of a collection of disbound scrapbook pages re-housed in folders in three boxes., Brothers Louis Edward Levy (1846-1919) and Max Levy (1857-1926) founded a photoengraving business in Baltimore in 1875. In 1877, they moved to Philadelphia and reorganized the firm as the Levytype Company. In 1900, the firm was renamed the Graphic Arts Company.
Date: [ [ca. 1890]
Location: Library Company of Philadelphia | PRINT portrait prints - Civil War scrapbook of portraits [(1)5775.F.32]

Title: [Peace Jubilee, Naval Day, Japanese cruiser Kasagi on the Delaware River]
Description: Photograph showing the Japanese cruiser Kasagi in the Naval Parade on the Delaware River during the Peace Jubilee on October 25, 1898. The cruiser has two engine stacks and American and Japanese flags fly on the masts. Buildings along the shore are visible in the left background. Philadelphia honored the end of the Spanish-American War with the Peace Jubilee celebration from October 25-28, 1898. In addition to war ships, the naval procession included yachts, steamers, tugs, barges, and rowboats. The last warship in the line was the Kasagi, recently built at William Cramp & Sons’ shipyard in Philadelphia. Captain Kashiwabara, with the Japanese officers and crew, lined the deck in full dress., Title supplied by cataloger., Date inferred from date of event., Gift of Albert L. Doering.
Creator: Doering, William Harvey, 1858-1924, photographer
Date: October 25, 1898
Location: Library Company of Philadelphia | Print Department lantern slides - Doering [P.9453.277]

Title: [Peace Jubilee, Naval Day, Japanese cruiser Kasagi on the Delaware River]
Description: Photograph showing the Japanese cruiser Kasagi in the Naval Parade on the Delaware River during the Peace Jubilee on October 25, 1898. The cruiser has two engine stacks and a Japanese flag flies on a pole at the rear. Two row boats filled with men float close to the cruiser, and a steamship travels in the left. Philadelphia honored the end of the Spanish-American War with the Peace Jubilee celebration from October 25-28, 1898. In addition to war ships, the naval procession included yachts, steamers, tugs, barges, and rowboats. The last warship in the line was the Kasagi, recently built at William Cramp & Sons’ shipyard in Philadelphia. Captain Kashiwabara, with the Japanese officers and crew, lined the deck in full dress., Title supplied by cataloger., Date inferred from date of event., Gift of Albert L. Doering.
Creator: Doering, William Harvey, 1858-1924, photographer
Date: October 1898
Location: Library Company of Philadelphia | Print Department lantern slides - Doering [P.9453.278]

Title: A scene in the Golden Dragon, 1526 Market Street, Philadelphia's most beautiful restaurant
Description: Interior view of the Golden Dragon restaurant located at 1526 Market Street, Philadelphia and depicting the dining room crowded with patrons. Shows the large room filled with diners sitting at white table-clothed tables and standing in a row. The men and women, finely attired in suits, dresses, hats, and jewelry, look at the viewer. Plates of food and cups and glasses are visible on the tables. In the left, a Chinese man waiter, attired in a tuxedo, stands with probably menus under his arm. In the background, musicians, attired in tuxedos, are seated with musical instruments in front of a backdrop of peacock feathers. The dining room ceiling is decorated with multiple-colored fabrics. Charlie Kerr (1890-1976) was a jazz drummer and orchestra leader in the 1920s to the late 1940s., Title from item., Date inferred from medium and content., Text printed on verso: Philadelphia, Pa., 19[blank], Dear [blank], Greetings from the beautiful Golden Dragon, where I dined today. "Charlie" Kerr's Orchestra is great., Series no. on verso: 2690 N., See related: Brightbill postcards [Hotels and Restaurants - Bingham through Green's - 112] - sheet number 112B04., Sheet number: 112A05., Divided backs.
Creator: Brightbill, George M., collector
Date: [ca. 1925]
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Hotels and Restaurants - Bingham through Green's - 112]

Title: Cathay Restaurant, 1221-23 Chestnut St., Philadelphia, Pa Music, dancing, broadcasting
Description: Interior view of the Cathay Restaurant located at 1221-1223 Chestnut Street, Philadelphia. Shows the view from the second-floor staircase, looking down at the main dining room on the first level and the balcony sections that flank the main stairway. Depicts on the first floor, a line of red tray holders for waitstaff in the left and rows of white table-clothed dining tables and chairs. On the balconies are additional rows of white table-clothed dining tables and chairs. The edges of the balcony are lined with different-colored figurine lamps with fringed shades. Colored paper lanterns and a chandelier hang from the ceiling. The Cathay restaurant, also called the Cathay Tea Garden, was a Chinese restaurant that had a large dance floor where musicians and bands played. They also broadcasted a live radio show. The restaurant closed in 1973., Title from item., Date inferred from medium and content., Numbered 95415 on verso., Sheet number: 112A03., Divided back.
Creator: Brightbill, George M., collector
Date: [ca. 1920]
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Hotels and Restaurants - Bingham through Green's - 112]

Title: [Chas. McKeone & Son Soap Manufacturing Co. trade cards]
Description: Series of illustrated trade cards for Chas. McKeone & Son Manufacturing Co. at 2518-2550 Callowhill Street in Philadelphia. Illustrations depict a dog biting and pulling the pants of a white boy carrying a basket of fruit while another white boy climbs a stone wall to escape; a white child sitting on a pile of blankets with their pet dog beside an open doorway; a white boy hanging with his shirt caught on a tree branch while another white boy looks on with a basket on fruit at his feet; a white woman cradling a baby on her lap. Racist card depicting white women, an African American woman, and Chinese men working in a laundry room. In the center, a white woman and an African American woman, portrayed in racist caricature and attired in an orange head kerchief, a red dress, and a white checked apron, stand beside a wash basin and hold up a white cloth. A well-dress white woman comes over to inspect the cloth. In the left, a Chinese man, wearing a queue and mustache and attired in a black cap, a blue shirt, tan pants, and slip-on, cloth shoes, holds up and inspects a box of "McKeone's Extract of Soap." Behind him in the background, another Chinese man, wearing a queue and attired in a yellow shirt, washes a white cloth in a steaming wash basin. In the right, a white woman carries a basket of clothes and another white woman washes laundry in a wash basin and looks on at the scene. Also visible are wooden crates, a basket of laundry, and a drying rack filled with clothes., Title supplied by cataloger., One print [1975.F.620] printed by E. Ketterlinus & Co., Advertising text promoting McKeone's "Crown Jewel Soap" and "Kalistine concentrated extract of soap" printed on versos., Gift of Emily Phillips, 1883., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - McKeone [1975.F.181; 1975.F.183; 1975.F.185; 1975.F.620; 1975.F.622]

Title: Fruit of the Loom. Industria et spe
Description: Oval-shaped textile label for the firm established in 1851 by B. B. & R. Knight Brothers in Providence, Rhode Island. Shows a woman seated by a loom near a cotton plant. Also contains a logo., Contains color wood engraved border., Printed and inscribed on recto: No. 490. Patt. Z59. Irish Manufacture Size 50., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date: [ca. 1851]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Labels [P.2011.10.101]

Title: [Morgan & Headly trade cards]
Description: Series of illustrated trade cards promoting jewelers Morgan & Headly in the Mutual Life Building at the northwest corner of Tenth and Chestnut Streets in Philadelphia. Trade card depicts a large diamond jewel [1975.F.579]. Illustrated trade card depicts a caricaturized Japanese woman and boy playing a horn. The woman, wearing her hair tied up and decorated with kanzashi (decorative hair ornaments) and attired in a floral patterned kimono, stands before a Japanese-style building. She leans her left arm over a wall and looks down at a boy, wearing a shaved head with a small ponytail and attired in a tunic, a belt, pants, and cloth, slip-on shoes, playing a horn next to a bird with its beak open [1975.F.592]. Trade card depicting a Japanese-stylized scene of a crane bending over and cleaning its feathers with its beak. Also includes flowering tree branches [1975.F.593]., Title supplied by cataloger., Date inferred from content and history of the advertised business., One print [1975.F.579] contains vignette printed on verso depicting a hand-held fan superimposed onto a ribbon., RVCDC, Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Morgan [1975.F.579; 1975.F.592 & 593]

