The ugly hatter stands at a table ironing top hats. "Gossamer" refers to the shellacked muslin pieces that shaped silk hats. "Swipes" is slang for copious drinking, and "logwood" is a type of dye. "Judy" is slang for a ridiculous woman, and the sender suggests that the recipient could only marry such a woman., Text: Ah! now I well know what it was that I smelt, / It was the bottle-nosed, rabbit-mouthed dealer in felt. / Mother Judy might marry such a fellow, but I-- / Detest such a dabbler in logwood and dye, / Though your head is so big-- 'tis of gossamer rig-- / All bloated and puffed, like a measly pig, / Beastly swiller of swipes-- what a picture is thine-- / Bad luck to the girl who is your Valentine., See similar print, A Hatter, Comic Valentines, 4.40, Provenance: Helfand, William H.
A jockey stands at a bar drinking from a beer tankard with a dog standing attentively at his side. In the background, a bartender stands behind the bar across from a woman who grins and holds a glass., Text: Alas, poor man, thy suit of plush, / Has fairly turned thy brain I ween, / But if thou art a man, Oh! blush, / To be a thing so very mean, / Oh! Jockey of the spotless clothes, / Oh! Jockey of the gundy plush, / Oh! Jockey with the turn up nose, / I pity thee and for thee blush., Provenance: Helfand, William H.
The carriage driver has a large nose, a beard and curly hair. He holds a horse whip and a woman watches him from a window in the background. "Shoful" is slang for questionable., Text: Although you drive a Hansom, a handsome driver you are not, / For your looks are very "shoful," and your's is a shabby lot; / So drive away dear Cabby, and don't cast sheep's eyes at me, For I like a smarter chap than you -- your "fair" I'll never be, Provenance: Helfand, William H.
A peddler stands between a fence and a wooden stand. Over his ahoulder is a strap carrying mugs, which are also hanging from the fence and stand., Text: Awkward, clumsy, bawling brute, / How well you with your CALLING suit, / For as about the streets you shout, / Each servant girl on looking out / Exclaims "just hear that fellow, : / To bring the Pot unto his call; / Why what a cheek the fellow's got, / He's only fit to go to Pot., Provenance: Helfand, William H.
A baker stands in front of his oven. He is smoking a pipe and his shovel leans on the wall next to him., Text: The bread that you bake is not fit for a dog, / Your pies and your cake would sicken a hog; / Sawdust-flour you use, rancid butter and lard, / For such practice you ought to be feathered and tarred, / Or else to be taken and baked in your oven -- / You dirty old cheat, and rascal, and sloven., Provenance: Helfand, William H.
A baker in a paper hat is putting a pie into an oven. His shoe has split open and his red nose, combined with the word "sodden," imply that he is drunk while on the job., Text: What! Buy of you! Your senseless grin / Would sour all your pies, / And not a loaf, poor, sodden oaf, / But would smatter of your lies. / Heavy as lead, your lightest bread, / Cakes, buns, and buscuits, all; / Smash your paper cap on your grinning head, / And into your oven crawl!, Provenance: Helfand, William H..
A woman in mourning clothings hold a handkerchief to her eyes and smiles. She gestures to a sign on the wall behind her thats reads "A Bargain Second Hand to be Disposed of". Another sign on the wall reads "To Let". The valentine suggests she is looking for a new husband immediately after being widowed., Provenance: Helfand, William H.
A man carries a yoke with two buckets. One is labelled chalk and the other water. Milk means to take undue profit and the use of "cream" and "surface" suggest that the milkman is cheating his customers by adulterating his product so that it looks like milk., Text: Bawling about the streets you go, / With noisy cry of milk Be—low, / BE-LOW indeed the MILK must be, / We none upon the SURFACE see, / For it is plain you never fail / To milk the cow with the iron tail. / Of all the MILKMEN I have seen, / Of roguery you are the CREAM., Provenance: Helfand, William H..