Title: The Smile that was childlike
Description: Print depicting characters from Bret Harte’s 1870 poem “Plain Language from Truthful James” later reprinted as “The Heathen Chinee.” The narrative of the poem focuses on two white men, Bill Nye and “Truthful James,” and a Chinese man named Ah Sin playing the card game Euchre. Bill and James believe Ah Sin is “childlike” and does not comprehend how to play the game. The print shows Bill and James standing in the left on a dirt road and showing playing cards to Ah Sin, who looks on with his hands in his pockets. Ah Sin is depicted in racist caricature and wears a queue hairstyle, a conical hat, gold hoop earrings, a blue tunic and pants, and cloth, slip-on shoes. In the background are mountains and a partial view of a cabin. Later in the poem’s narrative, Bill cheats playing the game by having cards up his sleeve. When Ah Sin plays a card that James already has, it is discovered that Ah Sin is also cheating with decks of cards hidden in his sleeves. Bill proceeds to fight Ah Sin. Bret Harte’s poem “Plain Language from Truthful James,” satirizing anti-Chinese sentiment, was originally published in the Overland Monthly Magazine in September, 1870. It became widely popular and was reprinted and republished as “The Heathen Chinee” in several illustrated series in pamphlet and loose print form., Title from item., Date inferred from content., Print contains registrations marks., See related: GC-Genre [P.2007.39.24]., Gift of David Doret.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department GC-Genre [P.2007.39.23]

Title: [The Siamese twins, Chang and Eng, aged eighteen]
Description: Full-length portrait of the conjoined twins Chang and Eng Bunker standing outdoors on grass. Shows the young men barefooted and attired in matching Thai clothing consisting of brown caps, brown tunics, and blue, striped pants. The tunics are open in the front revealing the band of skin and flesh that joined them at the chest. Chang has his right arm around Eng's shoulder, and Eng holds his hand. Eng has his left hand on Chang's waist, and Chang holds his hand. Chang and Eng Bunker were born as conjoined twins in Thailand (formerly known as Siam) to parents of Chinese descent. Chang was positioned on their left, and Eng was on their right. Merchant Robert Hunter and Sea Captain Abel Coffin brought them to the United States in 1829, where they were exhibited as curiosities. The Bunkers left their managers and later toured independently. They purchased an estate in North Carolina. Eng married Sarah Yates, and Chang married her sister Adelaide Yates and together had twenty-one children., Title from a similiar print in the Wellcome Collection., Date inferred from medium and content., Gift of David Doret., Created postfreeze.
Date: [ca. 1830]
Location: Library Company of Philadephia | Print Department portrait prints - Bunker [P.2005.14.3]

Title: The Smile that was childlike
Description: Print depicting characters from Bret Harte’s 1870 poem “Plain Language from Truthful James” later reprinted as “The Heathen Chinee.” The narrative of the poem focuses on two white men, Bill Nye and “Truthful James,” and a Chinese man named Ah Sin playing the card game Euchre. Bill and James believe Ah Sin is “childlike” and does not comprehend how to play the game. The print shows Bill and James standing in the left on a dirt road and showing playing cards to Ah Sin, who looks on with his hands in his pockets. Ah Sin is depicted in racist caricature and wears a queue hairstyle, a conical hat, gold hoop earrings, a blue tunic and pants, and cloth, slip-on shoes. In the background are mountains and a partial view of a cabin. Later in the poem’s narrative, Bill cheats playing the game by having cards up his sleeve. When Ah Sin plays a card that James already has, it is discovered that Ah Sin is also cheating with decks of cards hidden in his sleeves. Bill proceeds to fight Ah Sin. Bret Harte’s poem “Plain Language from Truthful James,” satirizing anti-Chinese sentiment, was originally published in the Overland Monthly Magazine in September, 1870. It became widely popular and was reprinted and republished as “The Heathen Chinee” in several illustrated series in pamphlet and loose print form., Title from item., Date inferred from content., Print contains registrations marks., See related: GC-Genre [P.2007.39.24]., Gift of David Doret.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department GC-Genre [P.2007.39.23]

Title: [Construction of the Ridge-8th Street Subway]
Description: Aerial views of the Ridge-8th Street Subway (later known as the Broad-Ridge Spur) under construction. The approach to the Benjamin Franklin Bridge at 5th and Race Streets and the adjacent Franklin Square are visible, as is the area bounded roughly by Callowhill to the north, Market Street to the south, Front Street to the East and 10th Street to the west. The Ridge-8th Street Subway opened in 1932., Title supplied by cataloger., Date from manuscript note on negative sleeve: Eighth st. Subway, Frank. Square; Phila. Pa.; June 13, 1931., Negative numbers: 14407n.
Creator: Aero Service Corporation, photographer
Date: 1931
Location: Library Company of Philadelphia | Print Department Aero Service [P.8990.14407n]

Title: Tsow Chaoong. Canton
Description: Calling card for the Boston Chinese Museum "Writing Master" Tsow Chaoong. Includes a border containing flowers, birds, and cherubs. Chaoong's name also printed in Chinese characters. The Boston Chinese Museum, established following the first official trade agreement between the U.S. and China (Wanghsia Treaty of 1844), operated 1845-1847 in Boston before traveling to Philadelphia. The Museum operated in Philadelphia 1847-1849 and New York 1849-1850 before closing. Chaoong produced custom made cards for visitors that contained their names and places of birth in Chinese characters that were accompanied by his calling cards., Title from item., Date inferred from content., Originally part of a McAllister scrapbook of views of Philadelphia., Card described in Ronald J. Zboray's "Between "Crockery-dom" and Barnum: Boston's Chinese Museum, 1845-47" American Quarterly, June 2004, pp. 292.
Date: [ [ca. 1847]
Location: Library Company of Philadelphia | Print Department ephemera - Cards - C [(6)1322.F.127]

Title: Omai a native of Ulaietea, brought into England in the year 1774 by Tobias Furneaux esqr. commander of his majesty's sloop Adventure Humbly inscribed to the Right Honble John Earl of Sandwich, first commissioner for executing the office of the Lord High Admiral of Great Britain and Ireland; &c. &c. &c. By his lordship's most devoted humble servant, Fras. Bartolozzi
Description: Full-length portrait of Mai (known as Omai in Britain,) a young indigenous man from Raiatea, who became the second Pacific Islander to visit Europe. Mai is depicted with long, black hair, barefooted, attired in a white robe, and has tattoos on his hands. He holds a feather taumi (gorget) in his right hand and a carved wooden headrest, which may have doubled as a stool, under his left arm. Mai acted as an interpreter to James Cook and joined the crew of the H.M.S. Adventure, traveling to London in 1774. During his two-year stay in England, he became admired by London high society and painted and sketched by a number of artists including Sir Joshua Reynolds, William Hodges, William Parry, and Nathaniel Dance. Mai returned to Tahiti in 1776., Title and date from item.
Creator: Bartolozzi, Francesco, 1727-1815, engraver
Date: October 25, 1774
Location: Library Company of Philadelphia | Print Department **portrait prints - O [(3)5750.F.180a]

Title: The celluloid corset clasps side & dress steels Warranted not to rust. Corsets after washing. With the old style clasps in. With the new celluloid clasps in
Description: Trade card advertising celluloid corset clasps and depicting racist caricatures of Chinese men laundry workers comparing celluloid and traditional corsets. In the center, the laundry worker, wearing a queue hairstyle with the braid sticking straight out to the right and attired in gold hoop earrings, a red tunic, white pants, and blue and white cloth, slip-on shoes, smiles as he holds up a clean, white corset with celluloid clasps. In the left, the laundry worker, wearing a mustache and queue hairstyle and attired in a blue tunic, yellow pants, and blue and white cloth, slip-on shoes, holds a soiled and dirty corset as he opens his mouth in dismay looking at the clean corset. In the right background, the Chinese man, wearing a queue hairstyle and attired in a yellow tunic, blue pants, and white cloth, slip-on shoes, washes laundry with his hands in a steaming washtub. Also visible are a basket of laundry; a corset hanging on a line; and a table with an iron on top of it., Title from item., Date inferred from content., Contains advertising text printed on verso: Celluloid corset clasps. Side and dress steels. Perspiration proof. Elastic. Durable. In introducing these improved corset clasps, &c., let us call your attention to some of the points of their superiority over all others heretofore in use. 1st.--The inferior is finely tempered clock spring steel. 2d.--The exterior is celluloid. 3d.--The combination of the two unites the strength of the steel with the rust-proof qualities of the celluloid. 4th--The trouble of ripping out and sewing in the steels every time corsets are laundried becomes unnecessary as these steels need not be taken out for that purpose. 5th--They are warranted not to rust and thus stain the corsets or other garments. 6th--They are the best steels in every particular ever offered. Sold by all dry and fancy goods dealers throughout the country., RVCDC, Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Celluloid [1975.F.182]

Title: Day's soap does it Washee, washee, see him rub on his washboard in the tub; see him wash and smile with glee for he's from hard labor free; with Day's soap his work is done when his rivals just begun
Description: Title from item., Date from copyright statement: Copyrighted 1887 by Day & Frick., Racist metamorphic trade card showing a caricaturized Chinese man laundry worker washing a sheet on a wash board in a washtub. Includes a tab that when pulled lifts the washer's arms up and down to reveal the text "Day Soap" on the wash board. The man wears his hair in a queue and is attired in a long-sleeved, blue collared shirt with buttons down the front, blue pants, and slip-on, cloth shoes. He smiles and looks to the right. The tub rests on a table beside a bar of soap, labeled “Day’s Soap.” On the ground behind the table is a basket of laundry. Sheets hang on a drying line. In the background, the wall has Chinese-stylized decorations including a gold wallpaper depicting birds and fish and a purple and gold wall hanging that reads, “Day’s Soap.” Peter Day founded the Day & Frick soap manufactory firm in 1886. He retired as president of the firm in 1917., Purchased with funds from the Walter J. Miller Trust for the Visual Culture Program., RVCDC, John D. Avil founded the Avil Printing Company (also known as John D. Avil & Co.) in West Philadelphia and managed it from the early 1860s until his death in 1918.
Date: [1887]
Location: Library Company of Philadelphia | Print Department trade card - Day's [P.2012.62.8]

Title: Ethnographic tableau Specimens of various races of mankind
Description: Chart showing racist depictions of fifty-four, bust-length, portraits of men and one woman of different "races" from eight geographic regions to emphasize contrived differences in cranial characteristics. The “Geographical Distribution” includes I. Arctic, II. Asiatic, III. European, IV. African, V. American, VI. Polynesian, VII. Malayan, and VIII. Australian. With each region, six depictions of individuals of that race are shown, some facing forward and some in profile. Many of the individuals are depicted as racist stereotypes. Many are attired in hats, turbans, or headdresses custom to their country of origin. In the left, under the caption “Cranioscopic Examples,” nine different skulls in right profile are depicted. In the right, chart sections include “Mankind, Grouped Physiologically” and “Linguistic Distinctions.”, Title from item., Folded plate removed from Josiah C. Nott and George R. Gliddon's Indigenous races of the earth (Philadelphia: J.B. Lippincott & Co.; London: Trubner & Co., 1857) (LCP *Am 1857 Nott (1)2733.Q (Rush)). See "Explanations of the tableau" pages 618-638., Captions below images on recto: Artic: Eskimo, Tchucktchi, Koriak, Aleoutian, Aino, Samoyede. Asiatic: Kamtschadale, St. Laurent Islander, Tartar, Chinese, Kalmuck, Tuda. Euro[pean]: Finn, Icelander: Cuvier, Bulgarian, Greek, Caucasian. [Euro]Pean: Syrian, Arab, Fellah, Berber, Uzbek Tatar, Affghan (sic). African: Ababdee, Sahara Negro, Yeboo Negro, Mozambique Negro, Caffr, Hottentot. American: Kutchin Indian, Stone Indian, Ottoe Indian, Yucatan Indian, Boroa Indian, Fuegian. Polynesian: New Zealander, Samoa Islander, Tikopia Islander, Vanikoro Islander, Tana Islander, Viti Islander. Malayan: Malay, Javanese, Marianne Islander, Hindoo, Mintira, Negritto. Australian: North Australian, West, Australian, South Australian, Tasmanian, Tasmanians (Men, Women)., Bequest of Dr. James Rush, 1869., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Kramer, Peter, 1823-1907, artist
Date: 1857
Location: Library Company of Philadelphia | Print Department ***BW-Natural history [(1)2733.Q.1]

Title: Ruins of museum building. Ninth below Chestnut Street
Description: Photograph depicting the fire ruins of the Philadelphia Museum known as the Chinese Museum built circa 1836-1838 after the designs of Isaac Holden at Ninth and Sansom Streets. Shows partial fragments of the brick walls left standing. Bricks and debris are visible on the ground. The Museum served as an exhibition space, including the display of Nathan Dunn's Chinese artifact collection, and as a concert, public meeting, and lecture space until razed by fire on July 5, 1854., Title from Poulson inscription., Date inferred from content., Attributed to Richards & Betts., Originally part of a series of eleven scrapbooks compiled by Philadelphia antiquarian Charles A. Poulson in the late 1850s entitled "Illustrations of Philadelphia" unidentified volume, page 13b. The scrapbooks contained approximately 120 photographs by Philadelphia painter and pioneer photographer Richards of 18th-century public, commercial, and residential buildings in the city of Philadelphia commissioned by Poulson to document the vanishing architectural landscape, Retrospective conversion record: original entry, edited., Reproduced in Kenneth Finkel's Nineteenth century photography in Philadelphia (New York: Dover Publications, Inc. in cooperation with the Library Company of Philadelphia, 1980), entry #158., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 14., Arcadia caption text: The Chinese Museum, built 1836-1838 after the designs of English architect Isaac Holden, was a veritable multi-use venue. The two-story marble building exhibited Nathan Dunn’s impressive collection of wax figures dressed in authentic Chinese clothing set amidst Chinese furniture, decorations, and rooms along with the Philadelphia Museum Company’s holdings of artist Charles Willson Peale’s collection of paintings, bones, stuffed animals, and curiosities. Between 1842 and 1844 both museums left the building due to decreased attendance and profits, but the space at the northeast corner of Ninth and Sansom streets capable of holding 8,000 people continued to host balls, political conventions, plays, lectures, public meetings, and exhibitions, such as the Exhibition of American Manufactures sponsored by the Franklin Institute, pictured above in October 1844. The smoldered remains of the building are shown below, after a devastating fire destroyed it on July 5, 1854., Richards & Betts was a partnership between Frederick DeBourg Richards and John Betts circa 1854-1857.
Creator: Richards & Betts, photographer
Date: July 1854
Location: Library Company of Philadelphia | Print Department photo - Richards - Fires [(5)2526.F.13b]

Title: Chinese gent and lady
Description: Full-length portrait of a Chinese man and Chinese woman seated at a table. In the left, the woman, attired in a decorative headdress and a dress with large, full sleeves, sits on a carved, wooden chair with her feet on a wooden footrest. In the right, the man, attired in a cap, a traditional robe with fur at the cuffs, and cloth slip-on shoes, sits with his legs crossed and faces the viewer. A vase of flowers and possibly a tea set are on a tablecloth-lined table in-between the man and woman., Title from publisher's printed series list on verso with thirty other titled views (No. 1-36)., Date inferred from content., Series number (No. 28) also written in manuscript note on mount below image., Photographer's imprint printed on verso above titled series list., Publisher's imprint printed on mount., Orange mount with rounded corners., Manuscript note on verso: S.R. Marrines., Retrospective conversion record: original entry, edited., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James., Indianapolis photographer D. R. Clark was included in one of eight observation parties sponsored by the United States government to gather information about the December 8, 1874 Transit of Venus. His party traveled to Vladivostock, Russia.
Creator: Clark, D. R., photographer
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department stereo - Miscellaneous - Clark - Non-Phila. [P.9299.5]

Title: [B.L. Dai looking at books of the Nashi who inhabit the high mountains between China & Tibet several hundred years ago. Now in The Library of Congress]
Description: Photograph depicting B.L. Dai, attired in a suit and tie, standing in front of shelves of folio books at the Library of Congress's Oriental Division on Jan. 9, 1931. He holds open a book of pictographs, probably Dongba, the script of the Nashi language. The Nashi (or Nakhi, Naxi) people inhabit the foothills of the Himalayas., Title supplied by cataloger from manuscript note on verso: Books of the Nashi who inhabit the high mountains between China & Tibet several hundred years ago. Now in the Library of Congress., Corporate photographer and publisher from stamp on verso: This credit line should not be omitted, altered, or abbreviated: Underwood & Underwood Studios. This photograph is realeased for use in one publication only and must not be used for trade or advertising purposes, copied, loaned, syndicated or rented. Underwood & Underwood, Inc. 1230 Connecticut Ave, Washington, D.C., Label on the front, Underwood & Underwood, Washington., Identity of sitter from duplicate photograph in the collections of the Library of Congress., Retrospective conversion record: original entry, edited., Gift of William H. Allen.
Creator: Underwood & Underwood
Date: 1931
Location: Library Company of Philadelphia | Print Department photo- Underwood & Underwood [P.8512.11]