A man in a coat and top hat and bear are separated by bars. The man's head is turned away from the bear and the bear is looking at the man. The text characterizes the man as having dangerous animal qualities, and the placement of the two figures poses the question of who is really the beast in a cage., Text: A Bear, what is it but a surly brute? / A pest to women, above dispute, / A surly brute are you, none can deny, / Also a nuisance to society, / Therefore, old Growler, I do decline / To Bruin be a Valentine., Provenance: Helfand, William H..
A man in a coat and top hat and bear are separated by bars. The man's head is turned away from the bear and the bear is looking at the man. The text characterizes the man as having dangerous animal qualities, and the placement of the two figures poses the question of who is really the beast in a cage., Text: A Bear, what is it but a surly brute? / A pestto women, above dispute, / A surly brute are you, none can deny, / Also a nuisance to society, / Therefore, old Growler, I do decline / To Bruin be a Valentine., Provenance: Helfand, William H..
An unkempt woman leans against a post and drinks from a bottle of liquor., Text: Begone, you dirty drunken jade, / And feed along with swine, / For none but a pig would have you / To be his Valentine., Provenance: Helfand, William H..
A fashionably dressed man holds a cane and smokes a cigar. His bulging midsection and puffy face underscore the text's suggestion that as a "Bloat" and "Wind-bag" he lacks substance., Text: You swagger round, you Wind-bag, / As if you owned the Earth, / But your would-be lordly bearing / Awakens only mirth. / No man who comes across you / Ever fails at once to note, / That in spite of all your blather, / You are just a great big Bloat., Provenance: Helfand, William H..
A blacksmith stands at his anvil, using a hammer and tongs. His face is dirty and he is smoking a pipe. The valentine suggests that the smith's trade will prepare him for Hell in the afterlife., Text: A sketch of your visage, so ugly and cross, / Here behold, Mr. Blacksmith, of botches the Boss. / It can’t be disputed a wise choice you made, / When you took for a calling your black, sooty trade ; / For ‘tis well ere you die to get used to things hot, / In view of what surely will then be your lot., Provenance: Helfand, William H..
A portly woman smiles vacantly and holds a bottle of liquor. The valentine suggests that her consumption of alcohol has permanently rendered her unattractive., Text: O! Whisky is your souls delight / Your only Valentine. / Go steep your brains in alcohol. / You never shall be mine., Provenance: Helfand, William H..
A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: Blundering little hussy, who can never move about, / But furniture and tea trays are all put to the rout ; / It's all your foolish vanity because you wil be seen, / When about your work, dressed in a crinoline : / Pray leave off your hoops and gain a little sense, / And then to gain a husband you may make some pretence., "No. 186", Provenance: Helfand, William H..
A man is painting a sign with a large brush. The sign is untidily painted and the man is spilling paint from the pan he holds. This, combined with the pipe he is smoking and the patches on his pants, suggest his work is generally slipshod., Text: You wretched, worthless bungler, to see you try to paint, / I'm sure would spoil the temper of even a first-class saint, / For you cannot lay a color, and the letters you design, / Look like a lot of scare-crows drawn up in a line ; / You're a dirty, mussy dauber, without a bit of taste, / And a building with a sign of yours is thoroughly defaced., Provenance: Helfand, William H..
A tailor sits cross-legged, sewing a button onto a pair of pants. The tailor is smoking a pipe and a half-empty mug of beer sits next to him. On the wall behind him, "Old Misfit" and "Shoddy Suits Made to Order" suggest that the quality of his work is poor., Text: You cross-legged sinner, you botchy old beat, / All that you care for's to cozen and cheat, / Your cloth is all shoddy, and your sewing is such / That the clothes comes to pieces almost at a touch ; / The buttons fall off, the colors all fade, / And only fools, more than once, with you would trade., Provenance: Helfand, William H..
A man with an oversized bald head smiles broadly. The text indicates that his baldness is an outward sign of his inner deficiencies., Text: You have got a great big head, but it’s only filled with air. / It hasn’t enough of substance to produce a growth of hair. / You’ve got a smile upon your face, but we have heard before, / You get it from a bottle when you sneak behind the door. / You’re only an old milk sop, and of either sense or wit, / No one will e’er accuse you of having the smallest bit., Provenance: Helfand, William H..