Title: The Inasmuch Mission
Description: Reproduction of a drawing of a busy street scene with the four-story "Inasmuch Mission Men's Hotel and Restaurant" at 1019 Locust Street, Philadelphia. Completed in 1913, the mission house, the exterior resembling a warehouse, rehabilitated "fallen" men through religious and social services. Scene includes views of the nearby markets adorned with awnings under which men and women shoppers peruse displays, converse, and stand idle. The African American man, attired in a bowler hat, a shirt, a jacket, pants, and shoes, stands leaning against the awning pole with his hands in his pockets. In the right, the Chinese man, wearing a queue and attired in a tunic, pants, and slip-on, cloth shoes, stands against a wall and looks down the street away from the viewer. A horse-drawn wagon and pedestrians traverse the street. In the left, a man organ grinder with a monkey entertains children standing on the sidewalk., Copyrighted., Drawn by artist in 1914., See accompanying pamphlet containing the artist's descriptions of the views, "Ever-Changing Philadelphia" (Philadelphia: Frank H. Taylor), p. 6., Accessioned circa 1916., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Taylor, Frank H. (Frank Hamilton), 1846-1927, artist
Date: [drawn 1914, printed 1915]
Location: Library Company of Philadelphia | Print Department Taylor - Case 11-6 [2717.F]

Title: [Scene on Atlantic City boardwalk near Lindley's baths]
Description: Scene depicting the busy Atlantic City boardwalk with many promenaders. Several businesses line the boardwalk including a photographic studio, Adams Bath Houses, Lindley's Baths, and Shimamura & Company. Through the glass storefront window at Shimamura & Co., numerous vases and framed works are visible. Men, women, and children promenaders include two African American girls attired in white dresses and hats; three women attired in Japanese kimono carry parasols and one carries a fan; members of a band; and a white boy carrying a sign for "Cleveland's Iron Pier." In the left, a large American flag flies. An observation tower with people is seen in the background. Shingo Shimamura, along with several Japanese partners including Y. Mayebara, and Takemura, opened Shimamura and Co. in 1888 at Tennessee Avenue and the Boardwalk, Atlantic City. The store sold Japanese art and decorative arts. In 1906, Shimamura opened another store at 579 Broadway, New York City., Title supplied by cataloger., Date inferred from attire of the people., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1895]
Location: Library Company of Philadelphia | Print Department photo - unidentified - Cities [P.9260.590]

Title: Columbia trading with all the world
Description: Allegorical print depicting "Columbia" (i.e., the United States) as a white woman with brown hair, on the deck of a ship. She holds a caduceus and disperses treasures from a horn of plenty held by "Wisdom," who is portrayed as a white woman attired in a helmet, armor, a skirt, and sandals. Wisdom holds a spear in her left hand and gives the treasures to three male figures representing the country's international trade partners. Figures depicted are: Africa as a Black man attired in a headpiece shaped like an elephant's head and leaning on a tusk of ivory; Asia as a bearded man with a light-brown color skin tone attired in a turban; and South America as a man in a feathered headpiece carrying a bow., Title from item., Date inferred from content., Possibly published in London and not the United States., Revised state. Previous title and imprint faintly visible and illegible below image., Gift of Dr. Mary DeWitt Pettit, 1965., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1789-ca. 1800]
Location: Library Company of Philadelphia | Print Department *GC - Allegories [7737.F]

Title: Pennsylvania at the Panama Pacific International Exposition, San Francisco, 1915
Description: Photograph album containing twenty-seven captioned views of Pennsylvania's contributions to the world's fair held in San Francisco, February 20-December 4, 1915. A number of the images include persons and groups of people posed in front of the Liberty Bell, which traveled nation wide on train from Philadelphia to the fair. Photographs include: "Pennsylvania Building"; "Corner of the Pennsylvania Garden"; "Corner of the Pennsylvania Bldg showing Plaque"; "Mural Pennsylvania Bldg. Steel Industry, Edward Trumbull";"Mural Pennsylvania Bldg. Penn's Treaty, Edward Trumbull"; "The Chinese Commission to the Exposition" in front of the Liberty Bell; "Gentlemen's Rest Room" in the Pennsylvania Building; "Education Day, October 11. 1915" showing young girls attired in "stars and stripes" dresses dancing; "Education Day, October 11. 1915" showing a woman attired as "Liberty" surrounded by young girls attired in "stars and stripes" dresses and standing in front of the Liberty Bell; "Great Grand Daughter of Gen. Putnam" by the Liberty Bell; "Ex Gov. John K. Tenor delivering address Dedication Day, March 18, 1915"; "Vice Pres. Fairbanks delivering address Dedication Day; "Judge William Bailey Lamar U.S. Repr. delivering address Dedication Day"; "Mr. Thomas A. Edison" by Liberty Bell; "A group of Chinese girls" by Liberty Bell; "Mr. Henry Ford" by Liberty Bell; Pennsylvania "Governor Martin G. Brumbaugh and Official Party" by Liberty Bell; Pennsylvania "Governor Martin G. Brumbaugh delivering address Pennsylvania Day, September 4, 1915; "Senator E.L. Tustin delivering address Pennsylvania Day, September 4, 1915";, "Judge Win Bailey Lamar U.S. Repr. delivering address Pennsylvania Day"; "Vice Pres Ruben B. Hale of P.P.J.E. delivering address Pennsylvania Day"; "Senator Boies Penrose" at Liberty Bell; "Farwell to the Liberty Bell, November 10, 1915"; "Philadelphia Officers 'Guards to the Liberty Bell"; "Chief Little Bear" at Liberty Bell; "Arrival of the Liberty Bell at the Pennsylvania Bldg"; and "Arrival of the Liberty Bell at the Pennsylvania Bldg.", Photograph titled, "The Chinese Commission to the Exposition," depicts nine Chinese men and one white man posed in front of the Liberty Bell behind a metal barrier. The men are attired in suits, some holding bowler hats in their hands, except one older Chinese man who wears a white mustache and is attired in a changshan and a round hat. The Liberty Bell is decorated with flowers and sits on a platform draped in an American flag. Four flags, including two American flags, are on flagpoles flanking the bell. Partial view of men and women spectators in the background. Photograph titled, "A group of Chinese girls," depicts six Chinese women posed in front of the Liberty Bell. In the center, the Liberty Bell is displayed on a platform that is draped with an American flag. Two women sit on the platform, and four women stand. Five of the women are attired in white tunics with Mandarin collars, dark-colored skirts, and lace-up, heeled boots, and several of the women wear necklaces and brooches. The woman in the right is attired in a long-sleeved white shirt, a quilted, dark-colored tunic with a Mandarin collar and matching quilted pants, a bracelet, and lace-up, heeled boots., Title and date from manuscript note on first page of album., See related: Rau Collection [P.9520.1] and photo - unid. -events [P.9520.2-8].
Date: [1915]
Location: Library Company of Philadelphia | Print Department albums [P.2022.2]

Title: [Ralston family cased photograph collection]
Description: Collection of daguerreotype and ambrotype portraits, several by Norristown daguerreotypist William Stroud, portraying clergyman and founder of Oakland Female Institute James Grier Ralston, his wife Mary Anderson Larimore Ralston, their daughters, and his and his wife’s female siblings, and women teachers at the Institute. Contains bust-, half-, three-quarter, and full-length portraits of individual and pairs of sitters. Sitters are often seated, but a number of the portrait depicts sitters in a standing pose. The women’s and girl’s attire includes bonnets; off-the-shoulder bateau neckline dresses; high-neck, long-sleeved dresses with lace collars and cuffs; brooch and belt chatelaines; and earrings. Dresses worn by the female sitters are often a solid dark color, but occasionally are of a pattern design or light color. James Grier Ralston’s attire included broad bow ties, vests, jackets, and suits. Many of the images also contain props, including covered side tables, chairs, flowers, possibly an ambrotype, and a crumpled piece of cloth., Sitters in addition to James Grier Ralston and Mary Anderson Larimore Ralston include their daughters Anna Larimore Ralston, Ella Grier Ralston, Lilly Grier Ralston (who died at 11 months old), and Cora (Cara) Ralston; Institute music teacher Mrs. John Hunsicker, i.e., Fannie Henry Hunsicker (married by James G. Ralston); Mary’s sister and Institute graduate, Hetty Clark Larimore; and Institute teacher and sister of James, Agnes Caldwell Ralston; Institute graduate Martha (Mattie) Divine (Mrs. Fleming); and an unidentified woman., Posed portrait pairs include images of Mary Anderson Larimore Ralston and daughter Anna Larimore Ralston (P.2012.5.6) in which Anna sits in Mary’s lap with her mother’s hand on her head; and Anna Larimore Ralston and Ella Grier Ralston (P.2012.5.8) which Anna stands next to Ella who sits on a chair, while she rests her arm on a covered side table adorned with a basket of flowers; Anna Larimore Ralston and Fanny Hunsicker (P.2012.5.16) in which Fanny, seated, has her one hand at her hip and her other hand and arm around the waist of Anna who stands; and Hetty Clark Larimore and Mary Larimore Ralston (p.2012.5.17) in which the women are seated, side by side, and Hetty holds a bound object, possibly an ambrotype and Mary holds a crumpled white cloth., Title supplied by cataloger., Date inferred from photographic medium and age and attire of sitters., Photographers include William Stroud (Norristown, Pa.) and Theodore L. Chase (Philadelphia, Pa.)., Various-shaped mats, including oval, elliptical, double elliptical, and non pareil., Various colored pads, including blue, red, and maroon velvet or silk, several with embossing. Embossings include photographer’s imprints and/or imagery. Imagery includes floral and geometric designs, scroll work, and eagles., Primarily leather cases, and one thermoplastic case. Case designs vary, but are predominantly rose and mixed flower designs, in addition to geometric, scroll, and quatrefoil designs. Designs also include Pressed Flower, plate 154; The Delicate Roses, variant, plate 123; A Spray of Roses, plate 131; Mixed Garden Flowers, plate 133; Two Lilies, variant, see plate 112 and 113 in American miniature case art by Floyd and Marion Rinhart (Cranbury, New Jersey: A.S. Barnes and Co., Inc., 1969)., Majority of sitters identified by accompanying slips of paper with manuscript notes., Several of the images contain pink tinting on the cheeks of the sitters., P.2012.5.4, P.2012.5.8, P.2012.5.11-15, P.2012.5.21 contains daguerrean's imprint on pad or inside rim of case. Various imprints include: William Stroud, Norristown; William Stroud's Skylight Gallery, Norristown, Pa.; Stroud’s Ambrotypes Norristown, Pa., P.2012.5.6 contains dagurrean's imprint on pad: Theodore L. Chase, N.E. cor. Chestnut & Fifth Sts., Fannie Henry Hunsicker was a woman of Chinese descent. Official records are conflicting as to whether she was born in China, at sea, or in Connecticut., Several of the images contain weeping glass deterioration, tarnished plates, or other damage., Inventory of collection available at repository., See Sarah Weatherwax, "Revealing the Ralston Family," The Daguerreian Society Quarterly (July-September 2021), p. 3-6., Clergyman James Grier Ralston (1815-1880) founded Oakland Female Institute in 1845 in Norristown, Pa. Ralston studied at the Theological Seminary at Princeton and headed the Female Seminary at Oxford, Chester Country, PA before establishing Oakland. He married Mary A. Larimore (1822-1891) in 1842 and they had four children Anna L. (1848-1902), Ella M.(1847-1924), Lillie G. (1852-1853) and Cara G. (1856-1928), with Lillie dying in infancy. Ralston’s children were educated and/or taught at Oakland, as did his sister Agnes C. Ralston. The Institute operated until 1880 and the death of Ralston
Date: [ca. 1845-ca. 1855]
Location: Library Company of Philadelphia | Print Department cased photos - Ralston Family [P.2012.5.1-22]

Title: The Hunters three and O.N.T
Description: Circular promoting Clark Thread Company and depicting racist caricatures of African, Asian, and indigenous men. Volume also contains several lines of narrative, promotional text written as a children’s story. The front cover is a color illustration of three white "merry gentlemen" in Cololonial attire and riding on horseback as "they hunt and hunt." The men are attired in tri-corn hats; red jackets; white breeches with riding boots; and white wigs. They ride on a road towards the viewer. The figures are bordered with pictorial details of the Clark’s O.N.T trademark. The rider in the middle raised his hat with his hand. Image is reproduced in black and white on p. [2]. P. [3] shows the horsemen observe three white children standing before them whom they believe "...must be princes. They sew their clothes with O.N.T." P. [4] show the "gentlemen" observe from a distance three African Zulu men. The men drive a lion into a net made of O.N.T. thread. One man is nude except for a feather on his head and bangs a large drum labeled "Clark's O.N.T. spool thread." Another man is attired in a skirt made of palm leaves and carries a shield and arrows. A third man carries arrows and wears a feather on his head. P [5] shows the "hunters" "spy" "three happy Hottentots" who roll down a hill on large spools of Clark's thread in a "chariot race." The three African men have their hair in buns atop their heads and are attired in white shorts and hoop earrings. One man is also attired in a shell necklace, and two men hold spears. P. [6] shows the three men find a Chinese man flying a kite strung with O.N.T. thread thread and to which a Chinese boy is attached. He is seated on a rug with his back to the viewer. To his right is a pipe. His hair is styled in a queue, and he is attired in a white shirt with a vest decorated in a print of dragons and slip-on, cloth shoes., P. [7] shows the white men finding an Inuit man on a sled made from a Clark's spool and pulled over the ice by a team of dogs. The sled driver is attired in a hooded parka and boots. P. [8] the three riders encounter a Native American man reigning in a buffalo with O.N.T. thread. He is attired in knee-high boots; a patterned blanket draped around his chest; hoop earrings; and a feather headdress. P. [9] shows a view of the back of the three riders bordered by pictorial details of the Clark’s O.N.T trademark. The back cover is a color illustration of a white girl with long blonde hair attired in black boots; red stocking; a green dress; and a blue striped apron. She is seated on an oversize spool of O.N.T. thread and playing cat's cradle with a white boy. The boy is attired in a red fez; a green coat; blue stockings; and black boots. The George A. Clark & Brother Company, manufactory of embroidery and sewing thread, was founded in 1863 in Newark, N.J. The firm was renamed Clark & Co. in 1879, and in the 1880s created a six-cord, soft finished thread called "Our New Thread" or "O.N.T." The business merged with J. & P. Coats in 1896, which lead to a series of mergers with fourteen other companies. Into the 21st century, the company continues to manufacture thread under the name Coats & Clark., Title from item., Advertising text printed on verso of front cover: Use Clark's trade mark O.N.T. spool cotton on white spools! It is superior to all others for hand and machine use. Garments sewed with O.N.T. fast black will never show white on the seams after being worn or washed., Advertising text printed on verso of back cover: Use Marshall's linen thread on 200 yard spools. Guaranteed full length. Made from the bext flax, and Milward's Helix Needles in patent wrappers. For sale everywhere., Place of publication deduced from place of operation of advertised business., Date deduced from history of advertised business., Distributor's name printed on p. [1]: George A. Cole, sole agent., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Clark [P.2017.95.31]

Title: A Chinese laundry in Philadelphia
Description: Interior view of a Chinese owned and operated laundry in Philadelphia. In the center, shows the owner of the business attired in a top hat, white collared shirt, bowtie, suit jacket, waistcoat, and pants. He sits in a wooden chair with his legs crossed and smoking a cigarette as he supervises the workers. The four Chinese men laundry workers wear queue hairstyles and are attired in tunics, pants, and slip-on, cloth shoes. In the left, two men stand behind the counter and iron, one of whom spits water from his mouth onto the laundry. In the right, the man stands facing the viewer with his hand on top of his head while a man irons from another countertop. Steam rises up from the irons. There is a storage closet with the door partially open revealing shelves with folded laundry. More stacks of folded laundry sit on the countertops. In the right foreground, there are five irons warming on a heater and two baskets of laundry. A clock hangs on the wall., Title from item., Date and publication information from original source., Published in the June 3, 1876 issue of the Graphic, a British weekly illustrated newspaper., Text description of the engraving from the Graphic, p. 542: A Chinese Laundry in Philadelphia. Though not nearly so numerous as in California, where their presence has recently excited extreme hostility among the white working classes, the Chinese are to be found, though few and far between, in the Eastern States. There are several Chinese laundries in Philadelphia, and as they have only been recently introduced from California, they are almost as much objects of interest to Philadelphians as to foreigners. Our artist came across the laundry shown in our engraving unexpectedly. As soon as the Chinamen perceived him sketching it through the window, they rushed out and shouted after him, whereupon he made off, thinking it prudent to avoid a scene. The Celestial in European dress is the "boss," or master, who owns several laundries, and who attends to the customers and business arrangements. The manner of damping the clothes preparatory to ironing is peculiar, the operator fills his mouth with water, and squirts it over the linen., Gift of Linda Kimiko August., RVCDC
Date: June 3, 1876
Location: Library Company of Philadelphia | Print Department Ph Pr - 8x10 - Businesses - Chinese Laundry [P.2023.27.1]

Title: Chinatown, Philadelphia, Pa. [900 block Race Street]
Description: View of Chinatown on the 900 block of Race Street in Philadelphia. In the right, shows the exterior of the Far East Chinese Restaurant at 907-909 Race Street built after the designs of Thomas Ustick Walter in ca. 1827 and later altered with 907 raised one story and 909 raised two stories. There are Chinese architectural details on the balcony and awning which reads, 907 Far East Chinese Cafe. A white man police officer and a white woman stand under the awning and face the viewer. Buildings extend on both sides of the street including another restaurant with a sign that reads, 917 Cafe. Men and women pedestrians walk on the sidewalks. The Far East Chinese Restaurant operated from circa 1906 to 1952., Title from item., Date inferred from medium and content., Divided back., Library Company copy has manuscript message and address written on verso and is postmarked, Philadelphia, Pa. Jul 13, 1911 4:30 P.M., Gift of Linda Kimiko August.
Date: [ca. 1911]
Location: Library Company of Philadelphia | Print Department LCP Postcards - Streets - Race [P.2023.27.2]