A butcher with a moustache stands with cleaver in hand. Two cats hang from hooks under the words "Cats wanted.", Text: Go! slaughterer of stolen cats, / And shave the moustache from thy lip -- / Thy sausages are made from rats, / Thy cutlets worse than any chip, / Thy steaks defy the strongest jaws, / Thy mutton comes from aged rams, / Thy pork defies the sharpest saws, / And tainted are thy sugared hams. / Repent, ere yet it is too late, / Or you may butcher for the State., Provenance: Helfand, William H..
A driver who has falled from his cart sits on the ground. His hat has fallen off, he has dropped his whip, and his clothes are torn at the knees and elbows. His horse is running away with the cart int he distance and the boxes of cargo have fallen off. The text indicates that he is careless because he drinks too much., Text: You stupid old donkey, just from the bogs, / You’re only fit to drive, a drove of western hogs, / You always are loaded, and so much more of late, / That your tongue seems a brick and you cannot see straight, / Your horses get scared – for their blinders don’t blind them, / When they see such a sot, on the truck-load behind them., Provenance: Helfand, William H..
A chambermaid holds a candle and shows a room to a man. The text suggests that she is promiscuous., Text: A chambermaid! Pray what’s the use, / Of such a giggling, silly goose? / Whose chief employment, so ‘tis said, / Is showing folks the way to bed!, Provenance: Helfand, William H..
A female domestic servant peers over a wall and gossips with another servant. A magpie in the background emphasizes the irritating nature of the servants' chatter and suggests that, like the magpie, the servants may also be thieves. Spleen refers to anger or a foul mood. Hecate is a Greek goddess associated with magic and crossroads and is often depicted as a hag or crone., Text: A chattering magpie is a hateful creature, / With spleen and malice marked in every feature, / Forever gossiping with thy hateful crew, / I’d sooner wed old Hecate than love you., Provenance: Helfand, William H..
A coachman sits on his box. He wear a feathered top-hat, an elaborate buttoned coat, and mutton-chops. The valentine suggests that no one will take his pretension seriously., Text: What an arrogant air, / What a cockneyfied stare / You try to put on, you comical monkey! / Can it be you expect / Anyone to respect / Such a paltry, contemptible flunkey?, Provenance: Helfand, William H..
A bent-backed carpenter is using a plane. His pants are mended with a patch and his nose is red and dripping. A saw, chisel, hammer and other tools are on the floor of his shop., Text: Come, stand erect and plain away, my beau of sawdust, chips and shavings, / St. Valentine’s, that happy day, is hastening round to ease your ravings; / Then don’t be downcast, see above, a sketch I’ve made of your sweet features / Then come and wed, with love for love, we’ll prove to all, we’re Cupid’s Creatures., Provenance: Helfand, William H..
A woman wears an elaborate crinoline, shawl and wide-brimmed hat. The hat partially conceals a sheep's head. The valentine suggests a person who does not dress age-appropriately is deceitful. Hecate is a Greek goddess assocaited with magic and crossroads, and is often represented as a hag or a crone., Text: There we see an old ewe, yet more like a ram, / Though a fifty-year old, she’s dressed like a lamb, / Both toothless and ugly, and snafty and base, / Yet she tries to look sheepish, and soft in the face. / Dress on, Mother Hecate, your stiff crinoline, / Floats flauntingly free, abroad in the wind, / But the looks that you give, and the fashions you wear, / Bids all of good sense and of manners beware., Provenance: Helfand, William H..
A man stands behind the counter in a dry-goods shop. He leans forward on his hand and stares intently, with wide eyes, at the women who frequent the store. Signs in front of the counter read "Fancy goods, etc." and "Bargains", and a sign on the wall reads "Goods of all kinds cheap at any price. Give us a call.", Text: You staring, dull-eyed booby, you think you're the dude of the town, / But there is not a girl who see you, but thinks you a boorish clown. / You measure only the cheapest goods, both second-hand and new, / But the cheapest stuff that you handle, is worth much more than you. / With a starvation rate along, behind the counter you strut, / And long your boss will keep you there, of the girls to be the butt., Similar to Comic Valentine 3.2, Provenance: Helfand, William H..