Title: Chinatown by moonlight Philadelphia, Pa. [900 block Race Street]
Description: View of Chinatown on the 900 block of Race Street in Philadelphia. In the right, shows the exterior of the Far East Chinese Restaurant at 907-909 Race Street built after the designs of Thomas Ustick Walter in ca. 1827 and later altered with 907 raised one story and 909 raised two stories. There are Chinese architectural details on the balcony and awning which reads, 907 Far East Chinese Cafe. A white man police officer and a white woman stand under the awning and face the viewer. Buildings extend on both sides of the street including another restaurant with a sign that reads, 917 Cafe. Light emanates through windows and from the signs on the buildings, and the moon shines from above. Men and women pedestrians walk on the sidewalks. The Far East Chinese Restaurant operated from circa 1906 to 1952., Title from item., Date inferred from medium and content., Divided back., Library Company copy has manuscript message and address written on verso and is postmarked, Philadelphia, Pa. Jul 17, 1915 1[0] A.M., Gift of Linda Kimiko August.
Date: [ca. 1915]
Location: Library Company of Philadelphia | Print Department LCP Postcards - Streets - Race [P.2023.27.3]

Title: South China Restaurant
Description: Clipping from a serial advertising the South China Restaurant located at 913 Race Street, Philadelphia and containing typography and pictorial elements. Includes Chinese characters and text promoting lunch and dinner at the restaurant. A black border surrounds the text., Title from item., Date inferred from content., Text printed on recto: Authentic Delicious Oriental Dishes, Luncheon 35¢ Dinner 50¢, Facilities for Parties; Modern and Pleasant. Phone--Mar. 9140., Gift of Linda Kimiko August.
Date: [ca. 1939]
Location: Library Company of Philadelphia | Print Department ephemera - advertisements - South [P.2023.27.5]

Title: [Full-length group portrait of Imperial Japanese Troupe members Denkichi, Sentarō, Yonekichi, and Rinzō Hamaikari]
Description: Full-length group portrait depicting the Hamaikari family, who were members of the Imperial Japanese Troupe. From left to right, shows brothers Denkichi, Sentarō, Yonekichi, and their father Rinzō Hamaikari. Denkichi and Rinzō wear chonmage hairstyles, which are shaved in the front with a top knot. They are attired in kimonos and sandals and carry swords in scabbards at their waist. Sentarō and Yonekichi wear their hair in top knots and are attired in long-sleeved shirts, striped pants, and sandals. Denkichi and Rinzō sit in wooden chairs, while Yonekichi stands with his right arm on Sentarō’s shoulder, who is seated on a small wooden stool and looks down. In the background is a backdrop with a column and a two-handled urn. Richard Risley Carlisle (1814-1874), known as Professor Risley, assembled and managed a group of eighteen Japanese acrobats and musicians from Yokohama, Japan called the Imperial Japanese Troupe. They toured America in 1867, performing in Philadelphia in March. They then travelled to Europe, including Britain, France, Belgium, and Spain. Rinzō Hamaikari played the flute and his sons were acrobats., Title supplied by cataloger., Date inferred from content and active dates of photographer at address in his imprint., Photographer's imprint printed on verso.
Creator: Keeler, F. S. (Francis S.), photographer
Date: [ca. 1867]
Location: Library Company of Philadelphia | Print Department cdv portraits - photographer - Keeler [P.9573.36]

Title: [Full-length portrait of Imperial Japanese Troupe member Koman Sumidagawa]
Description: Full-length portrait of Koman Sumidagawa, a top spinner in the Imperial Japanese Troupe. She wears her hair tied back with two kanzashi (decorative hair ornaments), and is attired in a kimono with a brooch at the neck, and geta (sandals with a raised wooden base). She sits on a wooden chair and holds a book in her left hand on her lap. Her right elbow rests on a desk. On top of the desk is a vase with flowers, a book, and papers. A curtain drapes down in the right. Richard Risley Carlisle (1814-1874), known as Professor Risley, assembled and managed a group of eighteen Japanese acrobats and musicians from Yokohama, Japan called the Imperial Japanese Troupe. They toured America in 1867, performing in Philadelphia in March. They then travelled to Europe, including Britain, France, Belgium, and Spain., Title supplied by cataloger., Date inferred from content and active dates of photographer at address in his imprint., Photographer's imprint printed on verso.
Creator: Keeler, F. S. (Francis S.), photographer
Date: [ca. 1867]
Location: Library Company of Philadelphia | Print Department cdv portraits - photographer - Keeler [P.9573.37]

Title: [Half-length portrait of an unidentified Japanese woman]
Description: Half-length portrait of an unidentified Japanese woman. The woman wears her hair tied up with numerous kanzashi (decorative hair ornaments), which protrude all around her head. She is attired in a patterned kimono, and sits kneeling with her hands on her lap as her eyes look to the left. Behind her is a wooden stool., Title supplied by cataloger., Date inferred from content., Manuscript note written on recto: Hair, dress, Japan., Manuscript note written on verso: Japanese fashion.
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department cdv - unid. photographer - unid. female sitters [P.9057.80] (Brenner)

Title: Celluloid waterproof collars, cuffs & shirt bosoms
Description: Trade card advertising J.H. Richelderfer’s celluloid collars and cuffs and depicting a racist caricature of a Chinese boy smoking a pipe and carrying a cane. Shows the boy, wearing a queue hairstyle with a pink bow tied at the end of his braid and attired in a colorfully patterned Chinese robe with oversized celluloid cuffs, collar, and hat, and red, slip-on, cloth shoes. He holds the smoking pipe to his lips with his left hand and carries a walking cane in his right hand., Title from item., Date inferred from content., Stamped on recto: J.H. Richelderfer, Gent’s furnishing and over-gaiters, 1032 Chestnut St., S.E. Cor. of 11th., Text printed on verso: Celluloid (Waterproof linen.) Collard, cuffs and shirt bosoms. The following will commend the use of these goods to all who study convenience, neatness and economy. The interior is fine linen. The exterior is Celluloid – the union of which combines the strength of Linen with the Waterproof qualities of Celluloid. The Trouble and expense of washing is saved. When soiled simply rub with soap and water (hot or cold) used freely with a stiff brush. They are perspiration proof and are invaluable to travelers, saving all care of laundrying. Advice. In wearing the turn-down Collar, always slip the Necktie under the roll. Do not attempt to straighten the fold. The goods will give better satisfaction if the Separable Sleeve Button and Collar Button is used. Twist a small rubber elastic or chamois washer around the post of Sleeve Button to prevent possible rattling of Button, To remove Yellow Stains, which may come from long wearing, use Sapolio, Soap or Saleratus water or Celluline, which latter is a new preparation for cleansing Celluloid. Goods for sale by all dealers., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Richelderfer [1975.F.741]

Title: Celluloid cuffs, collars & bosoms, water & perspiration proof
Description: Trade card advertising J.H. Richelderfer’s celluloid collars and cuffs and depicting a racist caricature of a Chinese man at the beach watching a white man demonstrate the waterproof qualities of his celluloid cuffs, collar, and bosom or bib. In the center, the white man, wearing a mustache and attired in a red robe, red-and-yellow striped shorts, and white celluloid cuffs, collar, and bosom, stands in the ocean with water dripping down his clothes, showing that they are waterproof. In the right, a Chinese man, wearing a queue hairstyle, a red tunic, blue pants, and slip-on, cloth shoes, carries two sacks of laundry and looks over at the man in the water. In the left, a white man, attired in a straw hat, a white collared shirt, a red vest, yellow striped pants, and red shoes, sits on the sand holding an umbrella and wipes perspiration from his face with a handkerchief. In the background, a white man swims in the water and a boat is visible., Title from item., Date inferred from content., Stamped on recto: J.H. Richelderfer, 1032 Chestnut St., Phila., Text printed on verso: Waterproof linen, patented. Ladies’ and gent’s cuffs, collars and bosoms, made from celluloid. Waterproof, elastic, durable. These goods are far superior to any Linen Goods yet placed before the public, and in recommending them, we would call attention to some of their remarkable features, which will commend their use to all who study economy, neatness and beauty. 1sr. The interior is fine linen. 2d. The exterior is celluloid. 3d. The unison of above, combines the strength of linen with the waterproof qualities of celluloid, 4th. The expense of washing is saved. If the goods are soiled, simply cleanse with soap and water. 5th. The goods never wilt or fray on edges and are perspiration proof. The best preparation to effectually cleanse them is celluline. For sale by all gent’s furnishing and fancy goods houses throughout the country., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Richelderfer [1975.F.745]

Title: Chinatown. Looking north on Hutchinson Street which dead ends into Race Street
Description: View from Hutchinson Street towards the 900 block of Race Street, Philadelphia. Shows in the foreground a partial view of a car and the buildings flanking Hutchinson Street. In the center, depicts an exterior view of the four-story building at 919-921 and the three-story building at 923 Race Street. Part of the sign for the Shanghai Garden Restaurant at 919 is visible. The neighboring business has a storefront glass window which reads, "Hong Tai & [Co.] 921 Chinese Good[s]" with a display of merchandise. The adjacent building reads, "Fook Lee Co. 923" on the storefront glass window, and a seated man is visible inside., Title and date from label on verso., Photographer's imprint stamped on verso: Photo by Phila. Inquirer, Oct. 2, 1955., Gift of Linda Kimiko August.
Creator: Irving, William, photographer
Date: Oct. 2, 1955
Location: Library Company of Philadelphia | Print Department photo - Irving (Phila Inquirer) [P.2023.27.6]

Title: Group of old Japanese
Description: Full-length, forward-facing, group portrait of seven Ainu men. Shows a row of four men sitting cross-legged on the floor with a row of three men sitting in chairs. The barefooted men have long, white and gray hair and beards and are attired in patterned robes. A woven mat hangs behind them. The Ainu are an indigenous people from the northern region of the Japanese archipelago, particularly Hokkaido. The Ainu culture is distinctive, with a language that is unrelated to Japanese., Title from manuscript note written on recto., Date inferred from content., Manuscript note written on verso: A group of Japanese old men.
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department cdv - unid. photographer - group portrait - misc. [P.9057.73] (Brenner)

Title: [View of the Centennial Machinery Hall with people from all nations]
Description: Block-printed wallpaper depicting an exterior view of Machinery Hall designed by Henry Pettit and Joseph M. Wilson for the Centennial Exhibition of 1876, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art in West Fairmount Park, Philadelphia. Horse-drawn carriages bring visitors to and from the Hall. A large crowd of spectators walk on the grounds. In the foreground, people from various nationalities and ethnicities are represented including Native Americans attired in feather headdresses; two men, including a Black man, attired in fez hats; two Chinese men, one carrying a fan, attired in conical hats and robes; two Arab men in white headdresses and robes; and a Scottish man attired in a kilt. Other spectators include a man attired in a sailor’s uniform, men and women couples, and young boys., Title supplied by cataloger., Date inferred from content., Gift of David Doret., RVCDC
Date: [ca. 1876]
Location: Library Company of Philadelphia | Print Department ***Doret and Mitchell Collection – Prints [P.2022.62.3.49]

Title: A scene in the Golden Dragon, 1526 Market Street, Philadelphia's most beautiful restaurant
Description: Interior view of the Golden Dragon restaurant located at 1526 Market Street, Philadelphia and depicting the dining room crowded with patrons. Shows the large room filled with diners sitting at white table-clothed tables and standing in a row. The men and women, finely attired in suits, dresses, hats, and jewelry, look at the viewer. Plates of food and cups and glasses are visible on the tables. In the left, a Chinese man waiter, attired in a tuxedo, stands with probably menus under his arm. In the background, musicians, attired in tuxedos, are seated with musical instruments in front of a backdrop of peacock feathers. The dining room ceiling is decorated with fabrics. Charlie Kerr (1890-1976) was a jazz drummer and orchestra leader in the 1920s to the late 1940s., Title from item., Date inferred from medium and content., Text printed on verso: Philadelphia, Pa., 19[blank], Dear [blank], Greetings from the beautiful Golden Dragon, where I dined today. "Charlie" Kerr's Orchestra is great., See related: Brightbill postcards [Hotels and Restaurants - Bingham through Green's - 112] - sheet number 112A05., Sheet number: 112B04., Divided backs.
Creator: Brightbill, George M., collector
Date: [ca. 1925]
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Hotels and Restaurants - Bingham through Green's - 112]

Title: [Bust-length portrait of an unidentified Asian American woman]
Description: Bust-length portrait of a young unidentified Asian American woman. The woman, wearing her hair parted in the middle with tight curls close around her head and attired in a light-colored fur shawl and earrings, looks at the viewer., Title supplied by cataloger., Date inferred by the attire of the sitter., Gift of Joseph Kelly, 1982.
Creator: Photo Illustrators (Firm), photographer
Date: [ca. 1950]
Location: Library Company of Philadelphia | Print Department Photo-Illustrators – Non-Philadelphia-Women – Portraits

Title: Paul Lee & bride
Description: Three-quarter length studio portrait of Paul Lee and his newlywed wife in wedding attire. Shows the couple standing and facing the viewer. In the left, Paul is attired in a white collared shirt, a white bowtie, a black jacket with tails, black pants, and white gloves. In the right, the Chinese woman is attired in a veil with a decorative headband going across her forehead and the tulle rising up behind her head and flowing down her back; a short-sleeved, empire-waisted, tea-length, white wedding dress; a necklace; and white gloves. She cradles a floral bouquet in her arms. In the background is a decorated studio backdrop., Title from manuscript note on verso: Paul Lee & Bride., Date inferred from design of verso of postcard: Divided back; AZO stamp box with triangles in the corner (upward pointing triangles at top, and downward pointing triangles at the bottom)., Gift of Jean Gallagher.
Date: [ca. 1920]
Location: Library Company of Philadelphia | Print Department Jean Gallagher Photograph Collection [P.2022.7.33]

Title: A View of central section of British fortress city Singapore
Description: Drawing depicting a view of Singapore. Shows several streets with multi-storied buildings, including a domed-building and a church with a steeple. Numerous trees grow along the fence-lined streets and properties. In the background, the water is visible, probably the Singapore Strait. The British occupied Singapore from 1819 to 1942., Title from item., Date inferred from content and active dates of the artist., Gift of David Doret and Linda G. Mitchell, 2019.
Creator: Graeff, Henry F., artist
Date: [ca. 1940]
Location: Library Company of Philadelphia | Print Department Doret and Mitchell Collection – Drawings & Watercolors [P.2019.66.16]

Title: Celluloid waterproof collars, cuffs & shirt bosoms Economical, durable, handsome
Description: Trade card advertising J.H. Richelderfer’s celluloid collars and cuffs and depicting racist caricatures of Chinese men laundry workers in shock when a white man holds up a box of celluloid collars and cuffs. In the left, a white man, attired in a black bowler hat, a white collared shirt, a red bowtie and waistcoat, a blue-and-white checked suit, and black shoes, stands holding and pointing his finger to a box labeled, “Wear Celluloid Cuff & Collars.” Four Chinese men laundry workers jump up in surprise on their tiptoes with their mouths open and grimacing and their queue braids flying straight up into the air. The men have long fingernails and are attired in gold hoop earrings, colorful clothes, including yellow, red, or green tunics, and yellow or blue short pants, and cloth, slip-on shoes. In the left, one laundry worker stands behind the white man with his hands in a steaming washtub. Also visible are two baskets full of laundry on the ground, a table with irons on top, and white sheets hanging on a line. The text, “The Last Invention” is printed on the bottom right., Title from item., Date inferred from content., Stamped on recto: J.H. Richelderfer, Gent’s furnishing and over-gaiters, 1032 Chestnut St., S.E. Cor. of 11th., Text printed on verso: Celluloid (Waterproof linen.) Collard, cuffs and shirt bosoms. The following will commend the use of these goods to all who study convenience, neatness and economy. The interior is fine linen. The exterior is Celluloid – the union of which combines the strength of Linen with the Waterproof qualities of Celluloid. The Trouble and expense of washing is saved. When soiled simply rub with soap and water (hot or cold) used freely with a stiff brush. They are perspiration proof and are invaluable to travelers, saving all care of laundrying. Advice. In wearing the turn-down Collar, always slip the Necktie under the roll. Do not attempt to straighten the fold. The goods will give better satisfaction if the Separable Sleeve Button and Collar Button is used. Twist a small rubber elastic or chamois washer around the post of Sleeve Button to prevent possible rattling of Button, To remove Yellow Stains, which may come from long wearing, use Sapolio, Soap or Saleratus water or Celluline, which latter is a new preparation for cleansing Celluloid. Goods for sale by all dealers., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Richelderfer [1975.F.728]