A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: My country chuck, go turn your hay, / And do not put me in a splutter, / By asking me to go away / With you, to make your cheese and butter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: My country chuck, go turn your hay, / And do not put me in a splutter, / By asking me to go away / With you, to make your cheese and butter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: My country chuck, go turn your hay, / And do not put me in a splutter, / By asking me to go away / With you, to make your cheese and butter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: My country chuck, go turn your hay, / And do not put me in a splutter, / By asking me to go away / With you, to make your cheese and butter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: My country chuck, go turn your hay, / And do not put me in a splutter, / By asking me to go away / With you, to make your cheese and butter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: My country chuck, go turn your hay, / And do not put me in a splutter, / By asking me to go away / With you, to make your cheese and butter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A short and stout country bumpkin smiles and carries a pitchfork. The sender rejects the recipient's romantic advances because of his occupation., Text: My country chuck, go turn your hay, / And do not put me in a splutter, / By asking me to go away / With you, to make your cheese and butter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A store keeper stands behind the counter. He has a red nose and pencil tucked behind his ear. Behind the counter are a large number of labeled goods, showing the variety of odds and ends in his stock. The valentine suggests that his customers would be less inclined to be attracted to him than to buy some of the junk he sells., Text: In your shop folks can find every goods, and more too-- / Grass, grogs and grocery; fruits, old and new; / Wood-ware and all wares, temperance gin, / Brooms, bristles and bed-clothes, to draw in the tin; / All things you can sell by the large or the small, / And you are the very worst sell of them all., Provenance: Helfand, William H..
A thin older woman with a large nose sits on a bench with a small child in front of her. She holds a comb and appears to be checking the child for lice., Text: There are some people I know well, / Who read of novels night and day, / While some do love to promenade, / And others love to dress quite gay; / But you, my many-wrinkled dame, / Have no desire to be a belle, / And though you sometimes crack a joke, / You crack some other things as well. / It is a blessed thing, I swear, / To have a comb-ly matron’s care., Provenance: Helfand, William H..
An older woman sits at a table, eating a large piece of meat. A monkey is sitting on the back of her chair., Text: Dear mam you’re ugly cross and old, / An errant vixen and a scold, / So that betwixt us I’m afraid: / You’re doomed to live and die a maid, / For since your age is sixty-nine, / You cannot be my Valentine., Provenance: Helfand, William H..
An elaborately dressed man stands by a tree. Two women in bonnets and shawls are facing away from him., Text: Dear sir, having considered your suit, / When to know the result you’re inclined, / You will learn from my dear brothers boot / The final resolve of my mind., Provenance: Helfand, William H..
An older woman sits reading to three small children. The text suggests that she vents her frustrations at being unmarried on the children., Text: Deserted old damsel, so prim and demure, / You have lost all your hopes for a husband at last; / When you refused, and you now must endure, / Your old maidish thoughts and regrets for the past. / Sour tempered old dame whose only delight, / Is to tease the poor children who are put in your care; / On them vent your spleen if they are not quite right, / And to vex and annoy them as much as you dare., Provenance: Helfand, William H..
A maid polishes a pair of boots. The valentine plays on the words work and play to suggest that the maid is promiscuous., Text: Dirty, ugly, vulgar, pert, / So begrimed with grease and dirt, / I vow that I should be afraid of, / Seeing what that maid is made of, / Tho’ call’d maid of all work! They / Say you’re often made of play, / And when with sweethearts you’ve your swing / The maid is quite a different thing!, Provenance: Helfand, William H..
A thin man sits in a washtub. He holds a large bar labeled "Soap.", Text: Go wash yourself! You dingy whelp, / With grime and filth you’re fairly blue; / Take lots of soap and pumice-stone, / The dirt has struck you thro’ and thro’ / And if to lose so much in weight / Should make you thin, or give you cold, / Console yourself, for what comes off / Can for manure be quickly sold!, Provenance: Helfand, William H..
A man sits at a desk in front of a window. He is using a lamp and a loupe to see the object he is engraving. A moon with a face is visible in the window behind him., Text: Dost think to win some fair enslaver / With that grave face and tool that's GRAVER, / I'll teach your skill another trick / Instead of WOOD to cut your STICK, / A lover never shall be mine / Who might EN-GRAVE his Valentine., "No. 57", Provenance: Helfand, William H..