Title: All together! Enlist in the Navy
Description: World War One recruitment poster for the United States Navy and depicting a white man American sailor standing among five other men sailors from allied countries. Flags are underneath each sailor to denote their nationality (left to right): Japan, France, United States, White Ensign of the Royal Navy used for the British Commonwealth, Russia, and Italy. In the left, the Japanese sailor, depicted with a dark-colored skin tone and attired in a blue uniform, holds his cap in his right hand. Next to him, the brown-haired, white French sailor with a mustache, attired in a blue shirt with two medals, a black utility belt, white pants, and black shoes, carries a rifle and bayonet in his left hand. He holds his cap up in the air with his right hand. The blond-haired American sailor, attired in a white cap and a blue uniform, stands in the center with his left arm around a sailor of the British Commonwealth. The British Commonwealth sailor, depicted with a light-brown color skin tone, is attired in a brimmed, straw sennet hat and a white sailor’s uniform (possibly to be portrayed from the Caribbean). He holds a telescope under his left arm and smiles at the American. The Russian sailor beside him with a mustache and attired in a white cap, a white shirt, and black pants, puts his arm on his back and on the back of the Italian sailor. In the right, the black-haired Italian sailor with a mustache and his face depicted with dark tones, is attired in a white cap, a blue shirt, and white pants. He stands and holds a rifle and bayonet over his right shoulder. In the background, battleships with Allied flags on the masts are visible on the water., Title from item., Publication information inferred from the content., Date from the artist's signature on recto: H. Reuterdahl, U.S.N.R.F. ’17., Accessioned 1980., Description revised 2022., Access points revised 2022., Henry Reuterdahl was a Swedish-born painter and illustrator who was well-known for his paintings of ships and nautical scenes. He served as artist-correspondent during the Spanish-American War and went on to develop a close association with the United States Navy.
Creator: Reuterdahl, Henry, 1871-1925, artist
Date: [ca. 1917]
Location: Library Company of Philadelphia | Print Department WWI Posters Drawer 2 Folder 12 [P.2284.191-204]

Title: No more Chinese cheap labor. Celluloid cuffs, collars & bosoms
Description: Trade card containing an illustration depicting a racist scene with the figures of Uncle Sam and America, and a Chinese man laundry worker. In the left, the laundry worker, wearing his hair in a queue and attired in a long-sleeved, orange tunic; long, wide-legged, white pants; and orange slip-on, cloth shoes; sits on an over-turned wooden wash tub. His eyes are closed, and he holds his head down in his left hand. His left leg is crossed over his right, and his right hand is on his left ankle. To his left, the white woman figure of Columbia/America, looks down at the laundry worker and points up with her right hand. In her left hand, she holds up a shield with the pattern of the American flag and marked "Invention." She wears her dark hair pulled back to the nape of her neck and is attired in a gown with the pattern of the American flag, a red and blue cap adorned with a white star, and sandals. An open box of spilled starch lies between her feet and those of the laundry worker. Behind the laundry worker, is a laundry iron on a shelf, Chinese characters written on a wall, and Uncle Sam resting his arms on the ledge of an opening in the wall. Uncle Sam has red hair and a beard and is attired in a top hat, a blue jacket with a white star pattern, a red neck tie, and white shirt with the collar turned up. He looks at America. Above his head is the sign "Gon Up Chinese Laundry." Patented during the 1860s and 70s, separable celluloid collars, unlike separable paper collars, were waterproof and longer lasting, as well as fashionable and affordable. Following the Chinese Exclusion Act of 1882, the celluloid collar industry leveraged the racist legislation to promote the use of celluloid collars as patriotic and as a means to make Chinese launderers obsolete and to facilitate the end of Chinese immigration., Title from item., Date inferred from content., Includes advertising text printed on verso: A New Improvement-Patented. Waterproof Linen. Waterproof-Elastic-Durable. Ladies' & Gents' Cuffs Collars, [Bossa]ms, Made From Celluloid. In Introducing this new invention [italicized], we beg to call the attention of the public to some of the remarkable features of this "new departure," [italicized], which will commend the use of these goods to all who study economy, neatness, and beauty [italicized]. 1st. The Interior is Fine Linen. 2d. The Exterior is Celluloid. 3d. The Union of Above, Combines the Strength of Linen With The Waterproof Qualities of Celluloid. 4th. The Expense of Washing Is Saved. If The Goods Are Soiled Simply Wipe Them Off With Soap And Water. 5th. The Goods Never Wilt Or Fray On Edges. 6th. They Are Perspiration Proof. For Sale by All Gents' Furnishing & Fancy Goods Houses throughout the Country., Image caption: "Othello's occupation gone." The Hand Writing on the Wall., Purchased with funds for the Visual Culture Program., RVCDC
Date: [ca. 1882]
Location: Library Company of Philadelphia | Print Department trade card - Celluloid [P.2021.20.1]

Title: “Universal family” Soapine, Kendall Mfg. Co., Providence, R.I
Description: Racist trade card promoting Kendall Manufacturing Co.’s Soapine and depicting caricatures and ethnic stereotypes of people helping Liberty wash laundry. Shows Liberty in the center personified as a white woman with blonde hair tied up in a bun attired in a blue cap with a white star and a white sleeveless dress with a red belt that has an American flag crest. She stands behind a wooden wash tub labeled “Kendall MFG Co.” that sits on top of six boxes labeled with the letter K. She spreads both of her arms out to the seven people around her. In the left, a white man with blond hair and mustache (possibly German,) holds a pipe in his mouth and is attired in a blue tunic, brown pants, and black shoes. He bends over as he carries a large box labeled “universal soap” on his back. A white Scottish man with blonde hair, attired in a blue cap with a yellow feather, a green shirt with a red sash, and a red kilt, helps a white man with black hair and mustache (possibly French) attired in a blue uniform with gold epaulettes and black shoes, carry a large straw basket filled with white laundry to the wash tub. In the right, caricatures of an African American man in a white sleeveless top, a Native American man attired with a feather headdress and blue pants with a bundle of arrows on his back, and a Chinese man with his hair styled in a queue attired in a blue tunic, brown pants, and blue, slip-on, cloth shoes, carry an oversize wash board labeled “French Laundry Soap.” In the center foreground, a white man with blonde hair and attired in a blue shirt, brown pants, blue socks, and black shoes, has fallen down on the ground. Beside him is a broken white pipe, and a small black cat runs away. Henry L. Kendall (1805-1883) founded a soap manufactory in Providence, R.I. in 1827. The Kendall Manufacturing Co. was incorporated in 1860. The Company continued to manufacture soap into the mid-20th century., Title from item., Place of publication inferred from place of operation of the advertised business., Date deduced from history of the advertised business., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Kendall [P.2017.95.96]

Title: Porcelain ware, Japanese Court
Description: View showing porcelain ware, mostly vases, in a stall in the Japanese Court within the Main Building designed by Henry Pettit and Joseph M. Wilson at the Centennial Exhibition in Philadelphia. Vases, bowls, and jars of various sizes are displayed on tiered tables and on the carpeted floor. Framed artwork hangs on the walls. A small decorative table is in the left. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Date from item., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Advertisements printed on verso for twelve businesses including Centennial Photographic Company, Gilbert & Bacon, Partridge's Dining Rooms, The Crosscup & West Wood and Photo-Engraving Co., Starkey & Palen, Amos Hillborn & Co., A. & G. Taylor, Hale & Kilburn Mfg. Co., Wm. J. Dornan, I.H. Wisler, Eichmann & Meier, and R. Levick, Son & Co., White curved mount with rounded corners., Gift of Mr. Saul Koltnow., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Centennial Photographic Co.
Date: 1876
Location: Library Company of Philadelphia | Print Department stereo - Centennial Photographic Co. [P.9022.5]

Title: Japanese Com. Dwelling
Description: Exterior view of the front elevation of the Japanese Commissioner's Dwelling designed by Matsuo-Ehe for the Centennial Exhibition in Philadelphia. Shows the front entrance and porch, wooden lattice-work on the first floor, and wooden panels on the second floor. Also shows an ornate folding screen in the front doorway. The dwelling was used to house Japanese workers. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Date from item., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Series number on negative illegible., White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Centennial Photographic Co.
Date: 1876
Location: Library Company of Philadelphia | Print Department stereo - Centennial Photographic Co. [P.9600.5]

Title: Japanese Com.'s Dwelling
Description: Oblique, exterior view of the front and side elevations of the Japanese Commissioner's Dwelling designed by Matsuo-Ehe for the Centennial Exhibition in Philadelphia. Two men sit on the ground in front of the building. The walkway leading to the building is visible in the foreground. The dwelling was used to house Japanese workers. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Date from item., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Series number on negative illegible., White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Centennial Photographic Co.
Date: 1876
Location: Library Company of Philadelphia | Print Department stereo - Centennial Photographic Co. [P.9600.6]

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