A young man sits in a chair., Text: You sleepy headed numskull, go home and take a snooze, / When you go to see the girls, they think you’re full of booze. / As vain as any weather-cock, you know not how to talk, / Nor can you take a slight hint, when you’re told it’s time to walk. / You ought to be a baker’s boy, for now wherever you go, / The girls all laugh at such a calf, and say your head is dough., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A man with a beard smokes a long pipe. The text mocks the man for his accent and incomplete command of English, and for his dirty, crowded living situation., Text: Smoking your pipe, your likeness is here, / Mine Sour Krout friend, mid der larger bier, / In vone small room, yourself and vrow. / With nine children sleep -- besides a cow-- / And with all these dare’s drouble in de house, / Yaw -- dat is nice -- Nix cum rouse., Provenance: Helfand, William H.
A woman's figure has two heads. One is smiling and says "My love to you, dear ," while the other has a forked tongue and says "Bad luck to the wretch." The text translates roughly to: "Cheers, Sir. Oh, how polite, to indulge us with the privilege of your presence, if I see the man I'd like to stick a pincer in his guts." The valentine suggests the recipient's words mask malicious intentions., Translation: "Cheers, Sir. Oh, how polite, to indulge us with the privilege of your presence, if I see the man I'd like to stick a pincer in his guts.", Text: Wohl bekomm’s mein Herr / Ach, wie artig, uns die Ehre / Ihres Besuches zu gönnen, / Wenn ich den Menschen sehe / Möcht icht eine glückende Zange / In seine Eingeweiden umkehren., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A maid wearing an apron is holding a bed-warmer. The word "empty" is written over her head. The valentine suggests that her lack of brains means she is condemned to a life a menial tasks., Text: The reason why you don’t get on in life-- / Is the Sending of the Valentine to you a hollow mockery?, Cf. Valentine 14.42., Provenance: Helfand, William H..
An elaborately dressed man leans back in a chair and smokes a cigar. The word 'empty" is written over his head. His clothes and the position of his hand suggest he is a dandy. The sender mocks the recipient's concentration on outward appearances., Text: The reason why you don't get on in life-- / Is the Sending of the Valentine to you a hollow mockery?, Cf. Valentine 14.41., Provenance: Helfand. William H..
A farmer stands in a field holding a scythe. The sender considers farmwork dirty., Text: You pigheaded, grinning, ugly brute, / Go look after the pigs and the sheep; / For they are the only companions you’ll suit -- / No girl would your company keep. / You smell too much of horse and swine, / For any maiden to be thine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
A bearded musician plays a violin. He is standing in front of a music stand. "Catgut" means a thick cord made from sheep intestines used for violin strings. The valentine mocks his lack of skill and suggests that he deserves to endure the punishment he inflicts on his neighbors., Text: “Music hath charms to sooth the breast,” / But cat-gut scraping spoils our rest. / Morning and night in neighbor’s spite, / You murder time and tune outright! / Your torture that poor old violin, / ‘t’ill the hottest place we wish you in!, Provenance: Helfand, William H..
A man's head is attached to a barrel of gin. He is smoking an oversized cigar. The valentine criticizes the recipient's overconsumption of alcohol and tobacco and their poor effects on his health., Text: You pasty-faced unwholesome lout, / You’re always soaked with rotten gin, / And smell so rank of vile cigars, / To strangle you would be no sin. / You’ve drank and smoked until you’ve grown / A dried-up mummy lank and thin, / A sample of the dire effects / Of bad tobacco mixt with gin., Provenance: Helfand, William H..
A cook wearing a bonnet holds a pot on a stove. She has a long pointed nose. The Valentine suggests she is too ugly to find love., Text: Goddess of the fries and stews, / To court the male sex ‘tis no use; / Your nose I’m sure is only fit / To make a kitchen roasting spit; / Then cut your foolish ways, pray do, / I’ll ne’er have a Valentine like you., Signed: Pickering., Provenance: Helfand, William H..
